Tag Archives: Ghost of Paul Revere

Ben Cosgrove and Friends

Tuesday, January 30, 2018

Blue, Portland, Maine

My friend Ben Cosgrove is an insanely talented pianist and a mighty fine accordion player, too. I met him back in 2014 when he produced our friend Max Garcia Conover’s Ellery album. Ben tours non-stop, crisscrossing the United States and playing really any venue that will have him. I follow Ben on Instagram, and he’ll post a beautiful picture from St. Louis one night and from Wyoming the next. His determination to play for people is really commendable. His music is inspired by the landscape he experiences in his travel, which is plentiful. I heard him play on 98.9 WCLZ last summer, and if you like context like I do, check out my friendKen Templeton’s interview with Ben ahead of his 2017 release, Salt.

Happy 30th, Ben Cosgrove!

Ben turned 30 last week, and he asked the kind folks at Blue if they’d open their doors on a Tuesday (it’s usually their day off) so he could play a birthday show. It was such a treat to spend the evening listening to Ben and his talented friends play for us. I showed up while Hannah Daman (she was a highlight of my 2017concerts) was on stage. Griffin Sherry and Max Davis, both from the Ghost of Paul Revere, played a couple of songs with Ben, as did Max Garcia Conover. To close the night, Ben and his friends covered Dawes’ “All Your Favorite Bands.”Ben played with the Ghost of Paul Reverelast summer when they opened for Guster at Thompson’s Point, and he is about to head out on tour with them for the next month or so.

If you’re sad you missed this fun night, Ben, Max Garcia Conover, Griffin Sherry, and Max Davis play tonight at Blue at 6pm.




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The Best Shows I Saw in 2017!

Happy 2018, All!

2017 was a hard year, but I saw some amazing shows that helped me through. I have been writing whatbreesees.com for six years now, but I’ve only ever written one “Best of” list–all the way back in 2012. I’ll try to make a “Best of” list every year from here on out. It’s good to look back.

I saw 34 shows in 2017, including musicians I’ve seen many times like Ellis Paul, Mipso, Josh Ritter, Lucy Kaplansky, The Ballroom Thieves, and Guster. Even though I saw a solid number of shows, it was actually pretty easy to choose five that stood out. Here they are:

#5. An Evening with Shovels & Rope on Wednesday, October 11 at Port City Music Hall in Portland, Maine. This intimate show with husband and wife duo Michael Trent and Cary Ann Hearst gave me all the feels. It was just what I didn’t know I needed.


Shovels & Rope is Michael Trent and Cary Ann Hearst

#4. Lukas Nelson & Promise of the Real with Nikki Lane on Friday, November 17 at Port City Music Hall in Portland, Maine. I got an invitation from Lukas Nelson’s publicist the day before this sold out show and it was totally worth making it out on short notice. Lukas Nelson has loads of charisma.


Lukas Nelson & Promise of the Real

#3. Jamestown Revival with Hannah Daman and the Martelle Sisters on Wednesday, May 3 at Port City Music Hall in Portland, Maine. This was my birthday show, and I loved every second of the night from start to finish. Both of these bands are excellent and engaging live.


Jamestown Revival


Hannah Daman & the Martelle Sisters

#2. Penny & Sparrow with Lowland Hum on Saturday, April 29 at 3S Artspace in Portsmouth, New Hampshire. Penny & Sparrow are easily one of my favorite live acts. Kyle and Andy write depressing, haunting songs, but their stage banter is hilarious. Their show is a rollercoaster ride in the best way possible. If you want to see a show where you can hear a pin drop, this is it. They are captivating.


Penny & Sparrow is Kyle Jahnke and Andy Baxter

And #1. Johnnyswim on Friday, June 23 at State Theatre in Portland, Maine. Husband and wife duo Abner Ramirez and Amanda Sudano put on a swoon-worthy show. This show was how I started my summer vacation and it was a perfect, beautiful, inspiring night. Put this band on your “get to know” list.


