Tag Archives: State Theatre

David Ramirez

Wednesday, October 19, 2016

One Longfellow Square, Portland, Maine

I saw David Ramirez for the first time a year and a half ago opening for Shakey Graves at the State Theatre in Portland. I was drawn to him immediately and enjoyed the sparseness of a man with a guitar juxtaposed with the urgency and passion he demonstrated with his powerful, rich voice. I sadly missed him a year ago at One Longfellow Square (I had tickets, but unfortunately didn’t make it to the show), so was eager to see him again. Colin went to that show a year ago and David played with a full band, which just isn’t really how I want to see him (or so I told myself, since I missed him). I was very excited to learn that I’d be seeing his 2016 Bootleg Tour–just David and a guitar–and each show would be recorded and audience members would get a link to a download of the show the next day. Right up my alley. Add that this was at teeny, intimate One Longfellow Square, and I was pumped.

I got to see my dear friend Fiona who was visiting from Minneapolis after school and then drove down to meet Colin at OLS. He snagged us great seats in the second row and we took in the living room scene assembled on stage–an area lamp, table, some books, and framed picture of Billy Murray–that gave us the feeling of really being in David Ramirez’s living room.

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David Ramirez wowed with his incredibly powerful voice and honest lyrics. At some point in the show, it dawned on me that David is probably not the nicest guy in real life. There was a distracting woman sitting right behind us who responded loudly after each song. David would finish a song and she’d shout “yes!” (I forgot her other go-to responses) and then try to initiate a conversation with him in between songs. We get it,  you KNOW him! (WOW!) It was annoying, and I totally chuckled when David realized it was his friend in the crowd who kept making it about her (which it sadly became, at times). Etiquette tip–don’t be that girl. No one came to see you perform if you’re not the one on stage. When I said that to Colin after the show, he smiled at me and said “doesn’t he say as much in his songs?” Good point, Colin. I was especially glad to hear “The Bad Days” and “Harder to Lie” in person. 

I will say, though, that even though David’s songs and stage banter mostly make him seem like a guy struggling to feed his healthy ego, he ended his set with “Find the Light,” which was a welcome surprise and an about face from his general tone. The song starts with some warm wishes–“I wish upon you peace/I wish upon you grace/I wish for less of what you want and more of what you need.” I’m so glad I went, even if David Ramirez is probably not someone I’d want to chat with or go have a beer with after the show. His voice and songs are layered and beautiful. And we’re all just learning how to be ourselves anyhow, and he seems to do that with his music, which is a healthy way to grow, I think.

I just realized that Spotify has David providing commentary about every song on his newest album Fables, which is right up my alley! Going to go listen now.

xo,

bree

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John Paul White with The Secret Sisters

Wednesday, June 22, 2016

The Red Room at Café 939, Boston, MA

My friend Mac first introduced me to The Civil Wars on a cold winter’s night in 2009. John Paul White and Joy Williams were captivating. Their April 2009 set at Eddie’s Attic was recorded and released online as a free download a couple of months later on The Civil Wars’ website. The pair had undeniable musical chemistry and their songs resonated with me. I made a friend at an Iron & Wine show in 2011 who invited me to join him for Adele at the House of Blues in Boston a month later. Those tickets were impossible to get, so I was thrilled. I squealed out loud when I found out that The Civil Wars had been added to the bill and that I was going to get to finally see them live. I stayed after the show and approached John Paul White at the merch table, which is something I rarely do. I was sure he is a genuine person who would be kind (doesn’t it ruin it for you when you meet an artist whose music you care about, and they’re not?), and he was a dear. I told him that I’d been hoping to see them for a couple of years, and that I was actually more excited to see them that night. He glanced at Joy and said “don’t you think that deserves a group hug?” And then they hugged me. It was very, very sweet, and a moment I still recall fondly. I was lucky to see The Civil Wars again a handful of months later at Berklee’s Performing Arts Center in Boston from the fourth or fifth row. They were spellbinding. Then they broke up.

I was thrilled when I saw that John Paul White was writing music and was planning a tour. He produced Penny and Sparrow’s beautiful album, Let a Lover Drown You, which I’ve listened to countless times. I bought my ticket to see JPW at The Red Room at Café 939 at Berklee College of Music in Boston the minute they went on sale. I would not pass up an opportunity to see him live in such an intimate setting. My friend Jan and I drove to Boston and grabbed an early dinner at Bukowski’s and lined up before doors opened so we could be front and center, and it paid off, because we were able to stand a foot or two away from such talented musicians all night.

