Friday, April 1, 2016
Port City Music Hall, Portland, Maine
What an extraordinary April 1st! My dear friend gave birth to a beautiful (and surely brilliant) baby girl, I got to hold baby sheep and goats after school at a friend’s farm, and I finally got to see Darlingside again after an all-too-long break! (The last Darlingside show I caught was in late 2014, when they shared the stage with the wonderfully talented Maine Youth Rock Orchestra).
Darlingside is one of my favorite bands to see live. Think indie rock meets orchestra. “Grandpa” Don, the eldest band member (I learned during band introductions), emailed me to invite me to Darlingside’s show at One Longfellow Square back in 2012, and they stole my heart. Multi instrumentalists Don Mitchell, Auyon Mukharji, Harris Paseltiner, and Dave Senft are magnificently talented. Their perfect harmonies show how close they are and how long they’ve been making music together. They really sing with one voice, which is a real feat.
Colin and I grabbed our favorite spot up front at Port City Music HallPort City Music Hall for the show, where we met Westbrook High School teachers Darcie and Erin. It’s always nice to find a pocket of real music lovers to share a show with. Don emerged from backstage and gave me a quick hug. He was trying to track down some missing equipment on stage. I joked with him that I was impressed he was still dealing with his own gear now that Darlingside has gotten so famous. He laughed, but they’ve had a really big year! Darlingside was featured in The New Yorker (in an article called “Harmonious,” no less), their song “The God of Loss” was named a Favorite Song of 2015 by NPR Music, and Folk Alliance International named them 2015 Artist of the Year. Well deserved!
Haroula Rose took the stage alone to open the show—just her and a guitar. She told us that her name means “joy” in Greek, which she gets asked a lot. Her set was sparse and somber, and I respect that her songs are so personal. “Time’s Fool” is a song about love, and “The Leaving Song” is about loss. She told us that she couldn’t play that song for a long while, too. Haroula just released her sophomore album, Here the Blue River, and I particularly like “Songbird.”
Darlingside was flawless, as always. Their banter was hilarious and their songs crisp and inviting. Seeing them live is a real treat—without exception. They played a lot of their new album, Birds Say. They opened their set with “The God of Loss,” which is one of my favorites from the new record, but I was really glad to hear “My Love” and “Sweet and Low” from Pilot Machines, too. I think the song that surprised me most live was “Clay & Cast Iron,” which kind of took my break away. Come join me the next time Darlingside is in town. I’ll be front and center and you should be, too! More pictures below!
P.S.—I just remembered that David Wax Museum co-headlined this show and I didn’t mention them at all! I think they’re super fun live, but their music just isn’t in my wheelhouse. I stayed and danced for a handful of songs, but didn’t recap their set above because I really don’t post about a band unless I see their whole set and/or fall in love.