Gregory Alan Isakov with MYRO and the Ghost Orchestra

Tuesday, June 21, 2016

State Theatre, Portland, Maine

I saw Gregory Alan Isakov open for my beloved Brandi Carlile back in 2009 at South Portland High School and was captivated by his lyrics and airy voice. I waited in a long line after the show that night to buy his 2009 album, This Empty Northern Hemisphere, and was really excited to hear Brandi Carlile’s beautiful voice singing along on so much of it. That album is one that you should listen to right now, actually. I saw Gregory Alan Isakov once more in 2011, but sadly not again until April of 2015. I was in love then, and my sweetie joined me for the show and fell in love with Gregory Alan Isakov, too.

Here’s the problem with introducing people you love to musicians you love—sometimes you aren’t in love anymore, and your ex comes to see a musician you introduced them to with the person they started dating a curious two weeks after you ended a two year long relationship. It was awful. I’d been excited about this show (obviously), and my steadfast concert companion Colin kindly bought us tickets for this reserved seating show at State Theatre the day tickets went on sale and our seats were front row center. Problem was, my ex and his girlfriend were just one row behind us. Thank goodness they were stage left and we were stage right, but eight people between us was really not enough for my concert enjoyment. Anyhow, I am human and I was so upset and jittery to see my manipulative, freeloading ex with his no-longer-new girlfriend that I was shaky for the vast majority of the show. If Colin hadn’t been there, I would definitely have left my front row seat and gone home before the show even started. Thinking back to this night, I feel a pit in my stomach and remember how distracted, sad, and angry I was the whole time. I tried to consciously focus on enjoying Gregory’s enchanting voice, Jeb Bows’ positive energy while he danced with his violin, or the powerful, full sound generated by having the Maine Youth Rock Orchestra and the Ghost Orchestra on stage all night, too, but I failed miserably. Coincidentally, my ex asked to borrow the very Gregory Alan Isakov CD I bought the night I first saw him live all those years ago, and he still has it.

IMG_4876IMG_4877IMG_4887

I am grateful that Colin posted the night’s setlist on setlist.fm (his concert schedule is far more impressive than mine, by the way), because you can click on the “play” arrow to the right of the first song of the night, and it will auto play all of the songs in order for you. I am taking this time to hear the show again (pretty much for the first time) right now, and these songs are so layered and beautiful. GAI played five songs from This Empty Northern Hemisphere, which is a perfect album. He is wonderful live—totally not interested in being the center of attention and humble and genuine. I will hopefully feel better next time he’s in town. Or I’ll just go to one of his shows farther away. Either way, he is not to be missed. I’ll close with apt lyrics from one of my favorite GAI songs—“The Moon Song”—“and those broken hearted lovers/they got nothing on me.”

IMG_4887IMG_4903IMG_4901Screen Shot 2016-07-24 at 6.15.52 PM

Gregory Alan Isakov with the Colorado Symphony is available now. Here’s some praise for his new album. Here’s a biographical piece in the New York Times about GAI balancing music and farming.

xo,

bree

Leave a comment

Filed under Uncategorized

The Dixie Chicks with Anderson East

Thursday, June 16, 2016

Darling’s Waterfront Pavilion, Bangor, Maine

We all have songs that bring us right back to a particular moment in our lives. The first song I ever sang in public on my own as an adult was “Wide Open Spaces” by the Dixie Chicks. I performed at an open mic competition in the pub my senior year of college and thought I was going to throw up because I was so nervous. Instead, I won the competition and tickets to our annual Spring Gala. I’ll never forget how that song pushed me to find my own voice, even when it was terrifying. So, when I saw that the Dixie Chicks were going to tour after a decade-long hiatus, you’d better believe I waited by the computer and treated myself to fancy seats in the 13th row. This was a bucket list show—my first time seeing Natalie Maines, Martie Maguire, and Emily Robison live—and I couldn’t wait for June 16 to arrive. Since we had three snow days this school year, it turned out that it was my last school night of the year, but well worth my first trip to Bangor’s ENORMOUS Darling’s Waterfront Pavilion (I had no idea my hometown had such an immense concert venue!) for the show. My dad was my date, and he leaned over early in the show to say that they were really good (this is high praise from him) and that Natalie had a great singing voice (that’s really high praise from him). I had no doubt. And I agree completely—the Dixie Chicks sounded fantastic. They haven’t toured in a decade, but they didn’t miss a beat.