Johnnyswim is Amanda Sudano and Abner Ramirez

There are a few honorable mentions, too.

  • I had a blast seeing The Ghost of Paul Revere and Max Garcia Conover on New Year’s Eve at Port City Music Hall. Both of those acts are on to great things.


    The Ghost of Paul Revere, Max Garcia Conover, and Friends

  • Noah Gundersen stole the show opening for City & Colour back in June at State Theatre. He’ll be back in Portland in a couple of weeks at Port City Music Hall. I can’t wait to see him as the headliner.


    Noah Gundersen

  • The Suitcase Junket (Matt Lorenz) also impressed opening for The Ballroom Thieves back in February at Port City Music Hall. I’d seen him before, but he really caught my attention at this show.


    The Suitcase Junket/Matt Lorenz

Thanks so much to all of these artists and venues for enriching 2017! To readers–thank you! I hope to see you at a show in 2018! Come say hi–I’ll be right up front.




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The Alternate Routes with Luke Fradiani

Friday, September 15, 2017

Port City Music Hall, Portland, Maine

I’m catching up on blogging today with a heavy heart. I go to school every day in this post-Sandy Hook world, and have no hope that anything will change. I often think about music as being my religion–appreciating the power music has to bring us together and to change us for the better–and being at a concert as being in a sanctuary. My heart breaks for those who went to a concert in Las Vegas and instead got murdered. It’s unfathomable, and yet a norm we are starting to live with.

The Alternate Routes have grappled with the issue of gun violence in their music. Guitarist Eric Donnelly’s parents were murdered by an addict with a gun in their Fairfield, Connecticut jewelry store back in 2005, and his song “Somewhere in America” is a stunning song that reflects on the pervasiveness of gun violence in America.

Read these lyrics to “Somewhere in America”:

“The last thing that my father saw when he was still alive

Was the gun in the hands of a sick young man with bright blue eyes.

A man who looked just like me as far as anyone else could see.

A stranger, not an enemy.

And my mother watched it all.

That was the last thing that she saw.

Somewhere in America

A phone’s about to ring.

An unlucky break.

Wrong time, wrong place.

I’ve heard them all so many times.

If your dad had had a gun of his own,

maybe they’d still be alive.”

The Alternate Routes have also collaborated with Newtown Kindness, an organization that sprang up after the tragedy in the Sandy Hook community, and wrote “Nothing More,” which reminds us that “we are how we treat each other, and nothing more.” So here’s a band that puts their energy into this vital issue, and here’s another day in America where someone’s phone is going to ring. I tried to watch Jimmy Kimmel’s response, but couldn’t make it through.

I first saw the Alternate Routes open for Carbon Leaf back in 2009, and it was a spectacular, super fun show. Alternate Routes lead singer Tim Warren wrote “With all the love I have in my heart” on the CD I bought that night, their 2009 album A Sucker’s Dream. I also saw the Alternate Routes open for Martin Sexton in 2013 and play with the Ballroom Thieves in 2014, but it had been a while since I’d seen them. I watched their Studio Z performance live on Facebook earlier in the day and they told stories that showed their humanity and heart. It made me more excited to see them later that night.

I grabbed a quick solo dinner at the bar at Empire (a regular tradition for me on show nights in Portland), but ended up making friends with a few folks at the bar who let me join in their dinner conversation. I also ran into my friend Griffin Sherry from The Ghost of Paul Revere. His publicist had sent me a preview of their newest song, “Montreal,” and I was able to tell him I’d listened a few times earlier in the day and love it. The Ghost recently announced shows for December 30 and 31 at Port City Music Hall, if you’re looking for end of year plans.

