Tag Archives: Jeffrey Foucault

Caitlin Canty with Noam Pikelny

Tuesday, May 1, 2018

One Longfellow Square, Portland, Maine

I saw Caitlin Canty by chance back in May of 2012. I was at a Jeffrey Foucault show at One Longfellow Square. At some point in the night he introduced his friend and fellow musician, Vermont’s Caitlin Canty. She was in Portland working on a new record with Sam Kapala (a founding member of Darlingside), and he had taken her out for dinner before the show. He asked her to join him for a song, and I was smitten with her airy, mesmerizing voice. What I didn’t know at the time was that I’d witnessed their first of what would be many, many performances together. I chatted for a while with Caitlin after that show back in 2012, and she has become a friend-in-music who I look forward to seeing whenever she’s in town. I hadn’t seen Caitlin live since 2015 when she moved away to Nashville, so I was really looking forward to seeing her back in Portland.

Colin kindly saved me a seat in the front row, and I arrived a few minutes before show time. I’d had a migraine at school earlier in the day, but I took a nap and rallied for the show. Caitlin and Noam Pikelny took the stage just after 8, and opened with a beautiful song that caught the attention of NPR, “Get Up.” I love that song, and Caitlin grabbed everyone’s attention from the first measure of it, too. Something I noticed even more at this show than last time is that Caitlin has this Alison Krauss quality to her voice where every single sound she makes is truly gorgeous.

Caitlin told us about a song from the Golden Hour album she released back in 2012, “Dotted Line,” that made its way onto House of Cards. She told us “it’s a very good day for a songwriter” when a television show picks up a song. Caitlin, her mom, and her brother watched the episode to hear her song, but didn’t hear it. She’d already cashed the check, so she was puzzled. They watched it again, and realized that they heard three instrumental measures of it during a creepy moment where a woman carrying groceries was being followed down a street. Caitlin laughed and told us it was pretty ironic that one of her “kindest, friendliest” songs was the soundtrack of such a creepy on screen moment.We saw Caitlin and Noam at the end of the release tour for her newest album, Motel Bouquet, which they played every song from for us. Noam produced her album, although he normally tours with The Punch Brothers. It was really a treat to hear him play in such a tiny venue. Caitlin had played a hometown show in Vermont a night or two earlier, and she said it was a community effort. The show was in a space that’s not normally a venue, so her dad and brother set up chairs, her high school music teacher ran the sound, and they borrowed a rug from a neighbor to absorb some of the echo on stage. She joked that compared to that show “you’re all sitting so quietly and you’re not sweaty from setting up chairs or anything.”

Caitlin’s album is named for a bouquet of flowers someone left for her after a show that inspired a song, but she’d thought about naming it Who after one of her favorite songs on the album. She said she was so lucky to have Noam as her producer for many reasons, but also because he talked her out of naming her album Caitlin Canty: Who? Noam chimed in that it was “better than Caitlin Canty: Why?” Noam and Caitlin struck a deal that she’d play a song solo if he would. Noam introduced his solo song by telling us that a year and a half ago, “it became apparent that it was time, yet again, to milk the instrumental banjo cash cow.” His 2017 release, Universal Favorite, is mostly instrumental banjo music. He joked, “I’ll play you guys the first track off the record, a 53 minute piece, so lock the doors.” The song he played, “Wavelength,” was GORGEOUS. I had no idea that banjo could sound like that. Noam didn’t say much, but he was funny when he did talk. Caitlin mentioned that Noam’s friend texted that he couldn’t make it to the show because his guinea pig died. Noam chimed in, “some of you are laughing right now, but not me. It’s the strangest excuse yet, and shows folks are having to dig real deep to find excuses to not come out to hear me play.”

Caitlin told the story of how she’d come to sing her first song on stage at One Longfellow Square with Jeffrey Foucault, and thanked OLS for their continued support. She generously offered to give anyone who signed up to become a One Longfellow Square member that night one of her albums, which was very kind. She told us that she loves playing her songs for “cold weather folks, but they tend to scoot right out the door after the show.” She asked us to stop by the merch table and say hello before heading home.

