Tag Archives: New Year’s Eve

The Ghost of Paul Revere with Max Garcia Conover and GoldenOak

Sunday, December 31, 2017

Port City Music Hall, Portland, Maine

I really care about the clean slate a new year provides, and so I am always a little anxious about having New Year’s Eve plans I am excited about. This night fit the bill perfectly. I had a blast. Welcome, 2018!

I specifically bought a ticket to this show because my friend Max Garcia Conover joined the bill as the night’s first opener, so I knew friends would be there to support him and we could ring in 2018 together. Max was on fire. His songs always have teeth, but the crowd was clearly feeling him and folks erupted with applause after each of his songs. Max is shy by nature, but he shared with the audience and told us the background stories of a few of his songs, which I always appreciate as a concert-goer. Max mesmerized with his guitar playing and kick drum. I’ve seen Max play at least a dozen times, and this was one of his best shows. After his set, people in the audience near me asked me to tell them more about him and asked me to pass along to him how much they’d enjoyed his set.

Max Garcia Conover

Max’s new album, Motorhome, is excellent. No Depression Magazinecalled Motorhome “one of the strongest albums of 2017.” I had coffee with one of my former advisees who also attended the NYE show. She told me that she keeps meaning to take Motorhome out of the CD player in her car so she won’t overplay it, but she keeps forgetting and loves listening to it every time. “Gone,”“Motorhome,”“Abigail for a While,” and “Self Portrait”are some of my favorites on the album, but I love the whole album and think it shows Max’s most cohesive and best writing yet.

I’d never seen Portland’s GoldenOak before, but I liked their sound. They were mellower than Max, so I might have put them on first, but they have a good thing going and I’m glad I got to see them. Check out their new video for “Brother.” They’ll be at Empire with Max Garcia Conover opening on February 22.

GoldenOak

Where do I start about the Ghost of Paul Revere? 2017 was a huge year for them. They toured basically non-stop, criss crossed the country playing in most of the states in America, and put out a killer album–Monarch–that premiered on Billboard. Griffin, Max, and Sean are the best of friends, and it shows in their tight sound and relaxed, engaging stage presence. This was clearly a hometown show for GPR, and they thanked us many times for our ongoing support of the band. In their seventh year as a band, they’ve had their most successful year to date. The momentum they’ve built is palpable and will carry them to the next level. That’s even more obvious as they take the stage tomorrow night to play Conan–their first late night national talk show performance. GPR is definitely on the way to stardom. Ray Routhier featured GPR in an article for the Portland Press Herald last week appropriately titled, “The Ghost of Paul Revere is on the road to making it big.”

The Ghost of Paul Revere

img_7610Ghost had a blast on stage and played their hearts out for us. We were a doting sold out crowd, and it was all good vibes. They invited a few friends on stage to join them throughout the night–Kevin Oates from Maine Youth Rock Orchestra, Devin Mauch from The Ballroom Thieves, and Brian Graham from Sister Sparrow & the Dirty Birds–come to mind. Someone proposed to his girlfriend during their set, and another friend of the band announced that they’re expecting their first baby, too. It felt like a family reunion as much as a show. I like that.

Sean, Max, and Devin from The Ballroom Thieves

We counted down and rang in 2018 together, and the first song I heard in 2018 was “Next Year,” which is a heartfelt, complex tune and my favorite on Monarch. GPR invited everyone from both opening sets on stage for one of two finales and covered Dawes’ “All Your Favorite Bands” for us. Did they close the night with Tom Petty’s “Mary Jane’s Last Dance”? They definitely played it towards the end of the night, along with a fantastic cover of the Isley Brothers’ classic feel good song, “Shout.” This night was a total blast and a great way to turn the page on 2017. All good things to all of you in 2018!

xo,

bree

I spy Kevin Oates of MYRO on cello

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I’m usually the one taking photos at concerts, so I was surprised to see that I’m front row center in this picture that Matthew Robbins of matthewrobbinsphoto.com took!

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Ellis Paul with Laurie MacAllister

Friday, December 29, 2017

One Longfellow Square, Portland, Maine

This was my 49th Ellis Paul show! I hope I get to sing on stage with him at my 50th show. I can sing, Ellis!

I started seeing Ellis Paul in 2002, so that’s 15 years of great music I’ve gotten to hear him perform live. He’s still my favorite singer songwriter, and I love seeing him live at his now annual warm up to New Year’s Eve show at One Longfellow Square. I used to ring in the New Year with Ellis and friends every year at Club Passim in Cambridge, Massachusetts, but Portland is so much closer!  

