Tag Archives: One Longfellow Square

Scars on 45

Wednesday, July 12, 2017

One Longfellow Square, Portland, Maine

I finally got to see Scars on 45 live, and they were a delight. They sang beautifully, were warm and chatty with the crowd, explained the backstory of a few of their songs, and generally have great band chemistry. I am so glad I finally had the opportunity to see them, and I appreciate that 98.9 WCLZ brought them to Portland to do a free show for their listeners at intimate One Longfellow Square. Scars on 45 (Danny, Aimee, Nova, and Nate) are highly listenable, and I bet you’ve already heard some of their songs on the radio. Here’s a session they recorded recently at Paste Magazine’s studios.

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The rest of this post is a laundry list of sadness about poor concert etiquette. If you could use a brush up on how to be respectful during a concert experience, keep reading. If not, just check out England’s lovely Scars on 45 and call it a day.

This night was full of concert etiquette faux pas, which frustrated my concert experience a lot. Why didn’t I move, you ask? People ask me that sometimes. The better question (I think) is, why aren’t people more considerate at shows? I got to One Longfellow Square when the doors opened to get a front row spot. I am visually impaired, and I like to be close to the stage so I can see the band well. If I had moved, I would have had to give up my proximity to the stage or block someone else’s view who’d also arrived early. That’s just not fair. Also, the venue is so small that these annoyances could be experienced by plenty of people in the room.

I’d had a busy day, and I went out of my way to get to this show, both by driving all the way to South Portland to 98.9 WCLZ’s studio solely to pick up the tickets and by leaving a season reveal event at Johnson Hall in Gardiner early to get to Portland in time for doors. I was especially bummed that I ended up between three people who were not considerate of other audience members during the show.

Here are three things I witnessed that I think you should NOT do at an intimate concert:

1. Sing along. It is not your concert. Your name is not on the ticket stub. We came to hear the band sing these songs we like and that have meaning to us in person. (ESPECIALLY do not sing EVERY word to EVERY song SO LOUDLY that people hear you INSTEAD of the band). EXCEPTION–Of course you can sing along when the band invites you to. But that’s it. If you have to sing along, sing quietly. For serious. Besides pushing people aside and trying to steal their earned spots at shows, this is my biggest concert pet peeve. The girl to my immediate left sang over the band all night while standing directly underneath them. It drove me NUTS.

2. Clap. (ESPECIALLY during slow songs and definitely not during covers of Cyndi Lauper’s “Time After Time,” which does not lend itself to clapping at all, Man Standing Immediately Behind Me).

3. Make awkward conversation with the band while they’re on stage. Don’t heckle the band to get their attention either. This note is mostly for people who need to feel like they’re having a special, one-on-one moment with the band. You don’t impress us by interrupting the band to talk at them. Talk to the band after the show.

My friend Andrea likes pop music and sees a lot of bands that have younger fans that love to sing along and take video all night long. She is used to all of the aforementioned concert behaviors and is truly not bothered by any of them. In fact, she said “they’re just feeling the music.” I wish I was able to see things in that kind light!

I ended up at a free show of a band I really like at a venue I really like with three girlfriends I really like. And I was annoyed so much for so much of the night that I missed out on the joy of the night. The rest of my friends didn’t miss out on the joy, and I’m glad for them. I am always impressed by how a single person can have such a negative impact on a show, and how rarely they even seem to notice. Maybe it’s the teacher in me that just wants to correct the behavior for the greater good. I am so open to reading your suggestions about how to deal or just to commiserate about bad concert etiquette you’ve experienced. Let’s be politer at shows, folks!

xo,

(Whiny–I know) bree

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Look at my lovely lady friends!

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Penny & Sparrow with Lowland Hum

Saturday, April 29, 2017

3S Artspace, Portsmouth, New Hampshire

This is a long post, so let me summarize here. Penny & Sparrow are a rare find. Their music is challenging and cathartic. Seeing them live is intense and beautiful. Please, please put them on your radar and see them live. You will thank me.

I saw Andy Baxter and Kyle Jahnke–Penny & Sparrow–for the first time a year ago at One Longfellow Square in Portland. The incomparable Rose Cousins opened, and it was easily one of the BEST SHOWS I’VE EVER SEEN. I remember thinking early on that night about how sad I was because the show would end. That feeling doesn’t happen very often.

My steadfast concert friend Colin joined me for that show a year ago, and he was eager to join me for this show at 3S Artspace in Portsmouth, New Hampshire, as well. I held baby goats at Sunflower Farm in Cumberland earlier that afternoon (so this was an excellent day!) and picked Colin up in Portland on the way to the show. We grabbed dinner at The Green Elephant in Portsmouth (did you know they have a location there?) and enjoyed the beautiful art show in the gallery at 3S Artspace before the show.

You can also pet these adorable baby goats at Sunflower Farm!

