Tag Archives: Ellis Paul

Ellis Paul with Laurie MacAllister

Saturday, December 29, 2018

One Longfellow Square, Portland, Maine

This was my 50th Ellis Paul show! I saw him for the first time at my alma mater, Bowdoin College, back in 2002. I actually had to pass on a few of his shows in Maine over the last year so I could see my 50th show in a venue I really like, and One Longfellow Square fit the bill perfectly. Ellis and his friends have been warming up for their annual Club Passim New Year’s Eve shows at OLS for a solid decade or more, and that festive year-end energy felt like the right time for a milestone 50th show. I’d had a vision that I’d get to sing a song on stage or at least get a shout out from Ellis, and even though neither of those dreams came true, this was the best Ellis has sounded in a couple of years, so my 50th show was still an understated success.

I arrived early at OLS because this show is usually sold out and grabbed an extra seat for Colin in the front row. Ellis’ girlfriend, Laurie MacAllister of Red Molly, opened the show with Red Molly’s bassist, Craig Akin, on upright bass. Laurie put out The Lies the Poets Tell earlier in the year–a record of cover songs about love–and she played a handful of songs from that album for us. She told us that she hadn’t been able to write a song in many years, but her friend and collaborator, David Glaser, who we’d seen play at this very show last year, passed away unexpectedly, and “Out of the Darkness”–a song for David–poured out of her. She covered “Vertigo” by Mark Erelli and Antje Duvekot and “Ten Year Night” by Lucy Kaplansky. Laurie has a pretty voice and is humble and a bit shy on stage. I’d love to hear her singing her own songs in the years ahead.

Laurie MacAllister

Ellis Paul took the stage with Radoslav Lorkovic, Craig, and Laurie, and they entertained a warm crowd with a variety of Ellis’ songs spanning many years. Laurie sang lead vocals on “Home,” which she also covers on The Lies the Poets Tell. Laurie is a great support for Ellis on stage. It’s clear that his voice has struggled to hit the higher notes of his older songs given his rigorous touring schedule, and Laurie is able to supplement his vocals nicely, though it does feel like more of a duet act than a solo singer-songwriter one these days. The quartet dazzled with three covers in their annual end-of-the-year cover songs portion of the setlist–David Glaser’s lovely “Concrete River,” Bruce Springsteen’s “Dancing in the Dark,” and “Africa” by Toto. Ellis joked that Don Con nearly quit the band years earlier the first time they tried to cover Toto, but that they’d worked it out.

 

 

I think Rad was “Kicking Out the Lights” in this one!

The band took an intermission after playing ten songs, and I decided to say hi to Ellis in the lobby and let him know it was my 50th show. I really don’t like talking to musicians for the most part because I’m weary about being an annoying fan, but I did want him to know. I said hello and told him it was my 50th show and he very kindly pulled me in for a hug and said a genuine thank you for the ongoing support.

After the break, Ellis and the gang played seven more songs for us. Ellis showed us his beautiful guitar made by George Krakat with Ellis’ signature on the headstock. He charmed us with the story of his family in Aroostook County’s Washburn, Maine, and the incident at the 1979 family reunion that inspired “Five Alarm Fire on the Fourth of July.” He laughed while he told us that he hadn’t changed the names of any of the people in his family in the song, and that “every generation of my family since the Civil War has produced a potato farmer until now–because everyone knows the big money is in folk music.”

Ellis told us about his upcoming album, The Storyteller’s Suitcase, which is funded by supporters. On his website, Ellis writes–”The music will be a collection of stories I’ve gathered from around the country. The Storyteller’s Suitcase will be an autobiography of songs. It’s about love, heroes, and family across the decades of my life. In the past five years since my last album Chasing Beauty I’ve left a marriage, a business partnership, a booking agency. I’ve lost my voice and regained a new one. I’m looking at this project as a new start, after a few years of regrouping and healing.” He told us that the album comes out early in 2019, and I’m eager to listen, especially after hearing “Afterlife,” which is a song Ellis wrote about explaining the death of his father to his then 5-year-old daughter. It was incredibly touching, and I had tears in my eyes while he played it. He did make us laugh, too, when he told us that this had been the “first profound conversation” he’d ever had with his daughter, but that “she’s 14 now, so our conversations are more often profoundly awkward these days.”

