Tag Archives: Griffin Sherry

The Alternate Routes with Luke Fradiani

Friday, September 15, 2017

Port City Music Hall, Portland, Maine

I’m catching up on blogging today with a heavy heart. I go to school every day in this post-Sandy Hook world, and have no hope that anything will change. I often think about music as being my religion–appreciating the power music has to bring us together and to change us for the better–and being at a concert as being in a sanctuary. My heart breaks for those who went to a concert in Las Vegas and instead got murdered. It’s unfathomable, and yet a norm we are starting to live with.

The Alternate Routes have grappled with the issue of gun violence in their music. Guitarist Eric Donnelly’s parents were murdered by an addict with a gun in their Fairfield, Connecticut jewelry store back in 2005, and his song “Somewhere in America” is a stunning song that reflects on the pervasiveness of gun violence in America.

Read these lyrics to “Somewhere in America”:

“The last thing that my father saw when he was still alive

Was the gun in the hands of a sick young man with bright blue eyes.

A man who looked just like me as far as anyone else could see.

A stranger, not an enemy.

And my mother watched it all.

That was the last thing that she saw.

Somewhere in America

A phone’s about to ring.

An unlucky break.

Wrong time, wrong place.

I’ve heard them all so many times.

If your dad had had a gun of his own,

maybe they’d still be alive.”

The Alternate Routes have also collaborated with Newtown Kindness, an organization that sprang up after the tragedy in the Sandy Hook community, and wrote “Nothing More,” which reminds us that “we are how we treat each other, and nothing more.” So here’s a band that puts their energy into this vital issue, and here’s another day in America where someone’s phone is going to ring. I tried to watch Jimmy Kimmel’s response, but couldn’t make it through.

I first saw the Alternate Routes open for Carbon Leaf back in 2009, and it was a spectacular, super fun show. Alternate Routes lead singer Tim Warren wrote “With all the love I have in my heart” on the CD I bought that night, their 2009 album A Sucker’s Dream. I also saw the Alternate Routes open for Martin Sexton in 2013 and play with the Ballroom Thieves in 2014, but it had been a while since I’d seen them. I watched their Studio Z performance live on Facebook earlier in the day and they told stories that showed their humanity and heart. It made me more excited to see them later that night.

I grabbed a quick solo dinner at the bar at Empire (a regular tradition for me on show nights in Portland), but ended up making friends with a few folks at the bar who let me join in their dinner conversation. I also ran into my friend Griffin Sherry from The Ghost of Paul Revere. His publicist had sent me a preview of their newest song, “Montreal,” and I was able to tell him I’d listened a few times earlier in the day and love it. The Ghost recently announced shows for December 30 and 31 at Port City Music Hall, if you’re looking for end of year plans.

I made my way to Port City Music Hall and joined my friend Andrea in the front row for some of show opener Luke Fradiani’s set. Andrea went to the show to see Luke Fradiani, and didn’t know the Alternate Routes. I was in the opposite situation. Luke was engaging and chatty, and he has a lovely voice. Apparently, he won a season of American Idol, which is pretty cool. Alternate Routes guitarist Eric Donnelly and drummer Kurt Leon were in his band, and I enjoyed the bonus time with them on stage. They did an amazing cover of Billy Joel’s “Downeaster Alexa,” which was amazing. Luke’s songs are a bit simple for my taste, but he was a fine show opener. Andrea disappeared for an hour after Luke’s set to make friends with the band, and his pianist, Mikel Paris walked us out of the venue at the end of the night. It was precious. I don’t usually want to talk to people in bands in case they’re having a bad night and aren’t nice, but Andrea goes for it all the time.

The Alternate Routes were great, if a little subdued compared to the first time I saw them back in 2009 (I think alcohol was involved all those years ago, though). I was glad to hear “The Future’s Nothing New” with a bit of Amy Winehouse’s “Trouble” in the mix. My favorite of their songs is probably “Ordinary,” and I liked hearing it with just Tim and Eric as a duo. Their new song, “Safe Haven,” is sweet as honey, too. Tim sincerely thanked 98.9 WCLZ for their ongoing support of the band. He introduced the last song in their set, “Nothing More,” by saying they were told that should write a song to inspire people to be kind–especially children–and thought it was a good idea. They wrote the song in memory of and in tribute to a bunch of folks and their families who lost children. Tim said that “everybody in here knows something about losing something and I hope you know very little about that, but if the people who went through that can pick up the pieces and carry the torch and try to put something good in the world despite that, the hardest thing that you can imagine, certainly we can try.”

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This is Grace and a friend. They were right here all night and it was super cute.

The band came back for two more songs–“Asked You Twice,” which was a sing along, and we danced the last minutes of the night away to “One Dance Left,” which Tim told us was about feeling free of worry, which doesn’t happen that much. It was a good place to leave it.

Check this band out. They’re using their art to do some powerful things, and it matters.

xo,

bree


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Mipso with Lula Wiles

Thursday, November 3, 2016

One Longfellow Square, Portland, Maine

I am usually disappointed when I see shows I want to go to are scheduled for Thursday nights, because it means I have to skip sparring and my women’s Brazilian jiu jitsu class (and my instructor is a beast and doesn’t like it when I’m absent), but I am mostly glad I made an exception for this show. I introduced my former advisee, Carmen, who is now a freshman at Bowdoin College, to Mipso, and she came to see them with me last time they were in town on Valentine’s Day. When Carmen told me she was planning to go and would save me a seat (which she fortunately was able to do), I decided to join her.

