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Ellis Paul with Radoslav Lorkovic and Chris Trapper

Saturday, December 27, 2014

One Longfellow Square, Portland, Maine

I was so happy to end my concert year with a girls’ night out in Portland and my 43rd Ellis Paul show! Megan, Sarah, and I had a delicious dinner at Mi Sen on Congress Street (the custard with coconut sticky rice is DELIGHTFUL) and hurried back over to One Longfellow Square to grab good seats and see if anyone had canceled since the show was sold out and Megan accidentally didn’t have a ticket. She eventually did make it in, and my concert friend Colin joined us as well. The show was so crowded that OLS removed half of the stage to accommodate a couple extra rows of seating.

I hadn’t seen Chris Trapper since 2011 when he opened for Colin Hay at The Strand in Rockland. I was a big fan of his band The Push Stars when I was in college, and I was excited when I learned he was opening the show. I was happy to hear “Keg on My Coffin,” which included a pretty solid audience participation part to start the show. Chris told us that his song “This Time” was nominated for a Grammy as part of the August Rush soundtrack and he also got to hang out with Jonathan Rhys Meyers who sang it in the film (which impresses all of his female friends). He also admitted to writing the theme song for a much-hated show called Sox Appeal in which a guy was set up on three two-inning blind dates at Fenway Park during a Red Sox game. I’ll admit to watching a few episodes. Chris also told us about his album of original Christmas songs including “Black and Blue Christmas.” He said he’d been a professional songwriter for about 14 years and that Ellis Paul had been a great mentor throughout that time. He talked about having written so many songs about falling in love, but that staying in love is the much harder part, so he wrote a song about working to stay in love called “Love You Still.”

Chris Trapper

Chris Trapper

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Ellis Paul and pianist extraordinaire Radoslav Lorkovic took the stage after intermission. Their show at One Longfellow Square very near the end of the year has become a tradition I’m grateful for since I went to Club Passim for their New Year’s Eve show every year for eight years before my friends in the area moved away and couldn’t join me there anymore for NYE. I’m so happy they bring the warm up show for the New Year’s show to me in Portland every year!

Ellis and Radoslav opened the show with three of Ellis’ best-known songs“The World Ain’t Slowin’ Down,” “3,000 Miles,” and “Maria’s Beautiful Mess.” Ellis asked us to sing with him on all three. Rad hilariously accompanied Ellis on piano while he read his poem “The Night the Lights Went Out on Christmas.” Ellis told us that people have started to show him their rose tattoos because of his song “Rose Tattoo.” He joked that the song is just a love song and not a call to action. Oops! Kidding.

Radoslav Lorkovic and Ellis Paul

Radoslav Lorkovic and Ellis Paul

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“The Night the Lights Went Out on Christmas”

“The Night the Lights Went Out on Christmas”

Ellis has talked at length at the last few of his shows I’ve attended about the loss of music you can hold in your hand. He laments the loss of the chance to admire album artwork and read the liner notes while listening to an album for the first time. In the age of digital music, we’ve lost that part of our musical heritage. This epiphany happened for him after driving a rental car that didn’t even have a CD player. When he arrived home, he immediately went out and bought his daughters a record player to give them the musical experience he grew up with. His newest album, Chasing Beauty, is now available on vinyl.

Ellis designed the album art for Chasing Beauty

Ellis designed the album art for Chasing Beauty

Vinyl!

Vinyl!

Megan and I were in stiches at one point during the show because Ellis’ family was scattered throughout the crowd and heckled him during the show. He joked that “they have Tourette’s and talk all the time.” He remembered the amazing Pete Seeger who died in January of 2014 and played “If I Had a Hammer” in his honor. Ellis turned 50 yesterday and hosted a house concert on concert window to celebrate. Happy 50th, Ellis! He told us (with help) that “I Feel Fine” was on the top of the chart the week he was born in 1965.

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I was happy to hear “Mary, Mary” live—it’s got to be my favorite Christmas song. Ellis made a beautiful video using sand art for “Mary, Mary” that you should really check out. He’s an artist in many senses of the word. Ellis and Rad unplugged and joined us in the crowd and wrapped their set with “Love is a Curious Thing.” We stomped for an encore and Chris Trapper joined Rad and Ellis on stage to play “Waiting on a Break,” which Ellis said is inspired by the “godfather of Boston music,” Dennis Brennan.

Unplugged in the crowd

Unplugged in the crowd

Rad, Ellis, and Chris sing one more for us

Rad, Ellis, and Chris sing one more for us

I’m always so happy to start or end (or both) my concert year with you, Ellis! Cheers to health, happiness, and good music for all in 2015!

xo,

bree

The set list. Thanks, Colin!

