Tag Archives: Max Garcia Conover

Justin Townes Earle with Max García Conover

 

Sunday, September 11, 2016

Port City Music Hall, Portland, Maine

Max García Conover is my friend and a heckuva guy. He is thoughtful and observes intently. He writes a song a week (you can be a patron of that project) and is working full-time as a singer-songwriter. I’m proud to know him. He was really excited to open for Justin Townes Earle, so the friend group rallied to support him on a school night.

Max took the stage to an attentive audience. Port City Music Hall had some seating set up in the general admission area, and it made for a special listening room show. Max told us that when he ended up in Puerto Rico without the grant money he’d expected to live on, he took to busking to earn money for groceries. He was just learning to play the guitar, and he’d play the same songs again and again, but no one dropped any money in his guitar case. He started playing a Justin Townes Earle song (“I Don’t Care”) on the streets, and it was the first song that made him any money. Max was clearly excited to open the show for JTE, and it was heartwarming to see him on stage at Port City in front of a big crowd that listened earnestly and enjoyed him. He played “My Neighbor Joe” early in his set, and it’s an intense song that reveals itself more and more each time I hear it. That something I appreciate about Max’s songs–they’re layered with meaning and take on new life at each listen.

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Max Garcia Conover

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Max said that everyone should have a preacher friend, so he invented one in a song. Max told us that he grew up going to church and on mission trips until one of his pastors gave an anti-gay sermon and so he immediately stopped doing both. He told us a story about a real investment banker with heart, who chatted with Max to make sure he was saving for retirement after his set at a music festival. Max’s last song of the night was one he wrote on a pizza box during intermission at a tough show in New Sweden, Maine (the song is aptly titled “New Sweden, Maine”), that has evolved over time and become a staple in his setlist.

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Justin Townes Earle took the stage, and the crowd was pumped. Some friends I trust love his music, so I was excited to see him live. I’ve got to say that his live show fell flat for me. People in the crowd were smitten. Some shouted out song requests. I heard someone yell a song title and say it was his wedding song. JTE’s songs obviously mean a lot to his fans, so I thought it was unfortunate that Justin didn’t receive love from the audience warmly. At one point early in his set he said “I’m an asshole,” and it seemed true. I have a hard time getting interested in someone’s music when they don’t seem to care at all about the listener. Everyone is entitled to an off night, which perhaps this was, but it was enough to turn me off. I very rarely leave a show before it’s over, but I did on this night, and I don’t feel like I missed out. If you’ve had an incredible Justin Townes Earle show experience (and if you thought he was amazing at this particular show), I want to hear from you about what you see that I missed.

xo,

bree

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The Ghost of Paul Revere

Friday, March 4, 2016

Johnson Hall, Gardiner, Maine

I hadn’t seen The Ghost of Paul Revere play live in at least a year, so I was really excited for them to come play at Johnson Hall in my own sweet little town. I was only slightly tempted to stay home and binge on the fourth season of House of Cards, which was released that day, but I’m glad I made it downtown for this show instead. The Ghost of Paul Revere (GPR) had played Johnson Hall a year or so ago (I’d suggested them to Johnson Hall Executive Artistic Director Mike Miclon), and many folks in the near sell out crowd were returning to see them again.

This was the best I’d heard GPR sound since the first time I saw them play back in May of 2013 at One Longfellow Square. While I was doing research for this post, I found a quote from my May 2013 post on whatbreesees.com on The Ghost of Paul Revere’s website. Awesome!

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I love it when I show up on a band’s website! http://www.ghostofpaulrevere.com/epk/

Griffin Sherry has a clear, beautiful voice. Sean McCarthy claimed to be under the weather, but he was hilarious and kept us laughing with lots of banter anyhow. Their three part harmonies with Max Davis were lovely. Matt Young killed on harmonica. They really made me feel like I was in their living room, and that is the best kind of show possible.

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The Ghost of Paul Revere. From left to right–Matt Young, Griffin Sherry, Sean McCarthy, and Max Davis.

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“Ghostland” and “Mountain Song” were both early standouts of the night, and GPR recorded both songs during their Audiotree session. After their first show at Johnson Hall, GPR came back to film their video for “Wolves” upstairs in the stunning, unfinished upstairs concert hall. “San Antone” is easily my favorite GPR song, so I was glad to hear that one live. Their last song before intermission was a cappella. Sean asked a group of little kids in the front row if they knew what that meant. They didn’t. It was a super cute exchange. After intermission, GPR played “Ballad of the 20th Maine,” did an amazing cover of “Baba O’Riley,” and closed their set (appropriately) with “This is the End.”

