Tag Archives: The Ballroom Thieves

Johnson Hall Season Reveal

Wednesday, July 1, 2015

Johnson Hall, Gardiner, Maine

I love my sweet little town, and I’m over the moon about the caliber of shows coming this season to Johnson Hall, our beautiful local theater. Celebrating its 150th year, Johnson Hall Director Mike Miclon has outdone himself with the talent he’s booked to come play 40 shows in teeny Gardiner. Johnson Hall hosted a “season reveal” party early in July, and Mike gave me a shout out because (per my suggestion) one of my favorite live bands is coming on Friday, September 25. Boston’s The Ballroom Thieves* is the real deal, and the fact that they’re coming to Gardiner is a big deal, folks. The Thieves just impressed at The Newport Folk Festival, and getting to see them in an intimate venue like Johnson Hall will soon be a thing of the past. Don’t miss it! You can buy tickets for any (and all!) of the upcoming shows at Johnson Hall here.

Screen Shot 2015-07-05 at 1.52.25 PM

Johnson Hall Executive Director, Mike Miclon

Johnson Hall Executive Director, Mike Miclon

Mike also sent all of us home with a sampler CD of all of the musical groups coming this season, which was a brilliant idea and a generous gift. After a few listens, I had a strong sense of each musical group and confidently built my concert calendar—being sure to save the dates for acts like Don Campbell (November 7), David Wilcox (December 4), and Rose Cousins (March 18).

  
Johnson Hall is a major part of Gardiner’s downtown revival, and I hope you’ll come visit us for dinner and a show soon. Gardiner is a mere 45 minutes from Portland, and absolutely worth the drive.

Great job Mike—I’m thrilled about this season!

xo,

bree

*In case you need some convincing, check out one of my most effusive posts about The Ballroom Thieves.

Leave a comment

Filed under Uncategorized

The Ballroom Thieves with Tall Heights and the Maine Youth Rock Orchestra

Friday, April 24, 2015

Empire, Portland, Maine

*I think nearly seven weeks to process the strange events of this night is long enough. I wrote the bulk of this post just days after the show, but was so weirded out by the behavior of a woman in the crowd that I lost focus and never went back to finish the article. Since this show, The Ballroom Thieves have released a new Audiotree session AND have been invited to play their first Newport Folk Festival set! I am thrilled for them. The long story short of this article is that they are phenomenal live and when you go to a concert, you should be nice to the people around you.*

This was the best/worst show I’ve seen in a long while and I am still processing the events of the evening. I’ll explain. My sweetie and I planned our April vacation getaway around going to this show. I love Boston’s The Ballroom Thieves and have seen them a half dozen times and even wrote a preview piece for this show and a review of their debut album, A Wolf in the Doorway, which I rarely do. The last time I saw them play was also with the Maine Youth Rock Orchestra, which is incredible. I’m a sucker for a string section, so getting to see The Thieves play with an orchestra is a real treat.

Jeff and I wrapped up our adventure in the Kennebunks with an afternoon in Portland, including a trip to the Love Locks fence and a delicious dinner at El Rayo before the show. We stood outside in line at Empire just before doors at 9PM, met up with my concert friend Colin outside, and made our way front and center to the stage so we could be close. It was not very crowded in the front when Tall Heights took the stage. My friend Marian joined us, and then Kate, too. It’s rare for me to be at a show with such a posse, but the Thieves are just that good.

Sadly, there was a loud woman standing right behind me for the bulk of Tall Heights’ set talking with her friends about how “great” the band was and how she’d “pick up the CD after the show.” I was so happy they were happy, but they were also five feet from the performers and one foot from my ear having this ongoing conversation at full volume. *This leads me to concert etiquette tip #1 of the night—if you really must have a (long, loud) conversation, please move away from the stage where people who are probably bigger fans than you are trying to listen.* Unfortunately, I was distracted for most of Tall Heights’ set, but I always appreciate their lovely harmonies, and I enjoyed that Eric Jones (manager of The Ballroom Thieves and Darlingside) played drums with them for a lot of their set. Tim Harrington (guitar) joked that although we were there to celebrate the release of The Ballroom Thieves’ new album, their exciting debut of a Tall Heights tank top surely was more important. He dubbed the night “Tanksgiving.” They wrapped their set with “Spirit Cold,” with the delightful Maine Youth Rock Orchestra as featured performers.