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Art by Kenley Darling at 3S Artspace

Lowland Hum are husband and wife duo Daniel and Lauren Goans. They were engaging and won me over. The room was silent as they performed their set, and Daniel and Lauren were obviously grateful. They thanked us many times for being such attentive listeners and for spending our evening giving them the gift of having an audience. I liked their vibe. I also particularly liked “Pocket Knife” and “How Long.” Check out their 2014 NPR Tiny Desk Concert.

Lowland Hum are Lauren and Daniel Goans

Someone nudged me after Lowland Hum left the stage. My concert buddy Bob, who I met at an Iron & Wine show in 2011, arrived from western Massachusetts in time for Penny & Sparrow, who I’ve been raving about to him for a solid year. I was excited because it was the first time Bob, Colin, and I were all at a show together. They compared their accounts on setlist.fm and chatted about favorite bands and past shows. It was nice to merge my concert worlds and introduce Bob to Penny & Sparrow. He texted me a picture after the show of all of the Penny & Sparrow albums he bought after Colin and I left for Maine.

Penny & Sparrow took the stage to a full room, but the audience was silent and soaked in every word. They are mesmerizing. They opened with “Gold,” which is one of my favorites from their 2016 release, Let a Lover Drown You, which is very depressing and right up my alley. They mixed in a little “I Wanna Dance with Somebody” from Whitney Houston, which we got to sing along to. Andy made up an elaborate story about being a nude model for Kyle in a pinch, which was totally false, but made us laugh heartily. Their songs are SAD, but their banter between songs is HILARIOUS. Seeing P & S live is a rollercoaster. I shed some tears that night–both during their sad songs and also because I laughed to tears in between songs. It’s a lot, and it’s wonderful.

Penny & Sparrow are Andy Baxter and Kyle Jahnke

Something that was different at this show is that Penny & Sparrow clearly had fans in the audience who traveled to see them and who know the words to their songs. I’m glad for them. It’s incredibly well deserved.

Andy explained the “deep end” of “Catalogue”–a song about old love and what we wish we knew about ourselves and our worth when we were young. Kyle told us that the “shallow end” of “Catalogue” is that it’s about catalogues like L.L.Bean and SkyMall (RIP) and that we could choose our own adventure about how deep into the song we wanted to get. They sang a bit of “O Holy Night” from their 2016 Christmas Songs album, which might be enough for me to start liking Christmas music.

One of the last songs of the night was “Duet,” and Andy introduced the song by saying that it’s about how love grows and how being together is about being committed to each other even though you know the worst there is to know about each other, but that you’re still not going anywhere. He invited Lauren from Lowland Hum up to sing it with them and then dedicated it to his wife (over 1,100 miles away, according to Google maps, he said) and to her husband, who she joked was “maybe 19 steps away.” He said, “the choosing of someone–love without an escape hatch–is what we want.”

Seeing Penny & Sparrow live is intense–the music is deep in subject matter, but the banter is more like a comedy show. There are highs and lows. What I appreciate about Andy and Kyle is their commitment to being authentically themselves and offering their truth so humbly and beautifully to a room full of strangers. It’s really a gift to be in their presence, and I can’t wait to see them live again next time they’re in our neck of the woods.

xo,

bree

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Mipso with Ten String Symphony

Friday, April 21, 2017

One Longfellow Square, Portland, Maine

This was my fourth Mipso show. I love them and will see them whenever they come to Portland. I even kind of planned my April vacation trip to Charleston, South Carolina around making it back for this show. It all started with an email I got a couple of years ago from Mipso fiddle player/vocalist Libby Rodenbough inviting me to come check out their Maine debut at One Longfellow Square. Dan Mills (Barry’s nephew, for my Bowdoin College community readers) opened that show, so I readily accepted the invitation. North Carolina’s bluegrassy folk band Mipso stole my heart. I was hooked.

Mipso came back to OLS in February and November of 2016, and I was at both shows. I thought the addition of a drummer at the November show was an issue because I couldn’t hear their vocals, but their drummer returned for this show and the balance was totally fine. It’s a relief, because one of the things I like best about them is how crystal clear their lyrics are.

Mipso is Jacob Sharp on mandolin, Wood Robinson on upright bass, Joseph Terrell on lead vocal and guitar, Libby Rodenbough on fiddle, and Yan Westerlund on drums. Their 2017 release, Coming Down the Mountain, is excellent. I particularly like the title song and “Water Runs Red” (which they closed their set with). I was very happy to hear “4 Train,” “Marianne”, and “Louise” live. Mipso is a fantastic blend of musicianship and showmanship. Their live show is engaging and it’s a real pleasure to spend an evening in their company. Until next time!

xo,

bree
PS–My dear friend Ken Templeton saw Mipso the following night at The Sinclair and shared his thoughts at Red Line Roots.