I picked up my friend Hedda in the snow and we slowly made it to Portland on a slippery highway. We had a delicious dinner nearby at Mi Sen, but were squeezed for time and had to miss seeing my talented pianist friend, Ben Cosgrove, at Blue. We made it to One Longfellow Square right after 7 to get good seats up front, and there were easily already 25 people in the room. I know where the super fans sit (I am a fan, not a super fan), and decided I needed a couple of rows of buffer, so grabbed seats for Colin, Hedda, and me in the fourth row. We chatted for an hour and then Laurie MacAllister (of Red Molly) took the stage to start the show.

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David Glaser, Laurie McAllister, and Radoslav Lorkovic

Hedda saw her first Ellis Paul show (my 46th) with me last year at Brunswick’s Unitarian Universalist Church, and Laurie sang with him then, too. We thought their chemistry was obvious, and wondered if they were a couple back then. They were, we discovered at this show. Laurie MacAllister has a very pretty voice and was so grateful to perform her first solo show in 14 years in front of such a polite audience. Her new solo record, The Lies the Poets Tell, is out in late January. It’s a cover album of songs from artists you may not know–including Shawn Mullins (one of my all time favorites), Mark Erelli (who Laurie called her favorite songwriter and urged us to see live), Antje Duvekot, oh, and some guy named Ellis Paul. She opened with Shawn Mullins’ “My Stupid Heart.”David Glaser joined her on guitar–she told us she’d heard him play last year during preparations for Ellis’ annual New Year’s Eve shows and asked him to be her guitarist on her new album–and Radoslav Lorkovic, the “Croatian Sensation,” accompanied on piano and accordion. Laurie told us she met Rad for the first time back in 2005 when they played at the same music festival. When she and her Red Molly bandmates told him they were off to New York City for a gig later that evening, he asked if he could come with them and play, too, which they all quickly agreed to. David, Rad, and Laurie were also Ellis’ band that evening. They are obviously friends and it was fun to watch them together.

Ellis Paul took the stage to a sold out crowd after intermission. He told us he wrote a song with a friend in mind that was supposed to be more of a joke, but turned into his love song, “I Ain’t No Jesus.” I’d never heard Ellis talk about dating Laurie before, but he talked about her saying “I’ll Never Be this Young Again” in reference to recording a new album, and he stole her line and wrote a song featuring it. Laurie interjected that she came down to the living room the next morning and he played it for her–completely finished overnight. He told us it was one of the first times he’d ever played it live.

Ellis also played another new song I hadn’t heard before, which is always exciting when you see someone play as often as I do. He projected a picture onto the screen behind him and it was of Ellis and his father in front of a huge fire. He told us about a family reunion that turned into a major fire house fire over the 4th of July weekend in 1979. He thanked his relatives in the crowd who were there to support him, and told us about a relative who’d fought for the Union Army in the Civil War and was injured at Gettysburg. They gave him a farm–150 acres in Wasburn, Maine–and every generation in his family has produced potato farmers since then until now. He joked that he went into the more lucrative folk singer business. His grandparents had 9 kids and 40 grandchildren. He laughed as he told us “none of the names have been changed because everyone who is guilty deserves to be in this song.”

Ellis told us he’d record an album in 2018, and I think I’m most looking forward to “Scarecrow in a Corn Maze”–a song about a soldier injured in Iraq who comes home from war and struggles. The chorus goes, “scarecrow in a corn maze, just trying to find some way out.” Ellis has always been an excellent storyteller. His songs are relatable because they tell real human stories. This song stuck out to me the most among songs I don’t know very well. We sang along to a song that Ellis wrote about all of the states he’s performed in called “So You Ain’t From these Parts.” The verse about Maine features the crazy names of places here from Damariscotta to the Cobbosseecontee.

Every year, Ellis and his friends play a medley of songs during their NYE shows. This year, they paid tribute to music legends lost in the last couple of years–Tom Petty, Glen Campbell, and Glenn Frey. Their cover of “Stop Draggin’ My Heart Around” was incredible. I’ll admit I’d never heard Glen Campbell’s “Wichita Lineman” before. Everyone came off the stage into the audience and sang “Seven Bridges Road” (famously covered by the Eagles) for us.

Ellis thanked us for our continued support and for coming out in the bitter cold. He told us his kid just got $3,300 braces, and chuckled when he told us that we’d paid for them. I figure my 49 concert tickets will pay for at least a year of a teenager’s car insurance when his girls start driving.

Did we all sing along to “The World Ain’t Slowin’ Down”to close the night? I think we did. I am sleep deprived from New Year’s Eve last night. Thanks for a lovely evening of music that always makes me feel like I’m home, Ellis and friends. I’ll see you soon!

