Tag Archives: Maine Youth Rock Orchestra

Mipso

Thursday, November 1, 2018

Portland House of Music and Events, Portland, Maine

This was my fifth Mipso show. Libby Rodenbough, who plays fiddle and sings in Mipso,  emailed me back in 2015 to invite me to their first-ever show in Maine at One Longfellow Square in Portland, and I’m so glad I went. I don’t think I’ve missed them in Portland since. They’re touring to support their brand new album, Edges Run. Dan really liked “Moonlight” from that album and has mentioned it a couple of times since the show. “People Change” is also from their new album and it’s so depressing, which is right up my alley. The lyrics– “I used to love you like the world would end. I used to love you like a child. The thing about people is that they change when they walk away.” Ugh. I love an honest lyric.

 

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From left to right, Mipso is Libby Rodenbough, Wood Robinson, Joseph Terrell, Jacob Sharp, and Yan Westerlund.

Mipso has an Americana, bluegrassy vibe, and I love their heartfelt songs and tight harmonies. Jacob Sharp (mandolin), Wood Robinson (upright bass), Joseph Terrell (lead vocal and guitar), and Libby Rodenbough (fiddle) met at UNC Chapel Hill and have been a band for about five years, but they play together like it’s been longer. They added Yan Westerlund on drums in 2017, too, which has amplified their sound. The most important thing to me about Mipso’s music is that their lyrics are crystal clear and are at the forefront of their songs. For me, lyrics are the most compelling reason to fall in love with a song. I especially like “When I’m Gone” and “Down in the River.” They also circled one microphone to cover Robyn’s “Call Your Girlfriend.” It was perfect and Dan and I have watched the video more than once in the few days since the show.

If Mipso isn’t on your radar, you’re missing out. Mipso IS on SnugHouse and Maine Youth Rock Orchestra’s radar. I saw both Nikhil Dasgupta and Sam Kyzivat at the show, and they’ll be celebrating the release of SnugHouse’s new EP, Like Water, together on Friday night (November 9) at One Longfellow Square. I will definitely be there, and you should come check them out, too!

xo,

bree

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Ghostland Festival

Saturday, September 1, 2019

Thompson’s Point, Portland, Maine

I missed a ton of concerts this summer because my sweet dad and his awesome girlfriend came up from Florida to help me renovate my cute new house on a tight schedule, so I was so pumped to make up some missed music all at one at Ghostland. I’d forgotten, but I was at the first Ghostland Festival that The Ghost of Paul Revere put together back in 2014 at Thomas Point Beach in Brunswick. This show, just four years later, was massive in comparison, and speaks to Ghost’s success and the community of fans they’ve built.

This was my last weekend before kids came back to school, and I was determined to make the most of it. Dan and I made it to Thompson’s Point to pick up our VIP bracelets (seven years of concert blogging has its perks) for the show and I gave my friends Rachel and Ian my spare presale ticket for the show. Colin saved us a spot up front and we made it to him just in time for Sibylline’s set. I’m a big fan of Sibylline, who you may recognize as Hannah Daman and the Martelle Sisters. I’ve seen them a few times, and their rich harmonies, soulful lyrics, and string arrangements are lovely.

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Sibylline

My dear friend Max Garcia Conover took the stage next, and wowed the crowd with his frank and passionate lyrics about social justice and greed. Max is a troubadour in the truest sense, and his banter was inspiring. He said, “I think we are all living through a time when our society is defined by constant vilification and our government is defined by selfishness. I think when you’re living in that kind of time, any act of empathy is an act of civil disobedience and every song is a protest song and every music festival is a rally.” Max clearly impressed everyone around me up front, and I was proud to be part of his fan club while he played for his biggest crowd to date. For more about Max, here’s my review of his last show at One Longfellow Square.

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Max Garcia Conover (right) and Ben Cosgrove (left)

I’d promised Dan a normal concert experience, but that’s not my jam. Typically, I get to a show before doors open, get a spot along the barricade right up front, and forgo food and drink to maintain a spot up close for the entire show. Dan was hungry, so he made his way to the food trucks along the water at Thompson’s Point, but there were so few that he ended up being in line for almost an hour and he sadly missed one of my favorite bands, The Ballroom Thieves. Martin explained that one of their new songs was “meant to be a song about love and kindness and about speaking up for people who don’t have a voice and can’t stand up for themselves. We need to find common ground with people who we disagree with to move forward.”

