Tag Archives: Empire

Ryan Adams with Alex Edelman

Sunday, May 7, 2017

State Theatre, Portland, Maine

I’d avoided seeing Ryan Adams in the past because I’d heard he was temperamental live. A friend told me that an audience member heckled him at a show they attended, so Ryan cut his set short and walked off the stage. That kind of energy doesn’t appeal to me, so I needed some urging to give him a try. When I found out he was coming to our very own State Theatre in Portland, I decided to give him a shot and see for myself. Tickets sold out in minutes, so I was planning on going to the show solo, but both Bob and Colin bought tickets on StubHub the day of the show and joined me, which was awesome. Bob and I had dinner at Empire and got in line about 30 minutes before doors. The line already stretched around the corner by then and we stood out in the cold drizzle waiting for doors to open. I was glad to hear that the main bars were going to be closed at Ryan’s request. I think alcohol had a negative impact on Regina Spektor’s sold out show and encouraged rude audience behavior, so I was just fine with that call.


Bob, Colin, and I convened at our usual spot–second row center on the floor. We met a couple who’d driven up from Connecticut for the show and made a long weekend of it. They’d run into Ryan earlier in the day and spoken with him briefly and said he was approachable. We all enjoyed and laughed pretty hard at Alex Edelman’s brief comedy set. I loved that we didn’t have to stand through a full opening act set by someone we didn’t know and assumed it meant it would be an early night. I was wrong. Ryan Adams played nearly 25 songs, many of which I knew even though I haven’t really thought of myself as much of a fan. Colin and I’d both never seen Ryan live, and I’m glad I finally did. Fans of Ryan’s said it was a really “focused” show for him. He probably played eight songs before saying a word, and it’s clear that interacting with people isn’t easy for Ryan and he feels awkward and self-conscious about it.

I forgot how much they used the smoke machine at this show until I saw this. I get the feeling Ryan doesn’t like the spotlight.

His show was all rock ‘n roll and he and the band brought it. It was loud and people seemed into it. I was tired from standing for so long and couldn’t believe (in a good way) that he played so many songs for us. I think he’d rather play a ton of music and fill up the night that way, rather than say very much. That’s not my preference, but it seems like what works best for him. Ryan did initiative a conversation with a guy in the front row, who had approached him earlier in the day, but Ryan had avoided. He apologized from the stage and said he’d just needed some time alone in his head, and then they had a chat for a few minutes while we listened on. Ryan was very complimentary of our audience, and there were clearly some big fans in the room.

This is the guy Ryan stopped to have a conversation with. Nice photo, @rumbeggar!

I think Ryan had a good night, too


I’m glad I was there. Seeing Ryan Adams on a good night is a good time. Aimsel was there and here’s her review of the show.

xo,

bree

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Mipso

One Longfellow Square, Portland, Maine

Sunday, February 14, 2016

I was so grateful to get to spend Valentine’s Day with my dear friend Dot in Portland. We had a delicious dinner at Empire and arrived early at One Longfellow Square to grab seats up close for Mipso. North Carolina’s Mipso kindly invited me to their show with Dan Mills back in January of 2015, and I’m so glad I decided to check them out. They were so delightful, in fact, that I scheduled my February vacation trip to visit my dad in Florida around getting to see them play again in Portland. I also randomly caught Mipso playing “Bad Penny” on a float in the Macy’s Thanksgiving Day Parade, so they’ve had quite the year! Maybe they’ll be a household name by the next time they play in Portland?

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Mipso riding on the KFC float in the Macy’s Thanksgiving Day Parade.

Mipso is Jacob Sharp on mandolin, Wood Robinson on upright bass, Joseph Terrell on lead vocal and guitar, and Libby Rodenbough on fiddle. This talented, charming group plays beautifully and their harmonies are spot on. They are clearly good friends and good people and are warm and friendly with the audience. I loved “Father’s House” and “Louise,” and it was a treat to see Maine’s most famous mandolin player, Joe Walsh, join Mipso for a couple of songs, too. “4 Train” and “When I’m Gone” both hit me in the feels with their somber lyrics. It’s refreshing to hear songs from a band that feel authentic and meaningful. It’s also wonderful to hear vocalists perform who have crystal clear voices so you can understand every word.

