Monthly Archives: March 2018

Lucius–An Intimate, Acoustic Performance

Lucius–An Intimate, Acoustic Performance

Friday, March 16, 2018

State Theatre, Portland, Maine

This was a lovely night. Lucius is such a pleasure to see live. Holly and Jess’ costumes and stage presence are always beautiful, and their voices are truly perfect. They were quite conversational, too, which I love in a concert experience. My friend Marian is a Lucius superfan and travels all over the country to see them. She’s even traveling to Amsterdam in September for a Lucius show. She ran into Jess at Speckled Ax in Portland the morning of the show and they talked for a few minutes, which totally made her day! Marian and I both accidentally had way too many tickets to this show (because we are always trying to introduce new people to Lucius), but we were able to find people to take them and finagle seats for ourselves in the first and second rows for this intimate, seated show at the State Theatre.

I’m still shocked that Lucius isn’t a household name. For those who know music, Jess Wolfe and Holly Laessig, who have been singing together for almost 15 years since they met at Berklee College of Music, have contributed vocals for Roger Waters, Jeff Tweedy, Mavis Staples, John Prine, Lukas Nelson, and more. To say they’re the sweethearts of the Newport Folk Festival is an understatement. They were featured guests in many Newport artists’ sets over the last handful of years. Their ability to blend flawlessly and not outshine others while also being true rock stars is commendable. Marian and I were both excited to hear the announcement a few days after this show that Lucius will be back at Newport again this summer, which we’ll both attend.

I saw Lucius open for Milo Greene at Brighton Music Hall back in 2012. I was totally smitten right away, and been lucky have seen them a handful of times since then. Lucius don’t know how to put on a bad show, which is a genuine compliment. Perhaps the most notable thing from this sold out show at the State Theatre was that the audience was silent the entire night. The stage presence it takes to captivate such a big crowd like that seems unimaginable, unless you’ve seen Lucius in person. Thank you, fellow audience members, for making this such a beautiful night. I’ve witnessed more and more disrespect from audiences at shows in the last couple of years, so this night gave me hope and elevated this concert experience to another level. Lucius sang a nice blend of songs from all of their albums–Wildewoman (2013), Good Grief (2016), and their new release, Nudes. They opened with“Go Home” and “Don’t Just Sit There”back-to-back, which brought me right back to when I discovered them in 2012. I wore out their 4 song EP disc from overuse after that first show at Brighton Music Hall. Jess and Holly also sang a few reimagined covers that made me like songs like Daniel Johnston’s “True Love Will Find You in the End” even more. I was over the moon to hear “Two of Us on the Run” and “How Loud Your Heart Gets” back-to-back towards the end of their set. They’re both stunning songs.

During the night, Jess said they were honored to be back in Maine at a sold out headlining show. Jess told us that they love Bob and Gail Ludwig fromGateway Mastering in Portland who are some of their most favorite people. Lucius opened for Tegan and Sara back in 2013 at the State, and Jess added that to “see you all here singing the words to our songs, supporting us at our own show, and seeing kids wearing golden capes is a dream come true.” They closed their set with “Woman” from Nudes and left the stage to thunderous applause.

Lucius came back to the stage for a three song encore, starting with “Dusty Trails,” which they invited show opener Ethan Gruska on stage to sing with them. They covered “Strangers” by the Kinks, and Jess introduced their final song of the night with heartfelt comments about the power of music to send positivity into the world. She said:

“This band and us working together has been the power of collaboration. The power of creating something that’s greater than ourselves as individuals that’s positive. We do that with our writing. We have two heads and two hearts lending perspective within one song and we have two voices making one voice and we have our whole band putting on a show together for you guys and at the end of the day, we wouldn’t be here without you, so thank you very much. We feel the power and love that you give to us and it fuels us to be able to do what we do and in having spent so much time together the thing that we’ve learned is that our greatest dream of all is that you each take something from this experience that we are all sharing tonight that you need–whether it’s joy or bittersweetness or sorrow or pain or love or humor–and you take it out into your everyday lives and pay it forward. Share it with a neighbor in the form of love because it may sound repetitive to say this, but it is all we need right now. No matter where you go, do something positive with this.”