I made my way to Port City Music Hall and joined my friend Andrea in the front row for some of show opener Luke Fradiani’s set. Andrea went to the show to see Luke Fradiani, and didn’t know the Alternate Routes. I was in the opposite situation. Luke was engaging and chatty, and he has a lovely voice. Apparently, he won a season of American Idol, which is pretty cool. Alternate Routes guitarist Eric Donnelly and drummer Kurt Leon were in his band, and I enjoyed the bonus time with them on stage. They did an amazing cover of Billy Joel’s “Downeaster Alexa,” which was amazing. Luke’s songs are a bit simple for my taste, but he was a fine show opener. Andrea disappeared for an hour after Luke’s set to make friends with the band, and his pianist, Mikel Paris walked us out of the venue at the end of the night. It was precious. I don’t usually want to talk to people in bands in case they’re having a bad night and aren’t nice, but Andrea goes for it all the time.

The Alternate Routes were great, if a little subdued compared to the first time I saw them back in 2009 (I think alcohol was involved all those years ago, though). I was glad to hear “The Future’s Nothing New” with a bit of Amy Winehouse’s “Trouble” in the mix. My favorite of their songs is probably “Ordinary,” and I liked hearing it with just Tim and Eric as a duo. Their new song, “Safe Haven,” is sweet as honey, too. Tim sincerely thanked 98.9 WCLZ for their ongoing support of the band. He introduced the last song in their set, “Nothing More,” by saying they were told that should write a song to inspire people to be kind–especially children–and thought it was a good idea. They wrote the song in memory of and in tribute to a bunch of folks and their families who lost children. Tim said that “everybody in here knows something about losing something and I hope you know very little about that, but if the people who went through that can pick up the pieces and carry the torch and try to put something good in the world despite that, the hardest thing that you can imagine, certainly we can try.”


This is Grace and a friend. They were right here all night and it was super cute.

The band came back for two more songs–“Asked You Twice,” which was a sing along, and we danced the last minutes of the night away to “One Dance Left,” which Tim told us was about feeling free of worry, which doesn’t happen that much. It was a good place to leave it.

Check this band out. They’re using their art to do some powerful things, and it matters.



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The Ballroom Thieves with The Suitcase Junket

Thursday, February 2, 2017

Port City Music Hall, Portland, Maine

I love the Ballroom Thieves and have seen them live many times. They’re definitely one of my favorite bands. I was under the weather, but decided to go to this show anyhow, because my friend Marian saw them a few days earlier in Camden and said they’d been particularly “on” and extra fun and very chatty with the crowd. Colin saved me a spot up front because I rushed down to Port City Music Hall after being honored by one of my favorite senior boys on my school’s basketball team at Teacher Appreciation Night.


Photo by Jeff Lamb Photography

I arrived just in time to see Matt Lorenz, touring solo as The Suitcase Junket, take the stage. I hadn’t seen Matt play for a few years (I saw him play with his band Rusty Belle at One Longfellow Square with Darlingside and Caitlin Canty back in 2013), and never as a solo act. He stole the show. His one-man-band is a powerhouse. Stomping on a kick drum, shaking a collection of shells, bones, and silverware, and playing a guitar he saved from a dumpster, Matt’s vintage sound, and his clear, lovely voice filled the room. He was charming and engaging with the obviously impressed crowd.

The Suitcase Junket is Matt Lorenz

The Ballroom Thieves took the stage after a quick break. They are super talented and sounded great, as always. They didn’t interact much with the crowd, which I missed, so this wasn’t their typical high energy show. My dear college friend, Ken Templeton, was in the crowd reviewing the show for Boston’s Red Line Roots, and I was a little worried that he wouldn’t love them like I do because they were so reserved, but he was quite impressed anyhow. Here’s Ken’s review.

Martin Earley

Callie Peters

The Ballroom Thieves

Devin Mauch and Callie

All of the guys from the Ghost of Paul Revere, Kevin Oates from Maine Youth Rock Orchestra, Connor Garvey, and Max García Conover were all in the house to support the band, and it was nice to witness the camaraderie and to catch up with all of them. Not the best Thieves’ show I’ve seen by far, but everyone is entitled to a mellow night here and there.




