Tag Archives: 98.9 WCLZ

Studio Z: The Lone Bellow

Monday, February 23, 2015

Port City Music Hall, Portland, Maine

I was THRILLED when my friend Colin invited me to join him to see my very favorite band, The Lone Bellow, at 98.9 WCLZ’s intimate Studio Z at Port City Music Hall. It was quite the treat to get to see them up close and personal with such a small group of fans. Zach Williams even reached down from the stage to introduce himself to me and shake my hand before the show.  They played four songs for us:

“Then Came the Morning”

“Call to War” (Featuring Kanene on vocals—this is my favorite song on the new album)

“Watch Over Us” (Featuring Brian on vocals—this is my favorite song to see performed live)

“Take My Love”

98.9 WCLZ's Studio Z with The Lone Bellow

98.9 WCLZ’s Studio Z with The Lone Bellow at Port City Music Hall

Brian Elmquist, Zach Williams, and Kanene Pipkin of The Lone Bellow

Brian Elmquist, Zach Williams, and Kanene Pipkin of The Lone Bellow

Zach Williams

Zach Williams

98.9 WCLZ host Brian Farrell asked the band well-researched questions that would be a great introduction to the band if you don’t know them (which could mean you’ve been ignoring me raving about them for two years). His questions addressed their history as a group to their incredible live performance to their album art for their latest release Then Came The Morning. You can listen to the whole Studio Z performance. I’ll add the video when it’s posted next week. The band also graciously chatted with all of us and posed for photos as well. I don’t usually like to meet people whose music I care so much about, but they were sincere and kind and grateful for our support of their music.

I’d seen The Lone Bellow live four amazing times before this, but it was such a pleasure to get to see them in such a personal, unique way. Thanks to The Lone Bellow for being so lovely, to Colin for inviting me, to 98.9 WCLZ for putting it together, and to Port City Music Hall for hosting. I am rarely starstruck, but this got to me and I smiled ridiculously for hours afterwards!

xo,

bree

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Ryan Montbleau and Jesse Dee

Saturday, December 6, 2014

Port City Music Hall, Portland, Maine

I’d somehow never seen Ryan Montbleau live.  I’d come close a few times, too—just missing his set at music festivals more than once. I signed up to win tickets from 98.9 WCLZ for this show and won, and so I emailed Ryan and asked if I could photograh the show, which he and his team kindly allowed. I ran into my friends Jason and Sarah when I got to Port City Music Hall, and my new Gardiner neighbor Ari and her friend Jess joined me up front for a bit of the show, too.

I liked Boston’s Jesse Dee. He didn’t say much to us during his set, but he and his electric guitar were a lovely pair onstage. I kept hearing Rickie Lee Jones’ “Chuck E.’s In Love” in his songs. Jess said he reminded her a bit of Martin Sexton. Check out “Boundary Line” and “Slow Down” to get a taste of his soulful sound.

Jesse Dee

Jesse Dee

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I ended up in a nice pocket of concert goers for this show, which is always a real plus. I snuck over to the middle of the crowd to take some photos, and people gladly moved aside to let me in. A woman standing next to me asked if I’d seen Ryan before and excitedly checked back in with me later to see if I liked him. Such nice folks at this show! I think I’d expected Ryan to be an acoustic singer-songwriter, but he arrived as a nine-piece band (including two female singers and guys on keys, drums, percussion, trombone, saxophone, and bass) with a far funkier sound than I’d expected. Sometimes it’s nice to see a band whose music I don’t know so I can put my notebook down and just dance. Thanks for a fun night! Oh! And Ryan’s team recorded the show and you can see the whole thing here! Check out my photos of Ryan and the band below.

xo,

bree

Ryan Montbleau

Ryan Montbleau

Loved this choreography

Loved this choreography

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Is this exactly the outfit Ryan Gosling wore in The Notebook?!

Is this exactly the outfit Ryan Gosling wore in The Notebook?!

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This sweet guy saw me taking photos and insisted I get in one since I have essentially not a single photo of myself at a show. That's his nice friend on the right.

This sweet guy saw me taking photos and insisted I get in one since we have so few photos of ourselves at shows. That’s his nice friend on the right.

