Tag Archives: Noah Gundersen

Noah Gundersen

Wednesday, September 26, 2018

Port City Music Hall, Portland, Maine

If you’re lucky, every so often, a musician speaks right to your soul. I think Noah Gundersen does this for a lot of people, and I feel fortunate to count myself among them.

I saw Noah Gundersen open for City & Color back in June of 2017, and he stole the show. I’ve been a devoted City & Color fan for years, but Noah was just way more captivating that night. He’s a good example of why I try not to miss opening acts. I was really excited when he announced a headlining show at Port City Music Hall for February of this year. Our friend Max Garcia Conover was going to open, which in my mind is a very compatible match, but we got a major snowstorm and the show was postponed–for more than six months. Fortunately, Noah Gundersen is worth the wait.

I finally introduced two of my Portland concert friends, Colin and Sean, to each other a couple of weeks ago at an awesome Joseph show, and this was (already) our next show as a trio. I arrived while Harrison Whitford opened the show, and Colin and Sean were already standing along the stage when I showed up. Harrison’s music is very mellow, and many people were sitting on the floor during his set, which was kind of dear. His electric guitar reminded me a bit of Jeff Buckley. He sang a handful of songs for us and I was impressed by how attentive the small crowd was.IMG_6522

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Harrison Whitford

After Harrison’s set, my friends Bartlett and Brady came up front to say hi. Bartlett reminded me (I’d forgotten) that Max was originally supposed to open the show, so he’d checked out Noah to prep for that show and fell in love. I was glad to take in a show with some surprise bonus friends two weeks in a row at Port City.

Noah took the stage with his sister Abby on violin, and even though I had a photo pass, I only took photos during the first song. The crowd was so captivated that I could hear my shutter over any other noise in the room, and it felt like an unnecessary distraction. In fact, the crowd was so attentive, I can remember the three times I heard anything other than Noah all night–a drink being shaken at the bar, when a guy sneezed and Noah stopped to say “Bless You” to him, and towards the end of the night when a heavy footed woman made her way in boots across the room. How often at a show do you get to hear every single word with no distractions? It felt special.

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Noah and Abby Gundersen

I just really want you to know Noah’s music. His songs have depth, texture, and a kick in the feels if that’s up your alley. A handful of his songs that I particularly loved live were “Isaiah,” “Fear & Loathing,” “First Defeat,” “Family,” and “The Sound.” I was really sad to miss the Newport Folk Festival this summer (I had to sell my ticket and stay home to renovate while my dad was in town to help), because Noah performed there with Glorietta. I enjoyed “Lincoln Creek” from that project a whole lot, too. After a heavy, powerful, emotional set, Noah treated us to a two more beautifully depressing songs about death as an encore–“Send The Rain” and “Dying Now.” It was a pretty stunning night of music. I saw Brady and Bartlett over the weekend and we were excited to have the chance to relive the experience together. If Noah Gundersen is playing in your town, I couldn’t recommend seeing him live more highly. He is such a talent. I was really grateful to have been in that enthralled crowd listening to him last week. It was a true pleasure.

xo,

bree

 

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Wild Child with The Wild Reeds

Friday, March 30, 2018

Port City Music Hall, Portland, Maine

This was such a fun, easy night. After the chaotic Glen Hansard show I attended at House of Blues in Boston the week before, I was really glad to have a night where everything was relaxed and the energy in the room was positive. Shouldn’t concerts be a good experience, after all?

I had a pretty sweet Friday afternoon–a massage, a chat with a friend who lives in Spain, and I attended a ceremony where some of my students were inducted into the National Technical Honors Society. I made it to Portland around 8:30 and grabbed a front row spot for the 9 PM show. I’d seen The Wild Reeds open for The Lone Bellow (one of my top favorite bands) back in November and really liked them. I’d never heard of Wild Child, but I listened to a few of their songs online and they were really good. I’m glad I made it to this show to check them out live.img_1137img_1149img_1153The Wild Reeds were great live a second time. Fronted by a trio of women with pipes, I like their sound and energy and that they share the lead. Kinsey Lee, Mackenzie Howe, and Sharon Silva share the duties of playing electric and acoustic guitars, harmonium, keyboard, and harmonica. I suspect they all contribute songs to the group, too. Nick Jones and Nick Phapiseth fill out their sound on drums and bass. Kinsey, Mackenzie, and Sharon have powerful voices in their own right and also blend effortlessly. Rolling Stone named them one of “10 New Country Artists You Need to Know: March 2017.” I wouldn’t call them country, but genre is so fluid these days. Check out their 2015 NPR Tiny Desk Concert to get a better feel for The Wild Reeds, and definitely put them on your live show calendar.

I’d noticed by the end of The Wild Reeds’ set that I was mostly surrounded by teenagers up front. I think most of them were there to support Wild Child, and I wonder how I’d managed to be so far behind on knowing about them myself. Either way, I am so glad I stayed to check them out. Wild Child is a seven piece band from Austin and, in a word, they’re fun. Their energy is infectiously positive, and I was so taken with lead singer/violinist Kelsey Wilson’s stage presence. She leaned into the audience, made direct eye contact with fans, and smiled warmly. “Break Bones” seemed to be a crowd favorite. This is their mellower side, but their show was dynamic. I found out a few days later that Kelsey will be at Newport Folk Festival this summer playing with Glorietta–which is a supergroup if ever there was one–including two of my favorites, Noah Gundersenand David Ramirez. I will definitely be there to check them out this summer!