Tall Heights' Paul Wright on cello

Tall Heights’ Paul Wright on cello

Tall Heights' Tim Harrington on guitar

Tall Heights’ Tim Harrington on guitar

Eric Jones on percussion

Eric Jones on percussion

IMG_1766

I won’t hold it against you if you skip this next paragraph, but HOLY COW, I was NOT expecting this to happen at a folk rock show:

This is when my night got really interesting. The gist is that the woman who was so loud and chatty right behind me during Tall Heights physically pushed me out of the way and stood between my sweetie and me at the stage. I was stunned. We were at a folk show, after all, and she was definitely in her thirties. She told me I’d been “taking up the room of three people” during the opening act and she intended to stand in front of me for the rest of the night. I’m not sure how she ended up moving away from me, but then she started poking her elbows and knees into Jeff to try to finagle a spot in front of him. SERIOUSLY? She told him that he was “rude” because he’s tall and blocked her view. Have you been to Empire? There’s plenty of room next to the stage on the floor and she could have stood anywhere. She kept attacking us verbally and Jeff turned around and used his dad voice and told her “I don’t want to hear another word from you for the rest of the night.” *This leads me to concert etiquette tip #2 of the night—if you want to stand in front of me at a show, you need to get there before me, or you need to ask nicely. You cannot physically shove people at a concert. That’s assault.* After Jeff’s stern warning, she moved and didn’t come back. People around us that we didn’t even know approached us to talk about her odd and unacceptable behavior. It was incredibly strange. Maine is a small place, because not even three days later, I saw a picture of this woman show up on my Facebook news feed because we have a mutual friend and they were tagged in a photo together. I sent my friend a message and she assures me that this woman seems nice and normal and must have just been having a bad night and is not the wretched woman I interacted with.

It took a bunch of songs for me to shake that strange experience, but I finally got my head in the game and The Ballroom Thieves rocked our socks, as they always do. They are so solid live—with passionate, urgent vocals, relatable songwriting, strong musicianship, and steady engagement with the crowd. They’re the real deal and I sincerely hope you’ll check them out. I didn’t take notes during the show, but I remember that they played “Coward’s Son”—a favorite of mine, which Martin dedicated to his parents who were at the show. They played “Archers” (which dazzles) and “Lantern” with the awesome Maine Youth Rock Orchestra, Calin wowed on lead on “Bury Me Smiling,” and they wrapped their set with a very high energy “Wolf.” I remember they played a sweet new song to end the night that was fantastic, too. The Thieves are again and again keeping their spot high on my list of favorite live acts. I hope to most of you at their next show. (See show photos below!)

xo,

bree

The Ballroom Thieves' Martin Earley on guitar

The Ballroom Thieves’ Martin Earley on guitar

The Ballroom Thieves' percussionist, Devin Mauch

The Ballroom Thieves’ percussionist, Devin Mauch

The Thieves' cellist, Calin Peters

The Thieves’ cellist, Calin Peters

IMG_1803 IMG_1806

Calin and Maine Youth Rock Orchestra Director Kevin Oats

Calin and Maine Youth Rock Orchestra Director Kevin Oats

IMG_1831

Calin and the Maine Youth Rock Orchestra

Calin and the Maine Youth Rock Orchestra

IMG_1849

Tall Heights joined the Thieves and the MYRO

Tall Heights joined the Thieves and the MYRO

IMG_1859 IMG_1863 IMG_1877

6 Comments

Filed under Uncategorized

The Ballroom Thieves unveil A Wolf in the Doorway

I’ve had the pleasure of seeing Boston’s The Ballroom Thieves live just a handful of times, but they quickly made their way onto my short list of favorite live bands. This talented trio—Martin Earley (guitar/vocals), Calin Peters (cello/vocals), and Devin Mauch (percussion/vocals)—is simply made to play music together. Their driving, percussive sound is infectious and their crystal clear vocals and gorgeous harmonies are top notch.