The Ballroom Thieves–Martin, Devin, and Callie–have chemistry and talent to spare, and I’m always happy to get to see them live. They were joined onstage for a couple of songs by the insanely talented Maine Youth Rock Orchestra, which takes any musical experience and makes it exponentially better. The Thieves all live in Maine now, so they’re playing here more, and just announceda show on December 28at Port City Music Hall. Check out this post for more on the Thieves.

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The Ballroom Thieves with the Maine Youth Rock Orchestra

I was a little floored when I saw that South Carolina’s Shovels & Rope was slated to play Ghostland. Michael and Cary Ann are the real deal with percussive, rowdy songs and so much warmth onstage. My pal Aimsel and I saw them from the front row at Port City back last October, which was a truly special and unbeatable experience. The crowd started to swell during their boisterous set, so Dan and I left Colin and ventured over to the renovated shipping container that Thompson’s Point uses as a VIP lounge.

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Shovels & Rope

When The Ghost of Paul Revere took the stage, there were solidly 3,500 fans gathered to cheer them on. I think every single Buxton resident was there, for sure, because Ghostland was a hometown celebration of a band that locals have loved for many years now. Ghost–Griffin, Sean, and Max–always puts on a great show, and they were joined for their whole set by the immensely talented duo of Ben Cosgrove on piano and accordion and Kevin Oates on cello, which made their set exceptional. The Maine Youth Rock Orchestra joined them for a couple of songs, too, and I loved watching all the guys in the band turn around to cheer for the kids before they left the stage.

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From L to R: Ben Cosgrove, Griffin Sherry, Sean McCarthy, Max Davis, and Kevin Oates

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Cheering for MYRO

Sean asked if we’d be willing to turn on the flashlights on our cell phones, and the crowd happily obliged and lit up the lovely night at Thompson’s Point. I saw The Ghost of Paul Revere last on New Year’s Eve, and was especially happy to hear “Next Year”–the first song I heard in 2018–again live. The Ballroom Thieves joined Ghost onstage for an awesome cover of “Under Pressure” to end the night on a high note.

img_5766img_5814So many thanks to Griffin, Sean, and Max from Ghost for their painstaking effort to organize such an awesome party to celebrate the end of summer. So many of my friends were at this show and certainly most of my favorite bands were. Until next year?!

xo,

bree

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Apocalyptica

Friday, May 25, 2018

State Theatre, Portland, Maine

I think nearly every song could be taken to the next level with the addition of a string section, so it shouldn’t surprise you (totally) that I’ve loved Metallica’s S&M (Symphony and Metallica) album for 20 years now. I saw a post from the State Theatre on Facebook announcing a show called Apocalyptica Plays Metallica by Four Cellos, and had literally no idea what it meant. I saw Metallica and cellos together in the same sentence, though, so put the show in my concert calendar without any additional research. A few days ahead of the show, the Maine Youth Rock Orchestra posted a contest on their Facebook and Instagram accounts for a single third row center ticket for the show, which I entered and won. I am SO GLAD that I went to this show on a whim. It was supremely entertaining.

I grabbed my seat and chatted with other Metallica fans around me, who totally knew Apocalyptica and were really excited for the show. I took that as a good sign, but I was SO surprised by how cool and just totally fun this show was. Eicca Toppinen, Perttu Kivilaakso, Paavo Lötjönen, and Antero Manninen were the current touring lineup of Apocalyptica, and the first half of the show was literally the four of them playing four cellos across the stage. They were amazing! I obviously had to look Apocalyptica up after the show, and learned that they are a Finnish orchestral rock band with eight studio releases, including their debut album from 1996, which was Plays Metallica by Four Cellos. I watched an interview with Eicca Toppinen, where he said he was told that Apocalyptica’s album of Metallica covers inspired Metallica to do their collaboration with The San Francisco Symphony in 1999 that became the S&M album. Apocalyptica was even invited to the performance.