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Mipso with Lula Wiles

Thursday, November 3, 2016

One Longfellow Square, Portland, Maine

I am usually disappointed when I see shows I want to go to are scheduled for Thursday nights, because it means I have to skip sparring and my women’s Brazilian jiu jitsu class (and my instructor is a beast and doesn’t like it when I’m absent), but I am mostly glad I made an exception for this show. I introduced my former advisee, Carmen, who is now a freshman at Bowdoin College, to Mipso, and she came to see them with me last time they were in town on Valentine’s Day. When Carmen told me she was planning to go and would save me a seat (which she fortunately was able to do), I decided to join her.

When I arrived at One Longfellow Square, I ran into Portland’s own Griffin Sherry of The Ghost of Paul Revere fame, and was able to catch up with him about their upcoming touring scheduled (which is plentiful). I found Carmen in the front row of what little seating existed, since the staff had pushed the seats to the side to create a dance floor (which the website did warn about, but I’d forgotten). OLS–please don’t do this limited seating thing. It’s awful. You’re a listening room, and that’s a wonderful thing. When you clear the room, you encourage people to stop listening. It has happened 100% of the time I’ve been to one of these “limited seating” shows. This night, there was a belligerent dude in a CrossFit t shirt who kept heckling the band and shouting over the music the whole show. I just don’t think people would be as inclined to act so inappropriately in a seated venue. He was super obnoxious. Also, the bands you’ve cleared the floor for (maybe at their request?) just aren’t bands you really can or would dance to, either.

Lula Wiles opened the show and they were delightful. Isa Burke and Ellie Buckland traded a fiddle and guitar back and forth and both sang their hearts out. I wouldn’t have known they were a trio if they hadn’t mentioned that their bass player Mali was missing that night. Isa’s little sister, Julianna, joined them on stage and sang Mali’s part for one song and was great, too. Check out “Losing Side.” Lula Wiles is the real deal, and I will definitely see them next time they’re in town.

Carmen and I traded raised eyebrows when our beloved Mipso took the stage with a drummer in tow. They’re a young bluegrass band from North Carolina with beautiful lyrics and harmonies, but the drums drowned them out and it changed the entire vibe for both of us. I theorized that they added a drummer because they play a lot in bars and could use the volume for those venues, but I was disappointed, whatever the reason. Their drummer (who is talented, just not necessary) left the stage about halfway through their set, much to our relief. It was nice to hear the Mipso we know and love and actually be able to hear the lyrics of the songs.

Lead singer Joseph Terrell (who has a stunningly clear voice) sang “When I’m Gone” for his grandmother, Eldora. I glanced over to the “dance floor” (where no one was dancing because this was not dance music) and saw my dear college friend, Ken Templeton, who was there to cover the show for Boston’s Red Line Roots (he didn’t take kindly to the drunk CrossFit guy, either). Since he’d never seen Mipso before, he wasn’t offended at all by the addition of a drummer like we were (which is to say, you will still like them if you’ve never heard them before). At the end of the night, Mipso invited Lula Wiles back to the stage and treated us to a great rendition of Bob Dylan’s “When I Paint My Masterpiece.” It was a delight to catch up with Griffin, Carmen, and Ken, and I was relieved that the obnoxious drunk guy wasn’t wearing a MMA shirt. #represent



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The Ghost of Paul Revere

Friday, March 4, 2016

Johnson Hall, Gardiner, Maine

I hadn’t seen The Ghost of Paul Revere play live in at least a year, so I was really excited for them to come play at Johnson Hall in my own sweet little town. I was only slightly tempted to stay home and binge on the fourth season of House of Cards, which was released that day, but I’m glad I made it downtown for this show instead. The Ghost of Paul Revere (GPR) had played Johnson Hall a year or so ago (I’d suggested them to Johnson Hall Executive Artistic Director Mike Miclon), and many folks in the near sell out crowd were returning to see them again.

This was the best I’d heard GPR sound since the first time I saw them play back in May of 2013 at One Longfellow Square. While I was doing research for this post, I found a quote from my May 2013 post on whatbreesees.com on The Ghost of Paul Revere’s website. Awesome!