I first saw The Ballroom Thieves open for The Lone Bellow (holy smokes, I know!) back in June of 2013. I’d never heard of them and yet they stole my heart with the urgency of their music, honest lyrics, and engaging live show. They know how to perform and bring it every single time. The last time I saw the Thieves was with the very talented Maine Youth Rock Orchestra, and it was a real treat to see them perform together.

The Ballroom Thieves with Maine Youth Rock Orchestra

The Ballroom Thieves with Maine Youth Rock Orchestra

The Ballroom Thieves just released their first full-length album, A Wolf in the Doorway. They kindly sent it to me a couple of months ago and I’ve been listening on repeat. A Wolf in the Doorway beautifully captures the spirit of the Ballroom Thieves. It opens with “Archers,” which will win you over in seconds. (Check out the video for “Archers” that the Thieves made with the Maine Youth Rock Orchestra). “Archers” captures what I think is the Thieves’ essential sound.

Screen Shot 2015-04-22 at 1.25.21 AM

My other favorite songs on the record are towards the end of the album. I love Calin’s airy lead vocal on “Bury Me Smiling.” “The Loneliness Waltz” is beautiful. I’ve listened to that one over and over and the lyric “We are frivolous with our hearts/Watch them bend till they break/Then we pick up the parts/We give/We take/We save and condemn/We live just to love again” slays me. Martin’s lead vocals on “Here I Stand” tell the next part of the story after “The Loneliness Waltz,” and their harmonies are hymn like. The whole album is stellar, and you should definitely give it a listen.

  
Not only have the Thieves released a great new album, but they’re coming to town on Friday! They’re definitely going to sell out Empire, so get your tickets early. They’re bringing the Maine Youth Rock Orchestra, and Boston-based folk duo Tall Heights is opening the show. If you’re into string sections and strong harmonies, this is a do not miss show! Come find me at the show and say hi—I’ll be the one smiling big and singing along in the front row.

xo,

bree

Leave a comment

Filed under Uncategorized

Hollerfest 2: Darlingside, The Ballroom Thieves, and The Ghost of Paul Revere

Saturday, November 22, 2014

Strand Theatre, Rockland, Maine

I was really excited when I saw the lineup for Hollerfest 2. Darlingside and The Ballroom Thieves, both Massachusetts-based bands with strong ties to Maine, are both on my short list of favorite live bands. Add the promise of seeing them play with the Maine Youth Rock Orchestra, especially when I’m such a sucker for stringed instruments, and I was pumped. My friend Colin and I both skipped seeing insanely talented Lake Street Dive at The State Theatre in Portland to catch this show. It seemed like more bang for the buck and Colin’s a big Ghost of Paul Revere fan, too. I beat Colin to The Strand in Rockland and grabbed front row center seats for us.

I’ve written about Darlingside a bunch now. This “string rock quartet” is the real deal. I love that they perform huddled together around a single microphone and are gifted instrumentalists and vocalists. Their harmonies have such strength—surely a result of many years living and playing together. Don Mitchell (guitar), Auyon Mukharji (violin/mandolin), David Senft (guitar), and Harris Paseltiner (cello) are such a pleasure to watch live. They joked with the crowd in between songs and seemed genuinely excited to play with the Maine Youth Rock Orchestra, especially since Harris and Auyon played in orchestras growing up.

Don Mitchell, David Senft, Auyon Mukharji, and Harris Paseltiner of Darlingside

Don Mitchell, David Senft, Auyon Mukharji, and Harris Paseltiner of Darlingside

IMG_9858 IMG_9863 IMG_9874

They joked that “My Love” is a musical guide for how not to behave in a relationship. It’s one of my favorite Darlingside songs. They told us that “Whippoorwill” was about how great childhood was before fully processing how “uncool they’d been due to lack of youth orchestra.” Auyon kept the laughs going by introducing the band to us with fun facts about everyone’s eating habits while on the road.