I am always happy to hear Ellis play Mark Erelli’s beautiful and timeless “The Only Way.” They dedicated the last song of their set–“The World Ain’t Slowin Down”–to their friend David Glaser and we sang along. We asked for an encore and Ellis and the gang unplugged and sang “Annalee” from within the crowd on the floor. It was the best Ellis show I’d seen in awhile, and a nice one to mark 50 Ellis Paul shows with, too.

xo,

bree

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Shawn Mullins

Sunday, November 18, 2018

Johnson Hall, Gardiner, Maine

I’ve been a Shawn Mullins fan since the mid-90s. I got through a sophomore slump in college with help from his 1998 album, Soul’s Core, and it was one of the few albums I took with me to my study abroad program in Namibia in 1999. I listened to it when I was homesick. To say that album has been there for me is really an understatement. 98.9 WCLZ briefly did a thing where they’d play listeners’ “Desert Island Discs” from start to finish at noon with snippets of an interview with the nominator. Obviously, my desert island disc was Soul’s Core. I finally got to tell Shawn how much his music means to me at a show at The Strand in Rockland back in 2011. I almost never stay after a show to meet musicians. I took a gamble that night, though, and he was so kind.

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I had the pleasure of seeing Shawn again at One Longfellow Square in 2013. Shawn shared the stage with Chuck Cannon and Tom Ryan that night, and they were lovely and had such a positive vibe. I’m not sure Shawn’s been back to Maine since, though. I saw that Shawn was crowdfunding to record a 20th anniversary release of Soul’s Core, so I promptly sent $150 to show support that also put my name in the liner notes and came with an autographed copy of the final product. It came in the mail a few days after this show, actually, and I’ve loved listening to Soul’s Core Revival. I’ve only heard the acoustic disc so far, but was thrilled to learn (and this is my favorite thing) that it includes Shawn talking about what inspired each of the songs on the album. That’s honestly my dream as a listener, so I’m extra happy!

Late in the summer I noticed that Shawn was touring in Maine, and I just happen to be on the Board of Directors of Johnson Hall Performing Arts Center in Gardiner, Maine, so I asked our amazing executive director if he might be able to book Shawn while he was in the area. I was overjoyed that he could and that Shawn came to teeny Gardiner, Maine for an intimate night of storytelling and song. The crowd was obviously thrilled and there was a lot of love and admiration in the room that night. I had a chance to catch up with Tom about the album and the tour before the show, and it was great to see him again, too.

Johnson Hall executive director Mike Miclon welcomed Shawn to the stage and left him a dollar because “Lullaby” was the first song he ever downloaded on Napster. Shawn made his way to the stage with Tom and Radoslav Lorkovic! I’ve seen Rad a ton of times touring with Ellis Paul over the years. He played piano and accordion on the anniversary release of Soul’s Core, too, and it’s always a pleasure to see him live.

I was thrilled to hear songs that have meant so much to me for so long in person again. Shawn’s voice is a stunning and beautiful bass with rasp and character. He played a few songs from Soul’s Core–but also covered “The L & N Don’t Stop Here Anymore” and “House of the Rising Sun,” which he recorded in 2006 on 9th Ward Pickin Parlor.

img_7785The audience was particularly pumped for “Light You Up” and clapped along poorly, but with such enthusiasm that I wasn’t annoyed that they were so offbeat. Shawn told us about recording his My Stupid Heart album at Chuck and Lari Cannon’s home studio. He had a dream that Bing Crosby was singing the title song and doing a wonderful job with it while Shawn was on the film crew making a video. He woke up a lot more confident about the song.

