Tag Archives: The Lone Bellow

Lukas Nelson & Promise of the Real with Nikki Lane

Friday, November 17, 2017

Port City Music Hall, Portland, Maine

This night gets top marks from start to finish. It was the end of a long week–I’d been sick, we had parent teacher conferences at school until late, I’d seen the Lone Bellow earlier in the week, and I was generally pooped–but when Lukas Nelson’s publicist invited me to come to the sold out show, I knew I needed to dig deep. It was definitely the right choice.

Marian joined me at Empire and we had a leisurely dinner before the show. Portland was packed–Béla Fleck and Abigail Washburn were in town at the State Theatre, and Elton John was at the Cross Insurance Center, too. We made it to Port City Music Hall a little before 7:30, expecting to arrive on the early side in order to grab a good spot up front for the sold out show, but the line was up the block. I wondered if doors weren’t open yet, but it turned out that Port City has increased their security protocol and everyone was asked to empty their pockets and was wanded with metal detectors. It was a pretty slow process. I think a third person on the door wanding would help in the future, especially during sold out shows.

Marian and I made our way towards the stage and met Phyllis and her family. Phyllis has been to seven Farm Aid shows and is a huge Lukas Nelson  fan. I was unfamiliar with both Lukas and show opener Nikki Lane, but Phyllis’ enthusiasm was contagious. I’d also heard from friends who attended the Newport Folk Festival last summer that Nikki was a hit there, so I was excited for the entire double bill.

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Here’s Phyllis with Lukas. Thanks to her daughter, Sarah, for sending me this adorable picture!

Nikki Lane took the stage around 8:10. Nikki and her band live in Nashville, and she described it as a small community where everyone knows everyone. Nikki told us that a friend was in a serious relationship, but found out that her partner had a secret life with a wife and family, which inspired her song “Lies.”I’d heard “Right Time” and “Jackpot” on 98.9 WCLZ. Nikki’s music has a vintage country rock vibe and she has a killer voice.

IMG_5999IMG_6014Concert etiquette tip moment. I am always disappointed in people at shows who arrive at the last second, but push their way to the front and cut in front of people who arrived early to earn that good spot. This happened to us, too, and it was a bummer. Folks–if you want to be up front, arrive early. If you see an empty square foot of space in the front, that is not enough space for you to squeeze yourself into. Resist the urge. It is really rude.

Lukas Nelson & Promise of the Real took the stage after a lengthy transition. I grabbed a spot just behind the barricade to photograph during the first three songs of Lukas’ set, and he was mesmerizing. I’d heard he was dreamy from friends in the music industry, but I think everyone in the room had an immediate crush on him. He has “it” factor, and a confident stage presence. My dear friend Ken Templeton interviewed Lukas for Red Line Roots, and you can learn a bit about Lukas’ recent album and songwriting process here.IMG_6032IMG_6048IMG_6050IMG_6084Up to that moment, I was a total Lukas Nelson & POTR novice. I’d only ever heard Lukas’ song “Find Yourself” on WCLZ, and I knew very little about him, except he is Willie Nelson’s son and has collaborated with Lady Gaga (that’s her singing with him on “Find Yourself”) and Jess and Holly of Lucius, whom I adore. Lukas played an acoustic Studio Z set earlier in the afternoon at 98.9 WCLZ that I’d also missed, but you can check out here. I didn’t know that POTR has been together about a decade, which is a long time since Lukas is only 28 years old. Lukas was joined on stage by Tato Melgar (percussion), Anthony LoGerfo (drums), Corey McCormick (bass), and Jesse Siebenberg (steel guitar and organ). Lukas introduced “Runnin’ Shine” by telling us that some things aren’t wrong, just illegal. He sang a song for his hometown of Austin, Texas, “Just Outside of Austin,” and a song about commitment that warns “forever is a four letter word.” He also revealed that he’d been in love with a girl named Georgia who he couldn’t put out of his mind after they broke up because he was playing Ray Charles’ “Georgia on My Mind” every night on tour with his dad, so he penned “Forget About Georgia.” You can hear more about Lukas (I like context) in this interview he did with NPR Music back in August. IMG_6102IMG_6135Lukas played a lot of cover songs. They were beautiful and he can really sing, but he has a lot of his own songs under his belt, and I was surprised to not hear more of them in person. He covered Eric Clapton’s “Change the World,” Pearl Jam’s “Just Breathe,” Tom Petty’s “Breakdown” and Paul Simon’s “Diamonds on the Soles of her Shoes.” Nikki Lane joined him on stage to cover Tom Petty and Stevie Nicks’ “Stop Draggin’ My Heart Around,” too. At the time, I thought maybe Lukas and POTR only had one album out and didn’t have enough material for a headlining set, but I was wrong. It was certainly fun to sing along to a handful of classic tunes with a big crowd on a cold Friday night, though!