I’d first seen Laura and Lydia Rogers, The Secret Sisters, open for my beloved Brandi Carlile (she and the Twins are producing their upcoming album, too) about six months after first seeing The Civil Wars back in November of 2011 at Berklee in Boston. I loved their vintage vibe, beautiful harmonies, and funny audience banter. I got to see them again a couple of years later with my concert friend Bob (who’d taken me to see Adele and The Civil Wars) when they opened for Iron & Wine at State Theatre in Portland, Maine. The Secret Sisters played a half dozen songs and told stories and entertained thoroughly. I particularly liked “Carry Me,” which was such a sweet song about being daddy’s girls and having a wonderful father. I also really wish I could find a video of “He’s Fine” to share with you because I loved it and would love to listen to it again. I guess I’ll have to wait for the next album! Here they are on Jay Leno playing “Tomorrow Will Be Kinder,” which is on The Hunger Games sountrack. Check out “Rattle My Bones” to get a sense of their more upbeat side. They’re great.

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Lydia and Laura Rogers are The Secret Sisters

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John Paul White and his band took the stage and he poured his heart out for us. He played fifteen songs for a captivated audience (I still can’t believe I got to see him play in such a small venue from the front row!). He talked a lot with us about feeling conflicted about the songs that started to pour out of him because he knew he’d want to share them with the world and touring meant he’d have to spend some time away from his family. He asked us to come talk to him after the show to give him feedback about what resonated with us and what didn’t. I can’t think of a time a musician wore his heart on his sleeve more at a show. It was humbling to witness someone who so desperately wants his music to connect with people. His voice was clear and haunting as ever, and The Secret Sisters joined him throughout his set and added beautiful harmonies that amplified the message.

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Lydia Rogers of The Secret Sisters and John Paul White

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It was pretty incredible to stand right next to this man during his set!

John Paul shared with us a song about his grandparents. He said he appreciates music you can step inside and become the character in, but didn’t know how to feel about this particular song because “I loved my grandfather and thought he walked on water, but he did not. He had a lot of demons and my grandmother raised fourteen children by herself.” He played “No One Will Ever Love You,” which was featured on season one of Nashville. It’s easy to be a character in this song, John Paul—“Don’t you try to tell me someone’s waiting/They’re not waiting for you/Oh and don’t you try to tell me that you’re wanted/That you’re needed/Cause it’s not true.” Oh my heart. Check out “The Martyr” on NPR Music and “What’s So” at Rolling Stone. I am so eager to have my hands on John Paul White’s upcoming album, “Beulah,” which will be released August 19. Thanks for coming back into our world and putting yourself out there so honestly, John Paul. You’ve been missed.

xo,

bree

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Gregory Alan Isakov with MYRO and the Ghost Orchestra

Tuesday, June 21, 2016

State Theatre, Portland, Maine

I saw Gregory Alan Isakov open for my beloved Brandi Carlile back in 2009 at South Portland High School and was captivated by his lyrics and airy voice. I waited in a long line after the show that night to buy his 2009 album, This Empty Northern Hemisphere, and was really excited to hear Brandi Carlile’s beautiful voice singing along on so much of it. That album is one that you should listen to right now, actually. I saw Gregory Alan Isakov once more in 2011, but sadly not again until April of 2015. I was in love then, and my sweetie joined me for the show and fell in love with Gregory Alan Isakov, too.

Here’s the problem with introducing people you love to musicians you love—sometimes you aren’t in love anymore, and your ex comes to see a musician you introduced them to with the person they started dating a curious two weeks after you ended a two year long relationship. It was awful. I’d been excited about this show (obviously), and my steadfast concert companion Colin kindly bought us tickets for this reserved seating show at State Theatre the day tickets went on sale and our seats were front row center. Problem was, my ex and his girlfriend were just one row behind us. Thank goodness they were stage left and we were stage right, but eight people between us was really not enough for my concert enjoyment. Anyhow, I am human and I was so upset and jittery to see my manipulative, freeloading ex with his no-longer-new girlfriend that I was shaky for the vast majority of the show. If Colin hadn’t been there, I would definitely have left my front row seat and gone home before the show even started. Thinking back to this night, I feel a pit in my stomach and remember how distracted, sad, and angry I was the whole time. I tried to consciously focus on enjoying Gregory’s enchanting voice, Jeb Bows’ positive energy while he danced with his violin, or the powerful, full sound generated by having the Maine Youth Rock Orchestra and the Ghost Orchestra on stage all night, too, but I failed miserably. Coincidentally, my ex asked to borrow the very Gregory Alan Isakov CD I bought the night I first saw him live all those years ago, and he still has it.