Backing up a tiny bit, my dad and I arrived just as Anderson East began his set. I’d seen him open for my beloved Brandi Carlile at the State Theatre in Portland in the spring of 2015. He has grit in his voice, and I liked that his band has a horn section. He played his radio hits “Devil in Me” (a song he introduced by saying it was about “fornicating with a preacher’s daughter”), “Satisfy Me,” and covered Mariah Carey’s “Always Be My Baby.” Dad leaned over and told me he sounded like Joe Cocker. I wondered if Anderson East’s girlfriend Miranda Lambert was in town, too. She’d joined him a couple of months earlier on stage for a song, but we had no such luck. He wrapped his set with another song I liked—“All I’ll Ever Need.” At some point during Anderson East’s set, one of my delightful former students and her mom came to sit in the two seats immediately next to us. Such a big venue, and yet such a small world!

A bit later, Prince’s “Let’s Go Crazy” started playing, and the Dixie Chicks and their band took the stage wearing black and white to bring Maine the long-awaited DCX MMXVI World Tour. Even their instruments were black and white. It was visually impressive, but then a plethora of beautiful background videos and still images filled an enormous screen behind them and made the enormous venue feel a lot more intimate. Natalie Maines opened the show by letting us know they were going to “attempt to entertain us” and that they fondly remembered playing a festival in Maine years ago and it was the first time a big crowd had known the words to their songs. At some point, she joked that she hoped we wouldn’t wait ten years to invite them back.

The Dixie Chicks played a solid 25 songs. Since they haven’t spent the last decade writing new music together, they played most of their big hits and supplemented with some covers of Prince, Bob Dylan, and Beyonce. I thought opening with “The Long Way Around” was an apt choice, and I was pleased to hear three Patty Griffin songs (y’all know wildly talented songstress Patty Griffin is a native of nearby Old Town, Maine, right?)—“Truth #2,” “Top of the World,” and “Please Don’t Let Me Die in Florida.” I was THRILLED to hear “Top of the World” live, but it would have been better if the drunk twentysomethings behind us hadn’t been shouting and taking pictures to share on Snapchat the whole song. CONCERT ETIQUETTE, people. It DOES NOT MATTER that we’re in a huge outdoor venue—you should still let people listen to the songs they came to hear in person. Pretty, pretty please. Oh! The Chicks played a Prince song, too, and it was STUNNING. “Nothing Compares 2 U” was lovely. The twentysomethings were even quiet for that one. That good.

The Chicks came back from a video interlude and sat right along the edge of the stage to play a stripped down “Travelin’ Soldier.” Getting only mildly political, the Chicks performed “Ready To Run” while we were bombarded with fast moving images of Donald Trump, Ted Cruz, Chris Christie, Hillary Clinton, Bernie Sanders, and Elizabeth Warren—just to name a few. Confetti cannons spit out tons of red, white, and blue pieces of paper, and we were close enough to catch some (cheesy, but I have a piece on my fridge as a show souvenir). “Landslide” was lovely and the whole crowd sang along. We were all pretty excited to hear “Cowboy Take Me Away” and “Wide Open Spaces” back-to-back. They wrapped their set with “Sin Wagon” and the crowd erupted. The Chicks came back to the stage for “Not Ready to Make Nice,” which is a triumphant comeback song. If you haven’t seen Shut Up and Sing, the 2007 documentary about the insane, life-threatening backlash the Dixie Chicks suffered after Natalie made an anti-G.W. Bush comment on stage, I highly recommend it. A decade later, and even though so much has changed, so much still hasn’t. The Chicks ended the night on a hopeful note, closing with a cover of Ben Harper’s “Better Way.” They were joined on stage by about a dozen kids playing instruments under a giant rainbow heart. It’s been ten years, and the Chicks’ message is still the same—and their devoted fans poured into an enormous venue to sing along.