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I love it when I show up on a band’s website! http://www.ghostofpaulrevere.com/epk/

Griffin Sherry has a clear, beautiful voice. Sean McCarthy claimed to be under the weather, but he was hilarious and kept us laughing with lots of banter anyhow. Their three part harmonies with Max Davis were lovely. Matt Young killed on harmonica. They really made me feel like I was in their living room, and that is the best kind of show possible.


The Ghost of Paul Revere. From left to right–Matt Young, Griffin Sherry, Sean McCarthy, and Max Davis.


“Ghostland” and “Mountain Song” were both early standouts of the night, and GPR recorded both songs during their Audiotree session. After their first show at Johnson Hall, GPR came back to film their video for “Wolves” upstairs in the stunning, unfinished upstairs concert hall. “San Antone” is easily my favorite GPR song, so I was glad to hear that one live. Their last song before intermission was a cappella. Sean asked a group of little kids in the front row if they knew what that meant. They didn’t. It was a super cute exchange. After intermission, GPR played “Ballad of the 20th Maine,” did an amazing cover of “Baba O’Riley,” and closed their set (appropriately) with “This is the End.”

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A screenshot of GPR’s “Wolves” video, shot in the unfinished upstairs concert hall at Johnson Hall in Gardiner, Maine.

After the show, Gardiner’s new-ish record store, Niche, Inc. stayed open to host folks who wanted to see their shop. I was impressed when all of the members of The Ghost of Paul Revere went over to support the store, whose owners Sam and Jason are big fans. I normally don’t chat with musicians (if they’re having an off night, I’ve found it can destroy all the love you have for their music), but since GPR did a nationwide tour with my dear friend Max Garcia Conover, I decided to break the rule. They’re all totally down to Earth, approachable guys. We got a chance to talk music for a long time, which was a sweet treat. Come back soon, guys! Thanks for a great show!



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The Ballroom Thieves with The Bros. Landreth

Friday, November 20

Portland House of Music, Portland, Maine

This show would have been perfect, but the same difficult woman who pushed and verbally harassed me at The Ballroom Thieves show at Empire six months ago was sadly at this show and was as obnoxious as last time. At least I was much further away from her at this show. Concert etiquette is an easy thing to understand—put your phone down, whisper when you talk, respect the personal space of others—but it sadly doesn’t mean everyone comes to a live show to actually listen to the music. For those of us who do, people who ignore those basic rules are the worst. This woman (whose name I know and have decided to withhold after much deliberation) saw me during this show and pointed and waved sarcastically at me during it, all the while talking at more than full volume just inches from the stage while the Thieves performed. I guess she wasn’t really drunk when she was so badly behaved sixth months ago (which was the excuse for her behavior I’d invented) because she shouldn’t have remembered me so many months later. She annoyed the poor people around her so much at this show that they asked her to stop talking over and over again, which she refused, but then she had the audacity to post complaints about how rude the people at the show were later that night on the Facebook event for the show. I continue to be puzzled by her and just hope she’ll skip the next Ballroom Thieves show—for all of our sakes.

Back to the music, though, which was wonderful, even though I was distracted.

This was my first time at Portland House of Music and I liked it. I went with a large group of friends, and we stood next to the stage instead of in the pit, and it offered a great view of the stage. It’s an intimate venue and I don’t think there’s a bad spot in the house. Winnipeg’s The Bros. Landreth were fantastic. The foursome charmed the big crowd with their strong harmonies and honest vocals. At one point, the four stood around one microphone and stunned to silence the entire crowd with their beautiful, sad song, “Greenhouse.” I was truly impressed with their sound and stage presence and have listened to them a bunch since that night. Here’s a piece in Billboard about them that came out last year in advance of their January 2015 release, Let It Lie.  