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A screenshot of GPR’s “Wolves” video, shot in the unfinished upstairs concert hall at Johnson Hall in Gardiner, Maine.

After the show, Gardiner’s new-ish record store, Niche, Inc. stayed open to host folks who wanted to see their shop. I was impressed when all of the members of The Ghost of Paul Revere went over to support the store, whose owners Sam and Jason are big fans. I normally don’t chat with musicians (if they’re having an off night, I’ve found it can destroy all the love you have for their music), but since GPR did a nationwide tour with my dear friend Max Garcia Conover, I decided to break the rule. They’re all totally down to Earth, approachable guys. We got a chance to talk music for a long time, which was a sweet treat. Come back soon, guys! Thanks for a great show!

xo,

bree

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Jeffrey Foucault with Caitlin Canty

Wednesday, December 2, 2015

One Longfellow Square, Portland, Maine

I first caught Jeffrey Foucault sharing songs with Mark Erelli at One Longfellow Square back in December of 2011 and I was smitten. There’s something incredibly unassuming about him, so when he opened his mouth and these captivating, heartfelt, honest lyrics poured beautifully out of him, I was caught a little off guard. He is fantastic live—a true storyteller. He came back to OLS in May of 2012, and I grabbed a front row spot to soak in the show. At some point in the night he introduced his friend and fellow musician, Vermont’s Caitlin Canty. She was in Portland working on a new record, and he’d taken her out for dinner before the show. He said she owed him a song, and “invited” her to the stage to sing with him. She is the real deal, and I was really impressed with her gritty, yet airy voice. What I didn’t know at the time was that I’d witnessed (and documented) their first performance together. Now, a few years later, they’ve toured extensively together. I feel lucky to have witnessed them at the very beginning of their musical relationship. I also had the pleasure of chatting with Caitlin after that show back in 2012, and she has become a friend-in-music who I look forward to seeing whenever she’s in town.

My steadfast concert buddy Colin and I grabbed front row spots at One Longfellow Square to enjoy the show up close (obviously). We met Nicole, who was solo and sitting next to us in the front row. She was lovely—it’s always great to meet great folks at shows. Nicole lives in Madrid and runs a travel company, but was staying in Portland for a month and had picked this show to check out. I made her a list of musicians I thought she should know about, and as if on cue, my dear friend and talented Portland-based musician, Max Garcia Conover, sat down with us to enjoy the show. He was obviously on the list I’d made for Nicole.

Caitlin Canty took the stage, and was joined by Jeffrey Foucault, Billy Conway, and Jeremy Moses Curtis for the whole of her seven-song set. Their energy as a band is fantastic—these folks are definitely friends and their chemistry is apparent. I especially enjoyed “Southern Man,” “Get Up,” and Caitlin’s stunning cover of Neil Young’s “Unknown Legend.” Caitlin’s second full-length album, Reckless Skyline (produced by Jeffrey Foucault), is getting some of the attention it deserves, especially by NPR, who introduced “Get Up” as one of the “Songs We Love” early in 2015.

From left to right: Jeffrey Foucault, Caitlin Canty, and Billy Conway

From left to right: Jeffrey Foucault, Caitlin Canty, Billy Conway, and Jeremy Moses Curtis

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Jeffrey Foucault and the band (now including Caitlin) took the stage (again) after a quick break to play Jeffrey’s songs. They were also joined at some point by guitarist Mark Spencer. They played a bunch of tunes from Jeffrey’s October 2015 release, Salt As Wolves, which was apparently recorded in just three days in rural Minnesota. I especially enjoyed “Slow Talker” and “Heart to the Husk” in the beginning of their set. Jeffrey and Caitlin unplugged and stepped to the edge of the stage to play her song “Leaping Out” and a cover of “Drown in My Own Tears” together. They both had big smiles on their faces while they played and the positive energy was contagious.

Jeffrey and Caitlin unplugged

Jeffrey and Caitlin unplugged

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The band wrapped up their set with the melancholy, lovely “Paradise” and then brought it up with “Left This Town.” We roared with applause and the band treated us to an encore—one of my (new) favorite Jeffrey Foucault songs, “Hurricane Lamp.” I listened to Jeffrey’s interview with David Greene on NPR’s Morning Edition, and he talked about thinking about a friend having a hard time fighting cancer when he wrote the song.

