Tag Archives: Lula Wiles

Lula Wiles with Mia Bertelli

Wednesday, February 6, 2019

One Longfellow Square, Portland, Maine

I saw Lula Wiles open for Mipso in 2016 and for Darlingside in 2017 and I was eager to see them headline a show. Dan made me a quick pre-show dinner after work and I made my way over to One Longfellow Square for Lula Wiles’ sold out show. OLS was packed when I arrived, but I managed to find a single seat in the corner near the stage. Lula Wiles–Isa Burke, Eleanor Buckland and Mali Obomsawin–are all Mainers, so I think the room was packed with friends and family. Their recent exposure on NPR couldn’t have hurt, either. I’m happy for them that the word about Lula Wiles is getting out!

Mia Bertelli took the stage with Benjamin Foss, and sisters Edith and Elsie Gawler. Mia told us it was Ben’s debut on the upright bass. They all live in the Belfast area and gig regularly in that neck of the woods. Their harmonies are just lovely. Mia joked that they’d played out the night of the Super Bowl and might make their band name Mia Bertelli and the Harmony Touchdowns. I was fascinated to learn that everyone on stage all night (except Lula Wiles drummer, Sean Trischka) met at Maine Fiddle Camp. If Maine Fiddle Camp needs to drum up business, they should have just recorded this show as inspiration for the talent they help foster. One of the Gawler sisters acknowledged that night’s highlighted local organization, 317 Main, where their mom, Ellen, happens to teach. The quartet performed many songs about water, including “Dip and Sway.” To say that this opening band warmed up the audience is an understatement.I’ve been seeing fewer and fewer shows, and it’s because folks in audiences have grown increasingly rude–talking incessantly, recording the show with their phones above their heads, and even pushing (a lot). I’ve started to avoid shows at bigger venues in town, and I realized 45 minutes into this intimate show at One Longfellow Square–one of Portland’s only true listening rooms–I was just so grateful to be in the room and sharing a concert experience with an audience that really wanted to be right there, too.

Everyone was pumped for Lula Wiles, and they delivered. It’s such a pleasure to hear songs with depth that are steeped in social commentary from a trio of young women who are impressive musicians with beautiful voices. Isa called this show their home state record release show, and they played a lot of songs from their second album, What Will We Do. Check out NPR First Listen’s review of their sophomore album. Lula Wiles met at Maine Fiddle Camp, but they also refined their sound together at Berklee College of Music. They have both an ease and a sophistication from both of those worlds, too.A trapping of growing success, Isa told us that a girl who was mean to her all through school wanted to hang out with her during her last visit home. She wrote a fabulous new song about it, which included the refrain “We’re not making plans, Maryann.” Lula Wiles covered “The Pain of Loving You” by Dolly Parton and Porter Wagoner on their record and played it for us. Mali teased Isa before they started singing, “this is another song about being alone, right Isa?” Isa responded, “happy love songs might happen at some point, but tonight is not that night.” It might have been Eleanor who interjected that “it’s not really a Lula Wiles show unless you get to learn a lot about our personal lives.” I really appreciate seeing a band in person that wears their hearts on their sleeves and interacts with each other and with the audience and creates a true concert experience–even if they’re gently picking on each other.

Mali lamented the “exploitation and erasure of Native people” asked us to reflect on “what it is like to be Native in a country that was not made for Native people” during “Good Old American Values.” As the trio tuned their instruments to prepare, Mali joked “we have to be perfectly in tune to talk about colonialism, so bear with us.” Mali also took the lead on “Morphine,” which she dedicated to anyone who has struggled with addiction.

Isa picked up a banjo (was that the third or fourth instrument she played that night?) and took the lead on “Shaking as It Turns.” Lula Wiles wrapped up their set on a high note and the audience jumped to a standing ovation. The trio returned to the stage and covered Lucius’ “Go Home” a cappella around a single microphone. I was glad to hear a song without any instruments to sit back and enjoy Lula Wiles’ easy, airy harmonies without any distractions.What a show! Lula Wiles is the real deal, y’all!

xo,

bree

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Darlingside with Lula Wiles

Wednesday, July 19, 2017

Prescott Park, Portsmouth, New Hampshire

I took a two month hiatus to enjoy the summer, but am back and excited for great music this fall!

I’m watching the Hand In Hand telethon to support hurricane victims right now. They’re putting on a great show! Music can be such a healing force. I’m counting my blessings, too. My dad in Florida is unharmed. There’s heartbreak, though, and a lot of work to do. You can donate $25 right now by texting GIVE to 80077.

Back to blogging. . .

I almost didn’t make the trip to Portsmouth for this show back in July, but I’m so glad I did! I thought I was too busy that day to swing it, but then I remembered that I was a teacher on summer vacation, so I got my act together! Colin told me he was going and we could carpool, so that was the right nudge. Thanks, Colin!

I picked up Colin in Portland and we found parking near Prescott Park. Colin staked out a perfect spot up front in the second row and put a blanket down for us to use later. We grabbed yummy burritos at Dos Amigos and got to the show early to enjoy pretty Prescott Park. I’d never been to a show there, but they’ve got a good system, a lovely space, and the price ($10) is right! We met some wonderful blanket neighbors who shared their desserts with us, and Bobbi (who I’d met years ago at a Lone Bellow show and is a superfan of some bands that I also love) noticed me and came over to catch up.