Bros Landreth

The Bros. Landreth


The Ballroom Thieves are surely one of my favorite live bands and I love their music so, so much. Martin, Devin, and Callie have incredible chemistry, beautiful harmonies, and heartfelt, engaging songs. They’ve toured a bunch to support A Wolf in the Doorway, and I’m thankful I got to see them live in April, September, and November of 2015. I’m eager for a new album from the Thieves, which must be coming since they’ve played lots of great new songs during these shows. They’re playing a show tomorrow night on New Year’s Eve with Lady Lamb and The Ghost of Paul Revere at State Theatre. (I’ve decided not to go just in case she-who-shall-not-be-named is there, as I don’t want to ring in 2016 anywhere near her.) If you’re feeling up for checking out a fantastic band (you may want to avoid front row center for your concert-going happiness) to end 2015, there are still tickets available! Thieves—I will conjure some bravery to overcome crowd adversity and come see you next time you’re in town! All good things to you in 2016!




The Ballroom Thieves




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Hollerfest 2: Darlingside, The Ballroom Thieves, and The Ghost of Paul Revere

Saturday, November 22, 2014

Strand Theatre, Rockland, Maine

I was really excited when I saw the lineup for Hollerfest 2. Darlingside and The Ballroom Thieves, both Massachusetts-based bands with strong ties to Maine, are both on my short list of favorite live bands. Add the promise of seeing them play with the Maine Youth Rock Orchestra, especially when I’m such a sucker for stringed instruments, and I was pumped. My friend Colin and I both skipped seeing insanely talented Lake Street Dive at The State Theatre in Portland to catch this show. It seemed like more bang for the buck and Colin’s a big Ghost of Paul Revere fan, too. I beat Colin to The Strand in Rockland and grabbed front row center seats for us.

I’ve written about Darlingside a bunch now. This “string rock quartet” is the real deal. I love that they perform huddled together around a single microphone and are gifted instrumentalists and vocalists. Their harmonies have such strength—surely a result of many years living and playing together. Don Mitchell (guitar), Auyon Mukharji (violin/mandolin), David Senft (guitar), and Harris Paseltiner (cello) are such a pleasure to watch live. They joked with the crowd in between songs and seemed genuinely excited to play with the Maine Youth Rock Orchestra, especially since Harris and Auyon played in orchestras growing up.

Don Mitchell, David Senft, Auyon Mukharji, and Harris Paseltiner of Darlingside

Don Mitchell, David Senft, Auyon Mukharji, and Harris Paseltiner of Darlingside

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They joked that “My Love” is a musical guide for how not to behave in a relationship. It’s one of my favorite Darlingside songs. They told us that “Whippoorwill” was about how great childhood was before fully processing how “uncool they’d been due to lack of youth orchestra.” Auyon kept the laughs going by introducing the band to us with fun facts about everyone’s eating habits while on the road.

They played one of my favorites, “Sweet and Low,” next and then welcomed the MYRO and their director Kevin Oats to the stage. They told us that the orchestra had done all of the work—all Darlingside had done was pick a couple of songs and MYRO director Kevin Oats arranged and taught them. They played two songs together—“The Ancestor” and “Blow the House Down.” The guys from Darlingside were all smiles during both songs and kept looking at the orchestra behind them—clearly tickled about how cool it was to be backed by a talented orchestra. Don joked that he often imagined an orchestra playing behind him in everyday life, but that the MYRO was much better. Auyon said to blame the MYRO if they were actually too awesome and actually did “blow the house down.” It was AWESOME to see the MYRO with Darlingside. All of my regrets about quitting violin after one year playing when I was in third grade came flooding back to me!

Darlingside with the Maine Youth Rock Orchestra

Darlingside with the Maine Youth Rock Orchestra

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The Ballroom Thieves took the stage next and played a few songs I hadn’t heard live before—“Carolina” (?) and “Wild Woman.” Devin Mauch (percussion), Martin Earley (guitar), and Calin Peters (cello) were spot on. Their driving, percussive sound with strong harmonies was such a treat to witness after not having seen them play live since April. They played “Bullet,” which they said “killed in the South”—a relief because they’d been getting blank stares up until they played that song that southerners could relate to. They gave a shout out to Paul on sound who’d run sound for an opera at The Strand earlier in the day before doing sound for three bands and an entire orchestra.