They played one of my favorites, “Sweet and Low,” next and then welcomed the MYRO and their director Kevin Oats to the stage. They told us that the orchestra had done all of the work—all Darlingside had done was pick a couple of songs and MYRO director Kevin Oats arranged and taught them. They played two songs together—“The Ancestor” and “Blow the House Down.” The guys from Darlingside were all smiles during both songs and kept looking at the orchestra behind them—clearly tickled about how cool it was to be backed by a talented orchestra. Don joked that he often imagined an orchestra playing behind him in everyday life, but that the MYRO was much better. Auyon said to blame the MYRO if they were actually too awesome and actually did “blow the house down.” It was AWESOME to see the MYRO with Darlingside. All of my regrets about quitting violin after one year playing when I was in third grade came flooding back to me!

Darlingside with the Maine Youth Rock Orchestra

Darlingside with the Maine Youth Rock Orchestra

IMG_9883 IMG_9887 IMG_9889 IMG_9892 IMG_9901 IMG_9924

The Ballroom Thieves took the stage next and played a few songs I hadn’t heard live before—“Carolina” (?) and “Wild Woman.” Devin Mauch (percussion), Martin Earley (guitar), and Calin Peters (cello) were spot on. Their driving, percussive sound with strong harmonies was such a treat to witness after not having seen them play live since April. They played “Bullet,” which they said “killed in the South”—a relief because they’d been getting blank stares up until they played that song that southerners could relate to. They gave a shout out to Paul on sound who’d run sound for an opera at The Strand earlier in the day before doing sound for three bands and an entire orchestra.

The Ballroom Thieves: Martin Earley (guitar), Devin Mauch (percussion), and Calin Peters (cello)

The Ballroom Thieves: Martin Earley (guitar), Devin Mauch (percussion), and Calin Peters (cello)

IMG_9939 IMG_9948 IMG_9958

I loved hearing Calin on lead vocals for “Bury Me Smiling.” They did their own cute band introductions, as well. I really liked “Here I Stand.” They brought the MYRO to the stage to play “Archers” with them and told us that the orchestra had literally done all the work. Thieves—when do you have new music coming out? I am so ready to have my hands on this newer music to jam to during my morning commute!

IMG_9989 IMG_9993 IMG_9997

The Ballroom Thieves with the Maine Youth Rock Orchestra

The Ballroom Thieves with the Maine Youth Rock Orchestra

IMG_0008

The Ghost of Paul Revere came to the stage and I was really looking forward to having the chance to sit down and listen to their lyrics because I hadn’t seen them in a sit down venue for almost a year and a half. Griffin Sherry talked about being really excited to play with the MYRO and Shawn McCarthy joked that he was nervous because the MYRO are “all better than we are.” I think they played a song or two (I’m still pretty unfamiliar with their music, thus my excitement for this show) before Shawn invited people to get up and dance. A happy bunch of dancers made their way to the stage, inches from me in my front row seat. What that meant for me was that I couldn’t see the band anymore even though I was sitting feet from them front and center. I was so frustrated about having to watch people shaking their butts in my face and blocking my view that I ended up leaving after a couple more songs. My suggestion from a concert goer’s perspective for any live band is that if it’s a sit down venue, then the show is a sit down show. If you want people to be up and dancing, that’s what bars and other non-seated venues are for. I was super disappointed.

The Ghost of Paul Revere

The Ghost of Paul Revere

My obstructed front row "view" of the show after the second song :(

My obstructed front row “view” of the show after the second song 😦

On the plus side, I did run into Don from Darlingside on my way out and we got to catch up a bit. I’m already looking forward to seeing them again. What talent. A mixed bag of a night, but great to see two of my favorite live bands play with the talented Maine Youth Rock Orchestra!

xo,

bree

Leave a comment

Filed under Uncategorized

Darlingside and Jacob Augustine

Saturday, October 4, 2014

Empire, Portland, Maine

This was only my third Darlingside show? That doesn’t seem possible, because they hold a pretty big spot in my musical heart. I first saw them in September of 2012 at One Longfellow Square only because they invited me and I was completely flabbergasted. I declared it one of my top five shows of 2012—which means something since I saw 45 shows that year. They came to play OLS again last fall with the lovely and talented Caitlin Canty, who is a regular collaborator of theirs, and the effervescent Rusty Belle. I’ve mostly adjusted to teacher hours and the show didn’t start until after 9:30PM, so I was excited for the show, but afraid I’d fall asleep in the car on the drive home. I texted my concert buddy Colin, who promised me he’d meet me at the show, so I mustered up the energy for a late night and an hour and a half of driving to see them. Totally worth it. I love seeing shows with Colin because he appreciates music like I do, but also because he keeps track of set lists (which means I don’t have to). It’s kind of like seeing shows just for fun again!