Shawn introduced a friend of his from high school who came to the stage to interpret “Shimmer” in American Sign Language. I was surprised to hear the story Shawn told on Soul’s Core Revival about the events that inspired “Shimmer,” by the way, but I won’t ruin it for you.

img_7805I’ve got to say that “Lullaby” is even better in person. Shawn talked about how grateful he is for the song, although he doesn’t understand why this particular song (written just like any other, he said) went “worldwide big.” He told us that a local DJ in Atlanta liked the song, believed in it, and played it a lot and it just got picked up by other stations. After 9 years of being on his own, he had his pick of record label and management. As he glanced around the room he joked that “one song can change things for you–and also not–as you can see by the stadium we’re sitting in.” “Lullaby” came out of a poem Shawn wrote while in Los Angeles. He’d played a show at a tiny venue in LA that he finally sold out on his third show there–even though “it was free to get in and only 25 people could fit in the room.” The song was such a hit that it landed Shawn a record deal, on MTV, and touring with the Backstreet Boys, which Shawn said was completely out of his element.

img_7817A devout and very appreciative audience asked for an encore, and Shawn, Tom, and Rad played one last song from Soul’s Core–his cover of “Sunday Morning Coming Down.” I was so happy to be in the room for this lovely show. What a treat for Gardiner to have talent of this caliber come to town. I hope they’ll come back in a couple of years when Johnson Hall’s upstairs 400-seat theater is renovated!

I chatted briefly with Rad after the show and told him I’ll see him in a few weeks at One Longfellow Square for my 50th Ellis Paul show! I love a milestone!

xo,

bree

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Ellis Paul with Laurie MacAllister

Friday, December 29, 2017

One Longfellow Square, Portland, Maine

This was my 49th Ellis Paul show! I hope I get to sing on stage with him at my 50th show. I can sing, Ellis!

I started seeing Ellis Paul in 2002, so that’s 15 years of great music I’ve gotten to hear him perform live. He’s still my favorite singer songwriter, and I love seeing him live at his now annual warm up to New Year’s Eve show at One Longfellow Square. I used to ring in the New Year with Ellis and friends every year at Club Passim in Cambridge, Massachusetts, but Portland is so much closer!  

I picked up my friend Hedda in the snow and we slowly made it to Portland on a slippery highway. We had a delicious dinner nearby at Mi Sen, but were squeezed for time and had to miss seeing my talented pianist friend, Ben Cosgrove, at Blue. We made it to One Longfellow Square right after 7 to get good seats up front, and there were easily already 25 people in the room. I know where the super fans sit (I am a fan, not a super fan), and decided I needed a couple of rows of buffer, so grabbed seats for Colin, Hedda, and me in the fourth row. We chatted for an hour and then Laurie MacAllister (of Red Molly) took the stage to start the show.

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David Glaser, Laurie McAllister, and Radoslav Lorkovic

Hedda saw her first Ellis Paul show (my 46th) with me last year at Brunswick’s Unitarian Universalist Church, and Laurie sang with him then, too. We thought their chemistry was obvious, and wondered if they were a couple back then. They were, we discovered at this show. Laurie MacAllister has a very pretty voice and was so grateful to perform her first solo show in 14 years in front of such a polite audience. Her new solo record, The Lies the Poets Tell, is out in late January. It’s a cover album of songs from artists you may not know–including Shawn Mullins (one of my all time favorites), Mark Erelli (who Laurie called her favorite songwriter and urged us to see live), Antje Duvekot, oh, and some guy named Ellis Paul. She opened with Shawn Mullins’ “My Stupid Heart.”David Glaser joined her on guitar–she told us she’d heard him play last year during preparations for Ellis’ annual New Year’s Eve shows and asked him to be her guitarist on her new album–and Radoslav Lorkovic, the “Croatian Sensation,” accompanied on piano and accordion. Laurie told us she met Rad for the first time back in 2005 when they played at the same music festival. When she and her Red Molly bandmates told him they were off to New York City for a gig later that evening, he asked if he could come with them and play, too, which they all quickly agreed to. David, Rad, and Laurie were also Ellis’ band that evening. They are obviously friends and it was fun to watch them together.

Ellis Paul took the stage to a sold out crowd after intermission. He told us he wrote a song with a friend in mind that was supposed to be more of a joke, but turned into his love song, “I Ain’t No Jesus.” I’d never heard Ellis talk about dating Laurie before, but he talked about her saying “I’ll Never Be this Young Again” in reference to recording a new album, and he stole her line and wrote a song featuring it. Laurie interjected that she came down to the living room the next morning and he played it for her–completely finished overnight. He told us it was one of the first times he’d ever played it live.

