Daily Archives: April 18, 2016

Ellis Paul

Saturday, March 12, 2016

Unitarian Universalist Church, Brunswick, Maine

This was my 46th Ellis Paul show, and it was fantastic. Obviously, some Ellis Paul shows are better than others, and I can tell the difference, even if I’m biased. There was a point in time a few years ago when Ellis’ voice sounded strained (he plays hundreds of shows a year, so that’s to be expected) and he needed to work with a voice coach and get some vocal rest. I also didn’t love how he gave up telling a lot of his best stories about a year ago (how he found his guitar, Guinness, for example) to banter instead about how we’ve lost our connection to music we can hold in our hands and carried a record player around to all of his shows. The last two of his shows that I saw (January 1 at One Longfellow Square) and this lovely night were full of the best of Ellis—with a powerful voice and great storytelling.

IMG_3191

Ellis Paul

Hedda and I have been friends since we both had bad hair in high school (she had a bowl cut. I had a spiral perm). She was able to join me at the beautiful Unitarian Universalist Church in Brunswick for her first-ever Ellis Paul show. My dear colleague Dennis and his beloved wife, Jean, were also able to come for their first-ever Ellis experience. I love introducing people to Ellis Paul. It never gets old. All of them, of course, loved him. He was really on that night!

Bree and Hedda

Girls’ night out! Me and Hedda!

This show was one in a series of Concerts for a Cause at the UU Church. They host concerts to raise money for local charities chosen by church members. This year’s charities are Midcoast Hunger Prevention, Tedford Housing, Independence Association, Spindleworks, Habitat for Humanity, Gathering Place, Boys to Men, Maine Hospice, ILAP (Immigrant Legal Advocacy Project), Natural Resources of Maine, Coastal Humane Society, and Doctors Without Borders.

It’s time for a brief concert etiquette lesson. If you’re taking photos at a concert with a camera that makes sound, it’s polite to shoot during a few songs and then put the camera away. The same goes for taking photos with a cell phone, even if it’s silent. No one wants to listen to your camera click or watch a show through your cell phone screen if they’re stuck sitting behind you. It is not polite to take photos throughout every song such that people around you can’t enjoy the tender moments in the song because everyone in a five-plus row radius can only hear the constant click of your camera. I spoke to this particular Ellis superfan during intermission and asked her to kindly put the loud camera away after intermission, and she obliged. I think the folks sitting behind her had to endure watching the rest of the show through the screen of her cell phone while she took photos without sound (a bummer still, even if somewhat an improvement), but the second half of the show was a ton more enjoyable for those of us a bit farther away.

Ellis Piano

Ellis at the piano and the offending constant click of that camera in the foreground. Audience etiquette no no.

Ellis obviously impressed the sold out crowd. Folks were toe tapping and laughing and singing along (when invited) all night long. The truly talented Laurie MacAllister from Red Molly sang a few songs with Ellis. She’s performed with him every time I’ve seen him over the last year or so, and is a real treat. He introduced us to his beautiful new guitar, Sprocket, which he invited us to take a closer look at after the show. I didn’t take notes and just enjoyed the show; so I have nothing resembling a set list for you, but I remember that he wrapped his set with an improved song at the piano about being back in Maine (which was creative and hilarious) and his encore was an unplugged sing along to Joni Mitchell’s “Circle Game” from the middle of the room.

IMG_3225

Ellis and Laurie

Ellis Paul and Laurie MacAllister

Encore

“Circle Game” from the center of the room.

Do you think you get to sing a song on stage with Ellis at your 50th Ellis show? Starting to plan ahead. Thank you, Ellis, for another wonderful night!

xo,

bree

Sprocket

Ellis’ new guitar, Sprocket!

Advertisements

2 Comments

Filed under Uncategorized

The Ghost of Paul Revere

Friday, March 4, 2016

Johnson Hall, Gardiner, Maine

I hadn’t seen The Ghost of Paul Revere play live in at least a year, so I was really excited for them to come play at Johnson Hall in my own sweet little town. I was only slightly tempted to stay home and binge on the fourth season of House of Cards, which was released that day, but I’m glad I made it downtown for this show instead. The Ghost of Paul Revere (GPR) had played Johnson Hall a year or so ago (I’d suggested them to Johnson Hall Executive Artistic Director Mike Miclon), and many folks in the near sell out crowd were returning to see them again.

This was the best I’d heard GPR sound since the first time I saw them play back in May of 2013 at One Longfellow Square. While I was doing research for this post, I found a quote from my May 2013 post on whatbreesees.com on The Ghost of Paul Revere’s website. Awesome!

Screen Shot 2016-04-18 at 4.09.51 PM

I love it when I show up on a band’s website! http://www.ghostofpaulrevere.com/epk/

Griffin Sherry has a clear, beautiful voice. Sean McCarthy claimed to be under the weather, but he was hilarious and kept us laughing with lots of banter anyhow. Their three part harmonies with Max Davis were lovely. Matt Young killed on harmonica. They really made me feel like I was in their living room, and that is the best kind of show possible.

IMG_3167

The Ghost of Paul Revere. From left to right–Matt Young, Griffin Sherry, Sean McCarthy, and Max Davis.

IMG_3180IMG_3160IMG_2744

“Ghostland” and “Mountain Song” were both early standouts of the night, and GPR recorded both songs during their Audiotree session. After their first show at Johnson Hall, GPR came back to film their video for “Wolves” upstairs in the stunning, unfinished upstairs concert hall. “San Antone” is easily my favorite GPR song, so I was glad to hear that one live. Their last song before intermission was a cappella. Sean asked a group of little kids in the front row if they knew what that meant. They didn’t. It was a super cute exchange. After intermission, GPR played “Ballad of the 20th Maine,” did an amazing cover of “Baba O’Riley,” and closed their set (appropriately) with “This is the End.”

Screen Shot 2016-04-18 at 5.13.49 PM

A screenshot of GPR’s “Wolves” video, shot in the unfinished upstairs concert hall at Johnson Hall in Gardiner, Maine.

After the show, Gardiner’s new-ish record store, Niche, Inc. stayed open to host folks who wanted to see their shop. I was impressed when all of the members of The Ghost of Paul Revere went over to support the store, whose owners Sam and Jason are big fans. I normally don’t chat with musicians (if they’re having an off night, I’ve found it can destroy all the love you have for their music), but since GPR did a nationwide tour with my dear friend Max Garcia Conover, I decided to break the rule. They’re all totally down to Earth, approachable guys. We got a chance to talk music for a long time, which was a sweet treat. Come back soon, guys! Thanks for a great show!

xo,

bree

FullSizeRender 20

2 Comments

Filed under Uncategorized