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Carbon Leaf with Tall Heights

Thursday, November 20, 2014

Port City Music Hall, Portland, Maine

What a fun night! I held baby Isabelle for a while after school, and then picked up Megan for an adventurous evening celebrating our Friendiversary! We met six happy years ago at Bowdoin College’s amazing annual Thanksgiving dinner. We stopped by the Maine Tweetup at Glass Lounge in the Old Port’s new Hyatt Place hotel for a bit, and then had a scrumptious dinner at Empire before heading over to Port City Music Hall for the show.

Friendiversary!

Friendiversary!

I was surprised by how big the crowd was when we arrived, but I had a press pass and was able to snag a spot just behind the barricade adjacent to the stage with room for Megan, too. We were excited to see our Carbon Leaf friend Stacey very nearby with her husband Don. It’s always great to see them for a Carbon Leaf show and Stacey and I haven’t missed a single Maine Carbon Leaf appearance together since we met at a Carbon Leaf show at Port City in 2009.

Megan, Sarah, Me, Barry from Carbon Leaf, and Stacey at Port City in 2009

Megan, Sarah, Me, Barry from Carbon Leaf, and Stacey at Port City in 2009

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I’d seen Tall Heights back in May of 2013 with Tricky Britches and The Ghost of Paul Revere at One Longfellow Square in Portland and was looking forward to seeing them again. Boston-based folk duo Tim Harrington on guitar and Paul Wright on cello impressed again with their flawless harmonies and engaging stage presence. I particularly liked “Eastern Standard Time” and “I Don’t Know, I Don’t Know.” Tim told us that Paul had just jumped into the Atlantic Ocean in Beverly, Massachusetts to celebrate his recent birthday, and Paul told us it was similarly cold in Maine while pointing out the winter hat Tim was wearing on stage. Their cover of “Yesterday” was really quite pretty, as well. Check out this story about Tall Heights’ background (including their extensive busking experience) and this live recording of “Running of the Bulls” filmed by Boston’s Sofar Sounds.

Tall Heights: Tim Harrington on guitar and Paul Wright on cello

Tall Heights: Tim Harrington on guitar and Paul Wright on cello

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Virginia’s Carbon Leaf took the stage as an enthusiastic crowd cheered them on. Lead singer Barry Privett welcome us and they launched right into songs played frequently over the years on 98.9 WCLZ including “Life Less Ordinary” and “What About Everything?” There were lots of folks in the crowd singing along to all of the songs all night long. “Desperation Song” was a big hit with Barry on penny whistle. Carter Gravatt debuted a new guitar that sounded great and Barry joked that if Carter sold half his gear the band could retire tomorrow.

Carbon Leaf's Barry Privett

Carbon Leaf’s Barry Privett

Terry Clark

Terry Clark

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Jon Markel

Jon Markel

Jason Neal

Jason Neal

Carter Gravatt

Carter Gravatt

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Barry and Carter were joined by the rest of their bandmates—Terry Clark (guitar), Jon Markel (bass), and Jason Neal (drums)—around a single microphone to sing a handful of songs, including a couple a cappella. Their harmonies are incredible—clearly the product of nearly twenty years playing together. Barry told us about their newest independently released album, Constellation Prize, and the re-release of their 2004 album Indian Summer, which had been the property of their former record label, but now belongs to them in the form of Indian Summer Revisited, which inspired their current 50 city tour.

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The guy running stage security was particularly nice and even offered to create a path for me to get to the center of the room so I could take photos from another angle. I turned down his very kind offer, but took my camera and ventured over to the center of the room. I couldn’t believe how great everyone in the crowd was! It’s been a while since the crowd at a show was so lovely. People literally moved out of my way with smiles on their faces like I was Moses parting the sea. Even the guy standing front and center at the stage gladly moved aside to let me in to take a few shots. Maybe the crowd was so wonderfully kind and easy going because the guys in Carbon Leaf are down to earth and friendly themselves? Just a hypothesis.

