Tag Archives: Phil Hanseroth

Brandi Carlile and Jason Isbell

Saturday, July 21, 2018

Thompson’s Point, Portland, Maine

This night was an absolute blast! I’d planned to see Brandi and Jason the following weekend at the Newport Folk Festival, but bought a house and my closing date was too near. I actually didn’t have a ticket for this show because I’d planned on a bachelorette weekend getaway with girlfriends, but I needed to stay home and pack, so treated myself to a night out with one of my top favorite musicians. The show had sold out before I knew I needed a ticket, but my friend Aimsel connected me with a ticket, and even though she got to go to Brandi’s soundcheck and had a VIP ticket for the show, she popped over to fourth row center to hang out with Colin and me for a little bit before the show.

I got to Thompson’s Point at 5PM to be in line for doors at 6PM. There was already quite a long line when I arrived. Folks chatted happily in line, and I met Kristen, Caitlin, and Remy–a mom and her two daughters–who were also long-time Brandi fans (my first Brandi show was back in 2005). I caught Remy’s eye later in the crowd and we waved from across the fourth row, and we also bumped into each other and debriefed as we head out of the show later.

Colin and I grabbed an incredible fourth row center spot and met Steve and Donna, Zach (who’d come from Iowa), Lisa, and her 11-year-old nephew, Noah. We bonded and chatted for an hour and I was pretty psyched about the pocket of great people we’d ended up with.

Jason Isbell and his band, which sometimes, but on this night included his gorgeous wife, Amanda Shires, took the stage right on time. I’d never seen Jason live, but I love his songs. I especially liked “24 Frames,” “White Man’s World,” and “Cover Me Up.” He sounded great and they played a fun set for us, with a guest appearance from Brandi and her daughter Evangeline, too. I’d hoped Jason would be more of a storyteller in person, but he really let his songs speak for him and didn’t talk to us except to introduce members of the band. Jason Isbell threw a pick into the crowd and it came right for me. It bounced off my hand and right to the nice woman behind me who was a much bigger fan and I was glad I’d helped it get to her.

I knew the crowd would shift in between acts, but things got messy for us up front quickly once Jason left the stage. We were prepared to stick together, but I was surprised by how many people tried the “my friend is up there” line and the physical force to push their way forward route. I was particularly surprised because Brandi exudes love, and I was disappointed that so many fans used force to push their way up. I was most surprised that the people who pushed me were women in their 50s. The woman behind me was rightly furious that people pushed in front of her, and she let folks know. Many argued “this is a rock show” and “it’s general admission!” I had a woman (also in her 50s) press every inch of her body against my backside to try to push me forward. I told her to stop touching me and asked her if she was embarrassed by her behavior. She told me– “I’m completely at peace.” People are gross sometimes. Even Brandi fans. *If you haven’t arrived early to earn your spot up front, it’s not yours to take later. Concert etiquette 101.* Of course the women who pushed their way up front talked through the rest of the show and didn’t seem to pay much attention at all, which is *exactly* what I’d expected from folks that rude in the first place. Bad concert karma to them!

We settled into our pressed, but mostly intact group for Brandi, and tried to let the frustration of the full court press wash over us (it was hardest for me, I’m sure, because I’m a teacher and bad behavior is maddening). Brandi and the twins and their band took the stage, and the night improved quite quickly. They opened with “Every Time I Hear That Song” and the audience was immediately caught up in their energy.

Most of Brandi’s “the” songs–“The Eye,” “The Mother,” and “The Joke” came back-to-back and they’re all stunning in their own right. Brandi told us that “The Mother” is about her daughter Evangeline, but it’s really about everybody’s Evangeline. Brandi introduced “Sugartooth” by telling us that “everybody is somebody’s baby, some of them have fallen on really hard times. Nobody is just a criminal or an incarcerated person or a junkie.” Their cover of “Babe, I’m Gonna Leave You” left me SPEECHLESS. I’d heard them play it back in May in Boston, but I was too far away at that show, so this was a totally different thing to hear it up close and personal. Brandi told us that “Party of One” is about a fight with a spouse, and the lyrics ring true–“Don’t even think about your freedom / Or taking that flight / Or going back upon your promise after fighting for the right / Because your eggshells and your right statements and your weaponized words / Are paper tigers now.” The tone took a sharp change after when Brandi and the twins left us with “Hold Out Your Hand.” The sold out crowd was in unison as we sang and clapped along, which I think we all needed.