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Jacob Sharp on mandolin, Joseph Terrell on guitar, and Libby Rodenbough on fiddle

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Joseph’s voice has a decidedly Paul Simon sound, which became even more evident during their lovely cover of “Diamonds on the Soles of Her Shoes.” I’ve already named a lot of favorite songs of the night, but “Get Out,” was another top favorite. Mipso really does it right. They are an absolute pleasure to see live and I’m already eager to have them back to Maine. They joked that they keep coming in the winter and would really like to come back in the summer, so I hope we don’t have to wait as long for their next show here. Thanks again, Mipso! Libby—I hope you had a fun birthday in Portland!

xo,

bree

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Maine’s Joe Walsh joined Mipso on mandolin

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Joe delivered a gift basket to Libby on stage at the end of the night. Her sweet parents sent it to One Longfellow Square to arrive on her birthday.

 

 

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The Ballroom Thieves with The Bros. Landreth

Friday, November 20

Portland House of Music, Portland, Maine

This show would have been perfect, but the same difficult woman who pushed and verbally harassed me at The Ballroom Thieves show at Empire six months ago was sadly at this show and was as obnoxious as last time. At least I was much further away from her at this show. Concert etiquette is an easy thing to understand—put your phone down, whisper when you talk, respect the personal space of others—but it sadly doesn’t mean everyone comes to a live show to actually listen to the music. For those of us who do, people who ignore those basic rules are the worst. This woman (whose name I know and have decided to withhold after much deliberation) saw me during this show and pointed and waved sarcastically at me during it, all the while talking at more than full volume just inches from the stage while the Thieves performed. I guess she wasn’t really drunk when she was so badly behaved sixth months ago (which was the excuse for her behavior I’d invented) because she shouldn’t have remembered me so many months later. She annoyed the poor people around her so much at this show that they asked her to stop talking over and over again, which she refused, but then she had the audacity to post complaints about how rude the people at the show were later that night on the Facebook event for the show. I continue to be puzzled by her and just hope she’ll skip the next Ballroom Thieves show—for all of our sakes.

Back to the music, though, which was wonderful, even though I was distracted.

This was my first time at Portland House of Music and I liked it. I went with a large group of friends, and we stood next to the stage instead of in the pit, and it offered a great view of the stage. It’s an intimate venue and I don’t think there’s a bad spot in the house. Winnipeg’s The Bros. Landreth were fantastic. The foursome charmed the big crowd with their strong harmonies and honest vocals. At one point, the four stood around one microphone and stunned to silence the entire crowd with their beautiful, sad song, “Greenhouse.” I was truly impressed with their sound and stage presence and have listened to them a bunch since that night. Here’s a piece in Billboard about them that came out last year in advance of their January 2015 release, Let It Lie.  

Bros Landreth

The Bros. Landreth

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The Ballroom Thieves are surely one of my favorite live bands and I love their music so, so much. Martin, Devin, and Callie have incredible chemistry, beautiful harmonies, and heartfelt, engaging songs. They’ve toured a bunch to support A Wolf in the Doorway, and I’m thankful I got to see them live in April, September, and November of 2015. I’m eager for a new album from the Thieves, which must be coming since they’ve played lots of great new songs during these shows. They’re playing a show tomorrow night on New Year’s Eve with Lady Lamb and The Ghost of Paul Revere at State Theatre. (I’ve decided not to go just in case she-who-shall-not-be-named is there, as I don’t want to ring in 2016 anywhere near her.) If you’re feeling up for checking out a fantastic band (you may want to avoid front row center for your concert-going happiness) to end 2015, there are still tickets available! Thieves—I will conjure some bravery to overcome crowd adversity and come see you next time you’re in town! All good things to you in 2016!

xo,

bree

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The Ballroom Thieves

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Milo Greene with Hey Marseilles

Tuesday, June 16, 2015

Port City Music Hall, Portland, Maine

Have you ever loved a band, listened to their album a hundred times, but then invited friends to come see them live with you and the band totally fell flat and you felt responsible? This was that.

I fell in love with LA’s Milo Greene when they opened for The Civil Wars at Berklee Performance Arts Center in November of 2011. I bought their three-song sampler for $5 and listened to it easily a hundred times waiting for their first full-length album. I saw them in Boston at Brighton Music Hall in October of 2012 (playing with Lucius), and again touring for their folky, harmonic self-titled album in March of 2013 at Empire in Portland. I re-read my post from 2012 at Brighton Music Hall where I wrote “their strength is in their live show.” Milo Greene didn’t bring it to Port City Music Hall that night.