They closed the night with a cover of “A Dream is a Wish Your Heart Makes,” which reinforced their hopes for positivity and community and was a perfect end for a beautiful night. What a night! If you don’t know Lucius, seize this moment to discover them. You’ll be so glad you did.

xo,

bree

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Liz Longley with Monique Barrett

Wednesday, February 14, 2018

One Longfellow Square, Portland, Maine

This was a perfect day. My 2019 class officers and I delivered hundreds of roses and carnations to kids at school, I had a decadent spa facial after school, and Colin met me at One Longfellow Square for this fantastic show. I hadn’t seenPortland songstress Monique Barrett in too long, so when I saw she was opening forLiz Longley, I eagerly added the show to my calendar. I am SO glad I was in the room for this stellar night.

Monique Barrett was charming and personal with the audience. I always appreciate when a musician interacts with the crowd by sharing stories behind the songs and making us feel like part of a concert experience. Monique does this so well. She played all of her songs about love for us in honor of Valentine’s Day, including a sweet song for her nephew Luca. Monique’s honesty shone through, and we laughed a lot together. Monique told us that she was first introduced to Liz Longley’s music when a friend asked her to learn Liz’s “When You’ve Got Trouble” to sing with her at her sister’s wedding. Monique said that her heart was so full in that moment, and she was honored both to have sung that song for a her friend’s sister on her wedding day and now to share the stage with Liz. She ended her lovely set with my favorite of her songs, “Make It Better.”

Monique Barrett

I’d somehow never seen Liz Longley before, but she impressed me in mere seconds. I remember leaning over to Colin maybe 30 seconds into her first song and whispering “I LOVE her!” Her voice is so strong and full that it fills the space that sometimes exists in songs by other singer songwriters. I was smitten right away. Liz told us she had to dig really deep into her catalog of songs to find any about love in a positive way. Most of her songs, and Monique’s too, were about love lost. She asked if anyone in the crowd wasn’t on a date. Colin and I raised our hands (were we the only ones?) and she looked at us and said, “so most of these songs are really for you.” I love a good break up song, so Liz’s music is firmly in my wheelhouse.

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Liz Longley

Liz told us that she just turned 30 and was a little freaked out about it, but the crowd reassured her life is better after 30. She wrote a song the day before our show in the car during her six hour drive, and told us that writing in the car can be liberating because she doesn’t getting get stuck in the structure of a guitar or piano part. She also told us that one of her favorite childhood memories was driving home from the Shore with her mom. Her mom used to sing while she drove to stay awake, and “I Will” by the Beatles was a favorite of her songs to sing. Liz sang a beautiful cover of it for us.

She introduced “Weightless”by telling us that she’d dated someone for three years and they ended up fighting over how to divide their stuff when they broke up even though they’d gotten it all off Craiglist because they were both poor musicians. The lyrics are personal and relatable:

“You can have the couch, the lamp, the diamond ring/the books on the shelf, the dishes in the sink/take take take take take everything.” She told us that she stopped writing music for almost a year afterwards.

I absolutely loved learning that“Rush” was written for Jim and Pam from The Office. Liz said she was watching the episode where they have their first kiss with the sound off, and the words came to her–“as we surrender to it all, have you ever felt so alive/as I feel with you tonight.” Liz told us that she studied songwriting at Berklee College of Music in Boston, and that’s when it clicked for me that I loved her honest, personal, hard hitting lyrics as much as I loved her voice. I realized as I wrote this that I don’t often quote song lyrics, but that’s an area where Liz shines. “Memphis” just slays–“The skies aren’t clear and you’re not here/so I just keep telling myself/you wouldn’t make it to Memphis/you wouldn’t make it halfway/you take that lonely road/and you realize your mistake.”