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Barry told us that we could take home a recording of that night’s show on USB (which is an awesome idea that I wish more bands would borrow). He told us about the music festival they curate at Pocahontas State Park in Chesterfield, Virginia called Carbon Leaf’s Ragtime Carnival in May (in case anyone’s up for a road trip). The guys gave a shout out to WCLZ for always supporting them and for sponsoring the show and a Studio Z earlier in the day. They wrapped up the evening’s encore with one of my very favorites, “Let Your Troubles Roll By,” which was the last song I heard live in 2013 at my last Carbon Leaf show. Energized by the show, Megan and I turned to leave, and I ran into my cousin Jake on the way out, which was a big bonus! Megan was so enthused by the show that she spent part of the ride home downloading more Carbon Leaf music. She was especially taken with “The War Was in Color” during the show and downloaded a couple of versions as we talked about how much fun we had. We’re already excited for our next Carbon Leaf show! Thanks, guys! (Check out more pictures below!)

xo,

bree

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Eric Hutchinson, Tristan Prettyman, and Nick Howard

Tuesday, October 28, 2014

Port City Music Hall, Portland, Maine

This was the kind of grey and dreary Tuesday that felt like it should have been a Thursday already. I was so ready for Daylight Savings Time, and I think the dark weather sadly ended up clouding my show experience. I had a sluggish afternoon after school holding my dear friend’s two-month-old baby girl for a few hours before heading down to Portland to catch this show. I got to Sarah’s house just as Eric Hutchinson and Tristan Prettyman’s Studio Z interview on 98.9 WCLZ began and listened while I snuggled baby Isabelle. I’d seen Eric live back in 2012 on his “Almost Solo Tour” with accompanist Elliott Blaufuss, and he was a supreme entertainer—as much a stand up comedian as a singer-songwriter. I was happy to hear that he was just as engaging over the radio, joking that the way he and Tristan co-headlined this tour was by each playing their set simultaneously on opposite sides of a curtain and seeing who gets more attention from the crowd. Tristan and Eric talked about being good friends for over a decade and how excited they were to put the City & Sand Tour together (she’s from San Diego and he’s living in NYC). Tristan talked about going through a lot of transitions—being dropped by her label, firing her manager, becoming a one-woman operation, and getting married in August right before spending two weeks in the studio after her honeymoon recording her new EP, Back To Home. They sounded like they were already having fun together on the road (the tour just started the night before in Boston), and they played a fun cover of “All About That Bass” together that got me geared up for the show.

Isabelle is quite snuggly

Isabelle is quite snuggly

She's so snuggly that we fell asleep together for a little while before I took off for the show

She’s so snuggly that we fell asleep together for a little while before I took off for the show.

I arrived early to grab my press ticket and a front row spot. My friends Andrea and Cory were already at Port City Music Hall by the time I arrived, but sadly couldn’t stand up front with me because Cory was injured and needed to sit for the show. For whatever reason, being solo at this show made it less fun. I ended up in a pocket of obnoxious people—drunk people, loud talkers, adults waaaaay too old to be grinding on each other like that, and between that and the dreary weather, I think my positive show experience was over before it began. Most of those annoying people arrived only after Britain’s Nick Howard performed, so I did get an uninterrupted chance to enjoy at least part of the show. Nick was engaging—as far as an opening act goes, he did everything right. He chatted comfortably with the crowd, complimented the area (he joked about being able to see why so many presidents vacation in Maine), sang a few songs we knew (his cover song medley included “Wake Me Up” and “Save Tonight”), asked us to clap, whistle, and sing along, and didn’t play for too long. Well done, Nick. I especially liked his original songs “Can’t Break a Broken Heart” and “Falling for You.”

Nick Howard

Nick Howard

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I was impressed with the speedy set change (it being a school night and all), and Tristan Prettyman and her band took the stage in no time at all. I hadn’t seen her since 2011 at the Life is Good Festival in Canton, Massachusetts, and was glad to see her again. Her last album, Cedar + Gold, got a lot of play on long road trips in my car in 2012. It’s definitely a breakup album (this summer, my break up album was Sam Smith’s In the Lonely Hour) and was written about her broken engagement with Jason Mraz. Here’s Tristan performing a stripped-down version of “I Was Gonna Marry You” that she didn’t play at the show, since a lot has happened since then. Tristan told us she’d gotten married in August (her husband, Google Venture managing partner, Bill Maris, was in the crowd proudly taking photos). Her new EP, Back to Home, released the day before the show, is a much happier album, and Tristan told us she was playing these songs live for the first time on the City & Sand Tour with Eric. She joked about how all of her songs are about stupid men, and so she really didn’t have anything appropriate to play when she visited her friend’s sixth grade classroom, so she wrote a “namaste” song, “Open Up Your Eyes.” I was glad to hear “Say Anything,” “Madly,” and “My Oh My,” all songs that 98.9 WCLZ has played regularly for ages. Tristan surprised us with a fun cover of Iggy Azalea’s “Fancy” during her set, which had people happily singing along.

