Tag Archives: Red Line Roots

Lukas Nelson & Promise of the Real with Nikki Lane

Friday, November 17, 2017

Port City Music Hall, Portland, Maine

This night gets top marks from start to finish. It was the end of a long week–I’d been sick, we had parent teacher conferences at school until late, I’d seen the Lone Bellow earlier in the week, and I was generally pooped–but when Lukas Nelson’s publicist invited me to come to the sold out show, I knew I needed to dig deep. It was definitely the right choice.

Marian joined me at Empire and we had a leisurely dinner before the show. Portland was packed–Béla Fleck and Abigail Washburn were in town at the State Theatre, and Elton John was at the Cross Insurance Center, too. We made it to Port City Music Hall a little before 7:30, expecting to arrive on the early side in order to grab a good spot up front for the sold out show, but the line was up the block. I wondered if doors weren’t open yet, but it turned out that Port City has increased their security protocol and everyone was asked to empty their pockets and was wanded with metal detectors. It was a pretty slow process. I think a third person on the door wanding would help in the future, especially during sold out shows.

Marian and I made our way towards the stage and met Phyllis and her family. Phyllis has been to seven Farm Aid shows and is a huge Lukas Nelson  fan. I was unfamiliar with both Lukas and show opener Nikki Lane, but Phyllis’ enthusiasm was contagious. I’d also heard from friends who attended the Newport Folk Festival last summer that Nikki was a hit there, so I was excited for the entire double bill.

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Here’s Phyllis with Lukas. Thanks to her daughter, Sarah, for sending me this adorable picture!

Nikki Lane took the stage around 8:10. Nikki and her band live in Nashville, and she described it as a small community where everyone knows everyone. Nikki told us that a friend was in a serious relationship, but found out that her partner had a secret life with a wife and family, which inspired her song “Lies.”I’d heard “Right Time” and “Jackpot” on 98.9 WCLZ. Nikki’s music has a vintage country rock vibe and she has a killer voice.

IMG_5999IMG_6014Concert etiquette tip moment. I am always disappointed in people at shows who arrive at the last second, but push their way to the front and cut in front of people who arrived early to earn that good spot. This happened to us, too, and it was a bummer. Folks–if you want to be up front, arrive early. If you see an empty square foot of space in the front, that is not enough space for you to squeeze yourself into. Resist the urge. It is really rude.

Lukas Nelson & Promise of the Real took the stage after a lengthy transition. I grabbed a spot just behind the barricade to photograph during the first three songs of Lukas’ set, and he was mesmerizing. I’d heard he was dreamy from friends in the music industry, but I think everyone in the room had an immediate crush on him. He has “it” factor, and a confident stage presence. My dear friend Ken Templeton interviewed Lukas for Red Line Roots, and you can learn a bit about Lukas’ recent album and songwriting process here.IMG_6032IMG_6048IMG_6050IMG_6084Up to that moment, I was a total Lukas Nelson & POTR novice. I’d only ever heard Lukas’ song “Find Yourself” on WCLZ, and I knew very little about him, except he is Willie Nelson’s son and has collaborated with Lady Gaga (that’s her singing with him on “Find Yourself”) and Jess and Holly of Lucius, whom I adore. Lukas played an acoustic Studio Z set earlier in the afternoon at 98.9 WCLZ that I’d also missed, but you can check out here. I didn’t know that POTR has been together about a decade, which is a long time since Lukas is only 28 years old. Lukas was joined on stage by Tato Melgar (percussion), Anthony LoGerfo (drums), Corey McCormick (bass), and Jesse Siebenberg (steel guitar and organ). Lukas introduced “Runnin’ Shine” by telling us that some things aren’t wrong, just illegal. He sang a song for his hometown of Austin, Texas, “Just Outside of Austin,” and a song about commitment that warns “forever is a four letter word.” He also revealed that he’d been in love with a girl named Georgia who he couldn’t put out of his mind after they broke up because he was playing Ray Charles’ “Georgia on My Mind” every night on tour with his dad, so he penned “Forget About Georgia.” You can hear more about Lukas (I like context) in this interview he did with NPR Music back in August. IMG_6102IMG_6135Lukas played a lot of cover songs. They were beautiful and he can really sing, but he has a lot of his own songs under his belt, and I was surprised to not hear more of them in person. He covered Eric Clapton’s “Change the World,” Pearl Jam’s “Just Breathe,” Tom Petty’s “Breakdown” and Paul Simon’s “Diamonds on the Soles of her Shoes.” Nikki Lane joined him on stage to cover Tom Petty and Stevie Nicks’ “Stop Draggin’ My Heart Around,” too. At the time, I thought maybe Lukas and POTR only had one album out and didn’t have enough material for a headlining set, but I was wrong. It was certainly fun to sing along to a handful of classic tunes with a big crowd on a cold Friday night, though!