No one really does a live show as well as Brandi, Tim, and Phil, and I am so grateful that I got to be right up close to feel all the goodness they showered on us that night!

xo,

bree

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Brandi Carlile with The Secret Sisters

Saturday, May 5, 2018

Orpheum Theatre, Boston

I hadn’t planned on going to this show because I’m really over the logistical hassles that come with any Boston show, but my best friend very thoughtfully bought me two tickets for this show for Christmas because she knows how much I love Brandi Carlile. I thought about selling the tickets because they were in the back of the room at Orpheum and I have a pretty firm 10 rows or less from the stage rule (I’m visually impaired and seeing performers’ faces matters to me), but I decided to make a weekend of it. I bet that’s probably just what my bestie was hoping I’d do, because this show just happened to fall on my birthday weekend.

My awesome friend Dot and I took the bus from Portland to Boston (we saw Malia Obama in the Concord Trailways station, too), had a delicious lunch in Chinatown, checked in early to our beautiful room at the Revere Hotel Boston Common, explored Boston Common on a perfect, sunny day, grabbed a drink on our hotel’s gorgeous rooftop deck, had a very uncomfortable dinner sitting next to a drunk husband verbally attacking his wife, recovered with a bonus stop for coffee and a lemon tart, and made it to Orpheum with time to spare to catch up with my pal Aimsel Ponti.

Aimsel had a great seat for the Friday night show, and she was so taken (duh, it’s Brandi), that she decided to buy a seat for the next night online, too. Aimsel’s seats both nights were about a thousand rows (okay, more like 25) in front of ours, so her show experience was much different than mine. 

Dot had never heard of The Secret Sisters, but I’ve seen them a handful of times now, and knew she’d enjoy their harmonies and pretty songs. Their most recent album, You Don’t Own Me Anymore, was produced by Brandi Carlile and earned them a Grammy nomination for Best Folk AlbumI’ve read interviews that The Secret Sisters almost quit making music after their label dropped them, but Brandi swooped in and fought hard for them to keep going. The crowd was sadly pretty chatty in the Orpheum all night, so it was hard for me to stay connected to either performance, which was quite disappointing.

Brandi Carlile and the twins–Phil and Tim Hanseroth–slayed like they always do. They give 110% every night, for sure, but I was sitting so far away from them that I really couldn’t see their faces. That, and people around me talked all night, and a handful of people a few rows in front of me decided to stand for the bulk of the show, so those of us behind them had to stand, and that just made it hard for me to see the stage and feel like part of a concert experience. Clearly, this was my least favorite Brandi show (this one was my favorite), but it had literally nothing to do with Brandi and the band–which included a lot storytelling (which I love), a string and horn section, and even The Secret Sisters on background vocals for some of the night.

Brandi said “if ever there was a band that should have been called something else, it’s this one, because there’s no lead singer” to introduce the stunning three part harmonies of “The Eye.” To introduce “The Mother” Brandi told us that most of the advice she’d gotten before becoming a mom didn’t ring true for her, and “if you’re thinking about having kids, give it some thought, because it will fundamentally shift your life.”

Brandi told us that “Phil was up late one night reading the news about an unidentified woman’s body found in a field in Georgia and no one never claimed her body. She was 30 years old and she’d given birth to someone at some point in her life. She had a tattoo of Jesus on her hand. It bothered him so much, that someone could leave the world without a proper name, that he wrote her a song”–“Fulton County Jane Doe.”

It took me a few songs to realize that they played every song from their new, deeply personal album, By the Way, I Forgive You, which included string arrangements by Paul Buckmaster, who passed away unexpectedly before the album was released. Brandi introduced “Party Of One” by telling us it was the last string arrangement Paul ever wrote, and that “I’ll never play it without thinking of him.” Brandi and the band cleared the stage, to thunderous applause.

They returned for a three song encore, and Brandi dedicated “Hold Out Your Hand” to the youth leading the March For Our Lives moment and to “all who amplify their voices.” You HAVE to watch the video for that song that came out last week. I cried. Laura, Lydia, and Brandi closed the night with a stunning a cappella version of “Amazing Grace,” which hit just the right note and sent us home with hope in our hearts.