Tristan Prettyman

Tristan Prettyman

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The last time I saw Eric Hutchinson was a real treat. He told a ton of stories about his songs and interacted comfortably with the friendly crowd while playing stripped-down, acoustic songs—my ideal concert-going scenario. This show was different. Eric hopped up on stage with a full band and rocked from start to finish. He didn’t say a whole lot to the crowd, but he and his happy bandmates had great energy and put on a fun show. Eric has a lot of hits from his decade-plus-long career, and he played them all. The crowd was clearly excited to hear “Watching You Watch Him.” During “The Basement” he sampled a little Aretha, Michael Jackson, Stevie Wonder, and Amy Winehouse. It was a big hit with the crowd and Eric and the band really went all out on it.

Eric Hutchinson

Eric Hutchinson

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Loved seeing this camaraderie

Loved seeing this camaraderie

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Look at the fun they're having!

Look at the fun they’re having!

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Eric called Tristan up on stage and they did one of her songs, “Love Love Love,” together. He told us that the first time he heard that song, he listened to it on repeat for an entire two hour drive. Eric tested out the security of the big speaker on the floor right next to me and then hopped up onto it to start singing “OK, It’s Alright with Me.” I physically had to move to get out of his way. That’s how close to a performer I want to be during a show! (It’s also why I didn’t move to a new spot when I probably should have to get away from the folks I was standing around. Lesson learned.)

Tristan and Eric on her "Love Love Love"

Tristan and Eric on her “Love Love Love”

Eric up on the speaker right next to me. This is the kind of stage proximity I look for!

Eric up on the speaker right next to me. This is the kind of stage proximity I look for!

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I appreciated the way that Eric gleefully interacted with his band on stage. He took the time to introduce all of them and to give them time to highlight their skills, which they especially did during “You Don’t Have to Believe Me.” The show is clearly not all about him to him, and that’s great to see. Eric talked about getting dropped from his label years ago and using the money to make his 2008 album, Sounds Like This. His newest album, Pure Fiction, came out in April of 2014. Eric sampled Taylor Swift’s “Shake It Off” and OutKast’s “Hey Ya!” during “A Little More,” one of his newer songs. I stayed through “Rock and Roll” and then decided to head home before the encore so I could be in bed before midnight on a school night. Eric’s so fun live. Next time I see him, I’ll try harder to bring my dancing shoes!

xo,

bree

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Ghostland Music Festival

Saturday, September 13, 2014

Thomas Point Beach, Brunswick, Maine

The school year has been SUPER busy! This lovely day was weeks ago now! Sorry for the delay!

My friend Grace texted in the morning to ask if I had any interest in going to the first ever Ghostland Music Festival at Thomas Point Beach in Brunswick. It had been on my radar, so I took her text as a sign I should commit. I hurried by Gardiner’s annual Barks in the Park to pet some pups, take some pictures, and chat with my mayor about our most recent concert experiences before heading to Brunswick for the afternoon.

I fell in love with Otis at Gardiner's Barks in the Park!

I fell in love with Otis at Gardiner’s Barks in the Park!

Pretty Penny

Pretty Penny

It was a bit of a gloomy day—overcast and chilly—so turnout for the festival might have a little less than hoped for. I set up folding chairs and blankets close to the stage just outside of the fenced off beer area when I arrived and scoped out the grounds a bit. I was impressed with how well things were organized; especially given it was a first-time festival. Festival sponsor 98.9 WCLZ’s Ethan Minton took the stage to welcome us and tell us about the important work we were supporting by buying a ticket to the festival. He told us that 1 in 4 kids in Maine is food insecure, but Mid Coast Hunger Prevention Program feeds over a thousand families each year and provides food to kids on the weekends through their Backpack Program.

98.9 WCLZ's Ethan Minton

98.9 WCLZ’s Ethan Minton

I’d hurried to get to the festival early because I really wanted to see Matt Lorenz who plays as The Suitcase Junket and was scheduled to kick off the festival. He is one talented guy, who I first saw play with his band Rusty Belle and the ever-talented Caitlin Canty. Matt was nowhere to be seen, however, and Ethan told us that he sadly couldn’t make it because of car trouble. When I saw Jacob Augustine come to the stage with his beautiful guitar in hand, I knew we were in for an unexpected treat. Jacob was the second artist I ever wrote about on whatbreesees. I was going through a breakup at the time, and his incredibly heavy, soulful songs were no help at all! But he is beautiful to see in person. Jacob’s playing with one of my favorite bands, the harmonic Darlingside, this Saturday night at Empire in Portland, and you should REALLY go! Jacob’s voice will surprise you because it doesn’t match how he appears at all. He’s tattooed and has an amazing beard, but his voice is a beautiful falsetto full of vibrato. He had us join him in a whistled rendition of Happy Birthday for his friend and closed with “Waco.”