Milo Greene at Brighton Music Hall. October 2012.

Milo Greene at Brighton Music Hall in Boston. October 2012.

Milo Greene at Empire in Portland, Maine. March 2013.

Milo Greene at Empire in Portland, Maine. March 2013.

I have always described Milo Greene to first-timers as an upbeat indie group without a lead singer. They pass instruments back and forth. Their harmonies are stunning and their songs catchy and relatable. Their new album, Control, is a different thing altogether. Released in early 2015, it is much more pop and percussive. It’s a pretty big departure, and not in a direction I was excited about, but I still thought their live show would impress. It didn’t.

The only wholly bright spot of the night was show opener Hey Marseilles from Seattle. They have a folky pop sound with great harmonies and a string section. Matt Bishop, their lead singer, was engaging and friendly. He joked that their band name is hard to say but easy to Google search. I wasn’t familiar with their music before the show, but I enjoyed the bulk of it (especially “Heart Beats”) and have listened more since the show. I’d definitely see them again.

Seattle's Hey Marseilles

Seattle’s Hey Marseilles

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Milo Greene took the stage and thanked us for waiting three years for them to come back to town. That might have been just about the only thing anyone in the band said for the majority of the show. They played in the near dark, song after song. No song introductions, no checking in with the audience. It felt like we might as well not have been there. Much later in their set, Robbie said that their new album is the real them (that was the gist, anyhow). Marlana piped up that she thought it might take a little convincing, but he clearly disagreed. I wondered how united the group is about their new musical direction.

LA's Milo Greene

LA’s Milo Greene

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This beautiful shot of Milo Greene is courtesy of Caroline Carrigan

This beautiful shot of Milo Greene is courtesy of Caroline Carrigan

Milo Greene sped through their Control-heavy set. On their website they’re quoted as saying that their “first album was a massive wall of harmonies.” It is a glorious sound, if you ask me, and the crowd’s reaction led me to think I’m not the only one who misses the old stuff. I was happy to hear a handful of their earlier songs like “1957,” “What’s The Matter,” and “Autumn Tree.” They covered Phil Collins’ “Take Me Home,” which I thought was fantastic. The band rushed through their songs and hurried off stage and I was surprised by how early I got home after a show on a school night. If they came back to town, I’d sadly pass, which is kind of heartbreaking.

xo,

bree

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The Ballroom Thieves with Tall Heights and the Maine Youth Rock Orchestra

Friday, April 24, 2015

Empire, Portland, Maine

*I think nearly seven weeks to process the strange events of this night is long enough. I wrote the bulk of this post just days after the show, but was so weirded out by the behavior of a woman in the crowd that I lost focus and never went back to finish the article. Since this show, The Ballroom Thieves have released a new Audiotree session AND have been invited to play their first Newport Folk Festival set! I am thrilled for them. The long story short of this article is that they are phenomenal live and when you go to a concert, you should be nice to the people around you.*

This was the best/worst show I’ve seen in a long while and I am still processing the events of the evening. I’ll explain. My sweetie and I planned our April vacation getaway around going to this show. I love Boston’s The Ballroom Thieves and have seen them a half dozen times and even wrote a preview piece for this show and a review of their debut album, A Wolf in the Doorway, which I rarely do. The last time I saw them play was also with the Maine Youth Rock Orchestra, which is incredible. I’m a sucker for a string section, so getting to see The Thieves play with an orchestra is a real treat.

Jeff and I wrapped up our adventure in the Kennebunks with an afternoon in Portland, including a trip to the Love Locks fence and a delicious dinner at El Rayo before the show. We stood outside in line at Empire just before doors at 9PM, met up with my concert friend Colin outside, and made our way front and center to the stage so we could be close. It was not very crowded in the front when Tall Heights took the stage. My friend Marian joined us, and then Kate, too. It’s rare for me to be at a show with such a posse, but the Thieves are just that good.