I emphatically recommend seeing Lukas Nelson and POTR in person. Lucky for you, they’re still on tour! This night was an absolute blast!

xo,

bree

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The Lone Bellow with The Wild Reeds

Tuesday, November 14, 2017

State Theatre, Portland, Maine

The Lone Bellow is my favorite band. That’s saying something, right? I saw them for the first time back in 2013 in Boston and they stole my heart. Zach, Brian, and Kanene pour their hearts out on stage and give the audience 110%. This is the eighth time I’ve seen them live, and I’ve never seen them offer even just 95% to the crowd. I honestly don’t know how they do it. They’re the best.

This show came at a bad time for me, but I made it work. I was pretty under the weather, and it was parent teacher conference night at school, so I taught all day, had conferences until 8pm, and then flew down to Portland. (Coincidentally, they also played Portland four years ago on my parent teacher conference night. Can I request we stop booking them in November?). Colin, my steadfast concert buddy, kindly saved me a front row center spot along the barricade at the State Theatre, and I arrived a song or two into The Wild Reeds’ opening set. Bobbie and Abra, who run The Lone Bellow’s online fan community, Tree to Grow, were right there along the barricade, too. It was their 39th Lone Bellow show that night. They win. It’s not a competition, though, because everyone who sees The Lone Bellow live wins.

LA’s The Wild Reeds are led by three strong female vocalists and multi instrumentalists–Kinsey Lee, Mackenzie Howe, and Sharon Silva–with powerful voices and great energy on stage. I enjoyed their set (even though it was little hard to hear their vocals) and people near me were clearly fans who knew the words and sang along, too. I listened to their Tiny Desk Concert to prep for the show, and they are quite talented. I would definitely see them again.

The Lone Bellow took the stage after a brief stage swap and dazzled the small, but delighted crowd. I remember a few moments during the show when Zach, Brian, and Kanene were gathered around one mic and I noticed that there was no sound in the room other than their voices. It’s rare that a band can mesmerize a crowd like that, but it’s within the power of The Lone Bellow, for sure.

The Lone Bellow played almost every song from their new album, Walk into a Storm. The new album is excellent and there’s not a single song to skip over, but my favorite song on it is definitely “Long Way to Go,” and I loved hearing it live for the first time in person. Jason (Kanene’s husband) and their new drummer Rico left the stage during an acoustic mini set. I’m not sure how it started, but Zach, Brian, and Kanene ended up covering “Everything I Do (I Do It for You)” by Bryan Adams, and it was amazing. They also sang “Watch Over Us,” which is among my most favorite songs, too.

I learned a fair amount about Zach’s childhood during the show, including the time he set his kitchen on fire toasting a Pop Tart after school and his hobby of catching and naming cottonmouth snakes that his dad wouldn’t let him keep. I also learned that his first CD was the Bodyguard movie soundtrack. 

I was thrilled to hear “You Never Need Nobody”and “Green Eyes and a Heart of Gold” live, and was equally happy that “Then Came the Morning”was the encore. The Wild Reeds joined the Lone Bellow on stage, and it was great to see such big, genuine smiles from everyone up there. It was clear they were having a blast. “Then Came the Morning” is such a badass song. Check out these lyrics–“Take my words, breathe them out like smoke/Burn every single letter that I wrote/Let the pages turn to ash, I don’t want them back.” Zach divided the crowd in half and we sang parts and filled the room with sound to close the night together.