Jacob Augustine

Jacob Augustine

Grace and I grabbed lunch from the food trucks after Jacob’s set. My teriyaki jalapeno pineapple grilled chicken sandwich from the Good Shepherd Food Bank’s food truck was insanely good. Grace picked up some poutine from the other truck and we headed back to our seats in time for Maine’s most talented female vocalist, Anna Lombard. I first saw Anna at Slates in Hallowell and she blew me away. This woman can sing. She headlined Gardiner’s annual Swine and Stein Oktoberfest two years ago and impressed everyone there, too. (Swine and Stein is coming up next Saturday, October 11!). I saw my friend Vivian (who I met before a David Wax Museum show at Empire in Portland) sitting near the stage and grabbed her to come join us and share in the poutine and good music. A very pregnant Anna and her band of well-known Maine musicians like Tony McNaboe and Nate Soule took the stage and serenaded us with most of the tracks from Anna’s 2013 album, Head Full of Bells, including “They Want Us Dead,” “Nothing of Us Left,” “Waiting for Rescue,” “Why Did You Leave Me,” and “Confessions.” Anna sounded good as ever. Dave Gutter joined Anna and the band for “All For You” to end their set.

A great girls' day with Grace!

A great girls’ day with Grace!

Good Shepherd Food Bank's INCREDIBLE food truck!

Good Shepherd Food Bank’s INCREDIBLE food truck!

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Fun and games at Ghostland

Fun and games at Ghostland

Anna Lombard

Anna Lombard

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Dave Gutter’s set was up next. You probably know Dave and his recognizably raspy voice best from Rustic Overtones, which provided the soundtrack to my early college years. “Gangster” sounded great, and Dave said he’d “one up” Anna by inviting an already born child on stage to sing “I Like It Low” with him. Young Connie sounded great and was adorable. “Letter To The President” is a heavy song worth a listen, and Dave kept that mood rolling by ending his set with a song about addiction called “High On Everything.”

Dave Gutter

Dave Gutter

"I Like It Low" featuring Connie

“I Like It Low” featuring Connie on vocals

Boston based Will Dailey and his band took the stage and rocked with their electric guitars. I particularly liked “So Do I” and “Don’t Take Your Eyes Off of Me.” Anna Lombard seemed to be a big Will Dailey fan and she joined him for a song, too.

Will Dailey

Will Dailey

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Will Dailey featuring Anna Lombard

Will Dailey featuring Anna Lombard

An overcast day for a festival

An overcast day for a festival

I’d just seen Samuel James the night before at our dear friend Max Garcia Conover’s national RV tour kickoff show at Mayo Street Arts, and he was up next. The first time I saw Samuel James at Frontier in Brunswick, I felt like I was in his living room. The guy’s got soul. His blues guitar is impressive. I was glad to hear “It Ain’t Right” and “Nineteen,” which he wrote for his dad.

Samuel James

Samuel James

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Ethan invited everyone to move to inside because rain was imminent. Grace and I had been snuggled under our blankets for hours and were kind of spent, so we decided to head home after Samuel James. We missed Dominic and the Lucid, Spencer Albee, and The Ghost of Paul Revere (who I think are the bees knees). The Ghost of Paul Revere did a great job organizing Ghostland and I’m looking forward to seeing them in my sweet little town at Johnson Hall on November 8. I hope you raised a lot of well deserved and much needed funds for Mid Coast Hunger Prevention! Great job, guys!

xo,

bree

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Ingrid Michaelson in Studio Z

Friday, August 1, 2014

The VIA Agency, Portland, Maine

I first saw Ingrid Michaelson four years ago at Port City Music Hall in Portland play for a sold out crowd on a Wednesday night in the thick of winter. I remember the show fondly—I came straight from a graduate school class on the New Testament that ended down the street at Bangor Theological Seminary right at 9PM. I booked it over to the venue, but there was already a huge crowd gathered to see Ingrid’s now-husband, talented singer-songwriter Greg Laswell open the show. I very sadly missed almost all of his opening set, but Ingrid was so quirky and chatty and charming that I quickly put that aside and had a truly fabulous night. I think we were all floored when she asked the crowd if anyone knew the song “The Chain” from her then new(ish) album, Everybody, and wanted to SING IT ON STAGE with her and longtime guitarist Allie Moss. An enthusiastic woman in the front popped right up on stage and sang along and sounded great. It was such a lovely night.