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Driftwood with Max García Conover

Friday, February 24, 2017

One Longfellow Square, Portland, Maine

I am a longtime Max García Conover fan. He’s a humble, thoughtful guy and a talented musician. His finger picking is out of this world. It was great to see him with a group of friends on a Friday night in Portland. I scheduled my February break trip to Savannah around getting back in time for this show, and even got to grab dinner with Max’s wife Sophie beforehand. Our friend Bartlett mentioned to a friend of a friend at the show that we used to see Max play “just about every other week,” but it’s been a bit, so this was a real treat.

Max’s songs are poems and autobiography set to music. I’m impressed by how much of himself he reveals in his songs. “My Neighbor Joe” sticks out as one of those songs. It’s heavy, and layered, and SO good. I didn’t realize, until he didn’t play either, how much “Wildfires Outside Laramie, WY” and “You’re the Farthest I Go” are my favorite Max songs. Max is shy, and banter is not in his nature, but he is really honest and funny on stage. He told us that he plays at bars a lot and so he’s used to people not listening to him and joked “I don’t really bring the fun.” He also admitted that he tried to write an upbeat song that would make people want to dance, so he thought of the song that would most likely make him dance, and then wrote a folk song using the same rhythm (cue “SexyBack” by Justin Timberlake). Will Max blush reading this? Probably. Justin Timberlake makes me want to dance, too, Max. It’s cool.

Max is a fan of Driftwood. He told us that they’re the band he likes the most every year at a music festival they play together in upstate New York, where Driftwood is from. Driftwood was great. The four–Dan Forsyth, Joe Kollar, Claire Byrne, and Joey Arcuritook the stage and are a tight unit. On fiddle, upright bass, guitar, banjo, kick drum, and with great harmonies, they are definitely entertaining. I can tell they play in bars a lot, because it seemed like they played the extended, instrumental jam version of most of their songs. Check out “The Sun’s Going Down.” They played a ton of songs and we were out super late dancing the night away.

Thanks for a fun night, y’all!

xo,

bree

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Lake Street Dive with Joey Dosik

Friday, February 17, 2017

State Theatre, Portland, Maine

I wasn’t planning on going to this show. I love Lake Street Dive, but so does everyone else. I used to see them play at teeny One Longfellow Square, back when there were maybe 40 people in the audience and I could sit a few feet from the stage. I don’t always rally for their sold out shows, because being squished together with a lot of enthusiastic fans at maximum capacity is cozier than I prefer. I miss the old days, even though I’m thrilled for Lake Street Dive and their much-deserved success. I saw on Facebook that my friend-in-music Aimsel Ponti did an interview with the band the afternoon of the show, and I commented on her post. She zipped me an immediate message back, and invited me to be her photographer for the show for MaineToday.com. A photo pass at the State gives you access for a few songs to the space right at the foot of the stage–in front of the barricade–exactly the proximity I want at a live show. I was in.

I made it to State Theatre a song or two into opener Joey Dosik’s set. He has a great voice that filled the room. His sound reminded me a bit of Gavin DeGraw. He sat behind the piano and the crowd dug him. I ran into a couple of my students after the show, and they’d gotten tickets to the sold out show because they sent a message on Instagram to Joey (they are both in our school band and are big fans of Joey) who happily put the two eager fans on his guest list.

Lake Street Dive took the stage to a spirited audience. I watched a little of the show from the balcony, and couldn’t help but notice how many men were gesticulating wildly on air guitar and singing along to every word that Rachael Price belted out for us. LSD opened with “Bad Self Portraits” and I got to shoot for three songs up close, including “Side Pony.” They honored George Michael with their version of “Faith,” and played one of my favorites from earlier in their career–“Neighbor Song.” I can sure relate to “Don’t Make Me Hold Your Hand,” loved “You Go Down Smooth,” and the band treated us to two encore songs, wrapping the show with “My Speed,” which we sang along to.

Bassist Bridget Kearney has a new solo album, Won’t Let You Down, which releases on March 24. She’ll be playing a show at One Longfellow Square on Monday, April 17. If tickets haven’t sold out already, they certainly will.


Aimsel wrote a great show review, which captures the energy of the enthusiastic crowd beautifully. Thanks for the show invite, Aimsel!

xo,

bree

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The Ballroom Thieves with The Suitcase Junket

Thursday, February 2, 2017

Port City Music Hall, Portland, Maine

I love the Ballroom Thieves and have seen them live many times. They’re definitely one of my favorite bands. I was under the weather, but decided to go to this show anyhow, because my friend Marian saw them a few days earlier in Camden and said they’d been particularly “on” and extra fun and very chatty with the crowd. Colin saved me a spot up front because I rushed down to Port City Music Hall after being honored by one of my favorite senior boys on my school’s basketball team at Teacher Appreciation Night.