The Lone Bellow has gone through some major stuff in the last year, and you can read about it here. It seems like all is well for them and they’re all living in Nashville now and growing their families and fans alike. I can’t say enough about this band. Please check them out. Here’s a full Lone Bellow show recorded in Boston a few years ago that still captures the essence of this soulful, passionate group quite nicely. Please come back to Maine soon!

xo,

bree

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The Ballroom Thieves with Maine Youth Rock Orchestra and The DuPont Brothers

Friday, April 15, 2016

Port City Music Hall, Portland, Maine

Nearly two months late but with many, many wonderful senior events at my school behind me (most precious were the graduation marches my seniors did through four of our five district elementary schools), I can catch a quick breath and write a bit. The Ballroom Thieves are easily one of my top favorites live bands. [Fun fact: I first saw The Ballroom Thieves live opening for The Lone Bellow three years ago today!] I feel really lucky to have seen them a lot, and am so glad that their star continues to rise, having now played at the Newport Folk Festival and opened for Lake Street Dive at Thompson’s Point in Portland. That’s a huge venue, and friends who were able to go and had never seen the Thieves messaged me to say how great they are (um, yeah!).

Thinking back, I remember that I was able to grab a quick dinner at Slab with one of my dear former class presidents before heading over to the show. I got to Port City Music Hall early to make sure I’d have my favorite spot up front and even beat Colin there. Erin and Darcy, teachers from Westbrook High School who we’d met a couple of shows back, were also there, and my current (well, graduation was Sunday, but I’m not ready to let go) class president, Carmen, also joined the full house for the show. This was one of those nights when the crowd was top notch. I think it’s because there were a lot of proud Maine Youth Rock Orchestra family members in the crowd, celebrating the beginning of their April vacation week tour with The Ballroom Thieves. Anyhow, it’s always great to be surrounded by positive energy and attentive people at a show, and this was a real treat.

Burlington, Vermont’s The DuPont Brothers took the stage and warmed up the crowd. Their harmonies, pretty guitar arrangements, and friendly banter made for a good set. Brother Zack was celebrating his birthday, so we sang for him. They’d used Kickstarter to fund their most recent album, A Riddle for You, and played a lot of those songs for us. They invited Maine Youth Rock Orchestra (MYRO) to join them for “Trespassers,” which they sweetly dedicated to a big group of young kids sitting on the floor just in front of the stage. The DuPont Brothers will be back in Portland at One Longfellow Square on Thursday, June 30.

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“Trespassers” with The DuPont Brothers and MYRO

Kevin Oates, the founder and director of Maine Youth Rock Orchestra, took the stage to do a little fundraising to support their ten-day tour with The Ballroom Thieves. He said he’d shave his head (and he has really good hair) if they reached their fundraising goal before the show ended, which shows dedication. MYRO is awesome. As a teacher, it hits me right in the feels that this awesome group exists, and that they’ve had such great success, including being featured on NPR Music and being the first youth orchestra to tour with a national artist. Kevin tells the story himself on medium.com with “Why I started Maine Youth Rock Orchestra.” I have a front row ticket to see MYRO play with Gregory Alan Isakov on June 21 at the State Theatre and am SO excited to see them with another of my favorite artists.

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Kevin Oates, founder and director of MYRO

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Martin and Devin of The Ballroom Thieves with MYRO

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Martin, Devin, and Callie of The Ballroom Thieves with MYRO

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The Ballroom Thieves are fantastic. Their songs and harmonies resonate, their desire to connect to the audience admirable, and the sheer force of their musicianship is moving. This was another in a series of top-notch performances from Martin, Devin, and Callie. Hearing them with MYRO, adding to the richness of their already full sound, was phenomenal. I feel really lucky to have been at this show. I was so glad to learn that a new album is forthcoming. You’ve got to check out the video for “Bury Me Smiling” featuring MYRO that NPR Music picked up. “Peregrine” sticks out as a newer song I’m looking forward to getting better acquainted with. “Here I Stand” was a particularly driving force live, and “The Loneliness Waltz” is surely one of my favorite Thieves’ songs. This was truly a phenomenal show—start to finish. See these groups live whenever you have the chance. The Thieves will be joined by MYRO on July 12 at Snow Pond Center for the Arts in Sidney, Maine. Come! I will see you there.

