Tag Archives: KEXP

Noah Gundersen

Friday, October 11, 2019

Port City Music Hall, Portland, Maine

This was my third Noah Gundersen show, and I plan to be front and center to see him every time he comes to Portland to play forever. I saw Noah for the first time in 2017, opening for City and Colour at the State Theatre, and he stole the show. I saw Noah headline in 2018 at Port City Music Hall, and the audience was captivated. I didn’t hear a peep out of the crowd the entire night as we all just soaked in the feelings listening to Noah’s songs creates. A couple of people in the crowd were chatty this time around (unfortunately, but common these days), but it was clear that the overwhelming majority of the crowd was there because they’re totally into Noah Gundersen and were entranced. Just a heads up regarding concert etiquette at a Noah Gundersen show–if you’re whispering, you’re being too loud. Noah deserves your attention and everyone who’s a fan wants to hang on every word. 

Noah’s brother, Jonny, opened the show, and Noah and his band took the stage after a brief break. Sean (here’s his review of the show) and I found each other and our usual spot up front at Port City, and I introduced him to Elise and Stuart (who met because of Noah Gundersen and were right along the stage to see him together). I chatted with Sam Kyzivat from SnugHouse during the quick break, and my friend Bartlett showed up around then, too. The point is, Noah Gundersen brings good people together who share the bond of appreciating his heavy, soul-baring songs. 

fullsizeoutput_eb6.jpegNoah’s ability to cast a net and pull a crowd together for a meaningful shared experience is powerful. He doesn’t say much in between songs, but it doesn’t bother me because his songs are dripping with feelings and he emotes so much while performing. It’s palpable. I think Noah is really special. Noah played all but two songs from his 2019 album, Lover, which is *beautiful.* I can’t pick a favorite song, but the first three songs on the album–“Robin Williams,” “Crystal Creek,” and “Lover”–pack quite a punch.  

fullsizeoutput_ebc.jpegNoah introduced “Jesus, Jesus” by telling us that “I was basically a kid when I wrote it and my perspective has changed on some of it, but I guess the sentiment is the same.” Noah’s lyrics are heavy, including:

Jesus, Jesus there are those that say they love you

But they have treated me so goddamn mean

And I know you said ‘forgive them for they know not what they do’

But sometimes I think they do

I knew about Noah’s side project, Glorietta, but I learned about another side project, Young In The City, at this show. Noah told us his bassist Erik is also in the group and they played a Young In The City song,  “Annie,” for us. I found their full set at KEXP and look forward to listening. I will always seek to maximize my Noah Gundersen listening options. He’s incredibly talented.

I was SO glad to hear “The Sound” and “Send the Rain (To Everyone)” live. Noah introduced “Wild Horses” this way–“people are pissed about a lot of stuff. There’s a lot of stuff to be pissed about. I wrote this song as a reminder to myself to remember that we’re dealing with people. Even if we’re pissed at people, they’re still people.” Check out the lyrics we could take a lesson from: 

Maybe you would rather be angry

But I’d rather sleep at night

There’s a fraction to every outcome

There’s a spectrum of wrong and right

So give me a minute

To come to my senses

To look out the window

And stop building fences

Noah wrapped his superb set with “Lover,” and he and his band came back to the stage to play “All My Friends” as the encore. Noah’s music has such a powerful impact on me and I hope you’ll take a listen. Here’s his KEXP full set to check out. If you’re into feeling heavy feelings like I am, he’s your guy.

xo,

bree

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Parker Millsap

Sunday, July 28, 2019

Lisbon Concerts in the Park, Lisbon Falls, Maine

Lots of my friends posted updates from their weekend at Newport Folk Festival that made me incredibly jealous–especially because Brandi Carlile was a guest in just about everyone’s set AND DOLLY PARTON WAS THE SURPRISE FESTIVAL GUEST! It made me wish I’d been there in person. I did, however, have a delightful little Sunday with Dan where we took the introduction to cheesemaking class at the wonderful Sunflower Farm in Cumberland and even got to milk goats! It was fun and delicious! I realized the timing would work out perfectly for me to leave the farm and get over to Lisbon Falls just in time to see Parker Millsap at their free Concerts in the Park series. I texted my friend Christine to meet me, and hurried over.