I emphatically recommend seeing Lukas Nelson and POTR in person. Lucky for you, they’re still on tour! This night was an absolute blast!

xo,

bree

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Mipso with Ten String Symphony

Friday, April 21, 2017

One Longfellow Square, Portland, Maine

This was my fourth Mipso show. I love them and will see them whenever they come to Portland. I even kind of planned my April vacation trip to Charleston, South Carolina around making it back for this show. It all started with an email I got a couple of years ago from Mipso fiddle player/vocalist Libby Rodenbough inviting me to come check out their Maine debut at One Longfellow Square. Dan Mills (Barry’s nephew, for my Bowdoin College community readers) opened that show, so I readily accepted the invitation. North Carolina’s bluegrassy folk band Mipso stole my heart. I was hooked.

Mipso came back to OLS in February and November of 2016, and I was at both shows. I thought the addition of a drummer at the November show was an issue because I couldn’t hear their vocals, but their drummer returned for this show and the balance was totally fine. It’s a relief, because one of the things I like best about them is how crystal clear their lyrics are.

Mipso is Jacob Sharp on mandolin, Wood Robinson on upright bass, Joseph Terrell on lead vocal and guitar, Libby Rodenbough on fiddle, and Yan Westerlund on drums. Their 2017 release, Coming Down the Mountain, is excellent. I particularly like the title song and “Water Runs Red” (which they closed their set with). I was very happy to hear “4 Train,” “Marianne”, and “Louise” live. Mipso is a fantastic blend of musicianship and showmanship. Their live show is engaging and it’s a real pleasure to spend an evening in their company. Until next time!

xo,

bree
PS–My dear friend Ken Templeton saw Mipso the following night at The Sinclair and shared his thoughts at Red Line Roots.

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The Ballroom Thieves with The Suitcase Junket

Thursday, February 2, 2017

Port City Music Hall, Portland, Maine

I love the Ballroom Thieves and have seen them live many times. They’re definitely one of my favorite bands. I was under the weather, but decided to go to this show anyhow, because my friend Marian saw them a few days earlier in Camden and said they’d been particularly “on” and extra fun and very chatty with the crowd. Colin saved me a spot up front because I rushed down to Port City Music Hall after being honored by one of my favorite senior boys on my school’s basketball team at Teacher Appreciation Night.

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Photo by Jeff Lamb Photography

I arrived just in time to see Matt Lorenz, touring solo as The Suitcase Junket, take the stage. I hadn’t seen Matt play for a few years (I saw him play with his band Rusty Belle at One Longfellow Square with Darlingside and Caitlin Canty back in 2013), and never as a solo act. He stole the show. His one-man-band is a powerhouse. Stomping on a kick drum, shaking a collection of shells, bones, and silverware, and playing a guitar he saved from a dumpster, Matt’s vintage sound, and his clear, lovely voice filled the room. He was charming and engaging with the obviously impressed crowd.