I had an awesome, unobstructed front row spot for the Wild Child set, and when I decided to head home a little early, I offered my spot to a teenager who was near me and knew all of the words to all of their songs but was craning her neck to see. Her eyes lit up when we swapped spots and she realized how much better her view was. It made my day to enhance her concert experience. It’s always good for your concert karma to help your neighbors have the best possible concert experience, too. Thanks to everyone who went to this show for making this a no-drama night!

xo,

bree

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The Best Shows I Saw in 2017!

Happy 2018, All!

2017 was a hard year, but I saw some amazing shows that helped me through. I have been writing whatbreesees.com for six years now, but I’ve only ever written one “Best of” list–all the way back in 2012. I’ll try to make a “Best of” list every year from here on out. It’s good to look back.

I saw 34 shows in 2017, including musicians I’ve seen many times like Ellis Paul, Mipso, Josh Ritter, Lucy Kaplansky, The Ballroom Thieves, and Guster. Even though I saw a solid number of shows, it was actually pretty easy to choose five that stood out. Here they are:

#5. An Evening with Shovels & Rope on Wednesday, October 11 at Port City Music Hall in Portland, Maine. This intimate show with husband and wife duo Michael Trent and Cary Ann Hearst gave me all the feels. It was just what I didn’t know I needed.

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Shovels & Rope is Michael Trent and Cary Ann Hearst

#4. Lukas Nelson & Promise of the Real with Nikki Lane on Friday, November 17 at Port City Music Hall in Portland, Maine. I got an invitation from Lukas Nelson’s publicist the day before this sold out show and it was totally worth making it out on short notice. Lukas Nelson has loads of charisma.

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Lukas Nelson & Promise of the Real

#3. Jamestown Revival with Hannah Daman and the Martelle Sisters on Wednesday, May 3 at Port City Music Hall in Portland, Maine. This was my birthday show, and I loved every second of the night from start to finish. Both of these bands are excellent and engaging live.

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Jamestown Revival

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Hannah Daman & the Martelle Sisters

#2. Penny & Sparrow with Lowland Hum on Saturday, April 29 at 3S Artspace in Portsmouth, New Hampshire. Penny & Sparrow are easily one of my favorite live acts. Kyle and Andy write depressing, haunting songs, but their stage banter is hilarious. Their show is a rollercoaster ride in the best way possible. If you want to see a show where you can hear a pin drop, this is it. They are captivating.

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Penny & Sparrow is Kyle Jahnke and Andy Baxter

And #1. Johnnyswim on Friday, June 23 at State Theatre in Portland, Maine. Husband and wife duo Abner Ramirez and Amanda Sudano put on a swoon-worthy show. This show was how I started my summer vacation and it was a perfect, beautiful, inspiring night. Put this band on your “get to know” list.

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Johnnyswim is Amanda Sudano and Abner Ramirez

There are a few honorable mentions, too.

  • I had a blast seeing The Ghost of Paul Revere and Max Garcia Conover on New Year’s Eve at Port City Music Hall. Both of those acts are on to great things.

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    The Ghost of Paul Revere, Max Garcia Conover, and Friends

  • Noah Gundersen stole the show opening for City & Colour back in June at State Theatre. He’ll be back in Portland in a couple of weeks at Port City Music Hall. I can’t wait to see him as the headliner.

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    Noah Gundersen

  • The Suitcase Junket (Matt Lorenz) also impressed opening for The Ballroom Thieves back in February at Port City Music Hall. I’d seen him before, but he really caught my attention at this show.

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    The Suitcase Junket/Matt Lorenz

Thanks so much to all of these artists and venues for enriching 2017! To readers–thank you! I hope to see you at a show in 2018! Come say hi–I’ll be right up front.

xo,

bree

 

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City and Colour with Noah Gundersen

Tuesday, June 6, 2017

State Theatre, Portland, Maine

This is one of those times when the opening act stole the show. This is why I get to shows early.

I left wine time with the ladies early to zip down to Portland for this show. I l-o-v-e City and Colour and really wanted to get to State Theatre around the time doors opened to get a spot up front. The first time I saw Canada’s City and Colour was back in 2011 at House of Blues Boston, and I was sadly a solid ten rows back. I was front row center for Dallas Green at the Newport Folk Festival in 2012. I’d hoped for a repeat of that beautiful night. He’d been chatty at that solo show, and told us a lot of the stories behind his songs. It was a real treat. Turns out, this night easily ended up being my least favorite City and Colour experience yet. I’m always honest about how I feel about shows, but it pains me a bit to be critical about this one.

I circled for ages looking for parking, and only made it inside 20 minutes before the show. Colin really likes Seattle’s Noah Gundersen, but he was hiking in Wales, so I went to the show solo. I grabbed a great spot to the side of the barricade in the front row to enjoy his set. Noah stole the show. He interacted warmly with the crowd, which I always really appreciate, but his songs rang out with such power and urgency. I was stunned. It was an absolute pleasure to see him live and I can’t wait to see him as a headliner. “Selfish Art,” “Day Is Gone,” and “Ledges” stuck out to me in person. His cover of Nirvana’s “Smells Like Teen Spirit” was better than the original, too. Bravo, Noah Gundersen.

City and Colour took the stage and played probably 15 songs and a three-song encore. Dallas said a total of six (it might have been five) short sentences the whole night. I was a little bored and very disappointed. If a band doesn’t interact with the crowd at all, it’s a bummer. I could have had exactly the same concert experience if I’d stayed home and watched a live show on YouTube. It was phoned in and fell very flat. I am still a little bummed about it, actually, especially because I’ve seen much better from Dallas Green. In fact, you can still listen to his set from the Newport Folk Festival online, so you can hear for yourself. I was happy to hear “The Girl,” “Body in a Box,” and “Comin’ Home” live, but I might skip the next City and Colour show. Please, let this just have been an off night.

xo,

b

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