xo,

bree

IMG_4812 2IMG_4818 3FullSizeRender 24

Leave a comment

Filed under Uncategorized

Brandi Carlile

Saturday, June 4, 2016

Thompson’s Point, Portland, Maine

If Brandi Carlile is coming to town, I’m going to be there. It’s a no-brainer. Brandi and the Hanseroth twins—Tim and Phil—bring it every single time. They’re easily one of my top five live acts. The last time I got to see them was at the State Theatre back in May of 2015, which they sold out in two days. People packed into Thompson’s Point to see them on this cloudy night, and it was lovely to be surrounded by good people and good music. This was the furthest I’ve ever been from the stage at a Brandi show, and since proximity is paramount to my concert going experience, this was my least favorite Brandi show to date, but it was my fault for being over scheduled and not making the show my top priority. I should have gotten to Thompson’s Point when doors opened to get a spot up front against the stage like I normally would, but it was my 15th college reunion weekend and my dear friends’ daughter’s second birthday, and I tried to do it all. I’ve had the front row Brandi experience a few times, so I am still a whole person, but it’s hard for me to be so far way. A few of the perks of our spot, though, were that we got to witness a sweet proposal by the entrance, had room for our friends Kay and Spud to join us for the second half of the show, and that Portland songstresses Monique Barrett and Sorcha Cribben-Merrill spotted me on their way to the beer tent and we sang a song together.

Bowdoin Reunion

My 15th college reunion! And I just moved back to town, too!

Mira is 2

Mira is 2!

Proposal

Check out the newly engaged couple kissing on the right. Congratulations!

MSB

This makes my heart happy! I felt like a celebrity when fabulously talented songstresses Monique Barrett and Sorcha Cribben-Merrill stopped by!

Girls Night

Thanks for taking this, Sarah! I’m rarely in concert pictures!

Sarah, Megan, and I were in the first row of low folding chairs, which is the first section back from the standing general admission area. Thompson’s Point is absolutely gorgeous, and if you’re someone who likes the feel of a festival, it’s going to be right up your alley. They have a handful of delicious food trucks, a fully stocked beer tent, and are in a beautiful spot to watch the sunset.

 

Screen Shot 2016-07-21 at 12.56.51 AM

Screen Shot 2016-07-21 at 12.56.39 AM

I found this information very helpful!

Brandi opened with “Again Today,” and it was great to hear one of her “older” songs. I love “The Eye” and “That Wasn’t Me,” and was so glad to hear both. Brandi invited an adorable kiddo named Isabelle from the crowd up on stage to sing “Keep Your Heart Young” with her and it was precious. I’m so glad someone got it on video. It’ll make your day to watch. Ruby Amanfu opened the show, but I missed all but her very last song. I hate to miss an opening act, too, but I did this concert experience totally unlike the norm. I was glad when she joined Brandi for “Shadow on the Wall.”

Screen Shot 2016-07-21 at 12.09.02 AM

Courtesy of @statetheatreportland on Instagram

Brandi and the Twins

Brandi Carlile, the Hanseroth twins, and the band

BrandiBrandi introduced a new song about the “beauty and terror of being a mother” aptly titled “Mother.” I love that Brandi is open and shares her life with her fans. She reaches out and offers herself to the audience and it’s impossible not to feel that positive energy at her shows. They ended their set with a powerful, beautifully orchestrated “Pride and Joy,” and came back to play a two song encore—Prince’s “Nothing Compares 2 U” (which gave me chills) and Led Zeppelin’s “Going to California.”

Brandi Carlile and the twins have soul and sincerity in spades, and getting the opportunity to see them live is a treat. Sarah dropped me off back on campus, and I rejoined my 15th college reunion and stayed up until last call dancing to Boston’s phenomenal Soul City. Quite a little Saturday! Thanks, Brandi, Tim, and Phil! Y’all rock!

xo,

bree

PS—I found a driver’s license on my walk to Thompson’s Point, and mailed it to Jamie on Monday morning with my card. She emailed me a very sweet note, which included “It’s cliché I know, but I am so thankful that there are people in the world like you.” #goodconcertkarma

Leave a comment

Filed under Uncategorized

Penny and Sparrow with Rose Cousins

Sunday, April 24, 2016

One Longfellow Square, Portland, Maine

I sold my house! I moved ten years of my possessions to my new place, which is half the size of my beloved old place! I also threw a senior prom for almost 250, senior awards night, graduation for almost 180, and went on the Project Graduation trip with my seniors. Now I’m feeling settled in my new place and am SO READY to get back to more live music in my life. I don’t know about you, but times are heavy and music helps me through. I offer you “Rise Up” from Andra Day at Austin City Limits, just in case you need a boost right this minute.

