Tag Archives: Portsmouth New Hampshire

I’m With Her

Sunday, July 8, 2019

Prescott Park, Portsmouth, New Hampshire

This was a picture perfect day. Friends from church invited me to join them for a sail out of Georgetown and Captain Ben even let me take the helm some. It was a hot and sunny day with good wind and great company. Meg and Ben kindly accommodated my need to get back to shore by 4 so I could scoot to Portland to pick up moving boxes I’d found for free on Craigslist (I bought a house!) and make my way to Prescott Park in Portsmouth to see I’m With Her.

I’d seen Sara Watkins, Sarah Jarosz, and Aoife O’Donovan all live, but never together. I’m With Her released their debut album, See You Around, in February of 2018, and I had never listened to it and didn’t know a single one of their songs as a trio. Their other projects were so strong and I love all of their individual voices enough that I got off a sailboat to drive 100 minutes each way to see them in person.

Colin and Sabrina arrived at Prescott Park closer to doors opening and put down a blanket third row center for us (they’re the best!), and I got to catch up with them about their upcoming trip to Canada a bit before the show. I thought Sara, Sarah, and Aoife’s harmonies were lovely, and they told us the backstories to many of their songs, which is always a plus in my book. They’re all talented instrumentalists, too, and played a soothing set juxtaposed with a very busy Seussical set.

Sarah told us that they wrote their songs for their album in Vermont in December. They’d rented a minivan to drive from New York to Vermont, lost cell reception, got rerouted by Google, and were stuck on an icy mountain, unable to move. Sarah said that “a magical mountain man in a pickup truck” helped them turn around and led them back to the highway. The bonus was that they got a song out of it aptly titled “I-89.” Their songs “Hundred Miles” and “Overland” also stuck out as favorites.

I’m With Her also played two incredible and well-received covers of Adele’s “Send My Love (To Your New Lover)” and John Hiatt’s “Crossing Muddy Waters.” I’m With Her will play the State Theatre in Portland on November 11, and a duo that I really like, The Brother Brothers, will open the show. If you like tender songs and strong harmonies, you should check them out!

xo,

bree

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Darlingside with Lula Wiles

Wednesday, July 19, 2017

Prescott Park, Portsmouth, New Hampshire

I took a two month hiatus to enjoy the summer, but am back and excited for great music this fall!

I’m watching the Hand In Hand telethon to support hurricane victims right now. They’re putting on a great show! Music can be such a healing force. I’m counting my blessings, too. My dad in Florida is unharmed. There’s heartbreak, though, and a lot of work to do. You can donate $25 right now by texting GIVE to 80077.

Back to blogging. . .

I almost didn’t make the trip to Portsmouth for this show back in July, but I’m so glad I did! I thought I was too busy that day to swing it, but then I remembered that I was a teacher on summer vacation, so I got my act together! Colin told me he was going and we could carpool, so that was the right nudge. Thanks, Colin!

I picked up Colin in Portland and we found parking near Prescott Park. Colin staked out a perfect spot up front in the second row and put a blanket down for us to use later. We grabbed yummy burritos at Dos Amigos and got to the show early to enjoy pretty Prescott Park. I’d never been to a show there, but they’ve got a good system, a lovely space, and the price ($10) is right! We met some wonderful blanket neighbors who shared their desserts with us, and Bobbi (who I’d met years ago at a Lone Bellow show and is a superfan of some bands that I also love) noticed me and came over to catch up.

What a pretty sunset on the Piscataqua River!

We also observed some concert real estate drama. An older gentleman and his wife came up to the front and pushed a couple of blankets aside to set up their high backed chairs in the blanket section. Someone from the Prescott Park Arts Festival saw the chairs when the couple was grabbing food and moved them. The man who’d put the chair down was annoyed. He didn’t seem to understand that it was A. unacceptable to show up late and move other people’s things, and 2. rude to set up high backed chairs in the blanket section. Concert etiquette woes abound lately, it seems. Later in the evening, a gaggle of women sitting near me talked at full voice for half an hour during an acoustic performance. Why buy a ticket to a show and sit up front if you don’t want to listen to the band? Super annoying.

Let the fine folks from Newport Folk Festival show you what kind of chair to bring to a show!

It was nice to see Boston’s Lula Wiles again. I’d seen them play last fall opening for Mipso and really enjoyed them live. They’ve got pretty voices and great harmonies. I love stringed instruments, so hearing an upright bass with guitar and violin is right up my alley. They were obviously happy to be on stage and were warm and chatty with the audience.

I’ve been a Darlingside fan for years, and they were voted by Prescott Park crowds at the end of last season as the band people most wanted to invite back to play this season. That didn’t surprise me at all. I’ve had the pleasure of seeing Darlingside at least a handful of times, and they are the real deal. Don, Dave, Auyon, and Harris are talented multi-instrumentalists who share one microphone and serenade the audience with their smooth harmonies and friendly banter. It’s always a treat to see Darlingside live, and you should definitely check them out when they come to town. Check out “Go Back” and “Clay and Cast Iron”–both beautifully recorded by OurVinyl in Nashville.

Prescott Park is a great place to see a summer show! I’ll be back!

xo,

bree

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The Lone Bellow with Escondido

Wednesday, February 24, 2016

The Music Hall, Portsmouth, New Hampshire

The Lone Bellow is my favorite band. Seeing The Lone Bellow perform is a spiritual experience—their passionate, soulful, high-octane live show is heartbreaking, uplifting, and kind of stunning. I’ve been fortunate to see them a half dozen times or so times now, and they never bring anything less than 100% to the stage. If anything, my love for a particular show of theirs has to do with how close to the stage I’m able to be. I love The Music Hall in Portsmouth and have seen The Lone Bellow there twice. The sound quality is beautiful, but I do prefer a standing room show where I can be right underneath the band to better see their facial expressions and enjoy their banter up close and personal.