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You should definitely see Jeffrey Foucault and Caitlin Canty live if they come to town. Check out their Daytrotter session if you need a little extra urging. Thanks so much for a great night!

xo,

bree

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Max Garcia Conover

Saturday, July 25, 2015

Frontier, Brunswick, Maine

I got home from a long and relatively taxing trip to see U2 with just moments to spare before Max’s show started at Frontier. I love seeing shows at Frontier—it’s an intimate theater space, and it encourages performers to interact with the audience. It often feels like seeing a show in someone’s living room. After a challenging few days full of jam-packed travel and a disappointing U2 show, I was relieved and nearly teary, to get home to see Max play. I’ve seen Max perform easily a dozen times, but this was his best show. He spent the bulk of the summer on a national tour with Ghost of Paul Revere, and he’d clearly hit his stride. His older songs sounded stronger than ever, his banter was comfortable and jokes well timed, and his new songs revealed an innovative, powerful one-man band sound with a kick drum and tambourine. I snuggled up to Sophie in the front row for the duration and requested “You’re The Farthest I Go,” which Sophie graciously joined Max to sing unplugged from the floor. I hadn’t heard them sing together for a long while, and even without practicing, they sounded beautiful.

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Max Garcia Conover

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Max and Sophie, by request

Max and Sophie, by request

Max sent me home with a recording of ten of his new songs, and I have listened to them again and again. I love “Motorhome”—Max’s tribute to his and Sophie’s now deceased motorhome and their life together on the road. “If I’m staring out at the road/It’s probably her that I’m missing/Our dear departed motorhome.” There’s also a different energy, a darkness even, in a couple of the new songs. “My Neighbor Joe” is heavy. There’s a lot to digest there. He wrote another song that makes you think twice—“As Much A Rising Sun As A Setting One Pt. 2” while on a break during a show in northern Maine. The folks there were having a bad week and some of that energy is processed in the song. It’s interesting to hear how Max’s style evolves over time. It’s always a pleasure to see him play live. It’s like being home. Thanks, Max! (More pictures below).

xo,

bree

P.S.—You can support Max’s effort to write a new song a week here!

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Max Garcia Conover with Ben Cosgrove

Sunday, January 4, 2014

One Longfellow Square, Portland, Maine

We’re so happy that Max, Sophie, and Arlo the poodle are home from their cross-country fall tour! Our friends Ken, Tasha, and Sammie organized a surprise welcome home party for Max and Sophie before his show later that evening at One Longfellow Square. Ken asked us if we’d be willing to play a song or read something either written by Max or Sophie or inspired by them. It was wonderful to get to catch up with the gang and welcome Max and Sophie back in such a creative way. I was so impressed with friends who learned and reimagined Max’s complex songs and Ellery producer Ben Cosgrove blew us away with an impromptu performance (read: he forgot to prepare and it was still insanely good) of “Evelyn O.” on piano

A welcome home serenade!

A welcome home serenade!

Bartlett and Ben learned a Max song. No easy feat!

Bartlett and Ben learned a Max song. No easy feat!

Ben Cosgrove. You are too good.

Ben Cosgrove. You are too good.

Party organizer Ken Templeton played a Max song, too!

Party organizer Ken Templeton played a Max song, too!

Max played us a song while Sophie lovingly looked on

Max played us a song while Sophie lovingly looked on

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We ventured over to One Longfellow early to grab spots for the show. Ben Cosgrove is a musical prodigy. His piano pieces are layered and interesting. As someone who really loves lyrics (which he doesn’t write), Ben keeps me engaged by talking about the inspiration for each of his songs. He’s regularly inspired by place, he said, and some of the songs he played were “Montreal Song,” “Palo Alto”, and “Abilene”—which is about a cross-Kansas drive and the disorienting feeling of not understanding your place in the expanse. We saw Ben on the second night of his national tour, and he’s ended up in the Pacific Northwest where he’s doing a musical residency for a couple of months. Someone booed when he said he’d be gone a while, and he smiled and said “it’s okay, Mom.” It was a cute moment made better by the fact that Ben’s mom really was in the audience.