I was thrilled to be invited to join my favorite radio station 98.9 WCLZ for an intimate noontime Studio Z performance with Ingrid. My friend Marian and I sat on a couch just a couple of feet from Allie on stage, which is exactly how I like to see a live show! Maine’s own Billy Libby is on tour with Ingrid and it was great to see he’s doing well. I love getting to hear from artists about their lives and music when they’re onstage, so Studio Z is the perfect setting because there’s a good mix of interview, music, and storytelling. Ingrid has a beautiful voice and Marian and I were pumped to get to be there. Thanks for hosting, Ethan! You can hear the whole performance here.

Thanks, 98.9 WCLZ!

Thanks, 98.9 WCLZ!

A little pre-Studio Z selfie with Marian!

A little pre-Studio Z selfie with Marian!

They asked us not to take photos during the show, but this is what it looked like at VIA after Studio Z. Awesome setting!

They asked us not to take photos during the show, but this is what it looked like at VIA after Studio Z. Awesome setting!

I didn’t make it to Ingrid’s sold out show later that night at State Theatre (but I did make it to Fill the Steins’ Cheap Beer Challenge to be a guest judge earlier in the evening), but I know (and heard) it was great and there was even an on stage proposal. If you get the chance to see Ingrid live, definitely do! (Taylor Swift agrees!) Thanks again, WCLZ! Oh! And check out this adorable Soul Pancake video featuring Ingrid.

xo,

bree

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Studio ZZ (An Intimate Pre-Show Performance from ZZ Ward)

Saturday, June 15, 2013

Port City Music Hall, Portland, Maine

I had the pleasure of chatting with ZZ Ward a couple of weeks ago on the phone while she was in a laundromat. Life on the road isn’t always so glamorous. She was very kind and I was even more excited after our conversation to see her live. Ethan Minton, 98.9 WCLZ’s program director, saw my interview with ZZ online and invited me to come to her intimate performance before the night show with just a few lucky fans. 98.9 WCLZ is my favorite local radio station that plays the music I love the most, so I was happy to accept his kind invitation.

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Waiting outside Port City Music Hall for Studio ZZ!

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My favorite local radio station!

My favorite local radio station!

You can listen to ZZ’s whole Studio Z (Studio ZZ in this case!) performance here.

The very talented ZZ Ward

The very talented ZZ Ward

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Ethan Minton asking ZZ some good questions

Ethan Minton asking ZZ some good questions

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She played “Put the Gun Down” and “365 Days” for us. Her album, Til the Casket Drops, is great from start to finish and is clearly about a failed relationship. She told us that “365 Days” is about waiting for “way too long” for someone to change their ways. Ethan asked good questions and we learned about ZZ’s love for the blues that inspired her signature hats (including some she’s designing) and her brother’s hip hop musical influence. Ethan surprised her with her own ZZ Ward WCLZ water bottles (which are SO cool!), and she was really excited to see her name on them.

Ethan gave ZZ a Fitz and The Tantrums 98.9 WCLZ custom water bottle. . .

Ethan gave ZZ a Fitz and The Tantrums 98.9 WCLZ custom water bottle. . .

And then Ethan surprised ZZ with water bottles with her name on them!

. . .and then Ethan surprised ZZ with water bottles with her name on them!

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I met some great folks at Studio ZZ and got to say hi to ZZ in person and have this photo snapped, too:

Me and ZZ

Me and ZZ

Thanks, Ethan! Thanks, 98.9 WCLZ! Check out more pictures from Studio ZZ below!

xo,

bree

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Family of the Year with Forget, Forget

Sunday, April 7, 2013

Port City Music Hall, Portland, Maine

I got a message from my friend McKay inviting me to come see his Portland-based band Forget, Forget open for Family of the Year at Port City Music Hall. I really like Family of the Year’s 2012 album, Loma Vista, so I actually already had a ticket. I emailed the band’s publicist to see if I could use my swanky new camera at the show, and she responded immediately with a yes. So then I had two tickets—well, a ticket and a press pass. And then I won two tickets from 98.9WCLZ that I’d signed up for weeks earlier. Oops. One girl. Four tickets. I took a friend and tried (unsuccessfully) to find a taker for the extras. I failed. I hope it doesn’t affect my concert karma. Fingers crossed.