xo,

bree

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The Lone Bellow with Escondido

Wednesday, February 24, 2016

The Music Hall, Portsmouth, New Hampshire

The Lone Bellow is my favorite band. Seeing The Lone Bellow perform is a spiritual experience—their passionate, soulful, high-octane live show is heartbreaking, uplifting, and kind of stunning. I’ve been fortunate to see them a half dozen times or so times now, and they never bring anything less than 100% to the stage. If anything, my love for a particular show of theirs has to do with how close to the stage I’m able to be. I love The Music Hall in Portsmouth and have seen The Lone Bellow there twice. The sound quality is beautiful, but I do prefer a standing room show where I can be right underneath the band to better see their facial expressions and enjoy their banter up close and personal.

My steadfast concert buddy Colin told me about this show while I was having a bummer of a Christmas. Buying my ticket to join him for this show was a big pick-me-up. We met up for a delicious dinner at Flatbread in downtown Portsmouth and made our way over to The Music Hall on the early side to catch Nashville’s Escondido. Jessica Maros and Tyler James are alt-country Escondido. Their bedazzled costumes were beautiful and they have a comfortable stage presence. Jessica has a beautiful voice. I particularly liked “Heart Is Black” and “Try.” Escondido has had some success being picked up to be played on TV shows like Nashville and Girls, so I expect you’ll be hearing even more from them in the days ahead.

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Escondido

Escondido

One of The Lone Bellow’s songs is aptly titled “You Can Be All Kinds of Emotional,” because this band takes you on an emotional ride that gives you all the feels. I absolutely loved when Zach, Brian, and Kanene stepped to the front of the stage and played “Lovely in Blue,” “Watch Over Us,” and “Looking For You” unplugged. You could have heard a pin drop. I love Kanene’s powerful vocals on “Call To War” (I’m front and center and ecstatic to be there in this video), and the band wrapped their long set with a handful of commanding, driving songs—“Take My Love,” “You Never Need Nobody,” “Teach Me to Know,” and “Green Eyes and a Heart of Gold.” As if they hadn’t already left everything they had on stage, the band came back for an encore—“Then Came the Morning”—and asked us to sing along. It was a lovely way to end a beautiful, spirited night together. Thank you for being you, The Lone Bellow, and giving us so much of yourselves. Until next time.

xo,

bree

Lone Bellow

The Lone Bellow

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Unplugged

Lone Bellow 3

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The Ballroom Thieves

Friday, September 25, 2015

Johnson Hall, Gardiner, Maine

The Ballroom Thieves are a rock solid favorite band of mine and I’ve written about them a bunch on whatbreesees.com. I first saw The Ballroom Thieves open for The Lone Bellow in June of 2013 at The Sinclair in Cambridge, Massachusetts. The fact that I am in love with The Lone Bellow, but that I didn’t want The Thieves to rush their opening set, speaks volumes about how good they are. Their infectious, percussive, dynamic sound—with honest lyrics and gorgeous harmonies—makes them the full package.

I send an annual email to Mike Miclon, Executive Artistic Director of Gardiner’s historical Johnson Hall, with a list of my favorite acts I’d like to see perform a mere .2 miles from my house in the upcoming year. He fell in love with The Ballroom Thieves right away and reached out to book them for this great season of shows at Johnson Hall. Coming off their first performance at Newport Folk Festival, I wasn’t sure they’d take a gig in such a small town, but they did!

This abundantly talented Boston-based trio—Maine’s own Martin Earley (guitar/vocals), Calin Peters (cello/vocals), and Devin Mauch (percussion/vocals)—is simply made to play music together. This show coincided with their second anniversary as a group. It’s incredible to think how quickly they’ve become such a strong unit. Their first full-length album, A Wolf in the Doorway, beautifully captures their spirit, and their newest songs (a few of which they treated us to) continue to show their growth and evolving energy as a band. I like their music so much that it’s impossible to pick favorites, but I always appreciate getting to hear “Coward’s Son” (Martin’s folks were in the crowd and he reminded us it’s just a lyric) and “Bury Me Smiling” (featuring Calin on lead vocal) live. Devin sang lead on a fantastic cover of Frightened Rabbit’s “My Backwards Walk,” and it shined brightly as a highlight of the night, especially because I can’t recall ever hearing him take the lead vocal part before. I like the trend towards featuring each vocalist solo from time to time. Their beautiful blend makes it tricky to distinguish their individual voices, so getting to hear each one solo is a treat.