Sadly, there was a loud woman standing right behind me for the bulk of Tall Heights’ set talking with her friends about how “great” the band was and how she’d “pick up the CD after the show.” I was so happy they were happy, but they were also five feet from the performers and one foot from my ear having this ongoing conversation at full volume. *This leads me to concert etiquette tip #1 of the night—if you really must have a (long, loud) conversation, please move away from the stage where people who are probably bigger fans than you are trying to listen.* Unfortunately, I was distracted for most of Tall Heights’ set, but I always appreciate their lovely harmonies, and I enjoyed that Eric Jones (manager of The Ballroom Thieves and Darlingside) played drums with them for a lot of their set. Tim Harrington (guitar) joked that although we were there to celebrate the release of The Ballroom Thieves’ new album, their exciting debut of a Tall Heights tank top surely was more important. He dubbed the night “Tanksgiving.” They wrapped their set with “Spirit Cold,” with the delightful Maine Youth Rock Orchestra as featured performers.

Tall Heights' Paul Wright on cello

Tall Heights’ Paul Wright on cello

Tall Heights' Tim Harrington on guitar

Tall Heights’ Tim Harrington on guitar

Eric Jones on percussion

Eric Jones on percussion

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I won’t hold it against you if you skip this next paragraph, but HOLY COW, I was NOT expecting this to happen at a folk rock show:

This is when my night got really interesting. The gist is that the woman who was so loud and chatty right behind me during Tall Heights physically pushed me out of the way and stood between my sweetie and me at the stage. I was stunned. We were at a folk show, after all, and she was definitely in her thirties. She told me I’d been “taking up the room of three people” during the opening act and she intended to stand in front of me for the rest of the night. I’m not sure how she ended up moving away from me, but then she started poking her elbows and knees into Jeff to try to finagle a spot in front of him. SERIOUSLY? She told him that he was “rude” because he’s tall and blocked her view. Have you been to Empire? There’s plenty of room next to the stage on the floor and she could have stood anywhere. She kept attacking us verbally and Jeff turned around and used his dad voice and told her “I don’t want to hear another word from you for the rest of the night.” *This leads me to concert etiquette tip #2 of the night—if you want to stand in front of me at a show, you need to get there before me, or you need to ask nicely. You cannot physically shove people at a concert. That’s assault.* After Jeff’s stern warning, she moved and didn’t come back. People around us that we didn’t even know approached us to talk about her odd and unacceptable behavior. It was incredibly strange. Maine is a small place, because not even three days later, I saw a picture of this woman show up on my Facebook news feed because we have a mutual friend and they were tagged in a photo together. I sent my friend a message and she assures me that this woman seems nice and normal and must have just been having a bad night and is not the wretched woman I interacted with.

It took a bunch of songs for me to shake that strange experience, but I finally got my head in the game and The Ballroom Thieves rocked our socks, as they always do. They are so solid live—with passionate, urgent vocals, relatable songwriting, strong musicianship, and steady engagement with the crowd. They’re the real deal and I sincerely hope you’ll check them out. I didn’t take notes during the show, but I remember that they played “Coward’s Son”—a favorite of mine, which Martin dedicated to his parents who were at the show. They played “Archers” (which dazzles) and “Lantern” with the awesome Maine Youth Rock Orchestra, Calin wowed on lead on “Bury Me Smiling,” and they wrapped their set with a very high energy “Wolf.” I remember they played a sweet new song to end the night that was fantastic, too. The Thieves are again and again keeping their spot high on my list of favorite live acts. I hope to most of you at their next show. (See show photos below!)

xo,

bree

The Ballroom Thieves' Martin Earley on guitar

The Ballroom Thieves’ Martin Earley on guitar

The Ballroom Thieves' percussionist, Devin Mauch

The Ballroom Thieves’ percussionist, Devin Mauch

The Thieves' cellist, Calin Peters

The Thieves’ cellist, Calin Peters

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Calin and Maine Youth Rock Orchestra Director Kevin Oats

Calin and Maine Youth Rock Orchestra Director Kevin Oats

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Calin and the Maine Youth Rock Orchestra

Calin and the Maine Youth Rock Orchestra

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Tall Heights joined the Thieves and the MYRO

Tall Heights joined the Thieves and the MYRO

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The Ballroom Thieves unveil A Wolf in the Doorway

I’ve had the pleasure of seeing Boston’s The Ballroom Thieves live just a handful of times, but they quickly made their way onto my short list of favorite live bands. This talented trio—Martin Earley (guitar/vocals), Calin Peters (cello/vocals), and Devin Mauch (percussion/vocals)—is simply made to play music together. Their driving, percussive sound is infectious and their crystal clear vocals and gorgeous harmonies are top notch.