Darlingside's set list--courtesy of Colin

Darlingside’s set list–courtesy of Colin

Darlingside took the stage about 9:45PM. As I glanced around the room, I saw most of The Ghost of Paul Revere, some guys from Tricky Britches, and Eric, who manages The Ballroom Thieves in the crowd. I feel like that turnout tells you this show was worth going to, eh?

Darlingside is a “string rock quartet.” Don, Dave, Auyon, and Harris went to Williams together, and their harmonies are flawless. As they played “God of Loss” and “My Love” to warm up, you could have heard a pin drop. In a bar. Late on a Saturday night. They’re impressive and they draw you in to listen. “My Love” is one of my favorites—a bit of self reflection about the effort one makes in a relationship—“My half-assed best was all I had for your love/my maybe-tomorrows for your heart-to-hearts/my punch-drunk house calls for your candles and wine/my brother, my banjo, my never-done-wrong/all you wanted was me by your side/I tend to get what I want/and do as I please/but you taught me I can’t always get away with everything I thought I could/and for that I thank you, my love.” Their cover of Smashing Pumpkin’s “1979” was energizing and a hit with the crowd.

From left to right, Darlingside is Don Mitchell,  David Senft, Auyon Mukharji, and Harris Paseltiner

From left to right, Darlingside is Don Mitchell,
David Senft, Auyon Mukharji, and Harris Paseltiner

IMG_8902 IMG_8916

Dave promised to try very hard not to hit Auyon with his instruments.

Dave promised to try very hard not to hit Auyon with his instruments.

Darlingside’s harmonies on “The Woods” were particularly standout. I was glad to hear “The Catbird Seat.” It’s pretty, but sad—“By you I swore/By the light or the way you wore it/Now instead I swear I’m over it.” “Blow the House Down” was a crowd favorite. They ended their set with “Good Man,” and the crowd cheered loudly enough for an encore. I was really happy to hear “Sweet and Low” live. I also would have liked to hear “Terrible Things,” but alas. Check out the video, though. It’s excellent.

IMG_8922 IMG_8927 IMG_8940

Darlingside will join The Ghost of Paul Revere and The Ballroom Thieves (two more of my favorite bands) for Hollerfest 2 at The Strand Theatre in Rockland on Saturday, November 22. They’ll be joined by the Maine Youth Rock Orchestra. I will definitely be there!

Mike, of my former students who is all grown up now, works downstairs at Empire and joined us for a bit. Mike was impressed with Jacob Augustine’s beard, and I told him to get ready to be surprised by Jacob’s sweet falsetto voice. He was. I’d just seen Jacob a few weeks either at Ghostland Music Festival, but he hasn’t played out much and it was a treat to get to see him again so soon. I’d never seen Jacob Augustine with a full band, and the fullness of sound amplified the message of his songs beautifully. Jacob’s band for the night included Asher Platts on upright/bass, Peter McLaughlin on percussion, and my friend McKay Belk rocking the steel guitar. “Halfway to Harlem” was a favorite. They played the long versions of each song, and since I could see their set list from my front row spot, I knew I wouldn’t make it to the end of the night and sadly excused myself for the haul home. I listened to this version of “Peace Comes” in the car en route, though. Sad to miss the rest, Jacob, but so glad to see you twice in short time!

xo,

bree

Jacob Augustine

Jacob Augustine

Jacob with McKay Belk on steel guitar

Jacob with McKay Belk on steel guitar

Jacob with Peter McLaughlin on percussion

Jacob with Peter McLaughlin on percussion

IMG_8961

Asher Platts on upright bass

Asher Platts on upright bass

What's that called, Peter?