When I arrived at One Longfellow Square, I ran into Portland’s own Griffin Sherry of The Ghost of Paul Revere fame, and was able to catch up with him about their upcoming touring scheduled (which is plentiful). I found Carmen in the front row of what little seating existed, since the staff had pushed the seats to the side to create a dance floor (which the website did warn about, but I’d forgotten). OLS–please don’t do this limited seating thing. It’s awful. You’re a listening room, and that’s a wonderful thing. When you clear the room, you encourage people to stop listening. It has happened 100% of the time I’ve been to one of these “limited seating” shows. This night, there was a belligerent dude in a CrossFit t shirt who kept heckling the band and shouting over the music the whole show. I just don’t think people would be as inclined to act so inappropriately in a seated venue. He was super obnoxious. Also, the bands you’ve cleared the floor for (maybe at their request?) just aren’t bands you really can or would dance to, either.

Lula Wiles opened the show and they were delightful. Isa Burke and Ellie Buckland traded a fiddle and guitar back and forth and both sang their hearts out. I wouldn’t have known they were a trio if they hadn’t mentioned that their bass player Mali was missing that night. Isa’s little sister, Julianna, joined them on stage and sang Mali’s part for one song and was great, too. Check out “Losing Side.” Lula Wiles is the real deal, and I will definitely see them next time they’re in town.

Carmen and I traded raised eyebrows when our beloved Mipso took the stage with a drummer in tow. They’re a young bluegrass band from North Carolina with beautiful lyrics and harmonies, but the drums drowned them out and it changed the entire vibe for both of us. I theorized that they added a drummer because they play a lot in bars and could use the volume for those venues, but I was disappointed, whatever the reason. Their drummer (who is talented, just not necessary) left the stage about halfway through their set, much to our relief. It was nice to hear the Mipso we know and love and actually be able to hear the lyrics of the songs.

Lead singer Joseph Terrell (who has a stunningly clear voice) sang “When I’m Gone” for his grandmother, Eldora. I glanced over to the “dance floor” (where no one was dancing because this was not dance music) and saw my dear college friend, Ken Templeton, who was there to cover the show for Boston’s Red Line Roots (he didn’t take kindly to the drunk CrossFit guy, either). Since he’d never seen Mipso before, he wasn’t offended at all by the addition of a drummer like we were (which is to say, you will still like them if you’ve never heard them before). At the end of the night, Mipso invited Lula Wiles back to the stage and treated us to a great rendition of Bob Dylan’s “When I Paint My Masterpiece.” It was a delight to catch up with Griffin, Carmen, and Ken, and I was relieved that the obnoxious drunk guy wasn’t wearing a MMA shirt. #represent

xo,

bree

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The Ghost of Paul Revere

Friday, March 4, 2016

Johnson Hall, Gardiner, Maine

I hadn’t seen The Ghost of Paul Revere play live in at least a year, so I was really excited for them to come play at Johnson Hall in my own sweet little town. I was only slightly tempted to stay home and binge on the fourth season of House of Cards, which was released that day, but I’m glad I made it downtown for this show instead. The Ghost of Paul Revere (GPR) had played Johnson Hall a year or so ago (I’d suggested them to Johnson Hall Executive Artistic Director Mike Miclon), and many folks in the near sell out crowd were returning to see them again.

This was the best I’d heard GPR sound since the first time I saw them play back in May of 2013 at One Longfellow Square. While I was doing research for this post, I found a quote from my May 2013 post on whatbreesees.com on The Ghost of Paul Revere’s website. Awesome!

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I love it when I show up on a band’s website! http://www.ghostofpaulrevere.com/epk/

Griffin Sherry has a clear, beautiful voice. Sean McCarthy claimed to be under the weather, but he was hilarious and kept us laughing with lots of banter anyhow. Their three part harmonies with Max Davis were lovely. Matt Young killed on harmonica. They really made me feel like I was in their living room, and that is the best kind of show possible.

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The Ghost of Paul Revere. From left to right–Matt Young, Griffin Sherry, Sean McCarthy, and Max Davis.

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“Ghostland” and “Mountain Song” were both early standouts of the night, and GPR recorded both songs during their Audiotree session. After their first show at Johnson Hall, GPR came back to film their video for “Wolves” upstairs in the stunning, unfinished upstairs concert hall. “San Antone” is easily my favorite GPR song, so I was glad to hear that one live. Their last song before intermission was a cappella. Sean asked a group of little kids in the front row if they knew what that meant. They didn’t. It was a super cute exchange. After intermission, GPR played “Ballad of the 20th Maine,” did an amazing cover of “Baba O’Riley,” and closed their set (appropriately) with “This is the End.”

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A screenshot of GPR’s “Wolves” video, shot in the unfinished upstairs concert hall at Johnson Hall in Gardiner, Maine.

After the show, Gardiner’s new-ish record store, Niche, Inc. stayed open to host folks who wanted to see their shop. I was impressed when all of the members of The Ghost of Paul Revere went over to support the store, whose owners Sam and Jason are big fans. I normally don’t chat with musicians (if they’re having an off night, I’ve found it can destroy all the love you have for their music), but since GPR did a nationwide tour with my dear friend Max Garcia Conover, I decided to break the rule. They’re all totally down to Earth, approachable guys. We got a chance to talk music for a long time, which was a sweet treat. Come back soon, guys! Thanks for a great show!

xo,

bree

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