I’ll see Brandi and the twins again this summer at Newport Folk Festival. I can’t wait to see them again, with what will surely be a far more attentive audience. This audience, from where I sat, didn’t deserve the show it got. We can do better, y’all.

xo,

bree

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Brandi Carlile

Saturday, June 4, 2016

Thompson’s Point, Portland, Maine

If Brandi Carlile is coming to town, I’m going to be there. It’s a no-brainer. Brandi and the Hanseroth twins—Tim and Phil—bring it every single time. They’re easily one of my top five live acts. The last time I got to see them was at the State Theatre back in May of 2015, which they sold out in two days. People packed into Thompson’s Point to see them on this cloudy night, and it was lovely to be surrounded by good people and good music. This was the furthest I’ve ever been from the stage at a Brandi show, and since proximity is paramount to my concert going experience, this was my least favorite Brandi show to date, but it was my fault for being over scheduled and not making the show my top priority. I should have gotten to Thompson’s Point when doors opened to get a spot up front against the stage like I normally would, but it was my 15th college reunion weekend and my dear friends’ daughter’s second birthday, and I tried to do it all. I’ve had the front row Brandi experience a few times, so I am still a whole person, but it’s hard for me to be so far way. A few of the perks of our spot, though, were that we got to witness a sweet proposal by the entrance, had room for our friends Kay and Spud to join us for the second half of the show, and that Portland songstresses Monique Barrett and Sorcha Cribben-Merrill spotted me on their way to the beer tent and we sang a song together.

Bowdoin Reunion

My 15th college reunion! And I just moved back to town, too!

Mira is 2

Mira is 2!

Proposal

Check out the newly engaged couple kissing on the right. Congratulations!

MSB

This makes my heart happy! I felt like a celebrity when fabulously talented songstresses Monique Barrett and Sorcha Cribben-Merrill stopped by!

Girls Night

Thanks for taking this, Sarah! I’m rarely in concert pictures!

Sarah, Megan, and I were in the first row of low folding chairs, which is the first section back from the standing general admission area. Thompson’s Point is absolutely gorgeous, and if you’re someone who likes the feel of a festival, it’s going to be right up your alley. They have a handful of delicious food trucks, a fully stocked beer tent, and are in a beautiful spot to watch the sunset.

 

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I found this information very helpful!

Brandi opened with “Again Today,” and it was great to hear one of her “older” songs. I love “The Eye” and “That Wasn’t Me,” and was so glad to hear both. Brandi invited an adorable kiddo named Isabelle from the crowd up on stage to sing “Keep Your Heart Young” with her and it was precious. I’m so glad someone got it on video. It’ll make your day to watch. Ruby Amanfu opened the show, but I missed all but her very last song. I hate to miss an opening act, too, but I did this concert experience totally unlike the norm. I was glad when she joined Brandi for “Shadow on the Wall.”

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Courtesy of @statetheatreportland on Instagram

Brandi and the Twins

Brandi Carlile, the Hanseroth twins, and the band

BrandiBrandi introduced a new song about the “beauty and terror of being a mother” aptly titled “Mother.” I love that Brandi is open and shares her life with her fans. She reaches out and offers herself to the audience and it’s impossible not to feel that positive energy at her shows. They ended their set with a powerful, beautifully orchestrated “Pride and Joy,” and came back to play a two song encore—Prince’s “Nothing Compares 2 U” (which gave me chills) and Led Zeppelin’s “Going to California.”

Brandi Carlile and the twins have soul and sincerity in spades, and getting the opportunity to see them live is a treat. Sarah dropped me off back on campus, and I rejoined my 15th college reunion and stayed up until last call dancing to Boston’s phenomenal Soul City. Quite a little Saturday! Thanks, Brandi, Tim, and Phil! Y’all rock!

xo,

bree

PS—I found a driver’s license on my walk to Thompson’s Point, and mailed it to Jamie on Monday morning with my card. She emailed me a very sweet note, which included “It’s cliché I know, but I am so thankful that there are people in the world like you.” #goodconcertkarma

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Brandi Carlile and Anderson East

Friday, May 22, 2015

State Theatre, Portland, Maine

I’ve let myself take a month or so off during the transition to summer vacation to recharge, but I’ve seen a handful of shows recently, so I decided I’d better start writing!