What a pretty sunset on the Piscataqua River!

We also observed some concert real estate drama. An older gentleman and his wife came up to the front and pushed a couple of blankets aside to set up their high backed chairs in the blanket section. Someone from the Prescott Park Arts Festival saw the chairs when the couple was grabbing food and moved them. The man who’d put the chair down was annoyed. He didn’t seem to understand that it was A. unacceptable to show up late and move other people’s things, and 2. rude to set up high backed chairs in the blanket section. Concert etiquette woes abound lately, it seems. Later in the evening, a gaggle of women sitting near me talked at full voice for half an hour during an acoustic performance. Why buy a ticket to a show and sit up front if you don’t want to listen to the band? Super annoying.

Let the fine folks from Newport Folk Festival show you what kind of chair to bring to a show!

It was nice to see Boston’s Lula Wiles again. I’d seen them play last fall opening for Mipso and really enjoyed them live. They’ve got pretty voices and great harmonies. I love stringed instruments, so hearing an upright bass with guitar and violin is right up my alley. They were obviously happy to be on stage and were warm and chatty with the audience.

I’ve been a Darlingside fan for years, and they were voted by Prescott Park crowds at the end of last season as the band people most wanted to invite back to play this season. That didn’t surprise me at all. I’ve had the pleasure of seeing Darlingside at least a handful of times, and they are the real deal. Don, Dave, Auyon, and Harris are talented multi-instrumentalists who share one microphone and serenade the audience with their smooth harmonies and friendly banter. It’s always a treat to see Darlingside live, and you should definitely check them out when they come to town. Check out “Go Back” and “Clay and Cast Iron”–both beautifully recorded by OurVinyl in Nashville.

Prescott Park is a great place to see a summer show! I’ll be back!

xo,

bree

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Mipso with Lula Wiles

Thursday, November 3, 2016

One Longfellow Square, Portland, Maine

I am usually disappointed when I see shows I want to go to are scheduled for Thursday nights, because it means I have to skip sparring and my women’s Brazilian jiu jitsu class (and my instructor is a beast and doesn’t like it when I’m absent), but I am mostly glad I made an exception for this show. I introduced my former advisee, Carmen, who is now a freshman at Bowdoin College, to Mipso, and she came to see them with me last time they were in town on Valentine’s Day. When Carmen told me she was planning to go and would save me a seat (which she fortunately was able to do), I decided to join her.

When I arrived at One Longfellow Square, I ran into Portland’s own Griffin Sherry of The Ghost of Paul Revere fame, and was able to catch up with him about their upcoming touring scheduled (which is plentiful). I found Carmen in the front row of what little seating existed, since the staff had pushed the seats to the side to create a dance floor (which the website did warn about, but I’d forgotten). OLS–please don’t do this limited seating thing. It’s awful. You’re a listening room, and that’s a wonderful thing. When you clear the room, you encourage people to stop listening. It has happened 100% of the time I’ve been to one of these “limited seating” shows. This night, there was a belligerent dude in a CrossFit t shirt who kept heckling the band and shouting over the music the whole show. I just don’t think people would be as inclined to act so inappropriately in a seated venue. He was super obnoxious. Also, the bands you’ve cleared the floor for (maybe at their request?) just aren’t bands you really can or would dance to, either.

Lula Wiles opened the show and they were delightful. Isa Burke and Ellie Buckland traded a fiddle and guitar back and forth and both sang their hearts out. I wouldn’t have known they were a trio if they hadn’t mentioned that their bass player Mali was missing that night. Isa’s little sister, Julianna, joined them on stage and sang Mali’s part for one song and was great, too. Check out “Losing Side.” Lula Wiles is the real deal, and I will definitely see them next time they’re in town.

Carmen and I traded raised eyebrows when our beloved Mipso took the stage with a drummer in tow. They’re a young bluegrass band from North Carolina with beautiful lyrics and harmonies, but the drums drowned them out and it changed the entire vibe for both of us. I theorized that they added a drummer because they play a lot in bars and could use the volume for those venues, but I was disappointed, whatever the reason. Their drummer (who is talented, just not necessary) left the stage about halfway through their set, much to our relief. It was nice to hear the Mipso we know and love and actually be able to hear the lyrics of the songs.

Lead singer Joseph Terrell (who has a stunningly clear voice) sang “When I’m Gone” for his grandmother, Eldora. I glanced over to the “dance floor” (where no one was dancing because this was not dance music) and saw my dear college friend, Ken Templeton, who was there to cover the show for Boston’s Red Line Roots (he didn’t take kindly to the drunk CrossFit guy, either). Since he’d never seen Mipso before, he wasn’t offended at all by the addition of a drummer like we were (which is to say, you will still like them if you’ve never heard them before). At the end of the night, Mipso invited Lula Wiles back to the stage and treated us to a great rendition of Bob Dylan’s “When I Paint My Masterpiece.” It was a delight to catch up with Griffin, Carmen, and Ken, and I was relieved that the obnoxious drunk guy wasn’t wearing a MMA shirt. #represent

xo,

bree

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