I first saw The Ballroom Thieves open for The Lone Bellow (holy smokes, I know!) back in June of 2013. I’d never heard of them and yet they stole my heart with the urgency of their music, honest lyrics, and engaging live show. They know how to perform and bring it every single time. The last time I saw the Thieves was with the very talented Maine Youth Rock Orchestra, and it was a real treat to see them perform together.

The Ballroom Thieves with Maine Youth Rock Orchestra

The Ballroom Thieves with Maine Youth Rock Orchestra

The Ballroom Thieves just released their first full-length album, A Wolf in the Doorway. They kindly sent it to me a couple of months ago and I’ve been listening on repeat. A Wolf in the Doorway beautifully captures the spirit of the Ballroom Thieves. It opens with “Archers,” which will win you over in seconds. (Check out the video for “Archers” that the Thieves made with the Maine Youth Rock Orchestra). “Archers” captures what I think is the Thieves’ essential sound.

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My other favorite songs on the record are towards the end of the album. I love Calin’s airy lead vocal on “Bury Me Smiling.” “The Loneliness Waltz” is beautiful. I’ve listened to that one over and over and the lyric “We are frivolous with our hearts/Watch them bend till they break/Then we pick up the parts/We give/We take/We save and condemn/We live just to love again” slays me. Martin’s lead vocals on “Here I Stand” tell the next part of the story after “The Loneliness Waltz,” and their harmonies are hymn like. The whole album is stellar, and you should definitely give it a listen.

  
Not only have the Thieves released a great new album, but they’re coming to town on Friday! They’re definitely going to sell out Empire, so get your tickets early. They’re bringing the Maine Youth Rock Orchestra, and Boston-based folk duo Tall Heights is opening the show. If you’re into string sections and strong harmonies, this is a do not miss show! Come find me at the show and say hi—I’ll be the one smiling big and singing along in the front row.

xo,

bree

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The Lone Bellow with Odessa

Monday, February 23, 2015

Port City Music Hall, Portland, Maine

*If you are strapped for time, the short version of this post is that The Lone Bellow is my favorite band and their live show is the most passionate, heartfelt experience you’ll be lucky enough to be part of. Read their deeply personal biography in this intimate Josh Jackson feature in Paste Magazine for context. Watch this Lone Bellow concert filmed by Front Row Boston, or, better yet, just trust me and go see them in person!*

What a beautiful day! My friend Colin asked me to join him for a private concert with The Lone Bellow (TLB) at 98.9 WCLZ’s Studio Z in the afternoon and we were back in front of the stage at Port City Music Hall just a couple of hours later to see their full show. We chatted briefly with the band, too, (which I normally avoid) and they were down to earth and grateful we liked their music so much. Phew. That’s gone badly before.

Colin and I grabbed a delicious dinner at Empire and hurried back to PCMH to be there when the doors opened. It was 3 degrees. And there was a line outside. We grabbed a spot behind a couple of women front and center named Bobbie and Abra who happen to write TreeToGrow.com, a Lone Bellow fan site. I started chatting with Dave and Kathy who were standing right behind me when they mentioned the Arcade Fire show I’d missed in Bangor this summer while I was driving cross-country. They mentioned that they live in Farmingdale and then a woman standing near us leaned in to say she and her husband live there, too. It turns out that Kelly and her husband Joe are both teachers and that Kelly’s dad and I worked together for over a decade at Mt. Ararat High School. Another woman standing on my other side overheard me mention Mt. Ararat and told me that she attended and then taught at Brunswick High School and we compared names and know a lot of the same people. I mention all of this because it was such a lovely experience and true to what the best possible concert experience can be when you find yourself surrounded by people because of music and find other things you have in common. I have a handful of friends who I only know because of our shared interest in music (Colin included), and I really appreciate the power of music to connect people.

The lights dimmed and Odessa took the stage. Odessa played electric guitar and was joined by two female musicians—one on bass and the other on guitar and lap steel guitar. Odessa’s voice was light and airy and their harmonies were strong, especially on “Hummed Low.” “I Will Be There” was definitely the standout of their set. Their short opening set was quite mellow and I would have loved some audience interaction. Check out this feature on Odessa—the “Best of What’s Next” in Paste Magazine for some background.