The set list. Thanks, Colin!

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Ellis Paul

Friday, May 16, 2014

Johnson Hall, Gardiner, Maine

I’d submitted my National Board for Professional Teaching Standards recertification portfolio earlier in the day after months of work and decided to treat myself to my 42nd Ellis Paul show not even half a mile from my house at Johnson Hall in downtown Gardiner. Johnson Hall has had quite a successful year led by new director Mike Miclon.  My dear friend Megan joined me, and since I’d just seen Ellis two months earlier, she agreed to write the show recap. Megan is also a fourth year PsyD graduate student and the incredibly creative mastermind behind Pencil Events (and this is wedding season), so I suspect her post will come in time (update on 1/14/15–or never, apparently!). My sweetie called just before the show to tell me he’d gone home sick and he sounded terrible, so I was worried and distracted. I offered to leave right then to go take care of him, but he insisted I stay and come later (which I did, laden with Gatorade, chicken soup, and crackers). Ellis chatted with us a lot that night. He’d just had his beautiful guitar, Guinness, severely damaged by an airline and was working on a commencement speech and alma mater song for the University of Maine at Presque Isle that he’d be debuting the next day. You can read his speech here. Ellis wowed the audience, as always, and even graciously came over to say hello after the show. Always looking forward to my next Ellis show.

xo,

bree

Ellis Paul

Ellis Paul

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An unplugged encore

An unplugged encore

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Ellis Paul

Monday, March 10, 2014

Slates, Hallowell, Maine

I hadn’t seen Ellis Paul in almost a year, so I was excited that my sweetie could take the night off and join me for his first Ellis Paul show (my 41st). When I tell people how many times I’ve seen Ellis live they tend to startle, but those are people who haven’t seen him live yet—or they’d know it’s actually a perfectly reasonable number.

Jeff and I got to Slates in Hallowell (just five miles from my house) in time for coffee and dessert and to settle into our front row seats. Ellis said hello to folks (a lot of familiar faces in the crowd for him, I’m sure) as he took the stage. He opened with “Chasing Beauty,” a song about a road trip he took in his sister’s Ford Pinto when he was 20. He joked about tattoos before playing “Rose Tattoo” and told us that his Woody Guthrie tattoo doesn’t look much like Woody since he got it decades ago. He suggested that tattoo artists show patrons age progression images of our tattoos before letting us actually commit to getting them.

Ellis Paul

Ellis Paul

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Ellis was chatty that night, and he talked at length about the surge in digital music and how sad it is we’ve lost music we can hold in our hands. He reminisced about how important it used to be to read the liner notes when we bought a new record, tape, or CD. He got home from a show in Texas where he rented a car with no CD player (those are almost gone, he lamented) and went straight home and bought his daughters a record player. He brought it to the show and played a Neil Young album on it. It was nice to hear the grit. Ellis’ newest fan-funded album, Chasing Beauty, will obviously come in LP as well. He’ll be doing a Concert Window show on Wednesday, May 28th at 8pm EST to celebrate the album release and will be playing songs live over the Internet from his home.

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He told the hilarious story of his beautiful guitar Guinness and how Neil Young is a guitar dream crusher. It was exciting that Ellis played a new song for us—one he’d only played live the whole way through on guitar with vocals the day before. Did I write this lyric down right from that song? “Love—you’ve done me in.” I liked it. Even Ellis’ new songs seem tried and true. Jeff mentioned that to me after the show (which he really liked). He said Ellis’ songs felt “complete,” and added, “you know how a song sounds familiar even though you know you’ve never heard it before—that’s how I felt about Ellis’ songs.”

I really enjoyed hearing Ellis discuss his song about the Empire State Building. He talked about Arlo Guthrie’s hit “City of New Orleans” (written by Steve Goodman) in which the chorus is written from the perspective of the train. His song, “Empire State,” is written from the perspective of the building. The Empire State Building was built during the Great Depression. It had never occurred to me, but Ellis reminded us, that the poorest immigrants in our country built that extraordinary structure in less than two years for some of the richest people in our country. “Empire State” is the epitome of a folk song—loaded with social commentary and rich history.

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Ellis asked if we had any audience requests and played “Roll Away Bed” for us. He admitted that he was really the one in the relationship with the sleeping issues but says it was his girlfriend in the song. He joked that he ended up in a blanket burrito in the morning while she awoke without covers. The analytics from his website tell him that the number two thing people search that bring them to ellispaul.com is “roll away bed,” which is probably people really looking for portable beds, but he’ll take it.