I got to see the impeccable Brandi Carlile over Memorial Day weekend at the State Theatre. She sold out the State in just two days. She’s on my top five live acts list for sure, and she and the twins (Tim and Phil Hanseroth) always bring all they have and put on a fantastic show. I most recently got to see them live during last fall’s phenomenal “Pin Drop Tour” at the Music Hall in Portsmouth, New Hampshire, where they played to a packed house without even a single microphone—it was stunning.

I drove to the show with a gaggle of girlfriends who have become my constant companions in Brandi show-going, and I’ll always remember that it was on that car ride to Portland for this particular show that I learned one of my dear friends is pregnant! What great news to start a great night! I separated from the group and skipped dinner so I could snag a good spot in line and ran into my friends Kay and Kate. We got a great spot standing second row center and Marian and my most steadfast concert friend, Colin, joined us, too. I was standing there when a familiar looking woman asked if I was Bree and reminded me that her name was Heather and we’d met at a phenomenal Brandi show (one of the best shows I’ve ever been to) standing in exactly the same spot back in the fall of 2012. Another happy show omen!

Southern R&B artist Anderson East and his and band took the stage. I was surprised at the size of the group—he brought a small horn section and a pianist on top of the usual suspects. I’d heard one of his songs, “Say Anything” featuring Jill Andrews previously of theeverybodyfields on Grey’s Anatomy and liked it. His raspy R&B sound was solid, but without knowing his music well, the songs all sounded quite the same. He made a smart move (as a mostly unknown show opener) and played a couple of covers—“Knock on Wood” and “Tupelo Honey”—to show off his vocal talent and give the crowd something to sing along to. 98.9 WCLZ is currently playing his song “Satisfy Me”.

Anderson East

Anderson East

This was the first night of Brandi’s Firewatcher’s Daughter tour, and the crowd was revved up. I’m sure the band appreciated our good energy. We did get to hear a handful of older songs throughout the night since this show was to support their new album, but I was a little surprised that they played their best-known song, “The Story,” second. I love, love, love “The Eye.” The girls and I got to hear it for the first time last fall in Portsmouth, and it’s stunning. Brandi said that “The Eye” is “what we’re all about as a band” because she and the twins sing all together in harmony—without a lead singer. As I’m writing this post I keep calling it “their” show and “their” song because Brandi is not just Brandi. I first saw her with Kim open for Ray LaMontagne at Berklee Performance Arts Center in Boston back in 2005 and Tim and Phil Hanseroth (“The Twins”) were right by her side, even back at the beginning. They are a musical team in every way and saying you’re going to see a Brandi Carlile show is really just the tip of the iceberg.

Brandi Carlile with "The Twins," Tim and Phil Hanseroth

Brandi Carlile with “The Twins,” Tim and Phil Hanseroth

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A little girl in the front row was wearing a birthday cake hat and Brandi pulled her up on stage. We sang Happy Birthday to Tiernan (who was celebrating her 8th birthday in the best possible way!) and Brandi asked if there was a song she really wanted to hear. Tiernan requested “Keep Your Heart Young” and stayed right up there with the band and sang it with Brandi into a shared microphone. It was a precious moment and quite the birthday present!

Happy 8th Birthday, Tiernan!

Happy 8th Birthday, Tiernan!

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Brandi took another couple of requests and “Turpentine” came up. She split up into three sections and taught us our sing along parts and we put it all together. It’s one of my favorite songs to hear live. I was glad to hear “That Year,” too, and Brandi played it solo for us. Brandi, Tim, and Phil unplugged and came to the very edge of the stage (right above us!) and sang “Beginning to Feel the Years,” completely unplugged. It was amazing, and I was so impressed that the sold out State Theatre was silent throughout the song. They really have an impressively strong command of a crowd!

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“Beginning to Feel the Years" unplugged

“Beginning to Feel the Years” unplugged

Brandi took to the piano and played a beautiful version of Hozier’s “Work Song” that she said she sings for her daughter Evangeline. Family has become an important theme for Brandi and the Twins and she often talks about it at their shows. She introduced “I Belong to You” saying that there’s an intensity in loving your family so much and knowing that you could lose them. “Wherever Is Your Heart,” which is another standout song on The Firewatcher’s Daughter, continues the theme and is another of my favorites. They closed with “Dreams,” but came back for two separate encores during which Brandi graciously thanked us for bearing with them on the first night of the tour while they worked all of the kinks out. They covered Fleetwood Mac’s “The Chain” and The Avett Brothers’ “Murder in the City” to end the night.