 

The insanely talented Ben Cosgrove

The insanely talented Ben Cosgrove

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Max Garcia Conover took the stage after an intermission and told us that playing a show with Ben Cosgrove is the best and also the most harrowing thing possible. Max told us a few stories about his national tour, including a night where he played a “world music night” in Venice Beach (the Garcia in his name must have done it) so he played a song about his Puerto Rican grandfather for good measure. The centerpiece of the tour was the 1986 Toyota Motorhome that Max and Sophie bought for $2,500 to travel America in. It finally gave out in a Wal-Mart parking lot on Thanksgiving and they had to cancel parts of the tour. Max and Sophie decided they really wanted stuffing, so they waiting in the Black Friday line at Wal-Mart to get Stove Top stuffing. Max said it was a low point of the tour. Sophie wrote about this particular adventure on her blog. They eventually made it home to upstate NY where Max learned Bob Dylan’s “I Was Young When I Left Home.”

Max Garcia Conover

Max Garcia Conover

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Sammie Francis-Taylor performed her own interpretation of Max’s “I Won’t Mess You Up” on piano at the welcome home party and Max said it was awesome and the first time he’d ever heard someone play one of his songs. He invited Ben Cosgrove to the stage and they played the rest of the night together. He played “Home,” which is about where he grew up in Ellery, New York. My favorite song on Ellery is “Wildfires Outside Laramie, Wyoming” and Max was nervous about playing the song there on tour. He told us a story about the day he played Laramie (where they liked the song, by the way) and how he had the strange experience of observing a college kid having an existential crisis starting with perusing women’s purses in a used clothing store and ending in the bar where Max played his gig later that night drunk on gin and tonics with chili cheese fries all over his face.

Ben and Max

Ben and Max

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Max introduced “The Start of Fables” with an actually quite funny fable he wrote (finally) about bears and the bear baiting referendum question during Maine’s last election. I won’t ruin it for you since maybe he’ll tell it again. We sang along happily during the audience participation part, too. Max wrapped his set with an unplugged tune on the floor and then asked Ben to play a last song. I liked “Nashua River,” but also wanted to hear one more from Max. We stomped for an encore and Max took the stage to play a final song. Ben joined him and Max said he’d play a Strand of Oaks song called “Leave Ruin” and joked that he wouldn’t even tell Ben what key the song was in and even though Ben didn’t even know the song he’d still play it better than him.

Unplugged from the floor

Unplugged from the floor

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Max told us how grateful he was to be home and to play for us. He told us it can be exhausting to play for new people every night and it felt so good to be back home with the people he loves. He said, “you need your people.” We’re your people, Max. Welcome home!

xo,

bree

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Ghostland Music Festival

Saturday, September 13, 2014

Thomas Point Beach, Brunswick, Maine

The school year has been SUPER busy! This lovely day was weeks ago now! Sorry for the delay!

My friend Grace texted in the morning to ask if I had any interest in going to the first ever Ghostland Music Festival at Thomas Point Beach in Brunswick. It had been on my radar, so I took her text as a sign I should commit. I hurried by Gardiner’s annual Barks in the Park to pet some pups, take some pictures, and chat with my mayor about our most recent concert experiences before heading to Brunswick for the afternoon.

I fell in love with Otis at Gardiner's Barks in the Park!

I fell in love with Otis at Gardiner’s Barks in the Park!

Pretty Penny

Pretty Penny

It was a bit of a gloomy day—overcast and chilly—so turnout for the festival might have a little less than hoped for. I set up folding chairs and blankets close to the stage just outside of the fenced off beer area when I arrived and scoped out the grounds a bit. I was impressed with how well things were organized; especially given it was a first-time festival. Festival sponsor 98.9 WCLZ’s Ethan Minton took the stage to welcome us and tell us about the important work we were supporting by buying a ticket to the festival. He told us that 1 in 4 kids in Maine is food insecure, but Mid Coast Hunger Prevention Program feeds over a thousand families each year and provides food to kids on the weekends through their Backpack Program.

98.9 WCLZ's Ethan Minton

98.9 WCLZ’s Ethan Minton

I’d hurried to get to the festival early because I really wanted to see Matt Lorenz who plays as The Suitcase Junket and was scheduled to kick off the festival. He is one talented guy, who I first saw play with his band Rusty Belle and the ever-talented Caitlin Canty. Matt was nowhere to be seen, however, and Ethan told us that he sadly couldn’t make it because of car trouble. When I saw Jacob Augustine come to the stage with his beautiful guitar in hand, I knew we were in for an unexpected treat. Jacob was the second artist I ever wrote about on whatbreesees. I was going through a breakup at the time, and his incredibly heavy, soulful songs were no help at all! But he is beautiful to see in person. Jacob’s playing with one of my favorite bands, the harmonic Darlingside, this Saturday night at Empire in Portland, and you should REALLY go! Jacob’s voice will surprise you because it doesn’t match how he appears at all. He’s tattooed and has an amazing beard, but his voice is a beautiful falsetto full of vibrato. He had us join him in a whistled rendition of Happy Birthday for his friend and closed with “Waco.”

