Friday, August 24, 2018
Maine State Pier, Portland, Maine
I bought a house this summer, which meant that I canceled a solid month of concert-going to renovate and move, including a trip to the Newport Folk Festival. I couldn’t, however, skip seeing Dashboard Confessional at the Maine State Pier, which says a lot, because the Pier is a terrible venue and I was slammed. If you’re in your late 30s, you might also be at the right age for Dashboard Confessional to have been important to you at a transition point in your life. Their 2001 album, The Places You Have Come to Fear the Most, has been my go-to break up album for almost 20 years.
I spent the afternoon with my friend Jan at Reid State Park and then scooted down to Portland to catch Dashboard’s set. The person I talked to at the ticket booth was friendly, which is about the only positive interaction I’ve ever had with a staff member at the Pier, so it deserves a mention. I ran into one of my former students and her big sister and caught up for a bit, and then grabbed my spot in front of the barricade to take photos for the first three songs of Dashboard’s set.
If you have nostalgic feelings about Dashboard, then this was a pretty okay show. If you didn’t, I bet you thought their set fell flat. Chris Carrabba’s got a lot of screechy high notes to hit in his songs, so he balances that with a lot of chatting with the audience. He also gave personal introductions of every member of the band. Chris knows his audience well by now, and said, “some of you guys were in drama and got beat up like me. If we all feel weird together, we don’t have to feel weird alone.” I was so glad to hear “Again I Go Unnoticed,” “Saints and Sailors,” and “Screaming Infidelities” early in their 14-song set. To introduce “Screaming Infidelities,” Chris said “come on kids–we’re going crying.”
Chris said Weezer was the first band to believe in Dashboard Confessional, so they covered “Say It Ain’t So” to thank them. I didn’t like the new song for this tour–“Kinda Yeah Sorta,” but Dashboard hasn’t been putting a ton of music out in the last decade, so I’ll forgive it. Chris talked a lot between songs, and his messages were about inclusion and kindness. To introduce “We Fight,” he said “we are all accepting of each other’s differences in this space. I don’t know what’s going on with the rest of the world, but I beg you to show them what we are doing right. Let’s make a better world for ourselves and our children.”
I made my way to the rear of the audience to watch the full moon behind the stage light up the sky. Chris played “Hands Down,” which he always says is about the “best day he’s ever had in his whole life” to end their set. I was glad to hear some of these songs that mean a lot to me in person again, and was happy to get to do that nearby in Portland on a gorgeous night.