The Suitcase Junket is Matt Lorenz


The Ballroom Thieves took the stage after a quick break. They are super talented and sounded great, as always. They didn’t interact much with the crowd, which I missed, so this wasn’t their typical high energy show. My dear college friend, Ken Templeton, was in the crowd reviewing the show for Boston’s Red Line Roots, and I was a little worried that he wouldn’t love them like I do because they were so reserved, but he was quite impressed anyhow. Here’s Ken’s review.

Martin Earley

Callie Peters

The Ballroom Thieves

Devin Mauch and Callie

All of the guys from the Ghost of Paul Revere, Kevin Oates from Maine Youth Rock Orchestra, Connor Garvey, and Max García Conover were all in the house to support the band, and it was nice to witness the camaraderie and to catch up with all of them. Not the best Thieves’ show I’ve seen by far, but everyone is entitled to a mellow night here and there.

xo,

bree

 

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Mipso with Lula Wiles

Thursday, November 3, 2016

One Longfellow Square, Portland, Maine

I am usually disappointed when I see shows I want to go to are scheduled for Thursday nights, because it means I have to skip sparring and my women’s Brazilian jiu jitsu class (and my instructor is a beast and doesn’t like it when I’m absent), but I am mostly glad I made an exception for this show. I introduced my former advisee, Carmen, who is now a freshman at Bowdoin College, to Mipso, and she came to see them with me last time they were in town on Valentine’s Day. When Carmen told me she was planning to go and would save me a seat (which she fortunately was able to do), I decided to join her.

When I arrived at One Longfellow Square, I ran into Portland’s own Griffin Sherry of The Ghost of Paul Revere fame, and was able to catch up with him about their upcoming touring scheduled (which is plentiful). I found Carmen in the front row of what little seating existed, since the staff had pushed the seats to the side to create a dance floor (which the website did warn about, but I’d forgotten). OLS–please don’t do this limited seating thing. It’s awful. You’re a listening room, and that’s a wonderful thing. When you clear the room, you encourage people to stop listening. It has happened 100% of the time I’ve been to one of these “limited seating” shows. This night, there was a belligerent dude in a CrossFit t shirt who kept heckling the band and shouting over the music the whole show. I just don’t think people would be as inclined to act so inappropriately in a seated venue. He was super obnoxious. Also, the bands you’ve cleared the floor for (maybe at their request?) just aren’t bands you really can or would dance to, either.

Lula Wiles opened the show and they were delightful. Isa Burke and Ellie Buckland traded a fiddle and guitar back and forth and both sang their hearts out. I wouldn’t have known they were a trio if they hadn’t mentioned that their bass player Mali was missing that night. Isa’s little sister, Julianna, joined them on stage and sang Mali’s part for one song and was great, too. Check out “Losing Side.” Lula Wiles is the real deal, and I will definitely see them next time they’re in town.

Carmen and I traded raised eyebrows when our beloved Mipso took the stage with a drummer in tow. They’re a young bluegrass band from North Carolina with beautiful lyrics and harmonies, but the drums drowned them out and it changed the entire vibe for both of us. I theorized that they added a drummer because they play a lot in bars and could use the volume for those venues, but I was disappointed, whatever the reason. Their drummer (who is talented, just not necessary) left the stage about halfway through their set, much to our relief. It was nice to hear the Mipso we know and love and actually be able to hear the lyrics of the songs.

Lead singer Joseph Terrell (who has a stunningly clear voice) sang “When I’m Gone” for his grandmother, Eldora. I glanced over to the “dance floor” (where no one was dancing because this was not dance music) and saw my dear college friend, Ken Templeton, who was there to cover the show for Boston’s Red Line Roots (he didn’t take kindly to the drunk CrossFit guy, either). Since he’d never seen Mipso before, he wasn’t offended at all by the addition of a drummer like we were (which is to say, you will still like them if you’ve never heard them before). At the end of the night, Mipso invited Lula Wiles back to the stage and treated us to a great rendition of Bob Dylan’s “When I Paint My Masterpiece.” It was a delight to catch up with Griffin, Carmen, and Ken, and I was relieved that the obnoxious drunk guy wasn’t wearing a MMA shirt. #represent

xo,

bree

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