Odessa

Odessa

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Set up for The Lone Bellow’s set went quickly and they took the stage just after 9 PM and opened (appropriately) with “Cold As It Is.” Next up was “Then Came The Morning,” which is hymn-like with beautiful harmonies. Kanene talked about the song during their Studio Z performance earlier and mentioned that the woman on the cover of the album embodies the theme of the song because despite whatever she faces she gets up every morning and does her hair and makeup and goes to breakfast at the same diner. Something I appreciate about TLB is the depth and honesty of their lyrics. Consider the lyrics to “Then Came The Morning”—“Take my words, breathe them out like smoke/Burn every single letter that I wrote/Let the pages turn to ash, I don’t want them back/Everything you always said to me/Starts to sound like broken glass on streets/Spread out all over places where I sleep/Now you finally left me/Done with all your lying/Joy comes in the morning/You won’t see me crying.” The Lone Bellow doesn’t shy away from the hurt. They embrace it, reflect on it, and lift it up so the listener can share in it with them and feel a little better because we can relate. It’s a rawness—a realness, truth—that pervades their music and makes it genuine and compelling.

This is how Zach Willams welcomed us. Clapping on top of the monitor while leaning over the crowd. Such a great stage presence.

This is how Zach Willams welcomed us. Clapping on top of the monitor while leaning over the crowd. Such a great stage presence.

Brian Elmquist, Zach Williams, and Kanene Pipkin of The Lone Bellow

Brian Elmquist, Zach Williams, and Kanene Pipkin of The Lone Bellow

Justin Glasco on drums

Justin Glasco on drums

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The playful side of The Lone Bellow

The playful side of The Lone Bellow

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Husband and wife Jason and Kanene Pipkin

Husband and wife Jason and Kanene Pipkin

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Zach joined us in the crowd a number of times

Zach joined us in the crowd a number of times

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Did anyone else notice that TLB played nearly every song they’ve ever recorded for us? I took a look at the set list Colin posted online and they only left five of their songs off the night’s set list. Talk about giving it everything you’ve got. They got the crowd clapping and singing along during “Green Eyes and a Heart of Gold” from their self-titled debut album and then brought it right down with a trio of slow songs—“Call To War,” “Watch Over Us,” and “Two Sides of Lonely.” “Call To War” features Kanene’s lush, raspy voice and it is definitely my favorite on Then Came The Morning. “Watch Over Us” is transcendent. You can always hear a pin drop in the room when Brian, Zach, and Kanene stand around a single microphone and belt that heart-wrenching, beautiful song.

"Watch Over Us"

“Watch Over Us”

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Zach was charming as always and kept the audience engaged even between songs. He said they’d gone to Becky’s Diner and he’d eaten the nine-pound omelet called the Titanic. Someone shouted out that they should try Marcy’s Diner and he asked if Becky and Marcy are friends or if they’re in a fight over a fisherman.

98.9 WCLZ has played TLB’s “You Never Need Nobody” for a long while now, and the sold out crowd at PCMH was thrilled to hear it live. Kanene stunned (as always) on “Button.” Zach talked about working with Aaron Dessner from The National on their latest album at Dreamland Studio in Woodstock, New York. If you think you hear gospel influence in their music, you certainly do—and the album was recorded in a converted church for good measure.

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Zach introduced the band—including Kanene’s husband Jason Pipkin (“the only man in the band with elbow pads, so he could slip and fall and it would be no problem”) and new drummer Justin Glasco—and got into some 80s references about shoulder pads and they broke out into Hall & Oates’ “You Make My Dreams Come True” for a hot second. TLB wrapped their high-energy, leave-it-all-on-the-stage set with “Take My Love” and the crowd went wild. The energy was palpable. TLB came back to wow us a bit more with “Tree to Grow” and “Teach Me to Know.” Zach took a long pause towards the end of “Tree to Grow” and there was silence in the packed room. It’s incredible to see a band be able to draw a crowd in like that. We enthusiastically sang along on the “carried away” refrain of “Teach Me to Know” as the magical night came to an end.

Zach giving us the thumbs up at the end of the night

Zach giving us the thumbs up at the end of the night

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The Lone Bellow is my favorite band and this was a dream of a night. Thank to you everyone, especially the band, for such a wonderful evening.

xo,

bree

 

Here are other posts I’ve written about The Lone Bellow:

June 2013 at The Sinclair in Cambridge, MA

November 2013 at Port City Music Hall in Portland, Maine

February 2014 at Portsmouth Music Hall in Portsmouth, New Hampshire

July 2014 at South Church in Portsmouth, New Hampshire

February 2015 in Studio Z at Port City Music Hall in Portland, Maine

 

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