I can’t remember what Caitlin played last, but my favorite song on Hotel Bouquet (which I’ve listened to a lot in the car over the last week) so far is “Leaping Out.” I do know that she and Noam earned and we gave a standing ovation. They treated us to one last song, a cover of Emmylou Harris’ “Tennessee Waltz” in honor of heading home to Nashville the next day after a successful record release tour. Caitlin remembered me when I saw her after the show and we chatted about how much she’s loved living in Nashville. I’m so happy for her success.

Colin saw Caitlin open for Josh Ritter last night in Portsmouth, and she’ll be back in town on July 20 opening for Mary Chapin Carpenter at the State Theatre. Caitlin is so worth hearing in person, and I hope you’ll check her out!




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Jeffrey Foucault with Caitlin Canty

Wednesday, December 2, 2015

One Longfellow Square, Portland, Maine

I first caught Jeffrey Foucault sharing songs with Mark Erelli at One Longfellow Square back in December of 2011 and I was smitten. There’s something incredibly unassuming about him, so when he opened his mouth and these captivating, heartfelt, honest lyrics poured beautifully out of him, I was caught a little off guard. He is fantastic live—a true storyteller. He came back to OLS in May of 2012, and I grabbed a front row spot to soak in the show. At some point in the night he introduced his friend and fellow musician, Vermont’s Caitlin Canty. She was in Portland working on a new record, and he’d taken her out for dinner before the show. He said she owed him a song, and “invited” her to the stage to sing with him. She is the real deal, and I was really impressed with her gritty, yet airy voice. What I didn’t know at the time was that I’d witnessed (and documented) their first performance together. Now, a few years later, they’ve toured extensively together. I feel lucky to have witnessed them at the very beginning of their musical relationship. I also had the pleasure of chatting with Caitlin after that show back in 2012, and she has become a friend-in-music who I look forward to seeing whenever she’s in town.

My steadfast concert buddy Colin and I grabbed front row spots at One Longfellow Square to enjoy the show up close (obviously). We met Nicole, who was solo and sitting next to us in the front row. She was lovely—it’s always great to meet great folks at shows. Nicole lives in Madrid and runs a travel company, but was staying in Portland for a month and had picked this show to check out. I made her a list of musicians I thought she should know about, and as if on cue, my dear friend and talented Portland-based musician, Max Garcia Conover, sat down with us to enjoy the show. He was obviously on the list I’d made for Nicole.

Caitlin Canty took the stage, and was joined by Jeffrey Foucault, Billy Conway, and Jeremy Moses Curtis for the whole of her seven-song set. Their energy as a band is fantastic—these folks are definitely friends and their chemistry is apparent. I especially enjoyed “Southern Man,” “Get Up,” and Caitlin’s stunning cover of Neil Young’s “Unknown Legend.” Caitlin’s second full-length album, Reckless Skyline (produced by Jeffrey Foucault), is getting some of the attention it deserves, especially by NPR, who introduced “Get Up” as one of the “Songs We Love” early in 2015.

From left to right: Jeffrey Foucault, Caitlin Canty, and Billy Conway

From left to right: Jeffrey Foucault, Caitlin Canty, Billy Conway, and Jeremy Moses Curtis

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Jeffrey Foucault and the band (now including Caitlin) took the stage (again) after a quick break to play Jeffrey’s songs. They were also joined at some point by guitarist Mark Spencer. They played a bunch of tunes from Jeffrey’s October 2015 release, Salt As Wolves, which was apparently recorded in just three days in rural Minnesota. I especially enjoyed “Slow Talker” and “Heart to the Husk” in the beginning of their set. Jeffrey and Caitlin unplugged and stepped to the edge of the stage to play her song “Leaping Out” and a cover of “Drown in My Own Tears” together. They both had big smiles on their faces while they played and the positive energy was contagious.

Jeffrey and Caitlin unplugged

Jeffrey and Caitlin unplugged


The band wrapped up their set with the melancholy, lovely “Paradise” and then brought it up with “Left This Town.” We roared with applause and the band treated us to an encore—one of my (new) favorite Jeffrey Foucault songs, “Hurricane Lamp.” I listened to Jeffrey’s interview with David Greene on NPR’s Morning Edition, and he talked about thinking about a friend having a hard time fighting cancer when he wrote the song.

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You should definitely see Jeffrey Foucault and Caitlin Canty live if they come to town. Check out their Daytrotter session if you need a little extra urging. Thanks so much for a great night!




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