What’s that called, Peter?

Leave a comment

Filed under Uncategorized

The Ballroom Thieves with the Soil & the Sun and Starlight Cicada

Friday, April 4, 2014

Empire, Portland, Maine

The Ballroom Thieves is one of my favorite bands from New England. Their percussive, harmonic sound and heartfelt, relatable lyrics are infectious. I’m a fan and plan to see them whenever they come to Maine. Fridays are usually the day of the week that I’m most tired and ready for bed before dark, but I gladly persevered until midnight to see the Thieves again. Check out my previous Ballroom Thieves posts from June 2013, October 2013, and January 2014.

I hadn’t seen a show at Empire since it’s reopening, and I liked the updates to the concert space upstairs. An aside: I’m often confused by folks who come out to see live music at bars. It seems like a lot of people just talk (loudly and even louder as the night goes on) throughout the show. Why bother buying a ticket to a show? Maybe just go to a bar without a band playing? It’s distracting (okay, annoying) for those of us who came to listen, but I digress.

I showed up late after a long dinner with girlfriends and was glad to catch the bulk of Starlight Cicada’s set. Maine’s own Elizabeth Taillon (Starlight Cicada is her unique moniker) is a former busker. I was impressed with the power of her vocals and with how revelatory and heavy her lyrics were. Her simple, finger picked electric guitar was a perfect accompaniment for her big voice and slow, mellow songs. I was drawn to a song that had the refrain “love me or be alone.” I ended up leaning over to the guy standing next to me to ask if he knew anything about Starlight Cicada—and, lucky me, he was her boyfriend. I’d like to see her again in a listening room and hear a little biographical information and background about the songs. Check out Starlight Cicada’s EP “The Mansion Demos.

Starlight Cicada

Starlight Cicada

The Ballroom Thieves discovered the Soil & the Sun when recording their Audiotree SXSW Showcase in Austin and invited them to come to New England and play some shows together. Grand Rapids, Michigan’s the Soil & the Sun was fantastic. I was glad that Caroline finished work downstairs and could come up to join me so I’d have someone to chat with about how interesting their music was. Their sound is full—six gifted musicians play multiple, rotating instruments including two keyboards, violin, drums, bass, guitar, tambourine, oboe (that wasn’t a clarinet, right?), and assorted percussive items. Since genres are so blurred these days, I’d dub theirs “indie orchestral.” I was reminded of North Carolina’s Lost in the Trees a bit during their set. I was impressed with their layered songs with ever-changing tempos, gorgeous harmonies, and instrumentation. I would have loved to hear a bit about the band and their songs, and I wish they’d been able to play a bit longer so my sweetie (who was a music major in college and a quite serious, accomplished flute player for many years) could have heard them. They’re impressive and I hope they’ll come back this way.

the Soil & the Sun

the Soil & the Sun

IMG_6662 IMG_6675 IMG_6684 IMG_6689

The Ballroom Thieves took the stage and opened with “Brother.” It stuck out as one of their best to me and was a strong opening. Devin, Martin, and Calin were spot on, as always. Jeff made it in time to catch their set from the beginning and he and Caroline, seeing them for the first time, were both impressed. The Thieves complimented the new Empire and raved about their fantastic meal as they recounted their entrees by name.

Martin Earley, Devin Mauch, and Calin Peters are The Ballroom Thieves

Martin Earley, Devin Mauch, and Calin Peters are The Ballroom Thieves

IMG_6709

“Oak” is pretty. I’m looking forward to having that song to listen to on repeat when The Ballroom Thieves’ upcoming album drops. I liked hearing new songs, too, and the Thieves played a few. One of the lyrics that caught me was “I would burn into the ground to take you home.” Their harmonies are always strong, but were even more mesmerizing when they sang a cappella on “Stones.” I appreciated it at the end of the night when the guys thanked us sincerely for coming out and for our continued support of their music. They can be a little goofy onstage (and I like their comfortable banter with the crowd), but it’s clear that they genuinely appreciate the opportunity to play for an attentive audience.