Ellis gets a lot of letters from soldiers and has written songs about war and its aftermath. His newest is “Plastic Soldiers”—a protest song written with jazz chords. It was a real stand out that night. It’s startling and powerful without being preachy. The chorus goes “Come home soldier/Dinner’s getting colder/It’s time to put your toys away/Marching orders/Backyard borders/You will live to fight another day/Oh, put your plastic soldiers away.”

Ellis told us he was honored to be asked to be the commencement speaker in his homeland at University of Maine Presque Isle where he’ll receive an honorary doctorate next month. He’s also been asked to write their alma mater song. He reminisced about being young in 1982 and a state champion runner to boot. He said he got a hero’s welcome (with fire trucks and all) when he arrived home from competing and was given the key to the city when he was just 17 years old. Aroostook County has been good to him, he said.

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Someone asked him to play “The World Ain’t Slowin’ Down,” which is featured in Me, Myself, and Irene starring Jim Carey. Apparently there’s a zombie version of it someone put up on YouTube and another version (among many) with a guy in a cowboy hat dancing all over London. It’s Ellis’ most commercially successful song with over 1.5 million hits on YouTube, but it’s earned him less than $4 in royalties. Apparently, he was recently asked to testify in Washington DC about music rights for singer-songwriters.

Ellis wrapped the show with “Kick Out the Lights”—a song about Johnny Cash kicking out the stage lights at the Grand Ole Opry. It’s a fun song with boisterous sing along parts for the men and women in the audience. It brought us all together to finish a great night. We asked for an encore and Ellis kindly obliged with “Snow in Austin”—a song about a long-distance relationship between two people living in Austin and Boston.

This Extended Play Session featuring Ellis on Alternate Route TV shows him discussing and playing a lot of newer songs. If you can’t make it out tomorrow night to see Ellis at the Camden Opera House, this might have to do until he’s back in town!

Thanks, Ellis! Looking forward to Chasing Beauty and show #42!

xo,

bree

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Ellis Paul with Rebecca Loebe

Monday, April 15, 2013

Slates, Hallowell, Maine

Monday was a nightmare for everyone in Boston, in New England, for Americans, and for runners and their loved ones everywhere. I just watched a clip from last night’s Yankees game. They played Boston Red Sox standard “Sweet Caroline” while the crowd sang along. It brought tears to my eyes. Stephen Colbert’s response was priceless and worth watching, too. I am always impressed by those brave people trained to run towards danger when we run away from it. Those first responders were in full force Monday and continue to work to put the pieces together to try to figure out what happened that afternoon. We are grateful for them. Whenever there is tragedy, what sticks out to me the most is how many ordinary people step up to care for others. The well circulated Google doc with phone numbers and email addresses of people ready to offer meals, rides, and places to stay to stranded Marathoners was beautiful. What we all instinctively know, I think, is that the Boston Marathon will be back and better than ever next year. No question. Boston is full of hearty, resilient folks, and marathoners train year round to accomplish that life-affirming feat. Nothing’s going to slow them down. Like you, I spent a lot of the afternoon Monday trying to contact friends who were running or watching. It took until the evening to hear back from everyone, but they were all safe. They were lucky. Our thoughts continue to be with Boston—with the families of deceased 8-year-old Martin Richard, Krystle Campbell, and an unnamed Chinese graduate student at Boston University, and with everyone traumatically injured on Monday. You can donate to the relief fund here.

I didn’t really want to leave the comfort of home, but I had been excited for my 40th Ellis Paul show that night at Slates for weeks. It’s less than five miles from my house, too, so I went for it. I knew it would be a comforting experience, and it really was. Oh. I know 40 shows is a lot, but plenty of Ellis fans have seen him more than I have. I only learned about him in 2002. You can check out my 2012 Ellis Paul show recaps from January 1, September 22, and December 29. I bookended 2012 with Ellis shows and it was a good way to start and end a challenging year.

I was seated at the table front and center at Slates with two married couples, their friend, and a woman who’d driven up to Hallowell from South Portland. Everyone was really warm and it was great to have some people to experience the show with. Rebecca Loebe took the stage and she was charismatic and sweet. Her first song was cute—“I can’t compete with her in that dress.” She gave a shout out to her new hometown, Austin, in her second song, “Darlin’.” Rebecca told a hilarious story about how she is inspired to write songs about the people she meets. “The Chicago Kid” is about an 18-year-old on his first flight ever to meet up with his high school sweetheart later that day and marry her at City Hall—a fulfillment of their promise and his reward for graduating for high school. I guess you should consider how much you want to tell Rebecca if you ever end up sitting next to her on a flight! Her last song, “Meridian,” was inspired by a town she passed on a long road trip from Texas to Georgia. She was a solid storyteller—with a pretty voice and warm presence.