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Photos courtesy of Hope Lipp Hall at Sunflower Farm

Parker Millsap had quite a weekend. From tiny Purcell, Oklahoma and at only 26 years old, Parker played the main stage at the Newport Folk Festival on Friday. And then, two days later, he played a free outdoor concert in tiny Lisbon Falls, Maine, to a couple hundred folks gathered in lawn chairs at Marion Morse Park. What a juxtaposition. Chrissy and I set up our chairs and caught up a little bit about our summer vacations. We both had delicious strawberry and nutella waffles from the My Waffle food truck. I was glad to see Parker Millsap and his band for the first time. He has a strong raspy voice and a bluesy rock sound. Check out his KEXP session if you’re unfamiliar with his sound. Parker didn’t say much more than “thank you very much” after each song, which is what makes or breaks a concert experience for me, but it’s probably pretty hard to keep your stage energy up after a weekend at Newport Folk Festival. I’d be curious to hear from folks who’ve seen him before if he brings a more raucous vibe to a more typical show. I’d like to see him again in an indoor venue, I think. 

xo,

bree

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Courtney Marie Andrews

Thursday, April 25, 2019

Port City Music Hall, Portland, Maine

I’m grateful to Brandi Carlile for putting Courtney Marie Andrews on my radar. They toured together in 2018. When Brandi recommends an up-and-coming artist, I listen. I was so glad to see Courtney Marie Andrews was opening for Deer Tick at Port City Music Hall last week. I’m the senior class advisor and teaching a new course in American Foreign Policy this year, so I’m often short on time. Even so, I got myself down to Port City just in time to snag an available front row spot a few minutes before she took the stage. I knew I didn’t have the energy to stay up late for Deer Tick, so I drove 80 minutes round trip to see Courtney Marie Andrews play for 45 minutes. She was SO worth the effort! Do you ever feel that excited energy of knowing an awesome secret before other people? I feel like that with her, though I dug into her background a bit and was surprised to learn that she’s already been making music for over a decade. I am actually really late to the Courtney Marie Andrews party, but am here to invite you anyhow.

Originally from Phoenix, Arizona, Courtney Marie Andrews shared the stage with a drummer, bassist, and pianist. She played electric guitar and just stunned the room with her powerful lyrics and transcendent voice. The show was sold out and lots of people were clearly in the room ready for Deer Tick, but Courtney Marie Andrews held the crowd in the palm of her hand. Listen to “Rough Around the Edges” and “May Your Kindness Remain” to hear for yourself how powerful her voice is. If I had any wish for her live show, I’d (of course) want a bit more banter and to learn something about some of her songs in person. Even though she stuck almost exclusively to the songs, I was so blown away by her voice that I’d see her again in a heartbeat. Check out this live set and interview from KEXP for a bit of context about Courtney Marie Andrew’s background as a bartender and experience as a touring musician. Read NPR’s review of her 2018 album, May Your Kindness Remain, too. She’s the real deal, y’all.

xo,

bree

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José González with Bedouine

Thursday, February 8, 2018

The Music Hall, Portsmouth, New Hampshire

My friend Greg introduces me to a lot of new music, and many years ago, he included José González’s cover of “Heartbeats” on a mix he sent me. It’s been a favorite song ever since. It’s been streamed over 200 million times on Spotify, too, so I bet you’ve heard “Heartbeats” even if you don’t know the name José González. I’d hoped to see José González live for years, and I was happily surprised to see he was playing The Music Hall in nearby Portsmouth, New Hampshire. I don’t think José tours very much in the United States, and certainly not in New England, so this was an exciting opportunity.

Colin and I arrived  Portsmouth with enough time to grab a quick dinner at Flatbread. Our server let us know we could get to the venue faster if we left through their rear entrance, which was a time saving tip.

 

We made it to our awesome second row seats in time to see show opener, Bedouine. Bedouine was featured on NPR Music last summer, and from that I learned that she is Azniv Korkejian. She was “born in Aleppo, Syria, to Armenian parents, Korkejian spent her early childhood in Saudi Arabia. After her family won the green-card lottery, she moved to the U.S. at the age of 10, living in Massachusetts, Texas and Kentucky before winding up in California as an adult.” Her background is pretty interesting, but she didn’t say much on stage. She has a unique, folky voice and plays classical guitar, but her songs sounded a lot alike and if I’m being honest, I thought her set was boring. I saw that Bedouine will play Newport Folk Festival this summer, so you can check her out there for yourself and see what you think.