I have pondered what to write about the incredible Penny and Sparrow show I saw back in late April at One Longfellow Square for a long while. It was incredible and one of the BEST SHOWS I HAVE EVER SEEN. That’s a little hard to process, just like the show still is. I wish I could relive every moment. I am so glad my steadfast concert companion Colin joined me, because I needed backup. This show was intense. Overwhelming. Wonderful. It hit me so hard in the feels that I needed a tissue.

I’d been lucky to see Canada’s talented Rose Cousins back in March in my former sweet little town of Gardiner, Maine at Johnson Hall. She is hilarious and gritty and open live and is a true entertainer. Juxtaposed with her beautiful, depressing songs, it’s a lot to see her perform. It’s a bit of a rollercoaster between the sad songs and her sharp banter and storytelling. It prepared me really well for this night, though.

IMG_3688

Rose Cousins

IMG_3694

Rose Cousins took the stage and gushed about Austin’s Penny and Sparrow. She told us they’d met in January at the Ann Arbor Folk Festival and that “these men have more feelings than me.” And listening to them is like “wearing your favorite hoodie right out of the dryer.” She joked that it was nice to be touring with people who just play sad music “so I don’t have to explain myself.” Rose opened with a cover of Lori McKenna’s “Shake” (I haven’t seen Lori in ages, but her songs are so good) and “Go First,” which was featured in the finale of season 9 of Grey’s Anatomy (but not in the kind of scene Rose envisioned for her song).

We all sang along with Rose’s cover of “What’s Love Got to Do With It,” and Rose told quippy stories in between these somber songs, including “Farmer’s Wife,” which she told us was inspired by her sister, who is (in fact) a farmer’s wife. Rose told us about her trip to Ireland last May to write and record a forthcoming album, which I am eager to hear. Rose wrapped her set with “Heart Be With Me Now,” “I Make Way For Love,” and “Tender is the Man,” all of which I assume/hope will be on her new album. She left the stage by telling us that there are “no tenderer men” than Andy and Kyle of Penny and Sparrow.

Andy Baxter and Kyle Jahnke took the stage and warmed the crowd immediately with light humor about our “summer” weather in Maine that had them both wearing double coats. Then, Kyle quietly strummed his guitar, Andy put his hands in his pockets and leaned toward the microphone, and “Gold” sprung from their mouths. It was one of those rare moments at a show when you start to get sad because you realize the night will end. I felt like that from the first note.

IMG_3697

Andy Baxter and Kyle Jahnke are Penny and Sparrow

I was not the only one entranced by Penny and Sparrow. Their sparse, evocative songs—Andy’s straightforward voice and Kyle’s gentle strumming and harmonies—are stunning. Kyle read our group response beautifully and told us our “give a damn” meter was high and it was a huge compliment to them and thanked us for listening. I laughed out loud in between songs at Kyle’s jokes, and then teared up during the songs. It was a lot to take in. Kyle told us that he gets it’s “taxing” (that’s the word he used) to listen to their music and genuinely appreciated we were along for the ride. He said it’s good to “shake your emotional snow globe” from time to time so that you don’t harden and can process your feelings. No kidding.

IMG_3712

Penny and Sparrow hit me in the feels with “Finery” and “Catalogue,” did a complete turnaround to sing a few lighthearted bars of “Hero” by Nickelback, and then got right back to it with Patsy Cline’s “I Fall to Pieces.” Seeing them live is a ride I would have lined up for again immediately after the show. I wish I could relive the magic of this night. I wish you were all there, too.

IMG_3721

Kyle gave us a lengthy scenario about running into an ex at a dinner party to introduce “Bed Down.” He talked about a kind of love where you are intimately aware of the struggles but don’t leave—a love with “no escape hatch.” I’d seen NPR Music feature “Bed Down” as a “Song We Love” back in February, and that’s when I learned that my beloved John Paul White (formerly of The Civil Wars) produced their album. I got to see John Paul again a few weeks ago from the front row at Cafe 939 in Boston and he is so incredibly down to earth and talented. What a pairing for Penny and Sparrow’s third studio album.