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Rebecca Loebe

Rebecca Loebe

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Rebecca introduced Ellis and stayed with him onstage most of the night. He didn’t mention it to us, but fans on his email list received word that he’s struggling with vocal chord issues and needs to take better care of his voice and be more careful hitting some of his high notes. Rebecca helped fill in the sound all night.

Ellis told us that he and Rebecca had been watching the Boston Marathon earlier that day from Boston College. Ellis was a running stand out in Presque Isle, Maine who went to BC on a track scholarship. If memory serves, an injury that sidelined him in college was the impetus for him to pick up a guitar. He told us it had been incredible to watch Joan Benoit Samuelson run by them earlier in the day. She finished within 30 minutes of her world-record time 30 years earlier with a 2:50:29 finish. Incredible. Ellis recounted most of that to us and then dedicated his set to Joan and all of those hurt by the bombings at the Marathon earlier in the day. He said he hoped to bring as much light as he could that evening, and he succeeded.

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Ellis Paul

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$23 gets you a pretty nice hat at a gas station

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Rebecca leading the sing along

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Ellis telling the story of Guinness

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Here’s the setlist from the night:

  • “Chasing Beauty,” which will be on his forthcoming fan funded album.
  • “Rose Tattoo,” which has a phrase I found particularly comforting—“Love is what matters. Baby, I’ve got your back.” Ellis wore his $23 gas station hat for this one and gave a shout out to his sister Becky who runs Kennebec River Artisans just down the road from Slates.
  • A newer song about the Empire State Building
  • My friend Michelle’s favorite, “Kick Out the Lights,”—a song about when Johnny Cash famously kicked out the stage footlights at the Grand Ole Opry. It required audience participation in the form of “volume over quality,” and we readily obliged.
  • “Christmas Lullaby,” from Ellis’ Christmas album, City of Silver Dreams. Johnny Mathis might put the song on his next Christmas album. I liked, “I’m sending you a prayer—I hope it’s all the love you can take.”
  • “The World Ain’t Slowin’ Down,” which Ellis told us is his most popular song because of its YouTube hits and the sheer number of creative covers of it on the web.
  • Ellis told us the hilarious story of his beloved guitar, Guinness. You can read it in one of my previous show recaps, or just wait and hear it live when you see Ellis. He told us that he loves Joni Mitchell, who he called “the Ted Williams” of songwriting, and covered “Circle Game.”
  • Before playing “3,000 Miles,” Ellis told us he was closing in on his 5,000th show and his 400,000th mile on his 7-year-old Honda CRV. There’s only 350,000 miles to the moon, he joked, “so I’m on my way back!”
  • “Snow in Austin”
  • “Once Upon a Summertime,” which Ellis said was partially inspired by the events of his prom night. He and his ex girlfriend went together to prom anyhow and fought all night. He fell asleep in his very uncool van while driving home and woke up to a moose running alongside him. The song flawlessly evokes the feelings of youth.
  • Ellis and Rebecca unplugged and came out into the audience (to the head of my table) to sing “Annalee.” He caught me taking pictures of him while he tuned and told the story of the luthier in Virgina who repaired Guinness for him and made eye (not quite eye–camera?) contact with me. Those two pictures make me smile.

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Oh hey, Ellis!

Oh hey, Ellis!

"Annalee" unplugged

“Annalee” unplugged

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"Let It Be"

“Let It Be”

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ENCORE

  • “Let It Be” was the right way to end the night. Ellis took the verses and Rebecca sang the chorus. It brought tears to my eyes. Ellis said that he thought the song would “be important today.” I wholeheartedly agree.

Thanks for a delightful night, Ellis and Rebecca. It was a hard day, but you really soothed my spirit with your songs and stories. Until next time.

xo,

bree

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A Happy New Year with Ellis Paul and Friends!

Sunday, January 1, 2012

One Longfellow Square, Portland, Maine

Rad, DonCon, Ellis, and Michael

I love Ellis Paul. No one who knows me will be surprised to hear that he is my favorite musician touring today. I first saw him at Pickard Theater at Bowdoin College (my alma mater) in Brunswick, Maine on March 30, 2002 at the recommendation of one of my friends from Bowdoin’s Residential Life staff. I was hooked. Ellis is a phenomenal songwriter. He writes in a narrative style that makes listeners feel like we are right there living in whatever vignette he’s exploring in his song. I knew immediately that I wanted to see Ellis again and again, and I discovered that he plays back-to-back New Year’s Eve shows every year at the incredible Club Passim in Harvard Square in Cambridge, Massachusetts. I’ve attended his New Year’s Eve show there seven times with fabulous friends. It’s surely been one of my favorite traditions in my life.