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Photo by Jeff Lamb Photography

I arrived just in time to see Matt Lorenz, touring solo as The Suitcase Junket, take the stage. I hadn’t seen Matt play for a few years (I saw him play with his band Rusty Belle at One Longfellow Square with Darlingside and Caitlin Canty back in 2013), and never as a solo act. He stole the show. His one-man-band is a powerhouse. Stomping on a kick drum, shaking a collection of shells, bones, and silverware, and playing a guitar he saved from a dumpster, Matt’s vintage sound, and his clear, lovely voice filled the room. He was charming and engaging with the obviously impressed crowd.

The Suitcase Junket is Matt Lorenz


The Ballroom Thieves took the stage after a quick break. They are super talented and sounded great, as always. They didn’t interact much with the crowd, which I missed, so this wasn’t their typical high energy show. My dear college friend, Ken Templeton, was in the crowd reviewing the show for Boston’s Red Line Roots, and I was a little worried that he wouldn’t love them like I do because they were so reserved, but he was quite impressed anyhow. Here’s Ken’s review.

Martin Earley

Callie Peters

The Ballroom Thieves

Devin Mauch and Callie

All of the guys from the Ghost of Paul Revere, Kevin Oates from Maine Youth Rock Orchestra, Connor Garvey, and Max García Conover were all in the house to support the band, and it was nice to witness the camaraderie and to catch up with all of them. Not the best Thieves’ show I’ve seen by far, but everyone is entitled to a mellow night here and there.

xo,

bree

 

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Mipso with Lula Wiles

Thursday, November 3, 2016

One Longfellow Square, Portland, Maine

I am usually disappointed when I see shows I want to go to are scheduled for Thursday nights, because it means I have to skip sparring and my women’s Brazilian jiu jitsu class (and my instructor is a beast and doesn’t like it when I’m absent), but I am mostly glad I made an exception for this show. I introduced my former advisee, Carmen, who is now a freshman at Bowdoin College, to Mipso, and she came to see them with me last time they were in town on Valentine’s Day. When Carmen told me she was planning to go and would save me a seat (which she fortunately was able to do), I decided to join her.

When I arrived at One Longfellow Square, I ran into Portland’s own Griffin Sherry of The Ghost of Paul Revere fame, and was able to catch up with him about their upcoming touring scheduled (which is plentiful). I found Carmen in the front row of what little seating existed, since the staff had pushed the seats to the side to create a dance floor (which the website did warn about, but I’d forgotten). OLS–please don’t do this limited seating thing. It’s awful. You’re a listening room, and that’s a wonderful thing. When you clear the room, you encourage people to stop listening. It has happened 100% of the time I’ve been to one of these “limited seating” shows. This night, there was a belligerent dude in a CrossFit t shirt who kept heckling the band and shouting over the music the whole show. I just don’t think people would be as inclined to act so inappropriately in a seated venue. He was super obnoxious. Also, the bands you’ve cleared the floor for (maybe at their request?) just aren’t bands you really can or would dance to, either.

Lula Wiles opened the show and they were delightful. Isa Burke and Ellie Buckland traded a fiddle and guitar back and forth and both sang their hearts out. I wouldn’t have known they were a trio if they hadn’t mentioned that their bass player Mali was missing that night. Isa’s little sister, Julianna, joined them on stage and sang Mali’s part for one song and was great, too. Check out “Losing Side.” Lula Wiles is the real deal, and I will definitely see them next time they’re in town.

Carmen and I traded raised eyebrows when our beloved Mipso took the stage with a drummer in tow. They’re a young bluegrass band from North Carolina with beautiful lyrics and harmonies, but the drums drowned them out and it changed the entire vibe for both of us. I theorized that they added a drummer because they play a lot in bars and could use the volume for those venues, but I was disappointed, whatever the reason. Their drummer (who is talented, just not necessary) left the stage about halfway through their set, much to our relief. It was nice to hear the Mipso we know and love and actually be able to hear the lyrics of the songs.

Lead singer Joseph Terrell (who has a stunningly clear voice) sang “When I’m Gone” for his grandmother, Eldora. I glanced over to the “dance floor” (where no one was dancing because this was not dance music) and saw my dear college friend, Ken Templeton, who was there to cover the show for Boston’s Red Line Roots (he didn’t take kindly to the drunk CrossFit guy, either). Since he’d never seen Mipso before, he wasn’t offended at all by the addition of a drummer like we were (which is to say, you will still like them if you’ve never heard them before). At the end of the night, Mipso invited Lula Wiles back to the stage and treated us to a great rendition of Bob Dylan’s “When I Paint My Masterpiece.” It was a delight to catch up with Griffin, Carmen, and Ken, and I was relieved that the obnoxious drunk guy wasn’t wearing a MMA shirt. #represent

xo,

bree

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