Tag Archives: The Ghost of Paul Revere

Jamestown Revival with Hannah Daman and the Martelle Sisters

Wednesday, May 3, 2017

Port City Music Hall, Portland, Maine

Some shows totally catch you by surprise, and this was definitely one of them. It was well timed, too, because it was also my birthday. This show really made the first day of my new year a special one. I got to Port City Music Hall early enough to snag my favorite spot, and I ran into and got to catch up with Maine Youth Rock Orchestra Executive Director Kevin Oates. It was a treat to be greeted with a big “Happy Birthday” and a hug from him to start the night. Kevin had to head backstage to get ready, and a small crowd emerged just in time for Hannah Daman and the Martelle Sisters’ opening set.

I saw Hannah and the Martelle Sisters for the first time back in September, when they played with a bigger band and opened for Kaleo. I liked them back then, but they were even better at this show. They took the stage, just the three of them, with a guitar, mandolin, and violin. I was impressed by the fullness of the sound they created. I was glad my friend Marian showed up early on in their set to enjoy it with me. Kevin joined them on cello for a couple of songs, and it’s always a pleasure to hear him play.

A proper crowd streamed in during the opening set, and people were clearly pretty pumped to see Magnolia, Texas’ Jamestown Revival. I’d skipped their first visit to Portland back in October because I didn’t know their music then and it can be tough to get pumped for Sunday night shows, but I regretted it. I was glad for the chance to rectify the situation. Plus, The Ghost of Paul Revere is currently out on tour with them and has spoken very highly of them. Their endorsement matters. I got to catch up with Griffin Sherry after the show, too. He’s the best!

I was impressed by Jamestown Revival. I loved that the band took the stage sporting some combination of ten-gallon hats, cowboy boots, and toothpicks in a totally unironic way. Zach Chance and Jonathan Clay are the frontmen of the band, and they’ve been friends since high school. The band slayed. Every song was strong–and they interacted warmly with the crowd, played requests, and really made it a fantastic night for us. The audience was great, too. There were a lot of fans in the house and people danced and sang along. Early on in the set, Zach said that he could tell this was going to be a special night, and it truly was.

I particularly like “Love Is A Burden” from Jamestown Revival’s 2016 release, The Education Of A Wandering Man. That song is a hit, and you’ve probably heard it on 98.9 WCLZ (who sponsored the show). I enjoyed “Revival” and “California (Cast Iron Soul)” from Jamestown Revival’s 2014 album, Utah. They played “Medicine” from that album at the request of an audience member, even though it wasn’t on their set list. They also did a very pretty cover of Neil Young’s “Harvest Moon.”

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The crowd was a delight that night (which has such an impact on a show experience), and Jamestown Revival really brought it. The moment the band left the stage, Port City turned the house music on and “Footloose” flooded the room. An impromptu dance party broke out, and a woman I didn’t know grabbed me to dance with her. It was a total blast and shows perfectly the mood Jamestown Revival created in that room that night. We didn’t want the night to end. What a show! Definitely see this band live!

xo,

bree

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A blurry picture of a happy moment dancing to Footloose after the show!


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Darlingside and Jacob Augustine

Saturday, October 4, 2014

Empire, Portland, Maine

This was only my third Darlingside show? That doesn’t seem possible, because they hold a pretty big spot in my musical heart. I first saw them in September of 2012 at One Longfellow Square only because they invited me and I was completely flabbergasted. I declared it one of my top five shows of 2012—which means something since I saw 45 shows that year. They came to play OLS again last fall with the lovely and talented Caitlin Canty, who is a regular collaborator of theirs, and the effervescent Rusty Belle. I’ve mostly adjusted to teacher hours and the show didn’t start until after 9:30PM, so I was excited for the show, but afraid I’d fall asleep in the car on the drive home. I texted my concert buddy Colin, who promised me he’d meet me at the show, so I mustered up the energy for a late night and an hour and a half of driving to see them. Totally worth it. I love seeing shows with Colin because he appreciates music like I do, but also because he keeps track of set lists (which means I don’t have to). It’s kind of like seeing shows just for fun again!

Darlingside's set list--courtesy of Colin

Darlingside’s set list–courtesy of Colin

Darlingside took the stage about 9:45PM. As I glanced around the room, I saw most of The Ghost of Paul Revere, some guys from Tricky Britches, and Eric, who manages The Ballroom Thieves in the crowd. I feel like that turnout tells you this show was worth going to, eh?

Darlingside is a “string rock quartet.” Don, Dave, Auyon, and Harris went to Williams together, and their harmonies are flawless. As they played “God of Loss” and “My Love” to warm up, you could have heard a pin drop. In a bar. Late on a Saturday night. They’re impressive and they draw you in to listen. “My Love” is one of my favorites—a bit of self reflection about the effort one makes in a relationship—“My half-assed best was all I had for your love/my maybe-tomorrows for your heart-to-hearts/my punch-drunk house calls for your candles and wine/my brother, my banjo, my never-done-wrong/all you wanted was me by your side/I tend to get what I want/and do as I please/but you taught me I can’t always get away with everything I thought I could/and for that I thank you, my love.” Their cover of Smashing Pumpkin’s “1979” was energizing and a hit with the crowd.

From left to right, Darlingside is Don Mitchell,  David Senft, Auyon Mukharji, and Harris Paseltiner

From left to right, Darlingside is Don Mitchell,
David Senft, Auyon Mukharji, and Harris Paseltiner

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Dave promised to try very hard not to hit Auyon with his instruments.

Dave promised to try very hard not to hit Auyon with his instruments.

Darlingside’s harmonies on “The Woods” were particularly standout. I was glad to hear “The Catbird Seat.” It’s pretty, but sad—“By you I swore/By the light or the way you wore it/Now instead I swear I’m over it.” “Blow the House Down” was a crowd favorite. They ended their set with “Good Man,” and the crowd cheered loudly enough for an encore. I was really happy to hear “Sweet and Low” live. I also would have liked to hear “Terrible Things,” but alas. Check out the video, though. It’s excellent.

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Darlingside will join The Ghost of Paul Revere and The Ballroom Thieves (two more of my favorite bands) for Hollerfest 2 at The Strand Theatre in Rockland on Saturday, November 22. They’ll be joined by the Maine Youth Rock Orchestra. I will definitely be there!

Mike, of my former students who is all grown up now, works downstairs at Empire and joined us for a bit. Mike was impressed with Jacob Augustine’s beard, and I told him to get ready to be surprised by Jacob’s sweet falsetto voice. He was. I’d just seen Jacob a few weeks either at Ghostland Music Festival, but he hasn’t played out much and it was a treat to get to see him again so soon. I’d never seen Jacob Augustine with a full band, and the fullness of sound amplified the message of his songs beautifully. Jacob’s band for the night included Asher Platts on upright/bass, Peter McLaughlin on percussion, and my friend McKay Belk rocking the steel guitar. “Halfway to Harlem” was a favorite. They played the long versions of each song, and since I could see their set list from my front row spot, I knew I wouldn’t make it to the end of the night and sadly excused myself for the haul home. I listened to this version of “Peace Comes” in the car en route, though. Sad to miss the rest, Jacob, but so glad to see you twice in short time!

xo,

bree

Jacob Augustine

Jacob Augustine

Jacob with McKay Belk on steel guitar

Jacob with McKay Belk on steel guitar

Jacob with Peter McLaughlin on percussion

Jacob with Peter McLaughlin on percussion

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Asher Platts on upright bass

Asher Platts on upright bass

What's that called, Peter?

What’s that called, Peter?

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