October 12, 2016 · 9:39 PM
Saturday, September 24, 2016
Portland House of Music and Events, Portland, Maine
I was just at the beginning of what would be a week long illness that knocked me out when I decided to drink some tea, take some ibuprofen, and get down to see my beloved Darlingside at Portland House of Music and Events (H.O.M.E.). I’ve been fortunate to see Darlingside a handful of times since 2012, and they bring incredible warmth and talent to the stage.
I’d seen Burlington, Vermont’s The DuPont Brothers open for The Ballroom Thieves and Maine Youth Rock Orchestra back in April, and I really prefered them on this night without the full band. Brothers Zack and Sam DuPont were excellent as a duo. Their harmonies were richer and I could hear their lyrics and feel their meaning better without all the distraction.
Sam and Zack DuPont–The DuPont Brothers
Darlingside took the stage and the audience fell quickly under their spell. It’s always amazing to see a band command a crowd’s attention the way Darlingside does. Don, Dave, Auyon, and Harris share one microphone and an evident bond, and we listened intently.
Darlingside is Don Mitchell, Dave Senft, Auyon Mukharji, and Harris Paseltiner
I was especially glad to hear “My Love,” “God of Loss,” “The Catbird Seat,” and “Sweet and Low” live. If you haven’t listened to my advice the other half dozen times I’ve recommended Darlingside to you (shame!), it’s not too late to check them out. They are the full package–talented multi-instrumentalists, lovely lyricists, beautiful singers with lush harmonies, and friendly banterers to boot. It’s always a treat to see you, Darlingside! Come back soon!
It was also a pleasure to get to catch up with Maine Youth Rock Orchestra Director Kevin Oates after the show. I am a big MYRO fan and these talented, hard-working teenagers should definitely be on your radar! Kevin introduced me to some of his rock star musicians who were also at the show, and I am so in awe of how cool these kids are!
December 30, 2015 · 10:33 PM
Friday, November 20
Portland House of Music, Portland, Maine
This show would have been perfect, but the same difficult woman who pushed and verbally harassed me at The Ballroom Thieves show at Empire six months ago was sadly at this show and was as obnoxious as last time. At least I was much further away from her at this show. Concert etiquette is an easy thing to understand—put your phone down, whisper when you talk, respect the personal space of others—but it sadly doesn’t mean everyone comes to a live show to actually listen to the music. For those of us who do, people who ignore those basic rules are the worst. This woman (whose name I know and have decided to withhold after much deliberation) saw me during this show and pointed and waved sarcastically at me during it, all the while talking at more than full volume just inches from the stage while the Thieves performed. I guess she wasn’t really drunk when she was so badly behaved sixth months ago (which was the excuse for her behavior I’d invented) because she shouldn’t have remembered me so many months later. She annoyed the poor people around her so much at this show that they asked her to stop talking over and over again, which she refused, but then she had the audacity to post complaints about how rude the people at the show were later that night on the Facebook event for the show. I continue to be puzzled by her and just hope she’ll skip the next Ballroom Thieves show—for all of our sakes.
Back to the music, though, which was wonderful, even though I was distracted.
This was my first time at Portland House of Music and I liked it. I went with a large group of friends, and we stood next to the stage instead of in the pit, and it offered a great view of the stage. It’s an intimate venue and I don’t think there’s a bad spot in the house. Winnipeg’s The Bros. Landreth were fantastic. The foursome charmed the big crowd with their strong harmonies and honest vocals. At one point, the four stood around one microphone and stunned to silence the entire crowd with their beautiful, sad song, “Greenhouse.” I was truly impressed with their sound and stage presence and have listened to them a bunch since that night. Here’s a piece in Billboard about them that came out last year in advance of their January 2015 release, Let It Lie.
The Bros. Landreth
The Ballroom Thieves are surely one of my favorite live bands and I love their music so, so much. Martin, Devin, and Callie have incredible chemistry, beautiful harmonies, and heartfelt, engaging songs. They’ve toured a bunch to support A Wolf in the Doorway, and I’m thankful I got to see them live in April, September, and November of 2015. I’m eager for a new album from the Thieves, which must be coming since they’ve played lots of great new songs during these shows. They’re playing a show tomorrow night on New Year’s Eve with Lady Lamb and The Ghost of Paul Revere at State Theatre. (I’ve decided not to go just in case she-who-shall-not-be-named is there, as I don’t want to ring in 2016 anywhere near her.) If you’re feeling up for checking out a fantastic band (you may want to avoid front row center for your concert-going happiness) to end 2015, there are still tickets available! Thieves—I will conjure some bravery to overcome crowd adversity and come see you next time you’re in town! All good things to you in 2016!
The Ballroom Thieves
Filed under Uncategorized
Tagged as A Wolf in the Doorway, Billboard, Calin Peters, Devin Mauch, Empire, Ghost of Paul Revere, Greenhouse, Lady Lamb, Martin Earley, Portland House of Music, State Theatre, The Ballroom Thieves, The Bros. Landreth