Happy 2018! Let’s all hope for goodness and light in the year ahead!

xo,

bree

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Ellis Paul with Radoslav Lorkovic and Chris Trapper

Saturday, December 27, 2014

One Longfellow Square, Portland, Maine

I was so happy to end my concert year with a girls’ night out in Portland and my 43rd Ellis Paul show! Megan, Sarah, and I had a delicious dinner at Mi Sen on Congress Street (the custard with coconut sticky rice is DELIGHTFUL) and hurried back over to One Longfellow Square to grab good seats and see if anyone had canceled since the show was sold out and Megan accidentally didn’t have a ticket. She eventually did make it in, and my concert friend Colin joined us as well. The show was so crowded that OLS removed half of the stage to accommodate a couple extra rows of seating.

I hadn’t seen Chris Trapper since 2011 when he opened for Colin Hay at The Strand in Rockland. I was a big fan of his band The Push Stars when I was in college, and I was excited when I learned he was opening the show. I was happy to hear “Keg on My Coffin,” which included a pretty solid audience participation part to start the show. Chris told us that his song “This Time” was nominated for a Grammy as part of the August Rush soundtrack and he also got to hang out with Jonathan Rhys Meyers who sang it in the film (which impresses all of his female friends). He also admitted to writing the theme song for a much-hated show called Sox Appeal in which a guy was set up on three two-inning blind dates at Fenway Park during a Red Sox game. I’ll admit to watching a few episodes. Chris also told us about his album of original Christmas songs including “Black and Blue Christmas.” He said he’d been a professional songwriter for about 14 years and that Ellis Paul had been a great mentor throughout that time. He talked about having written so many songs about falling in love, but that staying in love is the much harder part, so he wrote a song about working to stay in love called “Love You Still.”

Chris Trapper

Chris Trapper

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Ellis Paul and pianist extraordinaire Radoslav Lorkovic took the stage after intermission. Their show at One Longfellow Square very near the end of the year has become a tradition I’m grateful for since I went to Club Passim for their New Year’s Eve show every year for eight years before my friends in the area moved away and couldn’t join me there anymore for NYE. I’m so happy they bring the warm up show for the New Year’s show to me in Portland every year!

Ellis and Radoslav opened the show with three of Ellis’ best-known songs“The World Ain’t Slowin’ Down,” “3,000 Miles,” and “Maria’s Beautiful Mess.” Ellis asked us to sing with him on all three. Rad hilariously accompanied Ellis on piano while he read his poem “The Night the Lights Went Out on Christmas.” Ellis told us that people have started to show him their rose tattoos because of his song “Rose Tattoo.” He joked that the song is just a love song and not a call to action. Oops! Kidding.

Radoslav Lorkovic and Ellis Paul

Radoslav Lorkovic and Ellis Paul

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“The Night the Lights Went Out on Christmas”

“The Night the Lights Went Out on Christmas”

Ellis has talked at length at the last few of his shows I’ve attended about the loss of music you can hold in your hand. He laments the loss of the chance to admire album artwork and read the liner notes while listening to an album for the first time. In the age of digital music, we’ve lost that part of our musical heritage. This epiphany happened for him after driving a rental car that didn’t even have a CD player. When he arrived home, he immediately went out and bought his daughters a record player to give them the musical experience he grew up with. His newest album, Chasing Beauty, is now available on vinyl.

Ellis designed the album art for Chasing Beauty

Ellis designed the album art for Chasing Beauty

Vinyl!

Vinyl!

Megan and I were in stiches at one point during the show because Ellis’ family was scattered throughout the crowd and heckled him during the show. He joked that “they have Tourette’s and talk all the time.” He remembered the amazing Pete Seeger who died in January of 2014 and played “If I Had a Hammer” in his honor. Ellis turned 50 yesterday and hosted a house concert on concert window to celebrate. Happy 50th, Ellis! He told us (with help) that “I Feel Fine” was on the top of the chart the week he was born in 1965.

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I was happy to hear “Mary, Mary” live—it’s got to be my favorite Christmas song. Ellis made a beautiful video using sand art for “Mary, Mary” that you should really check out. He’s an artist in many senses of the word. Ellis and Rad unplugged and joined us in the crowd and wrapped their set with “Love is a Curious Thing.” We stomped for an encore and Chris Trapper joined Rad and Ellis on stage to play “Waiting on a Break,” which Ellis said is inspired by the “godfather of Boston music,” Dennis Brennan.

Unplugged in the crowd

Unplugged in the crowd

Rad, Ellis, and Chris sing one more for us

Rad, Ellis, and Chris sing one more for us

I’m always so happy to start or end (or both) my concert year with you, Ellis! Cheers to health, happiness, and good music for all in 2015!

xo,

bree

The set list. Thanks, Colin!

The set list. Thanks, Colin!

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