The Ballroom Thieves--Martin, Devin, and Calin

The Ballroom Thieves–Martin, Devin, and Calin

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I appreciated that Mike gave me a shout out before introducing the band and credited me with getting The Ballroom Thieves to Gardiner. Although I rarely like to talk to musicians I admire (you never know when they might be having a bad day and it ruins the love you have), I enjoyed friendly banter during the show with all three, which was very kind. After the show, my sweetie pointed out that I chatted with the band enough during the show to be a fourth band member. Devin joked that he must have lost the invitation I sent for putting them up at my house for the night. Funny, because I had meant to send an email to their manager Eric extending an invitation to house them after the show, but I was so busy running Homecoming week at my school that it completely slipped my mind. Sorry, Thieves! You have an open invitation, both to return to Johnson Hall and to escape the van life for an evening at my house next time you come to town! More pictures below!

xo,

bree

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Unplugged encore on the floor

Unplugged encore on the floor

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Lucius with Pavo Pavo

Thursday, September 17, 2015

The Music Hall, Portsmouth, New Hampshire

I never miss an opening act. Some of my favorite musicians today were people I was lucky enough to catch open for someone else—Glen Hansard for Damien Rice, Brandi Carlile for Ray LaMontagne, Gregory Alan Isakov for Brandi Carlile, and the list goes on and on. I got to Boston embarrassingly early to catch Milo Greene at Brighton Music Hall (who I’d seen open for The Civil Wars—sigh) in October of 2012 and Brooklyn’s Lucius was a phenomenal, totally take-you-by-surprise opening act. I was hooked. Jess and Holly’s harmonies are show stopping and their songs catchy. I bought their EP and listened to it hundreds of times.

I caught Lucius again in December of 2013 at Port City Music Hall in Portland. I will never forget that show, because I rushed to the show a little late after the best first date ever. Nearly two years later, and my sweetie and I got to see our first Lucius show together. He had a huge smile on his face all night. They are so impressive. Lucius was decidedly the sweetheart group of last summer’s Newport Folk Festival, sitting in with lots of groups (including my beloved The Lone Bellow) and even getting to sing with Roger Waters of Pink Floyd.

Lucius. Port City Music Hall. December 2013.

Lucius. Port City Music Hall. December 2013.

Seeing Lucius together!

Seeing Lucius together!

Our friend Marian is a Lucius super fan, and she emailed the gang to remind us that tickets were going on sale to see Lucius at The Music Hall in Portsmouth. Ten of us snagged seats in the first few rows and got there early to catch Pavo Pavo, the eccentric opening act. I honestly don’t know how to describe that experience. I’m just glad I had friends there to witness it with me because it was a bit of a spectacle. The lead singer wore a black onesie jumpsuit complete with stirrup pants and a mock turtleneck. If they are trying to distract from their music (which I genuinely can’t recall at this point), with their look, then they’re succeeding brilliantly. I feel like I was the worst audience member ever for the opening because we were all texting (subtlely, and with our screens fully dimmed, mind you) our disbelief and discussed going out on Halloween dressed as Pavo Pavo in matching black mock turtleneck onesies. I laughed to tears at one point when the absurdity overwhelmed me. And even though they were absolutely not for me, I am so glad I got to see them that once.

The Music Hall in Portsmouth, New Hampshire

The Music Hall in Portsmouth, New Hampshire

Brooklyn's Pavo Pavo

Brooklyn’s Pavo Pavo

Lucius took the stage and was flawless. Their percussive, harmonic, powerful sound impresses and left us breathless. There wasn’t a stray voice in the crowd all night. We were spellbound. Guitarist Peter Lalish is from New Hampshire, and got a hometown welcome from the crowd. I was happy to hear “Don’t Just Sit There” and “Go Home”—both from their four song 2013 EP and their full length album, 2014’s Wildewoman. “How Loud Your Heart Gets” is another stand out. They tried out a handful of new songs on us, too, and I am pumped for their next release. They are so insanely good.