Ellis also played another new song I hadn’t heard before, which is always exciting when you see someone play as often as I do. He projected a picture onto the screen behind him and it was of Ellis and his father in front of a huge fire. He told us about a family reunion that turned into a major fire house fire over the 4th of July weekend in 1979. He thanked his relatives in the crowd who were there to support him, and told us about a relative who’d fought for the Union Army in the Civil War and was injured at Gettysburg. They gave him a farm–150 acres in Wasburn, Maine–and every generation in his family has produced potato farmers since then until now. He joked that he went into the more lucrative folk singer business. His grandparents had 9 kids and 40 grandchildren. He laughed as he told us “none of the names have been changed because everyone who is guilty deserves to be in this song.”

Ellis told us he’d record an album in 2018, and I think I’m most looking forward to “Scarecrow in a Corn Maze”–a song about a soldier injured in Iraq who comes home from war and struggles. The chorus goes, “scarecrow in a corn maze, just trying to find some way out.” Ellis has always been an excellent storyteller. His songs are relatable because they tell real human stories. This song stuck out to me the most among songs I don’t know very well. We sang along to a song that Ellis wrote about all of the states he’s performed in called “So You Ain’t From these Parts.” The verse about Maine features the crazy names of places here from Damariscotta to the Cobbosseecontee.

Every year, Ellis and his friends play a medley of songs during their NYE shows. This year, they paid tribute to music legends lost in the last couple of years–Tom Petty, Glen Campbell, and Glenn Frey. Their cover of “Stop Draggin’ My Heart Around” was incredible. I’ll admit I’d never heard Glen Campbell’s “Wichita Lineman” before. Everyone came off the stage into the audience and sang “Seven Bridges Road” (famously covered by the Eagles) for us.

Ellis thanked us for our continued support and for coming out in the bitter cold. He told us his kid just got $3,300 braces, and chuckled when he told us that we’d paid for them. I figure my 49 concert tickets will pay for at least a year of a teenager’s car insurance when his girls start driving.

Did we all sing along to “The World Ain’t Slowin’ Down”to close the night? I think we did. I am sleep deprived from New Year’s Eve last night. Thanks for a lovely evening of music that always makes me feel like I’m home, Ellis and friends. I’ll see you soon!

Happy 2018! Let’s all hope for goodness and light in the year ahead!

xo,

bree

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Lucy Kaplansky

Saturday, December 2, 2017

One Longfellow Square, Portland, Maine

This was such an excellent Saturday! I spent part of the day volunteering at Johnson Hall Performing Arts Center’s Festival of Trees in Gardiner (I’m on the Board of Directors), enjoyed Gardiner’s Parade of Lights down Water Street from the second story window, and made my way to One Longfellow Square where my steadfast concert buddy, Colin, kindly saved me a front row seat for the show.

Festival of Trees at Johnson Hall Performing Arts Center in Gardiner

I love seeing folk singer-songwriter Lucy Kaplansky live. She is consistently warm and open with the audience, and seeing her in person feels intimate–like sitting around together in her living room. I first saw Lucy open for Ellis Paul back in 2007, and have seen her maybe ten times since then. I always look forward to hearing updates about her beloved husband, daughter Molly, and Janie the beagle, and it feels a bit like catching up with an old friend. Lucy writes songs about her life, and I’m humbled when songwriters are so willing to share their life experiences with strangers.

One of the things I appreciate most about Lucy is how much she loves and respects her daughter Molly. She played a bittersweet song on mandolin about how fast her daughter is growing up. Lucy told us she’d be happy to play our requests, and even if she hadn’t played the songs we requested in ages, she still gave them her best shot. Someone asked her to play “This is Mine,” and she told us it was a poem her husband Richard Litvan had written for her. When she finished, she said, “and that’s why I love my husband so much.” She also played “Ten Year Night,” which is also about him.