After a pretty long intermission, Apocalyptica came back to the stage with Mikko Sirén on a giant drum kit for the second half of their show, which was a total blast and very much a rock concert. I had so much fun at this engaging, unexpectedly awesome show. Thanks for the ticket, MYRO!

xo,

bree

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An Evening with Drew Holcomb and Josh Garrels with the Maine Youth Rock Orchestra

Friday, April 27, 2018

Aura, Portland, Maine

This is somehow a much longer post than I’d meant to write.

I’d wanted to check out Drew Holcomband Josh Garrels for quite a while, so I was really glad to have the opportunity to see both bands together right in Portland. When I saw that Maine Youth Rock Orchestra was playing with both of them, I knew it would be an even better show. I’m a sucker for a string section, and MYRO is so impressive.

I made it to Aura with about ten minutes before showtime. I have to say this–I don’t like Aura, and I try to avoid going to shows there. Primarily, it’s because of the staff at the door. I’ve been there a handful of times, and the folks at the door are never welcoming. In fact, every time I’ve been, the first words someone says to me are “are you drinking tonight?” I’d recommend trying “Hello! Welcome to Aura” instead. I am never drinking at a show, because I’m there for the music, so I bought a ticket and started to head towards the metal detectors. Someone after the ID checker grabbed me and told me I needed a bracelet because I’m over 21. I told her that I wasn’t drinking, but she insisted that I needed to have my ID checked and needed a bracelet. The show was all ages, so I was really confused. The person checking IDs and the woman who stopped me before security disagreed about whether or not I needed to wear a bracelet in front of me. One insisted that they’d received directions to make everyone over 21 wear a bracelet. The other hadn’t gotten the memo. Either way, there shouldn’t be confusion at the door like that, and front of house staff should be on the same page and much friendlier. The whole time this exchange happened, the manager was steps away in the ticket office staring at a computer screen, ignoring all of the patrons he should be working hard to foster a positive impression of Aura with. This ends the constructive criticism portion of this post.

One of my favorite bands is Johnnyswim. They are husband and wife duo Abner Ramirez and Amanda Sudano from Los Angeles. They were easily the best live show I saw last year, and I’ll see them again this summer in Boston opening for NEEDTOBREATHE. Anyhow, Johnnyswim formed in Nashville, and they’re good friends with Drew Holcomb. Abner, Amanda, and Drew worked together to write some songs and just released an EP together called Goodbye Road. As if that collaboration wasn’t exciting enough, then they asked another of my true favorites, Penny & Sparrow, to work on the EP with them, including a gorgeous cover of Tom Petty’s “I Won’t Back Down” that I learned after the fact was recorded last summer a week after Tom Petty’s death. Penny & Sparrow is another favorite band of mine that aren’t mainstream yet, so I hope you will check them out. I also put Penny & Sparrow on my list of top five shows of 2017, coming in right behind Johnnyswim at number two on my list. Both groups are an absolute pleasure to see live, and I hope you will at some point, because they’re both so good for what ails you.

Back to the this show.

Drew Holcomb and his band took the stage soon after I arrived, and they were great live. They were down a bandmate who’d gotten a call from his wife when they arrived in Portland, and hopped a flight home to meet their new baby. Drew’s guitarist decided to play piano to fill the void in sound, and I thought it was beautiful. Drew played “Ring the Bells” early in the set, which is one of the songs he co-wrote on the Goodbye Road EP. Drew chatted with the audience a fair amount during his set, which is the kind of personalized attention I really appreciate as a concert goer. He told us that he fell in love with his wife long before she returned the favor. They met in college and he tried not to be the guy that played music to get the girl, but had to go for it. He wrote “I Like To Be With Me When I’m With You” for her, and he joked that it took her from a “no” to a “maybe.” Someone in the crowd has sent him a message asking him to play “The Wine We Drink,” so he added it to his setlist. The lyrics are beautiful, too–“It’s in the miles we drive, never having to say goodbye/to the things we tell each other without saying a word./You are the one thing that I know.”

The Maine Youth Rock Orchestra joined Drew and the band for “American Beauty” and “Live Forever.” One of my favorite things about seeing MYRO play with bands is that the bands are always enamored with them and they often turn to watch the kids play with huge smiles on their faces. MYRO–y’all are impressive. Your hard work shows. You make the songs richer and more beautiful. It’s such a pleasure to hear you play!