Lucius!

Lucius!

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I was sad, and I’ll admit, a bit grumpy, when people stood up to dance and were welcomed to the front of the stage to dance. A mass of eager dancers blocked our second row view of the show for the rest of the night and it was frustrating. I was bummed, especially for Marian, who’d been on the ball and bought a front row ticket just to have her view blocked by other fans.

Our sad view from the second row once the dancing started

Our sad view from the second row once the dancing started

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After they wrapped their set, I excused myself to the back of the room so I could actually see them, and caught one of my favorites, “Two of Us on the Run,” from there. The quintet unplugged for their encore and stepped in front of the stage curtain to play around one microphone. It was beautiful. I feel like the days of getting to see Lucius in intimate venues is dwindling as their popularity grows, so I’m grateful for even an obstructed second row view of this phenomenally talented powerhouse group.

xo,

bree

Encore

Encore

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The Lone Bellow with Odessa

Monday, February 23, 2015

Port City Music Hall, Portland, Maine

*If you are strapped for time, the short version of this post is that The Lone Bellow is my favorite band and their live show is the most passionate, heartfelt experience you’ll be lucky enough to be part of. Read their deeply personal biography in this intimate Josh Jackson feature in Paste Magazine for context. Watch this Lone Bellow concert filmed by Front Row Boston, or, better yet, just trust me and go see them in person!*

What a beautiful day! My friend Colin asked me to join him for a private concert with The Lone Bellow (TLB) at 98.9 WCLZ’s Studio Z in the afternoon and we were back in front of the stage at Port City Music Hall just a couple of hours later to see their full show. We chatted briefly with the band, too, (which I normally avoid) and they were down to earth and grateful we liked their music so much. Phew. That’s gone badly before.

Colin and I grabbed a delicious dinner at Empire and hurried back to PCMH to be there when the doors opened. It was 3 degrees. And there was a line outside. We grabbed a spot behind a couple of women front and center named Bobbie and Abra who happen to write TreeToGrow.com, a Lone Bellow fan site. I started chatting with Dave and Kathy who were standing right behind me when they mentioned the Arcade Fire show I’d missed in Bangor this summer while I was driving cross-country. They mentioned that they live in Farmingdale and then a woman standing near us leaned in to say she and her husband live there, too. It turns out that Kelly and her husband Joe are both teachers and that Kelly’s dad and I worked together for over a decade at Mt. Ararat High School. Another woman standing on my other side overheard me mention Mt. Ararat and told me that she attended and then taught at Brunswick High School and we compared names and know a lot of the same people. I mention all of this because it was such a lovely experience and true to what the best possible concert experience can be when you find yourself surrounded by people because of music and find other things you have in common. I have a handful of friends who I only know because of our shared interest in music (Colin included), and I really appreciate the power of music to connect people.

The lights dimmed and Odessa took the stage. Odessa played electric guitar and was joined by two female musicians—one on bass and the other on guitar and lap steel guitar. Odessa’s voice was light and airy and their harmonies were strong, especially on “Hummed Low.” “I Will Be There” was definitely the standout of their set. Their short opening set was quite mellow and I would have loved some audience interaction. Check out this feature on Odessa—the “Best of What’s Next” in Paste Magazine for some background.