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Seeing Brandi and the Twins is always a phenomenal experience. Their songs are heartfelt and compelling, their harmonies stellar, and the power of their voices is kind of out of this world. I always leave their shows blown away, grateful, and truly sad to go. Until next time!

xo,

bree

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Brandi Carlile’s Pin Drop Tour

Wednesday, October 1, 2014

The Music Hall, Portsmouth, NH

I was sitting in the passenger seat of my friend Rachel’s VW Bug somewhere near Phoenix on a hot summer day in August when my friend Megan texted me about Brandi Carlile’s October Pin Drop Tour. I surely squealed in excitement when I found out that one of only eight venues in the United States that Brandi and the Twins were going to play COMPLETELY UNPLUGGED was The Music Hall in Portsmouth, New Hampshire. My heart soared. Brandi Carlile is one of my most favorites. I first saw her with my friend Kim in 2005 opening for Ray LaMontagne at Berklee in Boston. The last time I saw her was phenomenal—one of the best shows I’ve ever seen. I was in the front row at the State Theatre in Portland, Maine, while Brandi and the Twins belted from just centimeters away. The time I saw them before that, I was also in the very front row at Berklee in Boston. For this show at The Music Hall in Portsmouth, New Hampshire, though, our seats were in the VERY LAST ROW. And it didn’t matter one single bit. This show was magic.

The pin drop tour announcement from brandicarlile.com

The pin drop tour announcement from brandicarlile.com

My favorite shot from the front row at the State Theatre in Portland, Maine on October 24, 2012

This was the third Brandi show Kim, Sarah, Megan, and I have seen together. The first was in 2009 when Gregory Alan Isakov opened for Brandi at South Portland High School. We still laugh (but only a little) about how I sat next to a woman in her forties at that show who texted constantly through the first four or five songs until I asked her to put her phone away. My intervention only reduced the frequency of her evil texting to once per song or so. We all went to see Brandi again the following summer at Hampton Beach Casino Ballroom the night before I flew out to visit my friend Brady in Alaska—a beautiful bucket list trip that I didn’t want to come home from. We managed to get four seats together for this show and it was great to spend a little bit of quality time together.

A pre show selfie

A pre-show selfie

I also got to see my concert friend Colin who miraculously had a seat in the second row for a few minutes during intermission. He caught the trio of musicians from Brandi’s band who played covers of popular songs on violin and cello during the opening slot. I missed most of their set, but what I heard (including “High & Dry” by Radiohead) was great. I settled into my seat just before intermission ended and Phil Hanseroth, one of the twins, was standing just a few feet away at the back door ready for the show to start. He and I shared a moment where he could see how excited I was and then the lights dimmed and he started singing his way down the aisle to the stage.

The view from Colin's seat

The view from Colin’s seat in the second row

The view from our seats in the back row

The view from our seats in the back row

So sweet to have a moment with Phil before the show!

So sweet to have a moment with Phil before the show!

This show was stunning. I feel lucky to have been there—it felt like being part of something special. Since there wasn’t any amplification, people in the crowd were on their best behavior. It was incredible to be able to see and hear so well even from the back row. Brandi’s team was recording the show, so there was a strict no cell phone rule, too. It created a focused, attentive atmosphere for seeing such an intimate show. Colin kept track of the night’s set list:

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Brandi was thrilled to kick off the pin drop tour with us and was obviously as excited as we were about the concept. We broke out into song during the chorus of “What Can I Say” while Brandi roamed the aisles and sang with us. I loved “The Eye,” a new song inspired by Crosby, Stills & Nash that will be on their upcoming album. The chorus goes—“I wrapped your love around me like a chain/But I never was afraid that it would die/You can dance in a hurricane/But only if you’re standing in the eye.” It’s a haunting song that gave me chills.

Brandi’s raspy, soulful voice soared on “Before It Breaks.” I got a little teary during the chorus of that one—“Say it’s over, say I’m dreaming/Say I’m better than you left me/Say you’re sorry, I can take it/Say you’ll wait, say you won’t/Say you love me, say you don’t/I can make my own mistakes/Let it bend before it breaks.” Brandi debuted “Wherever Your Heart Is, I Call Home,” which is a sweet love song.