I love this shot of Devin

I love this shot of Devin

IMG_6740IMG_6744

They unplugged and came out into the middle of the room to play “Save Me,” definitely one of my favorites, to wrap the night. Folks circled around them and the room was completely silent but for the beautiful lyrics and harmonies of that song. I was impressed (but not surprised) that the Thieves garnered total silence from a bar crowd at midnight on a Friday night. They’re that good. Check them out next time they’re in town—you can meet me front and center!

"Save Me" unplugged in the middle of the room

“Save Me” unplugged in the middle of the room

Thanks, Thieves!

xo,

bree

Leave a comment

Filed under Uncategorized

The Alternate Routes with The Ballroom Thieves

Friday, January 17, 2014

Port City Music Hall, Portland, Maine

Happy 2014!! I had a fantastic winter break in Hawaii and am feeling rejuvenated and excited for a great year of live music as whatbreesees.com starts year number three. Thank you so much for all of your support!

I was pretty happy to be in Hawaii in December!

I was pretty happy to be in Hawaii in December!

I was really glad to start my concert year with The Alternate Routes and The Ballroom Thieves. I’ve seen both bands a couple of times before and know they put on a great live show. I had a marvelous afternoon before the show, too—sadly missing The Alternate Routes’ Studio Z on WCLZ I was invited to—but got to catch up over gelato with my dear friend Jess who was only briefly in town before jetting off to her last semester of architecture school in Minneapolis. I also randomly got to have a leisurely dinner with my long lost high school friend Hedda at Green Elephant before the show. And my great Friday only got better…

Boston’s The Ballroom Thieves is quickly becoming one of my favorite live acts. They have it all—powerful songs, musicianship, comedic banter, and chemistry. If you haven’t seen them live, you really are missing out. Martin Early (guitar/vocals), Devin Mauch (percussion/vocals), and Calin Peters (cello/vocals) took the stage and opened with an acoustic song around a single microphone. Their airy, beautiful harmonies enticed people to start moving towards the stage. “Coward’s Son” was next, and it’s my favorite Ballroom Thieves song. Martin greeted us and told us they love Portland. No one clapped. Devin piped in and joked that sometimes people like their city and we tried again and clapped some for Portland.

Boston's The Ballroom Thieves

Boston’s The Ballroom Thieves

IMG_6176

The Thieves showed off their percussive prowess on “Down By the River.” The crowd was still really far from the stage, so the Thieves asked us who would dare to stand within 15 feet of them. Two people bravely moved forward and the boys joked that it was funny because they had friends and family in the crowd and didn’t know either of the two.

“Wait for the Water” was really pretty. They joked (a theme of the night, which I appreciated) about their pick me up song called “Bullet.” They mentioned their show a few months back with The Last Bison (which was quite a night—here’s my recap). The “Vampires” introduction got a lot of laughs. Martin said it was about the Twilight trilogy, which they’d recently learned was a “quadrology” now. He said that he and Devin were Team Jacob (because “dogs are a man’s best friend and descended from wolves”) and Calin is Team Edward. She joked about the hotness of sparkly men. I’m on Team Charlie.

IMG_6185 IMG_6192 IMG_6199

Martin played a brand new song “about a big tree” called “Oak” solo. Devin and Calin came back on stage and Devin introduced his band mates with hilarious details, including Calin’s two rabbits and Martin’s 25 week-old (long pause) puppy. He joked that Martin’s mom was probably shaking for a minute there. They played “Brother” about “a sibling who is a boy” and “Drones” off their newest EP with a great cello intro from Calin. Her cello parts are so rich and emotive that they’re like adding a fourth vocalist to the mix. Impressive.

Calin Peters

Calin Peters

Devin Mauch

Devin Mauch

Martin Early and Calin Peters

Martin Early and Calin Peters

IMG_6232 IMG_6242

“Save Me” is so pretty and I was happy to hear it again. The Thieves thanked us for coming out to the show—their best turnout in Portland so far—and closed their set with “Archers,” which will be on their upcoming full-length album. The Ballroom Thieves has been spot on all three times I’ve seen them. Check out this post from when they played with Swear and Shake and The Lone Bellow back in June. I like them more and more each time I see them. They really shine live and I’m sure they earned a bunch more fans that night.