The Ballroom Thieves: Martin Earley (guitar), Devin Mauch (percussion), and Calin Peters (cello)

The Ballroom Thieves: Martin Earley (guitar), Devin Mauch (percussion), and Calin Peters (cello)

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I loved hearing Calin on lead vocals for “Bury Me Smiling.” They did their own cute band introductions, as well. I really liked “Here I Stand.” They brought the MYRO to the stage to play “Archers” with them and told us that the orchestra had literally done all the work. Thieves—when do you have new music coming out? I am so ready to have my hands on this newer music to jam to during my morning commute!

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The Ballroom Thieves with the Maine Youth Rock Orchestra

The Ballroom Thieves with the Maine Youth Rock Orchestra


The Ghost of Paul Revere came to the stage and I was really looking forward to having the chance to sit down and listen to their lyrics because I hadn’t seen them in a sit down venue for almost a year and a half. Griffin Sherry talked about being really excited to play with the MYRO and Shawn McCarthy joked that he was nervous because the MYRO are “all better than we are.” I think they played a song or two (I’m still pretty unfamiliar with their music, thus my excitement for this show) before Shawn invited people to get up and dance. A happy bunch of dancers made their way to the stage, inches from me in my front row seat. What that meant for me was that I couldn’t see the band anymore even though I was sitting feet from them front and center. I was so frustrated about having to watch people shaking their butts in my face and blocking my view that I ended up leaving after a couple more songs. My suggestion from a concert goer’s perspective for any live band is that if it’s a sit down venue, then the show is a sit down show. If you want people to be up and dancing, that’s what bars and other non-seated venues are for. I was super disappointed.

The Ghost of Paul Revere

The Ghost of Paul Revere

My obstructed front row "view" of the show after the second song :(

My obstructed front row “view” of the show after the second song 😦

On the plus side, I did run into Don from Darlingside on my way out and we got to catch up a bit. I’m already looking forward to seeing them again. What talent. A mixed bag of a night, but great to see two of my favorite live bands play with the talented Maine Youth Rock Orchestra!



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Ghostland Music Festival

Saturday, September 13, 2014

Thomas Point Beach, Brunswick, Maine

The school year has been SUPER busy! This lovely day was weeks ago now! Sorry for the delay!

My friend Grace texted in the morning to ask if I had any interest in going to the first ever Ghostland Music Festival at Thomas Point Beach in Brunswick. It had been on my radar, so I took her text as a sign I should commit. I hurried by Gardiner’s annual Barks in the Park to pet some pups, take some pictures, and chat with my mayor about our most recent concert experiences before heading to Brunswick for the afternoon.

I fell in love with Otis at Gardiner's Barks in the Park!

I fell in love with Otis at Gardiner’s Barks in the Park!

Pretty Penny

Pretty Penny

It was a bit of a gloomy day—overcast and chilly—so turnout for the festival might have a little less than hoped for. I set up folding chairs and blankets close to the stage just outside of the fenced off beer area when I arrived and scoped out the grounds a bit. I was impressed with how well things were organized; especially given it was a first-time festival. Festival sponsor 98.9 WCLZ’s Ethan Minton took the stage to welcome us and tell us about the important work we were supporting by buying a ticket to the festival. He told us that 1 in 4 kids in Maine is food insecure, but Mid Coast Hunger Prevention Program feeds over a thousand families each year and provides food to kids on the weekends through their Backpack Program.