Drew told us that he’s often asked what his favorite song he’s written is.  He said “if I had just one song to be proud of” it would be “What Would I Do Without You,” which he said almost didn’t make the cut to be on his 2013 album, Good Light, because the producer and a couple of guys in the band didn’t like the song much. He said he was glad they’d be wrong about it. He also told us a funny story about his all time favorite fan interaction. He’d been at the Austin City Limits Festival when he noticed a guy walking his way wearing a Drew Holcomb and the Neighbors t shirt and carrying a baby in his arms. He thanked Drew for his music and told him the baby had been conceived while listening to his music. Drew said it was the best compliment he’d ever gotten about his music.

I knew nothing about Josh Garrels except that his song “Farther Along” has been popping up on my Spotify Discover Weekly playlist for ages. I didn’t know any of his other music, but liked that one song enough to know I wanted to see him live someday. I had not caught on that Josh is definitely a Christian artist. One of the first songs he played for us was called “Break Bread,” which was my first clue. It got much more evident after “Slip Away,” because Josh spoke for a solid five minutes about redemption. He said, and I am paraphrasing, “Some things that happen can’t be taken back or put back together. There is tragedy and loss, but there is redemption, which is making something new and potentially even more beautiful than it was before. For those of you who believe there is a God, he is in the business of redemption. I know the room. Some of you agree and some roll their eyes. Can there be good made from the awful things around us? I think we’re supposed to be agents of redemption in the world. We are not islands. Our decisions affect others. It’s scary to turn back and face it, though, but that’s called repentance. If you have the courage to turn around and face the wake you’ve created, you can see the things you thought were lost can be transformed.” I went to Seminary for five years and have a Master’s degree in Theology, so I was happy to hear from him about his beliefs, but I was a little surprised that the show turned more church meeting than concert. He acknowledged it, too, because he told us all of that had been “more than I’d planned to share.” He got a lot of amens from the crowd, though, so maybe I was the only one who didn’t know what to expect from him. No matter what I expected, his vibe was genuine and positive. He followed up his short sermon with “Ulysses,” which answers the question in “Slip Away”–can something be done about this? Josh says emphatically yes, there is hope for redemption.

MYRO joined Josh and his band for “Born Again” and “Morning Light.” They played beautifully, and it totally elevated the songs. A bit later in the set, Josh told us that his albums are all inspired by artists. His Home album was inspired by Russian abstract artist Wassily Kandinsky. Kandinsky apparently had a condition (Josh called it a “gift”) where he could see sound and hear color. His parents didn’t want him to be an artist, but he walked away from his lucrative job to be a painter and is considered a father of abstract art. Josh said he believes that color is connected to sound and that there’s more than our five senses can comprehend. He introduced “Colors”by asking us to consider “what are we singing and speaking and putting out into the world? Is it corruption, slander, jealousy, or are we speaking life and blessing and singing songs that blossom in the atmosphere and banish corruption?”

I saw Kevin Oates, MYRO’s founder and director, head towards the merch table towards the end of the night, so I skipped the last couple of songs of Josh Garrels’ set to catch up with him about MYRO and to chat about Portland’s summer music landscape. Kevin told me later that one of his MYRO artists came back from college to play that night because she’d been the one who’d asked for them to play with Josh Garrels someday. What an awesome opportunity for these kids to play with artists that mean a lot to them! Kevin is a passionate advocate for his students and for music education and MYRO students and families are lucky to have such a fabulous leader at the helm.

It was time for the encore, so I scooted back over towards the stage in time to enjoy Josh Garrels and his band invite Drew Holcomb and his band to the stage to join them for “Farther Along.” It was uplifting and energetic and a great note to leave the night on. Both bands were warm and conversational with the audience, played beautifully, and left Portland’s music scene a bit better than they found it.

xo,

bree

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The Ghost of Paul Revere with Max Garcia Conover and GoldenOak

Sunday, December 31, 2017

Port City Music Hall, Portland, Maine

I really care about the clean slate a new year provides, and so I am always a little anxious about having New Year’s Eve plans I am excited about. This night fit the bill perfectly. I had a blast. Welcome, 2018!