One of the things that makes a concert a true concert experience is when artists discuss the inspiration for their songs. Lucy never disappoints in this area. This time, I learned about her song “Don’t Mind Me.” Her daughter Molly had been assigned to read a book by Sherman Alexie last year, and Lucy told her, “I know him.” Best known for his film, Smoke Signals, Alexie ended up coming backstage to meet Lucy, Dar Williams, and Richard Shindell after a Cry Cry Cry show twenty years ago in Seattle. They hit it off, and he asked them to write a song for a particular scene in a movie he was writing and directing. He told them to think “Hopelessly Devoted to You,” but with Joni Mitchell singing it. Dar gave it a shot and wrote “I Won’t Be Your Yoko Ono” and Lucy and her husband co-wrote “Don’t Mind Me.” Alexie liked it so much that he wrote Lucy into the movie to play herself as a street singer. The movie didn’t end up getting made, but Lucy did get the song out of it.

I follow Lucy on Facebook, so I see a lot of pictures of her beloved dog, Janie. Janie is Lucy’s first dog ever. Her mom had been afraid of dogs, so she grew up without them. Lucy’s daughter kept asking for a dog, and they finally said yes. Lucy said, “it was a revelation to me that I could fall in love with a dog. I have at least a hundred photos on my phone of her if you want to see her after the show.” She wrote a very sweet song for her NYC dog and their “Everyday Street.”

Lucy’s dad, Irving Kaplansky, was a mathematician, a professor, and a musician, and Lucy sang one of his quirky songs, “On an Asteroid with You,” about honeymooning in outer space for us, as well. She’s also recorded an album of his songs aptly titled Kaplansky Sings Kaplansky. You can only get that EP at her shows.

Lucy told us about another audience requested song, “Manhattan Moon,” as well. She’d worked on a song for months, but it wasn’t right, so she sadly threw it away. She took a few of the best lines from that song, though, and wrote a new song in four hours, which became “Manhattan Moon.”

Lucy draws attentive, polite audiences. That matters to me. She appreciates it, too. She told us a few times that she really appreciated playing for us and complimented us on how nice we were to play for. She told us that she truly enjoys her fans, and invited us to come chat with her after the show in the lobby, adding that “you don’t have to buy anything–I just want to meet you!” She closed the show with a cover of Elvis Costello’s  “(What’s So Funny ‘Bout) Peace, Love, and Understanding,” but came back to play an encore after a standing ovation.

Lucy ended the night with one of my favorites–“This is Home.” I’ve heard Lucy say that she wrote this song when she and her husband were first starting the adoption process about 15 years ago. They knew there was a little girl waiting for them in China, but hadn’t met Molly yet. I don’t think of myself as much of a sap, but I shed a tear when Lucy sang “when we find her/we’ll belong to her/we won’t see her first smile, we won’t hear her first word/But ours will be the first heart she holds in her hands/She can keep them beside her in her very own room.” What a wonderful way to spend a Saturday! Thanks, Lucy!

xo,

bree

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Ellis Paul

Ellis Paul

Friday, April 28, 2017

Chocolate Church Arts Center, Bath, Maine

This was my 48th Ellis Paul show. That might sound like a lot, but I’ve really just seen him a few times a year since my first Ellis show at Bowdoin College back in 2002. He’s obviously my favorite, though, and this was a great night. I was thrilled that Colin could join me, because Ellis is better shared. I had a quick girls dinner at my house and then raced over to Bath’s Chocolate Church Arts Center for the show.

There was no show opener, which I love when I’m seeing my favorite artists (because how could they compare, really), and Ellis took the stage a little after 7:30. He was in a great mood, and was very chatty with the audience, which is my favorite. Ellis had some new banter topics and he led a brief whole audience conversation about which artists we could take or leave. Bob Dylan is my “zero artist,” because I love “Blowin’ in the Wind” and “Forever Young” but I’d prefer to hear Dylan songs sung by just about anyone else.