FullSizeRender 23

Rose Cousins joined Andy and Kyle for “Duet.” Andy introduced the song by saying there just weren’t enough songs about married love, so they wrote one. He said it’s about being together for a long time and still being into each other. The lyrics show resolve “Because I’ve seen you/And I know you/And I’m not going anywhere.”

This was a perfect night of music and easily one of the best shows I’ve ever seen. I wish I could do it again. Thank you, Rose, Andy, and Kyle for a cathartic night of music, storytelling, and laughter. I am in awe of all of you. You shook my emotional snow globe, and I feel better for it. Please come back to Maine again. Come together, too, if you can.

xo,

bree

Leave a comment

Filed under Uncategorized

The Ballroom Thieves with Maine Youth Rock Orchestra and The DuPont Brothers

Friday, April 15, 2016

Port City Music Hall, Portland, Maine

Nearly two months late but with many, many wonderful senior events at my school behind me (most precious were the graduation marches my seniors did through four of our five district elementary schools), I can catch a quick breath and write a bit. The Ballroom Thieves are easily one of my top favorites live bands. [Fun fact: I first saw The Ballroom Thieves live opening for The Lone Bellow three years ago today!] I feel really lucky to have seen them a lot, and am so glad that their star continues to rise, having now played at the Newport Folk Festival and opened for Lake Street Dive at Thompson’s Point in Portland. That’s a huge venue, and friends who were able to go and had never seen the Thieves messaged me to say how great they are (um, yeah!).

Thinking back, I remember that I was able to grab a quick dinner at Slab with one of my dear former class presidents before heading over to the show. I got to Port City Music Hall early to make sure I’d have my favorite spot up front and even beat Colin there. Erin and Darcy, teachers from Westbrook High School who we’d met a couple of shows back, were also there, and my current (well, graduation was Sunday, but I’m not ready to let go) class president, Carmen, also joined the full house for the show. This was one of those nights when the crowd was top notch. I think it’s because there were a lot of proud Maine Youth Rock Orchestra family members in the crowd, celebrating the beginning of their April vacation week tour with The Ballroom Thieves. Anyhow, it’s always great to be surrounded by positive energy and attentive people at a show, and this was a real treat.

Burlington, Vermont’s The DuPont Brothers took the stage and warmed up the crowd. Their harmonies, pretty guitar arrangements, and friendly banter made for a good set. Brother Zack was celebrating his birthday, so we sang for him. They’d used Kickstarter to fund their most recent album, A Riddle for You, and played a lot of those songs for us. They invited Maine Youth Rock Orchestra (MYRO) to join them for “Trespassers,” which they sweetly dedicated to a big group of young kids sitting on the floor just in front of the stage. The DuPont Brothers will be back in Portland at One Longfellow Square on Thursday, June 30.

IMG_3531IMG_3541IMG_3545IMG_3554

IMG_3563

“Trespassers” with The DuPont Brothers and MYRO

Kevin Oates, the founder and director of Maine Youth Rock Orchestra, took the stage to do a little fundraising to support their ten-day tour with The Ballroom Thieves. He said he’d shave his head (and he has really good hair) if they reached their fundraising goal before the show ended, which shows dedication. MYRO is awesome. As a teacher, it hits me right in the feels that this awesome group exists, and that they’ve had such great success, including being featured on NPR Music and being the first youth orchestra to tour with a national artist. Kevin tells the story himself on medium.com with “Why I started Maine Youth Rock Orchestra.” I have a front row ticket to see MYRO play with Gregory Alan Isakov on June 21 at the State Theatre and am SO excited to see them with another of my favorite artists.