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I am grateful that Colin posted the night’s setlist on setlist.fm (his concert schedule is far more impressive than mine, by the way), because you can click on the “play” arrow to the right of the first song of the night, and it will auto play all of the songs in order for you. I am taking this time to hear the show again (pretty much for the first time) right now, and these songs are so layered and beautiful. GAI played five songs from This Empty Northern Hemisphere, which is a perfect album. He is wonderful live—totally not interested in being the center of attention and humble and genuine. I will hopefully feel better next time he’s in town. Or I’ll just go to one of his shows farther away. Either way, he is not to be missed. I’ll close with apt lyrics from one of my favorite GAI songs—“The Moon Song”—“and those broken hearted lovers/they got nothing on me.”

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Gregory Alan Isakov with the Colorado Symphony is available now. Here’s some praise for his new album. Here’s a biographical piece in the New York Times about GAI balancing music and farming.

xo,

bree

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Brandi Carlile

Saturday, June 4, 2016

Thompson’s Point, Portland, Maine

If Brandi Carlile is coming to town, I’m going to be there. It’s a no-brainer. Brandi and the Hanseroth twins—Tim and Phil—bring it every single time. They’re easily one of my top five live acts. The last time I got to see them was at the State Theatre back in May of 2015, which they sold out in two days. People packed into Thompson’s Point to see them on this cloudy night, and it was lovely to be surrounded by good people and good music. This was the furthest I’ve ever been from the stage at a Brandi show, and since proximity is paramount to my concert going experience, this was my least favorite Brandi show to date, but it was my fault for being over scheduled and not making the show my top priority. I should have gotten to Thompson’s Point when doors opened to get a spot up front against the stage like I normally would, but it was my 15th college reunion weekend and my dear friends’ daughter’s second birthday, and I tried to do it all. I’ve had the front row Brandi experience a few times, so I am still a whole person, but it’s hard for me to be so far way. A few of the perks of our spot, though, were that we got to witness a sweet proposal by the entrance, had room for our friends Kay and Spud to join us for the second half of the show, and that Portland songstresses Monique Barrett and Sorcha Cribben-Merrill spotted me on their way to the beer tent and we sang a song together.

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My 15th college reunion! And I just moved back to town, too!

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Mira is 2!

Proposal

Check out the newly engaged couple kissing on the right. Congratulations!

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This makes my heart happy! I felt like a celebrity when fabulously talented songstresses Monique Barrett and Sorcha Cribben-Merrill stopped by!

Girls Night

Thanks for taking this, Sarah! I’m rarely in concert pictures!

Sarah, Megan, and I were in the first row of low folding chairs, which is the first section back from the standing general admission area. Thompson’s Point is absolutely gorgeous, and if you’re someone who likes the feel of a festival, it’s going to be right up your alley. They have a handful of delicious food trucks, a fully stocked beer tent, and are in a beautiful spot to watch the sunset.

 

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I found this information very helpful!

Brandi opened with “Again Today,” and it was great to hear one of her “older” songs. I love “The Eye” and “That Wasn’t Me,” and was so glad to hear both. Brandi invited an adorable kiddo named Isabelle from the crowd up on stage to sing “Keep Your Heart Young” with her and it was precious. I’m so glad someone got it on video. It’ll make your day to watch. Ruby Amanfu opened the show, but I missed all but her very last song. I hate to miss an opening act, too, but I did this concert experience totally unlike the norm. I was glad when she joined Brandi for “Shadow on the Wall.”

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Courtesy of @statetheatreportland on Instagram

Brandi and the Twins

Brandi Carlile, the Hanseroth twins, and the band

BrandiBrandi introduced a new song about the “beauty and terror of being a mother” aptly titled “Mother.” I love that Brandi is open and shares her life with her fans. She reaches out and offers herself to the audience and it’s impossible not to feel that positive energy at her shows. They ended their set with a powerful, beautifully orchestrated “Pride and Joy,” and came back to play a two song encore—Prince’s “Nothing Compares 2 U” (which gave me chills) and Led Zeppelin’s “Going to California.”