Jacob Augustine

Jacob Augustine

Grace and I grabbed lunch from the food trucks after Jacob’s set. My teriyaki jalapeno pineapple grilled chicken sandwich from the Good Shepherd Food Bank’s food truck was insanely good. Grace picked up some poutine from the other truck and we headed back to our seats in time for Maine’s most talented female vocalist, Anna Lombard. I first saw Anna at Slates in Hallowell and she blew me away. This woman can sing. She headlined Gardiner’s annual Swine and Stein Oktoberfest two years ago and impressed everyone there, too. (Swine and Stein is coming up next Saturday, October 11!). I saw my friend Vivian (who I met before a David Wax Museum show at Empire in Portland) sitting near the stage and grabbed her to come join us and share in the poutine and good music. A very pregnant Anna and her band of well-known Maine musicians like Tony McNaboe and Nate Soule took the stage and serenaded us with most of the tracks from Anna’s 2013 album, Head Full of Bells, including “They Want Us Dead,” “Nothing of Us Left,” “Waiting for Rescue,” “Why Did You Leave Me,” and “Confessions.” Anna sounded good as ever. Dave Gutter joined Anna and the band for “All For You” to end their set.

A great girls' day with Grace!

A great girls’ day with Grace!

Good Shepherd Food Bank's INCREDIBLE food truck!

Good Shepherd Food Bank’s INCREDIBLE food truck!

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Fun and games at Ghostland

Fun and games at Ghostland

Anna Lombard

Anna Lombard

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Dave Gutter’s set was up next. You probably know Dave and his recognizably raspy voice best from Rustic Overtones, which provided the soundtrack to my early college years. “Gangster” sounded great, and Dave said he’d “one up” Anna by inviting an already born child on stage to sing “I Like It Low” with him. Young Connie sounded great and was adorable. “Letter To The President” is a heavy song worth a listen, and Dave kept that mood rolling by ending his set with a song about addiction called “High On Everything.”

Dave Gutter

Dave Gutter

"I Like It Low" featuring Connie

“I Like It Low” featuring Connie on vocals

Boston based Will Dailey and his band took the stage and rocked with their electric guitars. I particularly liked “So Do I” and “Don’t Take Your Eyes Off of Me.” Anna Lombard seemed to be a big Will Dailey fan and she joined him for a song, too.

Will Dailey

Will Dailey

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Will Dailey featuring Anna Lombard

Will Dailey featuring Anna Lombard

An overcast day for a festival

An overcast day for a festival

I’d just seen Samuel James the night before at our dear friend Max Garcia Conover’s national RV tour kickoff show at Mayo Street Arts, and he was up next. The first time I saw Samuel James at Frontier in Brunswick, I felt like I was in his living room. The guy’s got soul. His blues guitar is impressive. I was glad to hear “It Ain’t Right” and “Nineteen,” which he wrote for his dad.

Samuel James

Samuel James

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Ethan invited everyone to move to inside because rain was imminent. Grace and I had been snuggled under our blankets for hours and were kind of spent, so we decided to head home after Samuel James. We missed Dominic and the Lucid, Spencer Albee, and The Ghost of Paul Revere (who I think are the bees knees). The Ghost of Paul Revere did a great job organizing Ghostland and I’m looking forward to seeing them in my sweet little town at Johnson Hall on November 8. I hope you raised a lot of well deserved and much needed funds for Mid Coast Hunger Prevention! Great job, guys!

xo,

bree

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Max Garcia Conover with Ben Cosgrove

Friday, September 12, 2014

Mayo Street Arts, Portland, Maine

Max Garcia Conover is a name that’s popped up on whatbreesees more than most. Max is a helluva guy—humble, talented, soft-spoken, introspective. If you haven’t seen Max live, it feels a lot like being serenaded in your own living room—intimate and warm. There’s not much more I can say about Max that I haven’t in countless posts about him and his live show, and this night was similarly wonderful but also somewhat bittersweet. Max, Sophie, and their dog Arlo are off in their RV on a three-month family tour of the US to promote their new album, ellery, and this was their sendoff. The gang was all assembled for a final hoorah before saying goodbye for a while to a couple of our favorite people.