I read up on Liz after this show, and I listened to her entire musical catalog. She lives in Nashville and makes her living as a musician. I spent some of the night trying to figure out who she sounds like, but she sang the first line to a song I can’t find the name of–the lyrics were “Late in September when autumn came”–and it occurred to me that she sounds like Joy Williams (formerly of The Civil Wars), which is a sincere compliment.

Liz played the first song of hers I ever heard, “When You’ve Got Trouble,”and I was so glad to hear it in person. She joked with us all night–she’s pretty self-deprecating, actually–and told us that she was drunk shopping on Amazon years ago and bought some rollerblades. Turns out, she loves them, and bought another pair for her 30th birthday. She laughed as she told us, “if you need to spice up your life, buy rollerblades!”

Liz earned the standing ovation she received, and she kindly closed the night with an encore–a cover of the Alternate Routes“Nothing More.” She played a Concert Window show a couple of months ago to raise money for Hurricane Harvey relief, and attributed the night’s success (they raised $3,500 for hurricane victims) to that song, “because it brings people together, which we need in these times.” I couldn’t agree more.

This was a special night. I felt lucky to be there. I hope you’ll look up both of these talented women and see them live.

xo,

bree

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José González with Bedouine

Thursday, February 8, 2018

The Music Hall, Portsmouth, New Hampshire

My friend Greg introduces me to a lot of new music, and many years ago, he included José González’s cover of “Heartbeats” on a mix he sent me. It’s been a favorite song ever since. It’s been streamed over 200 million times on Spotify, too, so I bet you’ve heard “Heartbeats” even if you don’t know the name José González. I’d hoped to see José González live for years, and I was happily surprised to see he was playing The Music Hall in nearby Portsmouth, New Hampshire. I don’t think José tours very much in the United States, and certainly not in New England, so this was an exciting opportunity.

Colin and I arrived  Portsmouth with enough time to grab a quick dinner at Flatbread. Our server let us know we could get to the venue faster if we left through their rear entrance, which was a time saving tip.

 

We made it to our awesome second row seats in time to see show opener, Bedouine. Bedouine was featured on NPR Music last summer, and from that I learned that she is Azniv Korkejian. She was “born in Aleppo, Syria, to Armenian parents, Korkejian spent her early childhood in Saudi Arabia. After her family won the green-card lottery, she moved to the U.S. at the age of 10, living in Massachusetts, Texas and Kentucky before winding up in California as an adult.” Her background is pretty interesting, but she didn’t say much on stage. She has a unique, folky voice and plays classical guitar, but her songs sounded a lot alike and if I’m being honest, I thought her set was boring. I saw that Bedouine will play Newport Folk Festival this summer, so you can check her out there for yourself and see what you think.

Bedouine

José took the stage solo and played a lovely set. Something that sticks out even a few weeks later is that a couple arrived during José’s set and sat in their front row seats in front of us. The man in front of me was so tall that I couldn’t see José until I asked him to take of his hat and scoot down a bit–which he kindly did. I’m glad I asked. I always end up just behind the tallest person in the room!

José González

José plays classical guitar and sings pretty melodies. He is soft spoken, but he told us the inspiration for a few of his songs, which I appreciated. He was warm with the audience. I find that José’s songs are a pleasure to listen to, but his lyrics are hard for me to decipher. I usually Google his lyrics, actually. I’m really glad I was in the room for this mellow night of good music. I was especially happy to hear “Heartbeats” and “Leaf Off / The Cave” (the video is amazing) live. He also played a beautiful cover of “Blackbird” that was stunning. José has an interesting life story, and I like context, so may want to check out this article. His full set on KEXP would give you a good sense of what you missed this night, too. An unexpected bonus was that I slept like a rock after this night of soothing music.

xo,

bree

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