Brandi Carlile and the twins have soul and sincerity in spades, and getting the opportunity to see them live is a treat. Sarah dropped me off back on campus, and I rejoined my 15th college reunion and stayed up until last call dancing to Boston’s phenomenal Soul City. Quite a little Saturday! Thanks, Brandi, Tim, and Phil! Y’all rock!

xo,

bree

PS—I found a driver’s license on my walk to Thompson’s Point, and mailed it to Jamie on Monday morning with my card. She emailed me a very sweet note, which included “It’s cliché I know, but I am so thankful that there are people in the world like you.” #goodconcertkarma

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The Ballroom Thieves with Maine Youth Rock Orchestra and The DuPont Brothers

Friday, April 15, 2016

Port City Music Hall, Portland, Maine

Nearly two months late but with many, many wonderful senior events at my school behind me (most precious were the graduation marches my seniors did through four of our five district elementary schools), I can catch a quick breath and write a bit. The Ballroom Thieves are easily one of my top favorites live bands. [Fun fact: I first saw The Ballroom Thieves live opening for The Lone Bellow three years ago today!] I feel really lucky to have seen them a lot, and am so glad that their star continues to rise, having now played at the Newport Folk Festival and opened for Lake Street Dive at Thompson’s Point in Portland. That’s a huge venue, and friends who were able to go and had never seen the Thieves messaged me to say how great they are (um, yeah!).

Thinking back, I remember that I was able to grab a quick dinner at Slab with one of my dear former class presidents before heading over to the show. I got to Port City Music Hall early to make sure I’d have my favorite spot up front and even beat Colin there. Erin and Darcy, teachers from Westbrook High School who we’d met a couple of shows back, were also there, and my current (well, graduation was Sunday, but I’m not ready to let go) class president, Carmen, also joined the full house for the show. This was one of those nights when the crowd was top notch. I think it’s because there were a lot of proud Maine Youth Rock Orchestra family members in the crowd, celebrating the beginning of their April vacation week tour with The Ballroom Thieves. Anyhow, it’s always great to be surrounded by positive energy and attentive people at a show, and this was a real treat.

Burlington, Vermont’s The DuPont Brothers took the stage and warmed up the crowd. Their harmonies, pretty guitar arrangements, and friendly banter made for a good set. Brother Zack was celebrating his birthday, so we sang for him. They’d used Kickstarter to fund their most recent album, A Riddle for You, and played a lot of those songs for us. They invited Maine Youth Rock Orchestra (MYRO) to join them for “Trespassers,” which they sweetly dedicated to a big group of young kids sitting on the floor just in front of the stage. The DuPont Brothers will be back in Portland at One Longfellow Square on Thursday, June 30.

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“Trespassers” with The DuPont Brothers and MYRO

Kevin Oates, the founder and director of Maine Youth Rock Orchestra, took the stage to do a little fundraising to support their ten-day tour with The Ballroom Thieves. He said he’d shave his head (and he has really good hair) if they reached their fundraising goal before the show ended, which shows dedication. MYRO is awesome. As a teacher, it hits me right in the feels that this awesome group exists, and that they’ve had such great success, including being featured on NPR Music and being the first youth orchestra to tour with a national artist. Kevin tells the story himself on medium.com with “Why I started Maine Youth Rock Orchestra.” I have a front row ticket to see MYRO play with Gregory Alan Isakov on June 21 at the State Theatre and am SO excited to see them with another of my favorite artists.

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Kevin Oates, founder and director of MYRO

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Martin and Devin of The Ballroom Thieves with MYRO

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Martin, Devin, and Callie of The Ballroom Thieves with MYRO

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The Ballroom Thieves are fantastic. Their songs and harmonies resonate, their desire to connect to the audience admirable, and the sheer force of their musicianship is moving. This was another in a series of top-notch performances from Martin, Devin, and Callie. Hearing them with MYRO, adding to the richness of their already full sound, was phenomenal. I feel really lucky to have been at this show. I was so glad to learn that a new album is forthcoming. You’ve got to check out the video for “Bury Me Smiling” featuring MYRO that NPR Music picked up. “Peregrine” sticks out as a newer song I’m looking forward to getting better acquainted with. “Here I Stand” was a particularly driving force live, and “The Loneliness Waltz” is surely one of my favorite Thieves’ songs. This was truly a phenomenal show—start to finish. See these groups live whenever you have the chance. The Thieves will be joined by MYRO on July 12 at Snow Pond Center for the Arts in Sidney, Maine. Come! I will see you there.

xo,

bree

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The Ballroom Thieves with The Bros. Landreth