Bedouine

José took the stage solo and played a lovely set. Something that sticks out even a few weeks later is that a couple arrived during José’s set and sat in their front row seats in front of us. The man in front of me was so tall that I couldn’t see José until I asked him to take of his hat and scoot down a bit–which he kindly did. I’m glad I asked. I always end up just behind the tallest person in the room!

José González

José plays classical guitar and sings pretty melodies. He is soft spoken, but he told us the inspiration for a few of his songs, which I appreciated. He was warm with the audience. I find that José’s songs are a pleasure to listen to, but his lyrics are hard for me to decipher. I usually Google his lyrics, actually. I’m really glad I was in the room for this mellow night of good music. I was especially happy to hear “Heartbeats” and “Leaf Off / The Cave” (the video is amazing) live. He also played a beautiful cover of “Blackbird” that was stunning. José has an interesting life story, and I like context, so may want to check out this article. His full set on KEXP would give you a good sense of what you missed this night, too. An unexpected bonus was that I slept like a rock after this night of soothing music.

xo,

bree

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London Grammar with Until The Ribbon Breaks

Saturday, January 24, 2015

State Theatre, Portland, Maine

Please pardon the delay. I have been snowed in for far too many days now. Seriously—FOUR of the last FIVE weekdays until today were snow days. My will to do anything productive has been zapped for a week now. I’ve shoveled, had tea and watched The Wire. Rinse and repeat. I was SO ready to leave the house this morning even though the roads were horrendous. I’d missed my students. I also don’t want to shovel again. Ever.

I was so excited when I saw that Britain’s London Grammar was coming to Portland. I’d seen them on KEXP and was BLOWN AWAY. Their show had been pushed from July to maybe October and then moved to the State Theatre in January. A lot of us had great expectations and had waited more than half a year to see them live. They were well worth the wait.

I’m glad Colin and I made it early to the State after an amazing Hey Rosetta! show at One Longfellow Square and got a good spot for show opener Until The Ribbon Breaks. I’d come across them on NPR a couple of weeks before the show with a first listen of their new album, A Lesson Unlearnt. It’s lyrically heavy and more electronic than I tend towards, but it’s an interesting and layered piece. Seeing UTRB was similarly theatrical and intense. Pete Lawrie-Winfield is a strong front man and the videos played in the background throughout their set made it a complete, dramatic experience. Pete experienced a myriad of tech issues on stage that keyboardist/bassist/vocalist James Gordon fixed for him a number of times. It added a bit of levity to their set.

Until The Ribbon Breaks

Until The Ribbon Breaks

Pete Lawrie-Winfield

Pete Lawrie-Winfield

James Gordon

James Gordon

Elliot Wall

Elliot Wall

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Sophie and Kate arrived and found us in time for UK electronic pop trio London Grammar’s set. They were both strangers to London Grammar’s music, so I loved seeing their faces light up as they processed just what a treat they were in for. Sophie’s eyes widened as she mouthed “HOLY CRAP!” to me early on in the first song. That’s the London Grammar effect. Hannah Reid can’t be 25 years old yet, but her voice is ethereal and captivating. Hannah, Dan Rothman (guitar), and Dominic Major (keyboard/percussion) met early on while students at University of Nottingham and released their first EP in February of 2013. Their first full-length album, If You Wait, dropped in September of 2013. I was especially happy to hear “Hey Now” and “Strong” live. Everyone in London Grammar seemed humble and approachable. They interacted comfortably with the crowd and genuinely thanked us for our support. Hannah even pointed out a fan in the front row who’d attended all of their American tour dates and said how much it meant to the band to have such devoted fans. To say I was blown away by London Grammar live is such an understatement. I’ve struggled to find the words to talk about how amazing they are. Please check them out. I’m listening to them on repeat these days. See photos below!

xo,

bree

London Grammar

London Grammar

Dan Rothman

Dan Rothman

Hannah Reid

Hannah Reid

Dominic Major

Dominic Major

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