Odessa

Odessa

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Set up for The Lone Bellow’s set went quickly and they took the stage just after 9 PM and opened (appropriately) with “Cold As It Is.” Next up was “Then Came The Morning,” which is hymn-like with beautiful harmonies. Kanene talked about the song during their Studio Z performance earlier and mentioned that the woman on the cover of the album embodies the theme of the song because despite whatever she faces she gets up every morning and does her hair and makeup and goes to breakfast at the same diner. Something I appreciate about TLB is the depth and honesty of their lyrics. Consider the lyrics to “Then Came The Morning”—“Take my words, breathe them out like smoke/Burn every single letter that I wrote/Let the pages turn to ash, I don’t want them back/Everything you always said to me/Starts to sound like broken glass on streets/Spread out all over places where I sleep/Now you finally left me/Done with all your lying/Joy comes in the morning/You won’t see me crying.” The Lone Bellow doesn’t shy away from the hurt. They embrace it, reflect on it, and lift it up so the listener can share in it with them and feel a little better because we can relate. It’s a rawness—a realness, truth—that pervades their music and makes it genuine and compelling.

This is how Zach Willams welcomed us. Clapping on top of the monitor while leaning over the crowd. Such a great stage presence.

This is how Zach Willams welcomed us. Clapping on top of the monitor while leaning over the crowd. Such a great stage presence.

Brian Elmquist, Zach Williams, and Kanene Pipkin of The Lone Bellow

Brian Elmquist, Zach Williams, and Kanene Pipkin of The Lone Bellow

Justin Glasco on drums

Justin Glasco on drums

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The playful side of The Lone Bellow

The playful side of The Lone Bellow

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Husband and wife Jason and Kanene Pipkin

Husband and wife Jason and Kanene Pipkin

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Zach joined us in the crowd a number of times

Zach joined us in the crowd a number of times

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Did anyone else notice that TLB played nearly every song they’ve ever recorded for us? I took a look at the set list Colin posted online and they only left five of their songs off the night’s set list. Talk about giving it everything you’ve got. They got the crowd clapping and singing along during “Green Eyes and a Heart of Gold” from their self-titled debut album and then brought it right down with a trio of slow songs—“Call To War,” “Watch Over Us,” and “Two Sides of Lonely.” “Call To War” features Kanene’s lush, raspy voice and it is definitely my favorite on Then Came The Morning. “Watch Over Us” is transcendent. You can always hear a pin drop in the room when Brian, Zach, and Kanene stand around a single microphone and belt that heart-wrenching, beautiful song.

"Watch Over Us"

“Watch Over Us”

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Zach was charming as always and kept the audience engaged even between songs. He said they’d gone to Becky’s Diner and he’d eaten the nine-pound omelet called the Titanic. Someone shouted out that they should try Marcy’s Diner and he asked if Becky and Marcy are friends or if they’re in a fight over a fisherman.

98.9 WCLZ has played TLB’s “You Never Need Nobody” for a long while now, and the sold out crowd at PCMH was thrilled to hear it live. Kanene stunned (as always) on “Button.” Zach talked about working with Aaron Dessner from The National on their latest album at Dreamland Studio in Woodstock, New York. If you think you hear gospel influence in their music, you certainly do—and the album was recorded in a converted church for good measure.

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Zach introduced the band—including Kanene’s husband Jason Pipkin (“the only man in the band with elbow pads, so he could slip and fall and it would be no problem”) and new drummer Justin Glasco—and got into some 80s references about shoulder pads and they broke out into Hall & Oates’ “You Make My Dreams Come True” for a hot second. TLB wrapped their high-energy, leave-it-all-on-the-stage set with “Take My Love” and the crowd went wild. The energy was palpable. TLB came back to wow us a bit more with “Tree to Grow” and “Teach Me to Know.” Zach took a long pause towards the end of “Tree to Grow” and there was silence in the packed room. It’s incredible to see a band be able to draw a crowd in like that. We enthusiastically sang along on the “carried away” refrain of “Teach Me to Know” as the magical night came to an end.

Zach giving us the thumbs up at the end of the night

Zach giving us the thumbs up at the end of the night

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The Lone Bellow is my favorite band and this was a dream of a night. Thank to you everyone, especially the band, for such a wonderful evening.

xo,

bree

 

Here are other posts I’ve written about The Lone Bellow:

June 2013 at The Sinclair in Cambridge, MA

November 2013 at Port City Music Hall in Portland, Maine

February 2014 at Portsmouth Music Hall in Portsmouth, New Hampshire

July 2014 at South Church in Portsmouth, New Hampshire

February 2015 in Studio Z at Port City Music Hall in Portland, Maine

 

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