I made my way to Portland at 7:30 after a long day of driving for my dear friend Melissa’s ordination service. There was a small crowd when I arrived that essentially filled the VIP section at Port City Music Hall. James and I grabbed a table in the front near the stage so we’d have a good view for the show. McKay came out to chat for a bit before Forget, Forget’s set. I’d just read a revealing and helpful article about the band in the Bangor Daily News that they’d posted on their Facebook page. Apparently, songwriter and band leader Tyler DeVos works with people with mental illness and writes down the things those folks say. The band’s songs are filled with collections of the seemingly random and sometimes disturbing phrases. The background information really helped me appreciate what they’re saying.

Tyler is joined by six band mates that together make a powerful sound—McKay Belk (guitar/banjo), John Nels Blanchette (guitar), Aaron LaChance (drums), Patia Maule (violin/keys), Dominic Grosso (bass), and Johanna Sorrell (cello). Yes, that’s a lot of strings. Sometimes I couldn’t hear all of the parts during their set, but I heartily enjoyed their music anyhow. They are a cohesive unit with great harmonies and I found them captivating.

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I would love to sit down with Forget, Forget’s lyrics, and hope to do so later in the summer when their album is released. Stay tuned for their Kickstarter campaign to raise funds to get their first album out. Tyler’s job must be really interesting, because the lyrics are fascinating—“I’m married to Avril Lavigne, Cher, and Olivia Newton-John/I’m scared one day they will realize/I’ve been keeping multiple wives.” Everyone in the band sang these lyrics in a lovely round—“The sound is loud/The wild people rejoice/Don’t remember/Never remember/Forget/Forget/Forget/Forget/Forget.” And finally (and quite poignantly), “Do you love me/the way I was loved/the way I was loved/before I got sick.” I am already looking forward to seeing Forget, Forget again. They were a great surprise.

I was underwhelmed with Family of the Year’s live show. I really like their upbeat, harmonic pop music. Their harmonies are great and they are so tight as a unit that they occasionally sound like one voice. I love good banter, though, and to feel like I’m part of a concert experience. The band seemed quite comfortable during their songs, but they were stiff in between and relied on talking to each other instead of actively involving the small, but attentive crowd in the show.

Lead singer and guitarist Joe Keefe sounded great. His brother Sebastian kept the beat going strong on drums and tambourine. James Bucky on guitar looked a lot like Paul Simon and kept a low profile. Alex Walker on bass was having an awesome time and bounced around and smiled a ton and was a pleasure to watch. I found keyboardist Christina Schroeter very distracting because she gesticulated like a rapper and even did some fist pumping. She reminded me a lot of Gwen Stefani, so seemed a little out of place at an indie pop show. She was kind to the crowd when it came to talking about their album, though. Christina told us that they’d love for us to leave with their album, so they were available as “pay what you can.” She said that the most important thing is that we left with the music. I liked that.

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I liked every song Family of the Year played. You may have heard “Chugjug” a couple of years ago in an Advil commercial. 98.9 WCLZ (who promoted the show) is playing “Hero” regularly and it’s so good. I really liked “Buried” (which reminds me so much of Good Old War, who I love), “St. Croix,” “Living on Love,” and “Diversity.” They covered Richard and Linda Thompson’s “I Want to See the Bright Lights Tonight.” I’m not sure what the last song of their set was, but they gave it their all and really rocked out.

Family of the Year left the stage and everyone clapped kindly for an encore, even though we were a small Sunday night crowd. I was really surprised that the band didn’t come back out for an encore. That rarely happens these days. In the rare instances when I’ve seen bands not do an encore, they’ve always said as much before leaving the stage. It was a little strange. In the end, I still quite like Family of the Year’s music, but their live show was not inspired. We all have off nights, so I’m willing to give them another shot. Have other people seen Family of the Year and loved their live show? Let us know! I’d be happy to be wrong about them.

xo,

bree

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