The gang's all here!

The gang’s all here!

I got to Mayo Street Arts early after a great Friday afternoon happy hour with dear colleagues in Freeport just in time to snuggle Arlo and keep Sophie company in the RV while she got ready for the show. She introduced me to the now famous Ben Cosgrove, who not only arranged and produced ellery, but also played too many instruments on it to count. Max has been singing the praises of Ben for a long while now, so it was great to meet him and also to hear him play in person.

Mayo Street Arts filled in just as the show started, and the kind folks who work there had to fetch more and more seating from the back room to seat everyone, including a bunch of Max’s students from Breakwater School. Max opened the show by thanking us all for coming out and introducing Ben Cosgrove, who sat in for the entire show and wowed the crowd with his instrumental prowess. They opened with “Teem,” and Max told us that Ben really made that song happen—a difficult, instrumental piece that opens Max’s 2013 album, Burrow. Ben liked “Teem” and so learned it just by listening to it on his drive to Maine and then played it from memory at a show he and Max played together in Portland. Take a listen. You’ll start to understand how truly gifted Ben is.

Ben Cosgrove and Max Garcia Conover

Ben Cosgrove and Max Garcia Conover

Max is from Ellery, New York, and he told us that the album is about the idea of home and trying to belong somewhere. He called his new wife (!) Sophie Nelson onstage to sing “Amapolas, Part One” together. Max said this song (which means ‘poppies’ in Spanish) is meant to continue on in future albums. Sophie’s airy vocals are a nice juxtaposition to Max’s grittier sound. Ben accompanied them not only on piano but also on the flugelhorn at the same time.

Sophie Nelson joins Ben and Max

Sophie Nelson joins Ben and Max

Ben played a couple of songs solo. He said that his instrumental music is inspired by landscape and played two impressive piano pieces—“Montreal Song” and “Abilene.” I just drove cross country last month, and so I appreciated Ben’s introductory words about how disorienting it is to drive through Kansas. Max joined Ben onstage and read lyrics for one more of Ben’s songs—“The Contoured Shape of the Ground”—which I think Ben said he’d never played live before. They played “The Songs” from ellery before the break, which is a song about writing songs. I particularly like the driving tempo in the song and the lyric “they don’t want truth/just tell better lies.”

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Max called us back together after intermission and played “I Won’t Mess You Up”—a song he said is about getting married. He told us that growing up in Ellery he didn’t really know what a singer songwriter was, except he read about a guy who toured New York in a canoe with his ukulele. And then he pointed to Chris, the very sweet guy I’d been sitting with, and welcomed him to the stage! Chris Bell didn’t have his ukulele with him, but played a couple of bold, looping songs with his electric cello and a serious array of foot pedals instead.

Chris Bell

Chris Bell

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Max told a story about driving home to upstate New York with Sophie and Arlo when their car died with an hour to go in the middle of the night. Sophie fell asleep in the tow truck and soon, so did the driver. Max, feeling a need to protect his new wife, had to break out of his shell to engage the driver in conversation to keep him awake. He didn’t know where to start, so he just asked him about the gigantic crack down the middle of the windshield. It worked. Max invited Sammie Francis-Taylor to the stage to play shaker on “Say That You Know Me,” which is partially about having to connect with people even when you don’t know how or even really want to.

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I was really excited when Max started to introduce “Wildfires Outside Laramie, WY.” It’s one of those songs that cuts right to the heart of the matter and is one of my favorites of all of Max’s songs. He said it’s about when you can’t find common ground. He also told us that he just booked a gig in Laramie, and I’ll be interested to hear how playing that song there goes. It’s a heavy one.

Max, Sophie, and Ben left the stage and said goodnight, but we weren’t ready for the night to end. They came back and played another favorite, the very lovely “You’re the Farthest I Go” and went right into “Evelyn O.” to end their encore. I loved watching Sophie and Max looking at each other with sideways glances and knowing smiles during the songs they sang together. It is really sweet, how those two are together. It was a real treat to be there for this sendoff show. We didn’t get in our traditional Mayo Street sing along! I’ve gotten used to belting out the chorus on “The Start of Fables,” but Max wanted to be sure he built in some time for us all to hang out after the show since they’re off on tour for so long. Miss you guys already. Thanks for a great night!

xo,

bree

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