This year, though, my friends and I were not able to make the show together. Our friends Lizzie and Dave welcomed their first child into the world just weeks before the Club Passim show—welcome, Caroline! This year, Ellis on New Year’s Eve was not to be. Ellis and his friends Radoslav Lorkovic, Don Conoscenti, and Michael Clem have played at the intimate and fabulous One Longfellow Square in Portland, Maine on New Year’s Day for the last two or three consecutive years. One Longfellow Square is a beautiful, small venue and is now a non-profit and I’m a member. I was really happy to be able to see Ellis and friends at OLS so close to home to start off my year. Check out One Longfellow Square here. You won’t be disappointed!

My friend Michelle and I grabbed a great Thai dinner before the show and were joined at OLS by Jason, Max, and Sophie. We got there just after doors opened and were only able to get five seats together in the sixth row. The show was sold out and people arrived early to get a good spot. Ellis is a Maine favorite as he’s a Maine native living far from home these days. When Michelle and I found seats, the woman sitting in front of us with her family was quite chatty. She had also seen Ellis a month or so before at Slates in Hallowell, Maine (just four miles from my house)—a show Michelle and I had also attended. She was so excited to see Ellis and called herself his number one fan. At some point, though, it came out that this was my 37th Ellis Paul show. I was dubbed “Ellis’ number one fan.” Any Ellis fan reading this obviously knows I am not his number one fan. He has quite a lot of people who claim that title and I am happy to share!

Peyton Tochterman, who Ellis discovered playing at a wine bar in Virginia, opened the show. We’d seen him in November, too. He reminds me of Maine musician, David Mallett. He exudes country—songs of villain/heroes and love and loss. He was significantly more entertaining on this night—I think he’s hit his comfort zone touring with such seasoned professionals. He told a hilarious story about his neighbor who bought his daughter a rifle for her fourth birthday. I promise the story is funnier than alarming. He also said his neighbor (the same one, I think) has a tattoo of a JEEP with the word “JEEP” tattooed underneath it. He asked if Mainers could relate and a woman in the front row said she’d gotten a pink rifle when she was younger. Peyton also told the story of how he written the first part of his album while recovering from surgery after Kenny G’s piano fell on him when he worked as a roadie. Yes, really. He has a sense of humor about it now, saying it couldn’t have been Elton John’s or Billy Joel’s piano but Kenny G’s. He was in a dark place when he wrote his EP—good fodder for country/folk music, really—and when Ellis heard him at the wine bar, he offered Peyton songwriting help and really pushed him to record and mentored him through the creation of a full-length album.

Ellis, Rad, DonCon, and Michael Clem took the stage after seven shows in three days. They were no worse for wear and put on a great show. They played “3,000 Miles” and “Maria’s Beautiful Mess”—Ellis classics—but also a couple of new songs from Ellis’ just-released family album, The Hero in You. I really, really like the song about Chief Joseph and love the concept of intelligent songs for kids about important people like Rosa Parks and Benjamin Franklin. He also played a newer song about Johnny Cash called “Kick Out the Lights,” which is my friend Michelle’s favorite and has a great audience participation part.

Roy Orbison’s wife, Barbara, who recently passed away on the anniversary of Roy’s death, had asked musicians to record Roy’s songs. Ellis donned a pair of sunglasses and played a beautiful rendition of “Crying.” The band rocked out during the annual cover songs portion of the evening (last year included “Don’t Stop Believin’,” which was amazing!)—playing “Across the Universe” and  “American Girl.”

The ongoing story of the night was about an incredible and expensive guitar that Ellis had played for a couple of shows but decided it would be crazy to buy. Later, when he decided to go for it, the guitar he loved had just been bought by Neil Young for his wife.

Fast forward to another fabulous and expensive guitar in Oklahoma that Ellis played during his shows there. When the owner told him Neil Young was coming in soon, Ellis pulled out his credit card and bought the guitar (which he was playing at the OLS show). When Ellis broke a string and proceeded to fix it himself during the course of a song which he continued to sing without missing a beat, Michael Clem hollered out “I bet Neil Young couldn’t do that.” A lot of camaraderie on stage that night.

Ellis and DonCon in the Audience

As per tradition, Ellis and the guys unplugged and came out to play in the audience— they did “The World Ain’t Slowing Down” in the audience and wrapped up the night back on stage with “Annalee” and “Hurricane Angel” as an encore. It was a beautiful night, a great start to 2012, and I’m excited for my 38th Ellis show!

xo,

bree

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