98.9 WCLZ's Ethan Minton

98.9 WCLZ’s Ethan Minton

I’d hurried to get to the festival early because I really wanted to see Matt Lorenz who plays as The Suitcase Junket and was scheduled to kick off the festival. He is one talented guy, who I first saw play with his band Rusty Belle and the ever-talented Caitlin Canty. Matt was nowhere to be seen, however, and Ethan told us that he sadly couldn’t make it because of car trouble. When I saw Jacob Augustine come to the stage with his beautiful guitar in hand, I knew we were in for an unexpected treat. Jacob was the second artist I ever wrote about on whatbreesees. I was going through a breakup at the time, and his incredibly heavy, soulful songs were no help at all! But he is beautiful to see in person. Jacob’s playing with one of my favorite bands, the harmonic Darlingside, this Saturday night at Empire in Portland, and you should REALLY go! Jacob’s voice will surprise you because it doesn’t match how he appears at all. He’s tattooed and has an amazing beard, but his voice is a beautiful falsetto full of vibrato. He had us join him in a whistled rendition of Happy Birthday for his friend and closed with “Waco.”

Jacob Augustine

Jacob Augustine

Grace and I grabbed lunch from the food trucks after Jacob’s set. My teriyaki jalapeno pineapple grilled chicken sandwich from the Good Shepherd Food Bank’s food truck was insanely good. Grace picked up some poutine from the other truck and we headed back to our seats in time for Maine’s most talented female vocalist, Anna Lombard. I first saw Anna at Slates in Hallowell and she blew me away. This woman can sing. She headlined Gardiner’s annual Swine and Stein Oktoberfest two years ago and impressed everyone there, too. (Swine and Stein is coming up next Saturday, October 11!). I saw my friend Vivian (who I met before a David Wax Museum show at Empire in Portland) sitting near the stage and grabbed her to come join us and share in the poutine and good music. A very pregnant Anna and her band of well-known Maine musicians like Tony McNaboe and Nate Soule took the stage and serenaded us with most of the tracks from Anna’s 2013 album, Head Full of Bells, including “They Want Us Dead,” “Nothing of Us Left,” “Waiting for Rescue,” “Why Did You Leave Me,” and “Confessions.” Anna sounded good as ever. Dave Gutter joined Anna and the band for “All For You” to end their set.

A great girls' day with Grace!

A great girls’ day with Grace!

Good Shepherd Food Bank's INCREDIBLE food truck!

Good Shepherd Food Bank’s INCREDIBLE food truck!


Fun and games at Ghostland

Fun and games at Ghostland

Anna Lombard

Anna Lombard


Dave Gutter’s set was up next. You probably know Dave and his recognizably raspy voice best from Rustic Overtones, which provided the soundtrack to my early college years. “Gangster” sounded great, and Dave said he’d “one up” Anna by inviting an already born child on stage to sing “I Like It Low” with him. Young Connie sounded great and was adorable. “Letter To The President” is a heavy song worth a listen, and Dave kept that mood rolling by ending his set with a song about addiction called “High On Everything.”

Dave Gutter

Dave Gutter

"I Like It Low" featuring Connie

“I Like It Low” featuring Connie on vocals

Boston based Will Dailey and his band took the stage and rocked with their electric guitars. I particularly liked “So Do I” and “Don’t Take Your Eyes Off of Me.” Anna Lombard seemed to be a big Will Dailey fan and she joined him for a song, too.

Will Dailey

Will Dailey


Will Dailey featuring Anna Lombard

Will Dailey featuring Anna Lombard

An overcast day for a festival

An overcast day for a festival

I’d just seen Samuel James the night before at our dear friend Max Garcia Conover’s national RV tour kickoff show at Mayo Street Arts, and he was up next. The first time I saw Samuel James at Frontier in Brunswick, I felt like I was in his living room. The guy’s got soul. His blues guitar is impressive. I was glad to hear “It Ain’t Right” and “Nineteen,” which he wrote for his dad.

Samuel James

Samuel James



Ethan invited everyone to move to inside because rain was imminent. Grace and I had been snuggled under our blankets for hours and were kind of spent, so we decided to head home after Samuel James. We missed Dominic and the Lucid, Spencer Albee, and The Ghost of Paul Revere (who I think are the bees knees). The Ghost of Paul Revere did a great job organizing Ghostland and I’m looking forward to seeing them in my sweet little town at Johnson Hall on November 8. I hope you raised a lot of well deserved and much needed funds for Mid Coast Hunger Prevention! Great job, guys!



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