Ellis played a couple of improvised songs at the piano–one about tourist season in Maine, and his encore was a song about how much he loves Tom Brady. He played a lovely song that I’ve maybe only heard once before (always a bonus) about Pawnee, Oklahoma. He explained that “Oklahoma is the Maine of the midwest” and that he was off to Tulsa for the 4th anniversary of the Woody Guthrie Center. He showed us his Woody Guthrie tattoo and told us the story about showing it awkwardly to Arlo after his opening set at the Boston Hatch Shell many years ago and then, many years later, showing it to Nora Guthrie (at her request) while chatting with a random German who ended up becoming her husband. When Ellis offered to play requests, I asked for “God’s Promise” (his music and Woody’s lyrics), which he picked first and I was thrilled to hear. The guy sitting next to me elbowed me with excitement when Ellis picked my request, which was pretty adorable.


img_1613Ellis shared that he’s celebrating 25 years as a touring musician, which is a long time! He read us the Thomas Edison piece from his The Hero in You book, sang a song in progress with verses from many states he’s visited that was hilarious, and generally interacted warmly with us and kept us laughing all night. He came down into the audience to sing “Annalee” together, wrapped up with his Tom Brady love ballad, and send us home smiling. It’s always a pleasure to see Ellis live, and I’m getting excited for my 50th show!

xo,

bree

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Lucy Kaplansky

Saturday, December 11, 2016

One Longfellow Square, Portland, Maine

I was shocked to find out I’ve never blogged about the fabulous Lucy Kaplansky on whatbreesees.com. I first saw the New York City songstress open for my beloved Ellis Paul in 2007, and have had the pleasure of seeing her live a handful of times since then. Lucy’s music is autobiographical–she boldly shares her life through song. It’s a humbling experience to witness someone pour their heart out on stage like she does. To me, one of the best things an artist can do in person is interact warmly with the audience–and Lucy does this beautifully. I love hearing stories about her family’s new dog (Janie the beagle) or what her beloved daughter Molly is up to these days. (You can follow Lucy on Facebook for more about her day to day.) Lucy tells us the stories behind her songs and is incredibly open with her audience. Seeing her live makes me feel like I’m catching up with a good friend over a cup of tea. There’s something genuinely warm and honest about a Lucy Kaplansky concert experience. I chose this show to be my last of 2016, and it exceeded every expectation and closed out my concert year perfectly.

Lucy opened with “Bird on the Wire” by the recently departed Leonard Cohen. She was chilly and the fan directly above her was blowing, so someone from One Longfellow Square ran downstairs to grab her a long sleeved shirt while nearly every nearby audience member offered her a coat. It was cute. She played a new song that’s a work in progress about old friends and sang a birthday song for her daughter Molly who is shockingly already 14 years old! Lucy spoke so sweetly about Molly. She told us Molly is generous and kind and tough and won’t let anyone mess with her, and that “I’d like to be like her when I grow up.” Lucy played one of her most well known songs, “Ten Year Night,” and told us she and her husband were celebrating their 31st wedding anniversary. It was her last show of 2016, as well, and she gladly offered to play requests from the crowd.

Lucy told us about discovering Spotify and that her cover of Bryan Ferry’s More Than This” was on Spotify’s “Your Favorite Coffeehouse” playlist. It has been streamed (and she checks every morning) over 10.5 million times. She told us that she feels so lucky that people have listened to this recording that she’s really proud of. The reason she started playing the song was because she was doing an interview on the BBC in London and Bryan Ferry was listening and liked her voice and invited her to come sing with him on his Frantic album that very night. So, to commemorate the event, she learned a Bryan Ferry song to play at her gigs from then on.

Lucy also covered Paul McCartney’s “I’m Looking Through You.” Lucy showed us the mandolin that Duke Levine (who I saw back in March) gave her, and played a song on it for her dad called “Reunion.” Her dad, Irving Kaplansky, was a mathematician, a professor, and a musician, and Lucy played his “Song About Pi” for us, as well. She’s also recorded an album of his songs aptly titled Kaplansky Sings Kaplansky. She also played a song for her mom (who passed away six years ago) called “For Once In Your Life” shortly after.  