IMG_3528

Kevin Oates, founder and director of MYRO

IMG_3575

IMG_3584

Martin and Devin of The Ballroom Thieves with MYRO

IMG_3589IMG_3591

IMG_3602

Martin, Devin, and Callie of The Ballroom Thieves with MYRO

IMG_3610

The Ballroom Thieves are fantastic. Their songs and harmonies resonate, their desire to connect to the audience admirable, and the sheer force of their musicianship is moving. This was another in a series of top-notch performances from Martin, Devin, and Callie. Hearing them with MYRO, adding to the richness of their already full sound, was phenomenal. I feel really lucky to have been at this show. I was so glad to learn that a new album is forthcoming. You’ve got to check out the video for “Bury Me Smiling” featuring MYRO that NPR Music picked up. “Peregrine” sticks out as a newer song I’m looking forward to getting better acquainted with. “Here I Stand” was a particularly driving force live, and “The Loneliness Waltz” is surely one of my favorite Thieves’ songs. This was truly a phenomenal show—start to finish. See these groups live whenever you have the chance. The Thieves will be joined by MYRO on July 12 at Snow Pond Center for the Arts in Sidney, Maine. Come! I will see you there.

xo,

bree

IMG_3621IMG_3642IMG_3645IMG_3648IMG_3655

Leave a comment

Filed under Uncategorized

Basia Bulat with Twin Limb

Sunday, April 3, 2016

One Longfellow Square, Portland, Maine

I’ve taken a very necessary break from blogging over the last few weeks. I’m in charge of all of the senior class events at my school and I’m selling my house and moving. It’s a crazy time in my life. I can’t remember a time I’ve been so busy!

I have fond memories of seeing Canadian singer-songwriter Basia Bulat live early last month at One Longfellow Square. Basia came across my radar back in January of 2011, when I saw her Tiny Desk Concert on NPR. I’d seen Twin Limb open for Houndmouth back in September at Port City Music Hall, and I’d liked them and was looking forward to seeing them again, as well. Colin and I had just seen Darlingside a couple of nights earlier and he had another show to go to, so I went solo.

I was surprised and a bit disappointed to find that the bulk of the seats at One Longfellow were stacked and pushed to the sides when I arrived. I’ve seen it once before, for a bluegrass show where the band really thought people would want to dance. We didn’t. People helped themselves to the stacks of chairs and set up rows before that show even started. One Longfellow Square is a listening room with a mature audience (I am often one of the youngest people in the audience when I see shows there) and we’ve come to expect having seats in rows so we can sit close and enjoy the show comfortably. I asked one of the staff members and was told one of the bands (she didn’t know which) had asked that the chairs be cleared to create a dance floor. I’ve heard lots of Twin Limb and Basia Bulat music and, trust me, it’s not dance music. I was annoyed. What ended up happening is that people sat really far away from the stage in the few seats that were set up. It ruined the intimacy we’ve come to count on at OLS shows and I’d ask the well meaning folks there to really discourage the vast majority of bands from using this seating arrangement in the future. I watched Twin Limb’s set from one of the few seats in the corner of the room and couldn’t see any of their facial expressions (have I mentioned that I’m pretty significantly visually impaired?) and their set fell totally flat for me because of it even though I’d really enjoyed them six or so months earlier. I was grumpy. I considered going home.

IMG_3421

My crappy view of Twin Limb during their opening set. Please don’t set up the room this way, OLS!

IMG_3426

IMG_3440Basia Bulat came out to watch Twin Limb’s set, and she sat on the floor, front and center. Again, my belief is that people shouldn’t come to a show and have to sit on the floor to be respectful to those seated in the back and on the sides. That type of seating situation is a mess, because anyone who wants to be up front has to either stand in front of seated people and be a jerk or sit on the floor. It was really endearing that Basia was so cool and enjoyed the set from the floor. People in the crowd were definitely her fans—a nice couple initially sitting behind me had driven nine hours from Halifax to be at the show. They were giddy when she plopped down on the floor and went to join her. So, Basia was the one who broke the ice and got people closer to the stage. This was the turning point of the night and things started moving in a better direction.

IMG_3448

Basia Bulat is front and center enjoying Twin Limb’s set

I’d been sitting with Jen Dean, a Westbrook photographer whose friend was sick and had decided to also come to the show solo. Even when I go to a show alone, it never lasts long. She was a dear. Basia and her band took the stage. I’d heard her music and although I didn’t expect this, she made it perfectly swayable. She really worked the stage with high energy dancing and switching instruments (she plays guitar, autoharp, dulcimer, piano, ukulele, and charango—which is a South American ukulele-like instrument I had to Google) and interacting sweetly with the crowd. She is a natural born entertainer, and even though I would have preferred a seated show (I’m done with the rant now), she jumped off stage and danced with the swaying crowd and even gave Jen a turn on the dance floor. My grumpiness about the seats dissipated and I found myself swaying along.