Friday, November 20

Portland House of Music, Portland, Maine

This show would have been perfect, but the same difficult woman who pushed and verbally harassed me at The Ballroom Thieves show at Empire six months ago was sadly at this show and was as obnoxious as last time. At least I was much further away from her at this show. Concert etiquette is an easy thing to understand—put your phone down, whisper when you talk, respect the personal space of others—but it sadly doesn’t mean everyone comes to a live show to actually listen to the music. For those of us who do, people who ignore those basic rules are the worst. This woman (whose name I know and have decided to withhold after much deliberation) saw me during this show and pointed and waved sarcastically at me during it, all the while talking at more than full volume just inches from the stage while the Thieves performed. I guess she wasn’t really drunk when she was so badly behaved sixth months ago (which was the excuse for her behavior I’d invented) because she shouldn’t have remembered me so many months later. She annoyed the poor people around her so much at this show that they asked her to stop talking over and over again, which she refused, but then she had the audacity to post complaints about how rude the people at the show were later that night on the Facebook event for the show. I continue to be puzzled by her and just hope she’ll skip the next Ballroom Thieves show—for all of our sakes.

Back to the music, though, which was wonderful, even though I was distracted.

This was my first time at Portland House of Music and I liked it. I went with a large group of friends, and we stood next to the stage instead of in the pit, and it offered a great view of the stage. It’s an intimate venue and I don’t think there’s a bad spot in the house. Winnipeg’s The Bros. Landreth were fantastic. The foursome charmed the big crowd with their strong harmonies and honest vocals. At one point, the four stood around one microphone and stunned to silence the entire crowd with their beautiful, sad song, “Greenhouse.” I was truly impressed with their sound and stage presence and have listened to them a bunch since that night. Here’s a piece in Billboard about them that came out last year in advance of their January 2015 release, Let It Lie.  

Bros Landreth

The Bros. Landreth

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The Ballroom Thieves are surely one of my favorite live bands and I love their music so, so much. Martin, Devin, and Callie have incredible chemistry, beautiful harmonies, and heartfelt, engaging songs. They’ve toured a bunch to support A Wolf in the Doorway, and I’m thankful I got to see them live in April, September, and November of 2015. I’m eager for a new album from the Thieves, which must be coming since they’ve played lots of great new songs during these shows. They’re playing a show tomorrow night on New Year’s Eve with Lady Lamb and The Ghost of Paul Revere at State Theatre. (I’ve decided not to go just in case she-who-shall-not-be-named is there, as I don’t want to ring in 2016 anywhere near her.) If you’re feeling up for checking out a fantastic band (you may want to avoid front row center for your concert-going happiness) to end 2015, there are still tickets available! Thieves—I will conjure some bravery to overcome crowd adversity and come see you next time you’re in town! All good things to you in 2016!

xo,

bree

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The Ballroom Thieves

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Kathy Griffin

Thursday, August 20, 2015

State Theatre, Portland, Maine

I won tickets from Maine Today to see one of my favorite comedians, the brutally honest Kathy Griffin at the State Theatre. I asked my sweetie to join me, and we chuckled as we took our seats at the packed State Theatre as we realized he was decidedly not the typical Kathy fan. It was a brutally hot night, and after an A/V glitch that started Kathy’s introduction video at the end, she joked about how high end the State Theatre was with their quality A/V department and swanky air conditioning. The fans the State Theatre crew put on stage essentially surrounded her and blew her hair sideways and, as she laughed at herself, I appreciated how down to earth she seems.

Kathy Griffin from a distance

Kathy Griffin from a distance

I’d seen Kathy all by my lonesome in Boston years ago, and it was great to have her in Maine. She made an effort to tell some jokes about Maine alongside her usual celebrity run in stories. She’s a walking gossip column, except her stories are firsthand and it seems like she’s as star struck by celebrities as we are entertained by hearing about them. Kathy’s humor is definitely not suitable for young people, but she keeps it real and seems like an approachable, normal (if eccentric) person. She dished about meeting Lady Gaga, for example, who gifted Kathy eggs from her own chickens, and described her comical firsthand experiences meeting many other celebrities, too.

We celebrated her now 95-year-old mother, Maggie, who, when Kathy took her out for birthday dinner in the late afternoon on Hollywood Boulevard, lamented she didn’t get to see any celebrities. No wonder Kathy doesn’t take herself too seriously.

There were very few straight men in the crowd, but Kathy gave them special attention and made sure to call for their attention specifically when she thought one of her stories would be about someone they might have heard of on ESPN. I laughed after the show when Jeff asked me who the Kardashians were and what a Real Housewife is. I am totally fine with him not knowing a thing about either! We still laughed together the bulk of the show. Always a treat, Kathy!

xo,

bree

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