I could tell I was out of concert-going practice waiting for The Alternate Routes to take the stage around 10PM. I’d taken a five-week concert break (because I always want this blog to be about seeing music because I love it and I don’t want it to feel like work) and it was hard to stay awake so late on a Friday night!

Ethan Minton from 98.9 WCLZ took the stage to introduce The Alternate Routes. He said it’s really great to be able to promote a band by playing their music on the radio—especially when they’re such great people. He mentioned the Studio Z The Alternate Routes recorded earlier in the day and invited the band to the stage. The Alternate Routes took the stage as a full band. I’d seen Tim and Eric as a duo opening for Martin Sexton last time, so was excited to see them surrounded by a band.

98.9 WCLZ's Ethan Minton introducing The Alternate Routes

98.9 WCLZ’s Ethan Minton introducing The Alternate Routes

The Alternate Routes' Tim Warren

The Alternate Routes’ Tim Warren

IMG_6263

The Alternate Routes' Eric Donnelly

The Alternate Routes’ Eric Donnelly

IMG_6286

Tim told us during the beginning on their set that they’re in the process of recording an album that they hope to have out in a few months. He told us how much they love Portland and thanked WCLZ and Ethan and said they’d wanted to play at Port City Music Hall for a long time. I was excited to hear new music that’s being recorded right now, but was happy to hear “Ordinary,” which is from their first album Good and Reckless and True.

IMG_6310 IMG_6349 IMG_6352

There was a little girl in the front row who was pumped about the show. Her enthusiasm was contagious. I did a double take and realized that I knew her—her dad installed my new furnace back in November. It’s a small world! Her mom kept taking videos of Faith enjoying the show and panning back and forth to the band onstage. It was adorable. It’s that kind of joy that I like to see at a show. I’m always dumbfounded by people at shows who spend their time at the bar talking (usually loudly) over the performers. I don’t see the point. Anyhow, Faith restored my faith (see what I did there?) in the joy that concert going can bring.

Tim performed “Won’t Let Go,” which he wrote for his bride and performed at their wedding last year. The audience happily sang our part on “Standing At Your Door,” and people who hadn’t seen The Alternate Routes before laughed when Tim picked up a toolbox to use as percussion on “Future’s Nothing New.” Tim nailed the harmonica part on that song. Eric played killer guitar all night, too.

Tim using the toolbox as percussion on "Future's Nothing New." It's a crowd pleaser.

Tim using the toolbox as percussion on “Future’s Nothing New.” It’s a crowd pleaser.

IMG_6399 IMG_6400

Tim is an adorable front man. At some point in the set he paused to say “I’m really happy. Are you really happy? This is a special night for us. The rooms we play don’t always fill up but tonight they did and we are grateful.” I hadn’t turned around the whole show (and I was in the front row, as always), but he inspired me to do so and the room was pretty full. I was glad to hear “Time is a Runaway” from back in the day, too. Tim talked about writing it in his uncle’s living room in Beverly, Massachusetts.

IMG_6404 IMG_6406

A really cool thing happened over the summer for The Alternate Routes. They were approached by a company and introduced to Newtown Kindness, an organization founded to promote kindness in memory of Charlotte Bacon, whose life was tragically taken at Sandy Hook Elementary School. Newtown Kindness needed a song and “Nothing More” came to life. Tim talked about how the video for “Nothing More” is home movie footage of his sister running around and his mom pregnant with him in 1980. It’s a very sweet video. People have been encouraged to participate in the movement by synching their own home videos to the song. Tim gave a shout out to Deb and her yoga teacher Kathy. He said he saw Deb’s touching video and stopped in his tracks. He said “the whole thing makes me want to hug everything.” Music has the power to bring people together and to heal. It’s why I see so many live shows, I think. There’s magic in every concert venue—stories told, friends made, moments that make you pause and reflect. For me, live music is the best thing.

I really liked their last song, a new one called “Give,” and was very glad The Alternate Routes came back to the stage to end the night with “Carry Me Home.” This night was a lovely start to my concert going year.

xo,

bree

Leave a comment

Filed under Uncategorized