My steadfast concert buddy Colin told me about this show while I was having a bummer of a Christmas. Buying my ticket to join him for this show was a big pick-me-up. We met up for a delicious dinner at Flatbread in downtown Portsmouth and made our way over to The Music Hall on the early side to catch Nashville’s Escondido. Jessica Maros and Tyler James are alt-country Escondido. Their bedazzled costumes were beautiful and they have a comfortable stage presence. Jessica has a beautiful voice. I particularly liked “Heart Is Black” and “Try.” Escondido has had some success being picked up to be played on TV shows like Nashville and Girls, so I expect you’ll be hearing even more from them in the days ahead.

Escondido 2

Escondido

Escondido

One of The Lone Bellow’s songs is aptly titled “You Can Be All Kinds of Emotional,” because this band takes you on an emotional ride that gives you all the feels. I absolutely loved when Zach, Brian, and Kanene stepped to the front of the stage and played “Lovely in Blue,” “Watch Over Us,” and “Looking For You” unplugged. You could have heard a pin drop. I love Kanene’s powerful vocals on “Call To War” (I’m front and center and ecstatic to be there in this video), and the band wrapped their long set with a handful of commanding, driving songs—“Take My Love,” “You Never Need Nobody,” “Teach Me to Know,” and “Green Eyes and a Heart of Gold.” As if they hadn’t already left everything they had on stage, the band came back for an encore—“Then Came the Morning”—and asked us to sing along. It was a lovely way to end a beautiful, spirited night together. Thank you for being you, The Lone Bellow, and giving us so much of yourselves. Until next time.

xo,

bree

Lone Bellow

The Lone Bellow

Lone Bellow 2

Unplugged

Lone Bellow 3

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Lucius with Pavo Pavo

Thursday, September 17, 2015

The Music Hall, Portsmouth, New Hampshire

I never miss an opening act. Some of my favorite musicians today were people I was lucky enough to catch open for someone else—Glen Hansard for Damien Rice, Brandi Carlile for Ray LaMontagne, Gregory Alan Isakov for Brandi Carlile, and the list goes on and on. I got to Boston embarrassingly early to catch Milo Greene at Brighton Music Hall (who I’d seen open for The Civil Wars—sigh) in October of 2012 and Brooklyn’s Lucius was a phenomenal, totally take-you-by-surprise opening act. I was hooked. Jess and Holly’s harmonies are show stopping and their songs catchy. I bought their EP and listened to it hundreds of times.

I caught Lucius again in December of 2013 at Port City Music Hall in Portland. I will never forget that show, because I rushed to the show a little late after the best first date ever. Nearly two years later, and my sweetie and I got to see our first Lucius show together. He had a huge smile on his face all night. They are so impressive. Lucius was decidedly the sweetheart group of last summer’s Newport Folk Festival, sitting in with lots of groups (including my beloved The Lone Bellow) and even getting to sing with Roger Waters of Pink Floyd.

Lucius. Port City Music Hall. December 2013.

Lucius. Port City Music Hall. December 2013.

Seeing Lucius together!

Seeing Lucius together!

Our friend Marian is a Lucius super fan, and she emailed the gang to remind us that tickets were going on sale to see Lucius at The Music Hall in Portsmouth. Ten of us snagged seats in the first few rows and got there early to catch Pavo Pavo, the eccentric opening act. I honestly don’t know how to describe that experience. I’m just glad I had friends there to witness it with me because it was a bit of a spectacle. The lead singer wore a black onesie jumpsuit complete with stirrup pants and a mock turtleneck. If they are trying to distract from their music (which I genuinely can’t recall at this point), with their look, then they’re succeeding brilliantly. I feel like I was the worst audience member ever for the opening because we were all texting (subtlely, and with our screens fully dimmed, mind you) our disbelief and discussed going out on Halloween dressed as Pavo Pavo in matching black mock turtleneck onesies. I laughed to tears at one point when the absurdity overwhelmed me. And even though they were absolutely not for me, I am so glad I got to see them that once.

The Music Hall in Portsmouth, New Hampshire

The Music Hall in Portsmouth, New Hampshire

Brooklyn's Pavo Pavo

Brooklyn’s Pavo Pavo

Lucius took the stage and was flawless. Their percussive, harmonic, powerful sound impresses and left us breathless. There wasn’t a stray voice in the crowd all night. We were spellbound. Guitarist Peter Lalish is from New Hampshire, and got a hometown welcome from the crowd. I was happy to hear “Don’t Just Sit There” and “Go Home”—both from their four song 2013 EP and their full length album, 2014’s Wildewoman. “How Loud Your Heart Gets” is another stand out. They tried out a handful of new songs on us, too, and I am pumped for their next release. They are so insanely good.

Lucius!

Lucius!

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I was sad, and I’ll admit, a bit grumpy, when people stood up to dance and were welcomed to the front of the stage to dance. A mass of eager dancers blocked our second row view of the show for the rest of the night and it was frustrating. I was bummed, especially for Marian, who’d been on the ball and bought a front row ticket just to have her view blocked by other fans.

Our sad view from the second row once the dancing started

Our sad view from the second row once the dancing started

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After they wrapped their set, I excused myself to the back of the room so I could actually see them, and caught one of my favorites, “Two of Us on the Run,” from there. The quintet unplugged for their encore and stepped in front of the stage curtain to play around one microphone. It was beautiful. I feel like the days of getting to see Lucius in intimate venues is dwindling as their popularity grows, so I’m grateful for even an obstructed second row view of this phenomenally talented powerhouse group.

xo,

bree

Encore

Encore

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