Sunday, May 7, 2017
State Theatre, Portland, Maine
I’d avoided seeing Ryan Adams in the past because I’d heard he was temperamental live. A friend told me that an audience member heckled him at a show they attended, so Ryan cut his set short and walked off the stage. That kind of energy doesn’t appeal to me, so I needed some urging to give him a try. When I found out he was coming to our very own State Theatre in Portland, I decided to give him a shot and see for myself. Tickets sold out in minutes, so I was planning on going to the show solo, but both Bob and Colin bought tickets on StubHub the day of the show and joined me, which was awesome. Bob and I had dinner at Empire and got in line about 30 minutes before doors. The line already stretched around the corner by then and we stood out in the cold drizzle waiting for doors to open. I was glad to hear that the main bars were going to be closed at Ryan’s request. I think alcohol had a negative impact on Regina Spektor’s sold out show and encouraged rude audience behavior, so I was just fine with that call.
Bob, Colin, and I convened at our usual spot–second row center on the floor. We met a couple who’d driven up from Connecticut for the show and made a long weekend of it. They’d run into Ryan earlier in the day and spoken with him briefly and said he was approachable. We all enjoyed and laughed pretty hard at Alex Edelman’s brief comedy set. I loved that we didn’t have to stand through a full opening act set by someone we didn’t know and assumed it meant it would be an early night. I was wrong. Ryan Adams played nearly 25 songs, many of which I knew even though I haven’t really thought of myself as much of a fan. Colin and I’d both never seen Ryan live, and I’m glad I finally did. Fans of Ryan’s said it was a really “focused” show for him. He probably played eight songs before saying a word, and it’s clear that interacting with people isn’t easy for Ryan and he feels awkward and self-conscious about it.
I forgot how much they used the smoke machine at this show until I saw this. I get the feeling Ryan doesn’t like the spotlight.
His show was all rock ‘n roll and he and the band brought it. It was loud and people seemed into it. I was tired from standing for so long and couldn’t believe (in a good way) that he played so many songs for us. I think he’d rather play a ton of music and fill up the night that way, rather than say very much. That’s not my preference, but it seems like what works best for him. Ryan did initiative a conversation with a guy in the front row, who had approached him earlier in the day, but Ryan had avoided. He apologized from the stage and said he’d just needed some time alone in his head, and then they had a chat for a few minutes while we listened on. Ryan was very complimentary of our audience, and there were clearly some big fans in the room.
This is the guy Ryan stopped to have a conversation with. Nice photo, @rumbeggar!
I think Ryan had a good night, too
I’m glad I was there. Seeing Ryan Adams on a good night is a good time. Aimsel was there and here’s her review of the show.
Thursday, March 9, 2017
State Theatre, Portland, Maine
This night gets a mixed review, but it’s not Regina’s fault. I met up with my concert friend Bob (six years as concert buddies and going strong!) at Empire for dinner, but couldn’t find parking after a long search and ended up late to dinner, so succumbed to paying $16 in a nearby parking lot (ugh). My fortune cookie had no fortune, which concerned me. Bob and I arrived at State Theatre before doors opened to stake out a good spot for my first-ever Regina Spektor show. We ended up third row center, in a pocket of real Regina fans. It turns out, we were lucky to be exactly where we ended up, because there were a lot of disrespectful people in the crowd.
Getting a fortune cookie without a fortune kind of freaked me out.
There was no show opener, and we were told Regina was going on right at 8 PM. She went on a little after 8:30 instead, and people were restless and some had time to get drunk at the bar by then. It really negatively affected the show experience. Regina was a delight–her vocals and piano were spot on, her audience interaction on point, and she was humble and adorable. At one point, she sweetly told us that “every time you guys start clapping, I turn around to see who’s behind me.” She joked that she shouldn’t have worn jeans because “Portland is a delicious city” and she’d overindulged. Sadly, the crowd was a NIGHTMARE. Drunk, loud people talked over her the entire night. The interruptions were so frequent and loud that Regina stopped mid song to ask very politely for people to talk a bit quieter because it was hard for her to concentrate with all the noise. Have I ever witnessed a performer ask a crowd to be quiet because they were being so loud? I don’t think so. It was so sad. She handled it like a champ, but it persisted. I talked to other friends who were at the show later, and we agreed that a seated show for a singer-songwriter and her piano would probably have created a better listening environment than the sold out standing show we attended.
Regina forgot the lyrics to her last song, “Us,” but the crowd helped her find her way (the ones who were actually listening, that is). She played a generous four song encore, including “Fidelity” and “Samson,” which were thrilling to hear live for the first time. This should have been a great show. Regina was engaging, sweet, and talented, but the crowd was AWFUL. Good luck booking her in Portland again! Concert etiquette tip–don’t be the drunk person yelling all through a show–it makes you a jerk!
My friend Aimsel Ponti’s take on the night.