I specifically bought a ticket to this show because my friend Max Garcia Conover joined the bill as the night’s first opener, so I knew friends would be there to support him and we could ring in 2018 together. Max was on fire. His songs always have teeth, but the crowd was clearly feeling him and folks erupted with applause after each of his songs. Max is shy by nature, but he shared with the audience and told us the background stories of a few of his songs, which I always appreciate as a concert-goer. Max mesmerized with his guitar playing and kick drum. I’ve seen Max play at least a dozen times, and this was one of his best shows. After his set, people in the audience near me asked me to tell them more about him and asked me to pass along to him how much they’d enjoyed his set.

Max Garcia Conover

Max’s new album, Motorhome, is excellent. No Depression Magazinecalled Motorhome “one of the strongest albums of 2017.” I had coffee with one of my former advisees who also attended the NYE show. She told me that she keeps meaning to take Motorhome out of the CD player in her car so she won’t overplay it, but she keeps forgetting and loves listening to it every time. “Gone,”“Motorhome,”“Abigail for a While,” and “Self Portrait”are some of my favorites on the album, but I love the whole album and think it shows Max’s most cohesive and best writing yet.

I’d never seen Portland’s GoldenOak before, but I liked their sound. They were mellower than Max, so I might have put them on first, but they have a good thing going and I’m glad I got to see them. Check out their new video for “Brother.” They’ll be at Empire with Max Garcia Conover opening on February 22.

GoldenOak

Where do I start about the Ghost of Paul Revere? 2017 was a huge year for them. They toured basically non-stop, criss crossed the country playing in most of the states in America, and put out a killer album–Monarch–that premiered on Billboard. Griffin, Max, and Sean are the best of friends, and it shows in their tight sound and relaxed, engaging stage presence. This was clearly a hometown show for GPR, and they thanked us many times for our ongoing support of the band. In their seventh year as a band, they’ve had their most successful year to date. The momentum they’ve built is palpable and will carry them to the next level. That’s even more obvious as they take the stage tomorrow night to play Conan–their first late night national talk show performance. GPR is definitely on the way to stardom. Ray Routhier featured GPR in an article for the Portland Press Herald last week appropriately titled, “The Ghost of Paul Revere is on the road to making it big.”

The Ghost of Paul Revere

img_7610Ghost had a blast on stage and played their hearts out for us. We were a doting sold out crowd, and it was all good vibes. They invited a few friends on stage to join them throughout the night–Kevin Oates from Maine Youth Rock Orchestra, Devin Mauch from The Ballroom Thieves, and Brian Graham from Sister Sparrow & the Dirty Birds–come to mind. Someone proposed to his girlfriend during their set, and another friend of the band announced that they’re expecting their first baby, too. It felt like a family reunion as much as a show. I like that.

Sean, Max, and Devin from The Ballroom Thieves

We counted down and rang in 2018 together, and the first song I heard in 2018 was “Next Year,” which is a heartfelt, complex tune and my favorite on Monarch. GPR invited everyone from both opening sets on stage for one of two finales and covered Dawes’ “All Your Favorite Bands” for us. Did they close the night with Tom Petty’s “Mary Jane’s Last Dance”? They definitely played it towards the end of the night, along with a fantastic cover of the Isley Brothers’ classic feel good song, “Shout.” This night was a total blast and a great way to turn the page on 2017. All good things to all of you in 2018!

xo,

bree

I spy Kevin Oates of MYRO on cello

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I’m usually the one taking photos at concerts, so I was surprised to see that I’m front row center in this picture that Matthew Robbins of matthewrobbinsphoto.com took!

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Josh Ritter with Good Old War

Saturday, October 28, 2017

State Theatre, Portland, Maine

What an awesome night! I see a ton of music by myself, but I ended up with a hearty group of friends Saturday night, all right up front along the barricade. It was a truly A+ evening.

The folks at Empire Chinese Kitchen recognize me (it’s my go-to) and know that I’m probably grabbing a quick dinner before a show when I snag a solo seat at the bar, but my friend Colin (who I met years ago at Josh Ritter show) and his friend Meghan met me for pre-show drinks. I picked up my photo pass at the State Theatre box office and quickly made my way to the stage and grabbed a spot in the front row on the barricade. Colin and Meghan joined me, and my friend Bob surprised me by driving up from Massachusetts to join us (he and I met at an Iron & Wine show back in 2011 at the State Theatre). I chatted with Ashley and Marsha who were next to me along the barricade, and when my friend Grace and her husband Trent showed up, they all already knew each other. So what I’m saying is that Josh Ritter brings good people together and it was a delight to see a show with so many wonderful people. My friend Bartlett joined us, and then his friends Nick and Sarah showed up, too. It was a party.

