Tag Archives: Iron & Wine

Iron & Wine

Tuesday, November 6, 2018

State Theatre, Portland, Maine

This was my third Iron & Wine show. My first was way back in 2011. I met Bob that night and we’ve been concert friends ever since. We were both at the last Iron & Wine show in Maine back in 2013 at the State Theatre, and together again earlier this week to see them again. It had been a while! Dan jokes that my favorite musicians are all sad singer-songwriters with guitars, and he’s not wrong. I’d obviously rather see Sam Beam live solo with just a guitar, but he seems to tour with a sizeable backing band all the time. This tour, he is joined by Helen Gillet on cello, Eliza Hardy Jones on piano and backing vocals, Elizabeth Goodfellow on percussion and backing vocals, and Sebastian Steinberg on bass. I think Sam had 10 musicians with him on stage last time, too, so he always brings a full band to round out his sound.

Sam played a nice variety of his songs from maybe 10 or so of his recordings, with the most songs coming from his 2017 release, Beast Epic. I was surprised and happy to hear “The Trapeze Swinger” so early in his set. Sam doesn’t really like to talk on stage–his banter game is pretty weak with lots of “you guys are great!” and “Thanks, Portland!” moments–so I guess his storytelling is entrenched in his songs. He also sacrifices audience interaction to play as many songs as possible. I think he played 25 songs the last time we saw him and probably 20 at this show.

Sam did make my solo Sam dreams come true for two songs midway through his set when he played “Naked as We Came” and his well-known cover of The Flaming Lips’ “Waitin’ for a Superman” solo. Something I noticed about then is just how quiet and attentive the crowd at the State Theatre was. That’s rare, especially in the last few years. Sam commented a number of times that we were “so well behaved,” and we were. Rude audiences have ruined a ton of show experiences for me in the last few years, so I especially appreciated how attentive everyone was. If you’re curious about what NOT to do at a show, check this out and spread the word!

I was also spoiled by Bob (who’d been first to arrive outside State Theatre much earlier that afternoon for the show) who saved a front row center spot along the barricade for me. People up front are usually at shows to listen, and it was also great not to get pushed around by folks after the opening set trying to push their way to the front, which happens a ton, too. A+ for audience concert etiquette, y’all! Thank you!

I quite liked “Call It Dreaming” from Beast Epic. The stage was also a beautiful, simple set of almost 20 fluffy clouds and a pretty light show. Sam closed with “Boy With a Coin” and came back for an encore and played “Claim Your Ghost.” If all of my Iron & Wine dreams had come true, I also would have heard “Flightless Bird, American Mouth” and “Walking Far From Home,” but I was so pleased with the crowd, the set, and the band that it would be selfish to wish for more.

xo,

bree

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John Paul White with The Secret Sisters

Wednesday, June 22, 2016

The Red Room at Café 939, Boston, MA

My friend Mac first introduced me to The Civil Wars on a cold winter’s night in 2009. John Paul White and Joy Williams were captivating. Their April 2009 set at Eddie’s Attic was recorded and released online as a free download a couple of months later on The Civil Wars’ website. The pair had undeniable musical chemistry and their songs resonated with me. I made a friend at an Iron & Wine show in 2011 who invited me to join him for Adele at the House of Blues in Boston a month later. Those tickets were impossible to get, so I was thrilled. I squealed out loud when I found out that The Civil Wars had been added to the bill and that I was going to get to finally see them live. I stayed after the show and approached John Paul White at the merch table, which is something I rarely do. I was sure he is a genuine person who would be kind (doesn’t it ruin it for you when you meet an artist whose music you care about, and they’re not?), and he was a dear. I told him that I’d been hoping to see them for a couple of years, and that I was actually more excited to see them that night. He glanced at Joy and said “don’t you think that deserves a group hug?” And then they hugged me. It was very, very sweet, and a moment I still recall fondly. I was lucky to see The Civil Wars again a handful of months later at Berklee’s Performing Arts Center in Boston from the fourth or fifth row. They were spellbinding. Then they broke up.

I was thrilled when I saw that John Paul White was writing music and was planning a tour. He produced Penny and Sparrow’s beautiful album, Let a Lover Drown You, which I’ve listened to countless times. I bought my ticket to see JPW at The Red Room at Café 939 at Berklee College of Music in Boston the minute they went on sale. I would not pass up an opportunity to see him live in such an intimate setting. My friend Jan and I drove to Boston and grabbed an early dinner at Bukowski’s and lined up before doors opened so we could be front and center, and it paid off, because we were able to stand a foot or two away from such talented musicians all night.

I’d first seen Laura and Lydia Rogers, The Secret Sisters, open for my beloved Brandi Carlile (she and the Twins are producing their upcoming album, too) about six months after first seeing The Civil Wars back in November of 2011 at Berklee in Boston. I loved their vintage vibe, beautiful harmonies, and funny audience banter. I got to see them again a couple of years later with my concert friend Bob (who’d taken me to see Adele and The Civil Wars) when they opened for Iron & Wine at State Theatre in Portland, Maine. The Secret Sisters played a half dozen songs and told stories and entertained thoroughly. I particularly liked “Carry Me,” which was such a sweet song about being daddy’s girls and having a wonderful father. I also really wish I could find a video of “He’s Fine” to share with you because I loved it and would love to listen to it again. I guess I’ll have to wait for the next album! Here they are on Jay Leno playing “Tomorrow Will Be Kinder,” which is on The Hunger Games sountrack. Check out “Rattle My Bones” to get a sense of their more upbeat side. They’re great.

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Lydia and Laura Rogers are The Secret Sisters

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John Paul White and his band took the stage and he poured his heart out for us. He played fifteen songs for a captivated audience (I still can’t believe I got to see him play in such a small venue from the front row!). He talked a lot with us about feeling conflicted about the songs that started to pour out of him because he knew he’d want to share them with the world and touring meant he’d have to spend some time away from his family. He asked us to come talk to him after the show to give him feedback about what resonated with us and what didn’t. I can’t think of a time a musician wore his heart on his sleeve more at a show. It was humbling to witness someone who so desperately wants his music to connect with people. His voice was clear and haunting as ever, and The Secret Sisters joined him throughout his set and added beautiful harmonies that amplified the message.

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Lydia Rogers of The Secret Sisters and John Paul White

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It was pretty incredible to stand right next to this man during his set!

John Paul shared with us a song about his grandparents. He said he appreciates music you can step inside and become the character in, but didn’t know how to feel about this particular song because “I loved my grandfather and thought he walked on water, but he did not. He had a lot of demons and my grandmother raised fourteen children by herself.” He played “No One Will Ever Love You,” which was featured on season one of Nashville. It’s easy to be a character in this song, John Paul—“Don’t you try to tell me someone’s waiting/They’re not waiting for you/Oh and don’t you try to tell me that you’re wanted/That you’re needed/Cause it’s not true.” Oh my heart. Check out “The Martyr” on NPR Music and “What’s So” at Rolling Stone. I am so eager to have my hands on John Paul White’s upcoming album, “Beulah,” which will be released August 19. Thanks for coming back into our world and putting yourself out there so honestly, John Paul. You’ve been missed.

xo,

bree

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