I was sad this night would end before it even began. Brandi was a gracious host and it was such a thrill to have gotten a seat in the sold out Music Hall to be part of it. The last two songs of the night were covers. Brandi and the Twins—Phil and Tim Hanseroth—played an outstanding cover of Fleetwood Mac’s “The Chain.” Brandi talked a little about her wife and their new baby, Evangeline Ruth, and covered “Murder in the City” by The Avett Brothers to sum up how important family is. She and the band recorded it a few days later in Virginia, and it gives you a sense of how intimate the pin drop shows were. Thank you, Brandi, Tim, Phil, the band, and The Music Hall for a beautiful night. I wish it didn’t have to end.

xo,

bree

I asked my friends at the show if anyone wanted to contribute to this post, and Megan, who is both a busy fourth year doctoral candidate and owner of Pencil Events, miraculously made time to capture this breathtaking night in these beautiful words:

When all the cords and speakers that often help to make shows epic are removed from Brandi Carlile’s stage, two things happen. First, a show is performed with only the essentials: the force of Carlile’s voice, the hum of her many unplugged guitars, the walls of The Music Hall and the many of us lucky enough to be witnesses. And that’s really what being a member of that first pin drop audience felt like. It felt like we were witnessing some sacred creation greater than the sum of its parts. Second, without electric amplification, everyone else’s voices became more useful alongside Brandi’s. So, witnesses though we were, we were not passive but active with a new sort of role to play. We were an intimate band of creative witnesses, the most evocative manifestation of which occurred when, moved by the muse of The Music Hall, we all organically began singing the chorus for “What Can I Say” alternating with Carlile singing the verses while she walked the aisles among us. In this moment I couldn’t tell if I was chilled to the bone or warmed to the core or both! When we remove all the cords and equipment from the stage, the artist becomes even more clearly a conduit for something greater than themselves. With frippery removed so, too was the barrier between the Brandi Carlile and the rest of us. Because she was brave enough to get up there and offer the chance, we all celebrated how unimaginably brilliant hard-working brave human beings can be.

Kim made time, too! I’m impressed. These are busy women.

Although I’ve seen PLENTY of Brandi shows, and PLENTY of shows with these girlfriends, my decision to join Bree, Megan, and Sarah for the Pin Drop tour was on a bit of a whim. I go to a LOT fewer concerts than I used to—my husband and I just finished paying for our wedding ourselves, and because we met in law school we have a nice chunk of student loan debt to pay off. So we pinch our pennies and I tend to only see shows on a whim, and more for the social opportunity to get together with some girlfriends. (And I will let you draw your own conclusions about my OTHER whimsical choice this summer, which was to see Beyonce & Jay-Z at Gillette Stadium in July.)

But I very much enjoy my “cult of Brandi” with these particular girls. When she played at South Portland High School, we had our first treat of Brandi’s acoustic brilliance. I can still remember the haunting clarity of her voice from the very edge of that high school stage while everyone in the room sat mesmerized. It was enchanting.

So the chance to “splurge” on the Pin Drop tour was an easy choice. I left feeling literally buoyant, lifted in mind and spirit as Brandi must have intended when they decided to try this experiment a decade ago. Without amplification, the show had an intense focus that was like nothing I had ever experienced before. I seemed much less distracted by other audience members in the ways that I typically am (the incessant photo/camera screens), people dancing (in or out of their chairs), and just generally the people watching. Here, all eyes and ears were intensely focused on Brandi and the twins. It sounds intense, but it was freeing, particularly in the current era of constant phone dings and pings. It coincidentally synced beautifully with a new commitment in my workplace among colleagues to being more unplugged from our emails in the evening hours. Without working about my iPhone, I was left to just let the experience wash over me.

And wash it did. I will forever have an indelible memory of this evening, marked by Brandi’s roaming of the Music Hall for “What Did I Say.” As she walked the aisles in the style of an old-time troubadour, the audience began singing the chorus with her. It was such a powerfully gentle experience, and I found myself *not* singing, but just basking in awe of the moment. A few tears actually rolled down my face (I’m a crier, and this had been a particularly emotional week for me for other reasons). So many coincidences of how this “splurge” came together reminded me deeply of the value of making time for music itself and the community of music in my life, even though I’m not attending as many concerts as I’d like. Thank you, Brandi, for the bravery of the Pin Drop tour. You had precisely your intended effect on me!

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