I am a fan of show opener Good Old War, and I arrived when doors open to be sure I’d be right up front. I first saw Philadelphia’s Keith [Good]win, Tim Arn[old], and Dan Sch[war]tz open for Brandi Carlile back in 2010, but hadn’t caught them live since 2015. I supported their Pledge Music campaign to produce Broken Into Better Shape, and I wear the Good Old Warrior t-shirt they sent me often. It was a little strange to see them in such a big venue, because the thing I’ve enjoyed most about them live is how intimate it feels. They played an entire glorious set unplugged standing in the middle of the crowd when I saw them in 2015, but I suppose that’s not something an opening band can pull off when most people are usually only there for the headliner. Folks in the audience listened during their set, and I saw a bunch of people up front singing along to all of the songs, too.  I was so glad to hear “That’s Some Dream,” “Amazing Eyes,” and “My Own Sinking Ship” in person again. I’m pretty sure Good Old War didn’t play “Tell Me What You Want From Me,” which I expected to hear because 98.9 WCLZ plays it regularly. I am eager to see them as a headliner again, and hope they’ll come back to Maine soon.

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Good Old War

IMG_5923IMG_5925IMG_5928I have known about Josh Ritter for ages, and I’ve seen him a handful of times live, but I’ve never taken the time to dig into his music catalog until about a month ago. I’ve mostly gone to see him live because his music matters to people who matter to me and he puts on a great show. What I appreciate most about him as a performer is the joy he exudes in the form of a giant smile while he’s on stage. His music is layered and lyrical, and it’s laden with Bible references and heavy themes that don’t work for me as background music. What I’m trying to say is that his songs really deserve a listener’s attention. I also love a sad song, so listening to his newest album, Gathering, has been right up my alley. “Showboat,” “When Will I Be Changed,” “Train Go By,” and “Thunderbolt’s Goodnight” stick out to me on the album and all strike me as deeply personal, beautiful, and relatable.

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Josh Ritter

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Zack Hickman

Josh posted on Facebook when his album dropped that “I have never lived in times like these. That music somehow manages to survive and matter amidst the chaos seems ever more miraculous, ever more something to celebrate and be grateful for.” We are living in strange, dark days, but Gathering helps me feel a bit better, because Josh eloquently captures the sadness and makes the darkness feel less isolating.

This was by far the most engaged I’ve been at a Josh Ritter show. I’d listened to him a lot in the weeks leading up to the show, and it was the first time I knew a lot of the words and could sing along. The crowd was awesome. I remember a few moments during the show when I realized I could only hear Josh–which is incredible in a big venue with multiple bars. People who love Josh listen to him, too, I guess, and it was a welcome treat to really hear an artist like that. Since no one was pushy or drunk or yelling I could relax. I took pictures during the first three songs of both sets, but I danced, had a few drinks, and enjoyed every moment.

Josh didn’t say a whole lot during the show, but we did learn that “Train Go By” was about a stint living in the country, where the only entertainment was to go park by the train tracks and watch the trains go by. That adventure didn’t last long. Josh humbly expressed his gratitude for having the opportunity to write music and perform for a living. Josh did three songs acoustic in the middle of his set, and Zack joined him for “Hopeful,” which is one of my favorites. Check out these lyrics–“How many times did you give all your love/And find out it was so far from enough?/I followed her out into the street in the rain/And the whole world stopped spinning and just went up in flames.” I have a lot of respect for an artist that will bear their soul, and Josh is one of them.

IMG_5989IMG_5992IMG_5994I loved the energy at the end of their set. They wrapped up with “When Will I Be Changed,” “Homecoming,” and “Getting Ready to Get Down,” which punctuated the night’s messages of hope and optimism and brought the energy up enough to encourage a dance party to end the show. I love acoustic music best, and loved the three song acoustic encore, especially “Roll On,” which is a song I didn’t know before. It has a particularly beautiful line in it, too–“Somewhere out there I believe in me.” Josh closed the night solo acoustic with “Girl in the War.” I loved this show and it hit me right in the feels to hear sadness, honesty, and hope mingled together in the air.