IMG_3472

Basia took to the floor to dance with us

IMG_3471IMG_3486IMG_3496

I don’t know a single one of Basia’s song titles, but I was glad I got to see her live in such a tiny venue. I get the feeling that she’s going places, not just because so many folks in the audience knew every word of every one of her songs, but also because she dazzled on stage and made it a feel-good night. Her most recent album, Good Advice, was released earlier this year (check out her song “Fool”), and her tour schedule is packed. Definitely get out to see Basia Bulat live if she’s in your corner of the world.

xo,

bree

IMG_3507

Twin Limb joined Basia and her band for a song

IMG_3508

Leave a comment

Filed under Uncategorized

Darlingside with Haroula Rose

Friday, April 1, 2016

Port City Music Hall, Portland, Maine

What an extraordinary April 1st! My dear friend gave birth to a beautiful (and surely brilliant) baby girl, I got to hold baby sheep and goats after school at a friend’s farm, and I finally got to see Darlingside again after an all-too-long break! (The last Darlingside show I caught was in late 2014, when they shared the stage with the wonderfully talented Maine Youth Rock Orchestra).

Apple Creek

I got to hold baby farm animals!

Darlingside is one of my favorite bands to see live. Think indie rock meets orchestra. “Grandpa” Don, the eldest band member (I learned during band introductions), emailed me to invite me to Darlingside’s show at One Longfellow Square back in 2012, and they stole my heart. Multi instrumentalists Don Mitchell, Auyon Mukharji, Harris Paseltiner, and Dave Senft are magnificently talented. Their perfect harmonies show how close they are and how long they’ve been making music together. They really sing with one voice, which is a real feat.

IMG_3309

From left to right, Darlingside is Don Mitchell, Dave Senft, Auyon Mukharji, and Harris Paseltiner

IMG_3312IMG_3318Colin and I grabbed our favorite spot up front at Port City Music HallPort City Music Hall for the show, where we met Westbrook High School teachers Darcie and Erin. It’s always nice to find a pocket of real music lovers to share a show with. Don emerged from backstage and gave me a quick hug. He was trying to track down some missing equipment on stage. I joked with him that I was impressed he was still dealing with his own gear now that Darlingside has gotten so famous. He laughed, but they’ve had a really big year! Darlingside was featured in The New Yorker (in an article called “Harmonious,” no less), their song “The God of Loss” was named a Favorite Song of 2015 by NPR Music, and Folk Alliance International named them 2015 Artist of the Year. Well deserved!

IMG_3289

Haroula Rose

IMG_3282Haroula Rose took the stage alone to open the show—just her and a guitar. She told us that her name means “joy” in Greek, which she gets asked a lot. Her set was sparse and somber, and I respect that her songs are so personal. “Time’s Fool” is a song about love, and “The Leaving Song” is about loss. She told us that she couldn’t play that song for a long while, too. Haroula just released her sophomore album, Here the Blue River, and I particularly like “Songbird.”

Darlingside was flawless, as always. Their banter was hilarious and their songs crisp and inviting. Seeing them live is a real treat—without exception. They played a lot of their new album, Birds Say. They opened their set with “The God of Loss,” which is one of my favorites from the new record, but I was really glad to hear “My Love” and “Sweet and Low” from Pilot Machines, too. I think the song that surprised me most live was “Clay & Cast Iron,” which kind of took my break away. Come join me the next time Darlingside is in town. I’ll be front and center and you should be, too! More pictures below!

xo,

bree

P.S.—I just remembered that David Wax Museum co-headlined this show and I didn’t mention them at all! I think they’re super fun live, but their music just isn’t in my wheelhouse. I stayed and danced for a handful of songs, but didn’t recap their set above because I really don’t post about a band unless I see their whole set and/or fall in love.

IMG_3344IMG_3348IMG_3351IMG_3354IMG_3371IMG_3373

Leave a comment

Filed under Uncategorized