Lucy wrapped her set by playing all of the songs folks in the audience had requested, and she asked us to come say hello after the show. She told us that she’s always amazed at how nice people who come to her shows are and as someone who sees her shows, I agree. She played a cover of Bruce Springsteen’s “Thunder Road,” which she played without rehearsal for the first time as a request at a show on the Jersey Shore. We sang along. It was a lovely way to close the show. The crowd asked for an encore, so Lucy gladly came back to the stage and played “Guinevere” for us. Seeing Lucy live feels intimate like a house concert, and she made One Longfellow Square feel like we were in her living room that night. Thanks, Lucy! See you next time! Happy 2017, All!

xo,

bree

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Rose Cousins, Carol Noonan, Duke Levine, and Kevin Barry

Friday, March 18, 2016

Johnson Hall, Gardiner, Maine

Talk about a delightful night full of rock solid good music, plentiful laughs, and pro-community spirit. This show was a gem. Johnson Hall Executive Artist Director Mike Miclon handed out CDs full of music from this season’s Johnson Hall artists last fall during the season reveal event, and Rose Cousins’ “Go First” played on repeat in my car for weeks. Her voice is all the best things—soulful, clear, ethereal, and evocative. I had this show circled in permanent marker on my concert calendar for months. I feel lucky to have been there.

Carol Noonan is a name you know in the Maine music scene. A singer-songwriter with a long career, she is also the mastermind behind Stone Mountain Arts Center in Brownfield, Maine. One of the things that I was struck by on this fabulous night was how complimentary she was of Gardiner and our effort to bring live music and new life to our community. When Mike welcomed everyone to the stage, he also announced that Lisa’s Legit Burritos, The Craft Beer Cellar, and Niche, Inc. (Gardiner’s new record store) were staying open late after the show and we were all going to go to all three places to support these local businesses. Carol was on board wholeheartedly. Before Stone Mountain Arts Center, Brownfield wasn’t even a blip on the map, she said. Now, it’s a music destination that has inspired a lot of growth in the area. She said “music brings a community to life.” Johnson Hall has been a tremendous part of Gardiner’s growth with Mike Miclon at the helm. Gardiner’s time is now, and we have a wonderful community—one I feel proud and fortunate to be part of.

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From left to right–Rose Cousins, Carol Noonan, Duke Levine, and Kevin Barry

Rose Cousins, Carol Noonan, Duke Levine, and Kevin Barry took the stage together and played together the bulk of the night—alternating between Carol’s songs and Rose’s songs. Rose Cousins is a singer-songwriter who grew up on a potato farm in Prince Edward Island. The baby on stage that night, Carol joked that she graduated from high school the year that Rose Cousins was born. They met because Rose sent Carol her CD If You Were For Me (2006), and even though Carol receives so many submissions at Stone Mountain that she can’t listen to many, she picked up Rose’s album because she was drawn to the horse on the cover. A decade later, and they’re friends who play music together.

 

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Duke Levine is maybe best known for touring with The J. Geils Band and Mary Chapin Carpenter. Kevin Barry is an assistant professor at Berklee College of Music in Boston and has played with Paula Cole and Mary Chapin Carpenter, as well. Duke and Kevin have played together for ages, and have both played on both Carol and Rose’s albums, too.

I particularly liked Rose’s song, “Farmer’s Wife.” Rose spoke about growing up on a farm—one of five kids—and not really having a full appreciation of her mother’s role until her sister married a farmer and started her own family. Her 2014 Stray Birds EP includes a cover of Lori McKenna’s “Shake,” which the group played for us. Lori McKenna is a folk rock star. I just wrote about hearing her song “Girl Crush” that won a Grammy for Best Country Song covered by Ellis Paul at One Longfellow Square on January 1. I’ve only managed to see Lori live a couple of times, but sadly not since 2012 at One Longfellow Square in Portland with Mark Erelli. Rose was as much a storyteller in word as in song. She introduced “Chosen” by talking about how incredible it is to be chosen by someone but how it also gives you pause to think about all the things you don’t like about yourself. Her honesty was refreshing.

We cheered at the end of this night, thoroughly entertained by the stories and songs of these four talented musicians who are also friends and so supportive of each other. They took the stage for an encore and did an awesome cover of Tina Turner’s “What’s Love Got to Do With It” that we got to sing along with. It was a lovely way to bring the night to an end together.

I’m seeing Rose again on Sunday night (April 24) at One Longfellow Square opening for Nashville’s Penny and Sparrow. I’m really looking forward to it!

xo,

bree

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Going upstairs to see the concert hall at Johnson Hall never gets old! Just wait to see how it looks fully restored!

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