My friend Aimsel Ponti interviewed Josh a week or so before his Portland stop and asked some great questions that I wanted to know the answers to. Also, here’s a 45 minute set that Josh and bassist Zack Hickman played for 75 lucky fans at The Clown Lounge in St. Paul, and it captures their energy and current set list nicely.

To the woman in the bathroom who told me you liked my highlights–you made my night! I don’t have highlights, just a lot of gray hair.

My night wrapped with Bartlett, Nick, and Sarah over slices at Otto, and I ran into my friend Kevin Oates (the talented director of the Maine Youth Rock Orchestra) for hugs and catching up on the sidewalk on my way back to my car. This was such a fun night that was full of surprises from start to finish.

xo,

bree

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Guster with The Ghost of Paul Revere and the Maine Youth Rock Orchestra

Saturday, August 12, 2017

Thompson’s Point, Portland, Maine

Guster on the Ocean was a great time. I think I’m in the sweet spot age-wise of people who have known Guster since early on in their career as a band, so attending their 25th anniversary show with thousands of fans at Thompson’s Point was a treat.

I’d had a busy week helping my best friend’s dad after back surgery, and I spent the afternoon with him at Maine Med before leaving to meet Rachel and Ian to Uber to the show. We set up a blanket in the front of the blanket area just behind the barricade, but were told to move (of course that area was littered with blankets later in the evening, which seems to happen every time I go to Thompson’s Point). We arrived early to enjoy dinner (I had an awesome grilled cheese with lobster from the SaltBox Cafe) and to explore the Reverb Eco Village (which earned us free Ben and Jerry’s ice cream). I also scored an awesome Guster on the Ocean Nalgene water bottle, which was apparently in short supply.

I ran into so many people from all corners of my life during Spencer Albee’s opening set that I honestly didn’t hear a single one of his songs. I got to catch up with my friend Ben Cosgrove before he joined the Ghost of Paul Revere on stage on keys and accordion. Ben played a few songs on 98.9 WCLZ a few weeks later, and you should definitely check out the session. Ben is incredibly talented.

I loved seeing Portland’s the Ghost of Paul Revere play in front of such a big crowd. They had nearly a dozen musicians with them on stage, including Ben, Kevin Oates from the Maine Youth Rock Orchestra on cello, and a handful of other musicians that beautifully rounded out their sound. They had a blast up there, and I made my way to the stage to see them up close and easily enjoyed their set from the second row with some strangers who became fast friends. Good music is good for that.

I was sporting my “The Way Rock Should Be” t-shirt from the Maine Youth Rock Orchestra, and I ran into Kevin’s whole family and got to chat with them in between sets, too. I guess I was technically wearing the shirt of the band to see the band, but I don’t care. So was Matty Oates! I have been listening to Ghost’s new song, “Montreal,” on repeat. It’s fantastic. I am pumped to hear their new album soon. It’s always a pleasure to see GPR live. They also just announced back-to-back shows on December 30 and 31 at Port City Music Hall, which is the next time they’ll play in town because they’re off touring basically every minute until almost 2018. I’m so happy to see this band getting some of the notice they richly deserve.

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Me and Matty Oates showing our MYRO support!

Guster took the stage and we partied for the rest of the night. It was great fun. I loved hearing most of my Guster favorites–“What You Wish For,” “Barrel of a Gun,” “Parachute,” “Either Way,” and “Happier”–live. Guster isn’t playing live much these days, but my alma mater hosted them for a private gig two years ago for Homecoming, and I got to be front and center for that show. I decided to enjoy this show from further away this time, and take it everything Thompson’s Point has to offer.

The phenomenal Maine Youth Rock Orchestra joined Guster for nearly half of the show, and they enriched the sound and elevated the show to another level. Guster was pleased as punch to host this party, and were chatty and grateful all night long. Ryan asked Kevin who the youngest member of MYRO was, and we all chanted “Luke, Luke, Luke” while he accepted a standing ovation. Ryan even freestyled a song for Luke in that moment and the huge cheered along. It was incredible. What a way to make those kids understand they are already rock stars. I loved everything about this night. Let’s do it again next summer!

xo,

bree

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