April 30, 2017 · 9:05 PM
Friday, April 21, 2017
One Longfellow Square, Portland, Maine
This was my fourth Mipso show. I love them and will see them whenever they come to Portland. I even kind of planned my April vacation trip to Charleston, South Carolina around making it back for this show. It all started with an email I got a couple of years ago from Mipso fiddle player/vocalist Libby Rodenbough inviting me to come check out their Maine debut at One Longfellow Square. Dan Mills (Barry’s nephew, for my Bowdoin College community readers) opened that show, so I readily accepted the invitation. North Carolina’s bluegrassy folk band Mipso stole my heart. I was hooked.
Mipso came back to OLS in February and November of 2016, and I was at both shows. I thought the addition of a drummer at the November show was an issue because I couldn’t hear their vocals, but their drummer returned for this show and the balance was totally fine. It’s a relief, because one of the things I like best about them is how crystal clear their lyrics are.
Mipso is Jacob Sharp on mandolin, Wood Robinson on upright bass, Joseph Terrell on lead vocal and guitar, Libby Rodenbough on fiddle, and Yan Westerlund on drums. Their 2017 release, Coming Down the Mountain, is excellent. I particularly like the title song and “Water Runs Red” (which they closed their set with). I was very happy to hear “4 Train,” “Marianne”, and “Louise” live. Mipso is a fantastic blend of musicianship and showmanship. Their live show is engaging and it’s a real pleasure to spend an evening in their company. Until next time!
PS–My dear friend Ken Templeton saw Mipso the following night at The Sinclair and shared his thoughts at Red Line Roots.
Filed under Uncategorized
Tagged as Coming Down the Mountain, Dan Mills, Jacob Sharp, Joseph Terrell, Ken Templeton, Libby Rodenbough, Mipso, One Longfellow Square, Red Line Roots, Ten Finger Symphony, Wood Robinson, Yan Westerlund
April 25, 2017 · 9:12 PM
Thursday, March 9, 2017
State Theatre, Portland, Maine
This night gets a mixed review, but it’s not Regina’s fault. I met up with my concert friend Bob (six years as concert buddies and going strong!) at Empire for dinner, but couldn’t find parking after a long search and ended up late to dinner, so succumbed to paying $16 in a nearby parking lot (ugh). My fortune cookie had no fortune, which concerned me. Bob and I arrived at State Theatre before doors opened to stake out a good spot for my first-ever Regina Spektor show. We ended up third row center, in a pocket of real Regina fans. It turns out, we were lucky to be exactly where we ended up, because there were a lot of disrespectful people in the crowd.
Getting a fortune cookie without a fortune kind of freaked me out.
There was no show opener, and we were told Regina was going on right at 8 PM. She went on a little after 8:30 instead, and people were restless and some had time to get drunk at the bar by then. It really negatively affected the show experience. Regina was a delight–her vocals and piano were spot on, her audience interaction on point, and she was humble and adorable. At one point, she sweetly told us that “every time you guys start clapping, I turn around to see who’s behind me.” She joked that she shouldn’t have worn jeans because “Portland is a delicious city” and she’d overindulged. Sadly, the crowd was a NIGHTMARE. Drunk, loud people talked over her the entire night. The interruptions were so frequent and loud that Regina stopped mid song to ask very politely for people to talk a bit quieter because it was hard for her to concentrate with all the noise. Have I ever witnessed a performer ask a crowd to be quiet because they were being so loud? I don’t think so. It was so sad. She handled it like a champ, but it persisted. I talked to other friends who were at the show later, and we agreed that a seated show for a singer-songwriter and her piano would probably have created a better listening environment than the sold out standing show we attended.
Regina forgot the lyrics to her last song, “Us,” but the crowd helped her find her way (the ones who were actually listening, that is). She played a generous four song encore, including “Fidelity” and “Samson,” which were thrilling to hear live for the first time. This should have been a great show. Regina was engaging, sweet, and talented, but the crowd was AWFUL. Good luck booking her in Portland again! Concert etiquette tip–don’t be the drunk person yelling all through a show–it makes you a jerk!
My friend Aimsel Ponti’s take on the night.